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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Mon May 18, 2009 4:11 pm Post subject: |
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F16SUNSHINE wrote:
poilu wrote: |
sunshine, color pop is not exactly the same as 3D pop
3D is difficult to obtain when very stopped down and sun is coming from zenith |
Is this thread about 3D in captures or Ziess Micro Contrast philosophy? _________________ Moderator |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Mon May 18, 2009 4:33 pm Post subject: |
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poilu wrote:
sunshine wrote: |
Is this thread about 3D in captures or Ziess Micro Contrast philosophy? |
I know you have a lot of 3D pics, even with non Ziess
like this one
sunshine's photo wrote: |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Mon May 18, 2009 4:42 pm Post subject: |
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F16SUNSHINE wrote:
OK here he is
I'll pull some others up later.
I still think you miss my point but maybe I miss yours
If the image has an effect of dimension and space and feels like you look out a window.
I find this to be a 3D effect.
I understand Micro contrast 3D. But other factors can come in to play to give you a lifelike effect. Color, light, shadow, PP, film or sensor failures etc...
Maybe I'm talking about 3D photos and the subject is about 3D lenses I don't know.
Here's Paco click on image in next window until full size.
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magnet-2009
Joined: 22 Apr 2009 Posts: 505 Location: Greece, Athens
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Posted: Mon May 18, 2009 5:03 pm Post subject: |
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magnet-2009 wrote:
I watch your discussion and I'll try to express - simplify in order to check if I've understood something.
1. The 3d comes easy [if you know the way] using zeiss glass but this is not necessary.
2. The aperture choice must be in the range between max- better bokeh [>=5.6 ] and min - maximum dof [ <= 11]
3. The light must hit the subject area making an angle < 90 degrees with the ground / back lit may be good / front lit with dark back area may be good.
4. A FF sensor may be work better.
Right or WRONG?
In my opinion the photo with the kid drinking water gives no 3d effect, It is just an opinion. The "air" boy's back to infinity looks narrow.
Hey, I am proud to be a >100 posts member..... _________________ My flickr___ My Wix___ RailPictures |
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Spotmatic
Joined: 18 Aug 2008 Posts: 4045 Location: Netherlands
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Posted: Mon May 18, 2009 9:19 pm Post subject: |
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Spotmatic wrote:
Don't know... maybe this one shows a little 3D too? (Sorry, the SMC Pentax 1:2/28 is a Zeiss as some of you know )
_________________ Peter - Moderator
Pentax K-5 + Pentax 645 + Canon 5D + Bessa RF 10,5cm Heliar, and a 'little' bag full of MF lenses. The lens list is * here *.
My fast 80s: Asahi-Kogaku Takumar 83mm f/1.9 - Super-Takumar 85mm f/1.9 - FA 77mm f/1.8 Limited - Cyclop 85/1.5 (Helios-40 innards) - Komura 80mm f/1.8 - Meyer Görlitz Primoplan 7,5cm 1:1.9 - Carl Zeiss Jena 80mm f/1.8 Pancolar - Canon 85mm f/1.8 S.S.C. - Canon 85mm f/1.2 S.S.C. Aspherical |
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magnet-2009
Joined: 22 Apr 2009 Posts: 505 Location: Greece, Athens
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Posted: Mon May 18, 2009 9:27 pm Post subject: |
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magnet-2009 wrote:
Spotmatic wrote: |
Don't know... maybe this one shows a little 3D too? (Sorry, the SMC Pentax 1:2/28 is a Zeiss as some of you know )
] |
Yes, the K one....
Nice photo, I can't tell you if it is "3 Dimensional", I am waiting the accurate definition. _________________ My flickr___ My Wix___ RailPictures |
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Mon May 18, 2009 10:07 pm Post subject: |
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no-X wrote:
Very nice demonstration! Thank to all
I quite like these 2 shots of my last set. Not sure, if it's 3D, or anything else, but to me, both appears to be a bit more realistic, than the others...
I also like this one in full resolution - however it's completely uninteresting shot
_________________ (almost) complete list of Helios lenses |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon May 18, 2009 10:25 pm Post subject: |
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Orio wrote:
@ no-x
your photos indeed show 3D to my eye.
The "problem" so to say, is that it seems to me that different people have different concept of what 3D in a photo is.
For me is the dimensionality of objects and the "air" between them.
For others, it's how the foreground object stands out from a blurred background.
I think your last picture displays this possible misunderstanding.
The subject stands out above blurred background.
But I do not care about the foreground-background effect, I care about how dimensional the subject is.
And I can feel the volume of the right hand holding the gun... and I can feel the space between the base of the gun and the cheeck.
And the space between the open mouth and the shoulder behind.
@ magnet
I don't think that Zeiss lenses are required for "3D".
