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SkedAddled
Joined: 19 Oct 2008 Posts: 1440 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Thu May 07, 2009 2:24 am Post subject: Urban Ruins: Abandoned Railyard Buildings |
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SkedAddled wrote:
I'll apologize right now: These are not from MF lenses.
I have learned that I suck at focusing with my camera's focusing
screen, which is why I have purchased a split screen from Alex.
I filled a memory card with soft-focus images about a week ago,
even though it seemed that I was doing okay with it. These images
are from my 18-55 and 28-105 lenses, and I'm very happy with them.
As soon as I have the focusing screen, I'll be posting shots from my
growing collection of MF lenses.
However, I have come to learn that others here enjoy urban exploration,
which is why I offer these pictures for your scrutiny. I certainly enjoyed
the outing with good friends, and I hope to return to these buildings soon.
This set comes from several abandoned buildings located in a semi-active
trainyard of the Grand Trunk Railroad in the US. These buildings are located
at least 1/2 mile from the active portion of the yards, though there are
residential homes within easy sight.
1.
2.
3.
4.
5.
6.
7. My personal favorite...
8.
9.
10.
_________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Thu May 07, 2009 2:38 am Post subject: |
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Laurence wrote:
GREAT experimentation! You have some very compelling compositions there, and I agree with your assessment of the iamge with the light coming in through the opening. I also like the image with the pull-chains and handles. Nice set. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu May 07, 2009 4:59 am Post subject: |
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patrickh wrote:
What a fun place to explore. Fun series too - despite the AF
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Poolhall
Joined: 25 Feb 2008 Posts: 1296
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Posted: Thu May 07, 2009 7:45 am Post subject: |
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Poolhall wrote:
Very good, as you say there is something compelling about photos of dereliction like this, good compositions and so interesting to look at too thanks |
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Bob van Sikorski
Joined: 12 Jan 2009 Posts: 287 Location: Czech Republic
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Posted: Thu May 07, 2009 10:40 am Post subject: |
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Bob van Sikorski wrote:
i like entire collection, but 7 is EXCELENT! _________________ Rokkor (MD 45/2.0, MC PF 50/1.7), Porst Color Reflex MC Auto 55/1.2, Jupiter 135/3.5
Minolta X-700, Minolta Dynax 4, Flexaret IIa (later version), Flexaret VI
Voigtländer Avus 9x12 (1927-1935 version)
Epson V500 + VueScan/Linux + RawTherapee 4.x + GIMP/wavelett sharpen plugin
Meopta Magnifax III (up to 6x9) + Opemus III (up to 6x6), Rodenstock Rodagon 50/2.8, Meopta Anaret 105/4.5
Proud user of czech films! company homepage: foma.cz, buy here: fomafoto.com |
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marty
Joined: 09 Apr 2009 Posts: 767 Location: Italy
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Posted: Thu May 07, 2009 11:19 am Post subject: |
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marty wrote:
Great series of industrial archaeology. Well documented decay of abandoned and forgotten pieces of modern era. No apologies needed, a good shot is a good shot despite the media you use to take it.
What is important is to capture the mood, the feeling, the soul and you did it, well. With split image rf it'll surely be easier life with manual focus and more fun too . #7 is my fav, looks like you hit the score with this one...
Marty. |
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GrahamNR17
Joined: 17 Jan 2009 Posts: 1855 Location: Norfolk, UK
Expire: 2012-09-06
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Posted: Thu May 07, 2009 11:37 am Post subject: |
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GrahamNR17 wrote:
Fabulous set, thankyou for posting them.
This is one of my all-time favourite styles of photography - moody industrial scenes. I think it is so important to document and photograph these things before they are gone forever. If you can achieve that in an aesthetically pleasing way such as you have done, even more chances they will be seen by lots of people.
Keep up the good work, I'm really impressed |
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SkedAddled
Joined: 19 Oct 2008 Posts: 1440 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Fri May 08, 2009 1:31 am Post subject: |
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SkedAddled wrote:
I thank you all for the kind feedback.
This set was a pleasure to shoot. I was in the company of two excellent
friends, and I enjoyed the location far more than I thought I would.
I've been putting some actual thought into how I'm framing & composing
my shots, and I think I've been improving in that regard. All your positive
reactions seem to confirm this, so thank you.
Larry, the pullchains are likely attached to damper controls for
the twin coal-fired boilers found in the old powerhouse. That one building
alone warrants another two visits, at least. _________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Sun May 10, 2009 12:24 am Post subject: |
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Farside wrote:
Fascinating stuff - keep doing it. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop Norway
http://www.fomafoto.com/
Webshop Czech
https://fomaobchod.cz/inshop/scripts/shop.aspx?action=DoChangeLanguage&LangID=4 |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Sun Jun 06, 2010 5:40 am Post subject: Re: Urban Ruins: Abandoned Railyard Buildings |
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Scheimpflug wrote:
SkedAddled wrote: |
5.
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This is an old thread, but I just have to bring it back. I'm absolutely floored that the paper towel holder still has paper towels in it! I just don't know what to say. Wow. Amazing. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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SkedAddled
Joined: 19 Oct 2008 Posts: 1440 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Tue Jun 08, 2010 2:15 am Post subject: Re: Urban Ruins: Abandoned Railyard Buildings |
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SkedAddled wrote:
Scheimpflug wrote: |
I'm absolutely floored that the paper towel holder still has paper towels in it! I just don't know what to say. Wow. Amazing. |
It surprised me too, to be sure.
Most of these locations have been thoroughly trashed by stupid punks
and vandals, stripping nearly everything of interest from the places.
There were signs that a local group, well-known for their destructive
habits, had visited this location, so I was very pleased to have found
some untouched parts to photograph during my visit.
In this view, the sink is on the left side, so it's not much wonder that
the vandals and my friends did not find the subject.
Almost directly behind the view of the sink, lies this skeleton of a
mechanical contraption. It's some sort of manifold if I'm correct,
but its purpose and function is unknown to me.
While looking directly at the sink, if you look a bit up and then left,
you'll find a very curious item:
Within this same powerhouse building, I discovered a partial collapse
of the roof on my next visit. I did not venture downstairs to the sink
during that visit, but the light was indeed very interesting:
This view looks opposite the view of the pullchains found on the boilers.
The chains are many feet to the right, with the doorway and stairs down to
the sink being also several feet behind. The sunbeam picture is no longer
possible, as the roof collapse is directly above that shot of the valve wheels. _________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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