I have gotten excellent 3D effect from Leica lenses and from Russian lenses as well (especially the Jupiter-37 and the MIR-24)
I think that a lens with high microcontrast is surely very important, no matter what brand.
One thing I have noticed in my experience, is that often Japanese lenses, which have excellent resolution, tend to have less microcontrast
compared to German and Russian lenses. This is not an absolute truth, but I find it to be true in many cases.
I think it's a philosophical difference, and I don't think that German and Russian lenses are necessarily better because of that -
there is people who prefers "quieter" lenses with more resolvance and less contrast. Indeed this type of lens (I would call it "Japanese lens")
is more flexible in the digital darkroom. You can "model" its images easier.
On the contrary, German and Russian lenses are more "commanding", they tend to "drive" the processing instead of "serving" it.
They impose their character and it's harder to get out of it.
It's really two worlds - to every one his own. _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon May 18, 2009 11:48 pm Post subject: |
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Orio wrote:
I would like to post this other example.
Perspective is frontal, and the lighting, although not diffused, is coming from straight above, so there is no lateral shadow that might help define shapes.
And yet... 3D is there.
Thanks to two factors in this case, I think:
- aperture's DOF (as always)
- and microcontrast.
The focus is set in a way that we have slightly out of focus baskets both before and after the focused one.
This is a trick I often use when I want to communicate depth.
But of course in this particular image, the microcontrast plays a key role, almost of the same importance.
Without that "pop" that differentiates one straw thread from the other, the 3D perception would have been weaker
P.S. camera is 5D, lens is Distagon 1.4/35
photo taken in 2007 _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
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yalcinaydin
Joined: 20 May 2008 Posts: 825 Location: Izmir, Turkey
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Posted: Tue May 19, 2009 5:14 am Post subject: |
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yalcinaydin wrote:
I feel that additional light to pop out the subject and sharpness creates the 3D feeling.
Some double flash used Zuiko 3.5/28 samples, probably at f:11:
Sigma 12-24@f:11 (Leica or zeiss would be even better) plus full power 550EX fill light with contra strong sun-light (it adds the 3D to the clouds and improves the overall 3D feelings):
_________________ My name is "Yalcin", and exactly "Yalçın" and here you can find my MF samples:
http://www.flickr.com/photos/yalcinaydin/sets/
Right now switching back to AF because of work needs but I still love the MF lenses |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Tue May 19, 2009 6:35 am Post subject: |
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poilu wrote:
sunshine wrote: |
I still think you miss my point but maybe I miss yours |
you are right and I realize that if 100 people post 3D shots, we will get 100 different point of view
I find this thread 3 Dimensions in a photograph and the Nikon digital teacher rejected almost all submitted pics
I find there new definitions like bipolar where half of the pic is dimensional and second half is flat
the difficulty to clearly define and perceive such topics help me to better understand why so many people are happy with their p&s pics _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue May 19, 2009 7:31 am Post subject: |
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Orio wrote:
Yalçın
I don't know about how others do view, but your photos (especially the first three) look extremely dark on my monitor, of the order to -say- 1,5 stops underexposure. _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue May 19, 2009 7:48 am Post subject: |
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Orio wrote:
Interesting reading. I noticed that about 90% of the people who posted there have a different concept than mine of what 3D perception in a flat photo is.
For them, 3D is what I call the binoculars effect (sharp foreground object on blurred background).
I even fully disagree with what most people posted about lenses, that the tele lenses would give more 3D.
The following image is one of the very few times when I could obtain an acceptable dimensional perception from a tele lens. By the way the lens was a Jupiter-37 (135mm):
For my experience, it is exactly the opposite, tele lenses can really kill the 3D and make everything look like the binoculars effect if you are not really careful/lucky in using them.
For what is my experience, I get the most 3D from lenses that range from medium wide (24-28mm) to standard (50mm).
On the other hand, also the teacher seems to have a different concept than mine. I for instance do not consider his Maasai photo as 3D looking. For me it is closer to what I call the binoculars effect.
Even if I look at the Masaai man alone, without considering the BG, he looks really flat and lifeless, completely lacking microcontrast to bring life to details. No-x photos of soldiers are a hundred times more 3D than his Maasai.
Same goes for his Tuscany landscape, for me it's binoculars effect not real 3D. _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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magnet-2009
Joined: 22 Apr 2009 Posts: 505 Location: Greece, Athens
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Posted: Tue May 19, 2009 11:48 am Post subject: |
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magnet-2009 wrote:
I agree with Orio.
Tele lens destroy the "air" between the 2nd-3d etc.....planes in the photo.
The first teacher's example [the "orange" landscape] is not 3D at all.
A cropping of the 3d - 4th "plane" will give us the impression of just a 2 dimensional color synthesis. _________________ My flickr___ My Wix___ RailPictures |
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yalcinaydin
Joined: 20 May 2008 Posts: 825 Location: Izmir, Turkey
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Posted: Tue May 19, 2009 5:19 pm Post subject: |
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yalcinaydin wrote:
Orio wrote: |
Yalçın
I don't know about how others do view, but your photos (especially the first three) look extremely dark on my monitor, of the order to -say- 1,5 stops underexposure. |
Yes you are right, I don't know how much but they are underexposed. They were adjusted on my CRT monitor and was ok there, wasn't using histograms before, but they also seem dark on my current notebook's screen. Anyways, my point was using light makes a huge difference. _________________ My name is "Yalcin", and exactly "Yalçın" and here you can find my MF samples:
http://www.flickr.com/photos/yalcinaydin/sets/
Right now switching back to AF because of work needs but I still love the MF lenses |
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madamasu
Joined: 03 Feb 2009 Posts: 597 Location: Frankfurt/Main Germany
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Posted: Tue May 19, 2009 5:45 pm Post subject: |
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madamasu wrote:
I don't know, if this qualifies as 3D, is just another play with the DOF of a micro-lense, or whatsoever.
I took this picture 3 or 4 years ago at the Frankfurt Zoo with the Micro-Nikkor 105/2.8 (non VR), which unfortunately was stolen later. MF-focussed, if my memory doesn't completely fail me. The camera was my first digital SLR, the Nikon D70.
_________________ Zorki 4
Jupiter 8, 9, 11, 12 & triple finder
Nikon D200, D700
Nikkors: 15/3.5 AI; N.C 24mm/2.8 (AIed);
N 35mm/1.4 (AIed); 45mm/2.8P; 50mm/1.2 AIS; Micro 55mm/2.8 AIS; Noct 58mm/1.2 AIS;85mm/1.8 (K-lense AIed); 105mm/2.5 AIS; 135mm/3.5 (K-lense AIed)
Voigtlaender Ultron 40mm/2; CZJ Flektogon 20mm/4 (AIed); Helios-81M; MIR-20N; Volna-3; Flektogon 50/4;Flektogon 65/2.8; Biometar 80/2.8; Biometar 120/2.8; Sonnar 180/2.8; Sonnar 300/4
Kiron 70-210/4.5 Makro
--------------------------------------------------------
http://www.flickr.com/photos/madamasu |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Tue May 19, 2009 6:59 pm Post subject: |
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rawhead wrote:
Orio wrote: |
Yalçın
I don't know about how others do view, but your photos (especially the first three) look extremely dark on my monitor, of the order to -say- 1,5 stops underexposure. |
Maybe he uses a Macintosh with native gamma 1.8? I use a Mac and when I used native gamma, everything would look fine on my computer but very dark on Windows (with TV gamma of 2.2). Since them, I have grudgingly decided to set my monitor to 2.2 gamma, since most people use the inferior Windows platform _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue May 19, 2009 11:50 pm Post subject: |
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Orio wrote:
madamasu wrote: |
I don't know, if this qualifies as 3D] |
It absolutely does for me.
Excellent picture! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Thu May 21, 2009 9:47 am Post subject: |
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tobbsman wrote:
3D ????
Maybe this has a little 3D too ...
SMC K 135/2.5
more of this lens:
http://forum.mflenses.com/smc-k135-2-5-green-power-t17065.html _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Thu May 21, 2009 6:21 pm Post subject: |
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tobbsman wrote:
and one more SMC 135/2.3
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu May 21, 2009 11:41 pm Post subject: |
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Orio wrote:
Tobias,
in my opinion, all three pictures have the potential but the iris should have been stopped a bit more in all of them, in order to create more solid space in the perspective. As they are, the focus end abruptly after the main characters, making them stand over a flat background. The characters look 3D, but the space looks 2D.
In a nutshell I would say, if you want to create the illusion of a solid 3D space, you need to give more focus also to the environment not only to the foreground subjects.
As good as the characters are, if they have to look dimensional they have to be inserted in a space that is also dimensional.
I hope I have been able to explain what I mean... _________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Sat May 23, 2009 8:58 pm Post subject: |
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no-X wrote:
The first one (squirrel) works for me as is
Btw. Does this random shot count?
_________________ (almost) complete list of Helios lenses |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat May 23, 2009 9:14 pm Post subject: |
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Attila wrote:
Excellent 3D captures Tobias! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat May 23, 2009 10:46 pm Post subject: |
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estudleon wrote:
Really 3 D images for me. And excelents too.
Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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lahnet
Joined: 10 Apr 2007 Posts: 1164 Location: Denmark
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Posted: Sun May 24, 2009 6:28 am Post subject: |
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lahnet wrote:
What about using a fisheye, here a 16mm...3D?
_________________ Henrik
Lahnet-Foto
My FLICKR
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