A Beginner's Guide to Panorama Stiching

[tobbsman]

Herewith I present a "Beginner's Guide to Panorama Stiching" exclusively for the MF-Lenses forum

This guide is giving insight into the first steps of making stiched panorama photographs,giving tips and showing examples
for standard situations.

It gives basic information about the stiching process, photographing technique and the euipment which can be used.
I am not dealing in this guid with 360° panoramas, sorry this is not my style

An intermediate/advanced Guide to Panorama Stiching is planed for the future.

English is not my native language - I am open for any language corrections (please PN)!

More of my photographic artwork can be seen at http://www.vogelschreck.com
_______________________________________________





The Technique


Basics


- take enough overlapping from frame to frame. 1/3rd is an good everage.
see here a example for correctly overlapping frames by shooting freehand:




- portrait or landscape format frames are both possible. Depends on the subject.
to begin with, shooting landscape format frames is more safe.

- shoot always in manual mode, camera and lens. Autofocus can easily destroy a single frame and so the whole panorama.





Choosing the right lens, aperture and shutter speed


- with medium-scale scenerys begin with a 35mm, 28mm or 20mm lens. With landscapes a 28/35mm lens gives a very natural look to your panorama. Note! that my Pentax K10D has a crop sensor (1.5 magnification factor). Checkt the cropfactor of your camerasensor and relate to it.
Be aware that lenses from 10-20mm create huge distortions to you final result.
Later on one can experiment with those lenses for artistic reasons.

16mm - large-scale lanscape

(SMC DA* 16-50mm, Giglachseen, Austria )

20mm

(SMC A 20/2.8, Hochkönig, Salzburg)

28mm

(SMC M 28/3.5, Venice, Italy)


35mm

(medium-scale landscape shot, C. Zeiss Flektogon 35mm 2.4 MC, Saalfelden, Salzburg)



50mm

(SMC A 50/1.2, Gerling, Salzburger Land)

85mm

(S.M.C. Takumar 85/1.8, Zeeland, The Netherlands)

- choose lenses with very high corner sharpness and and less barrel distortions! You don't want unsharp spots inside your final image and you don't want that it looks like a wave-form

- to begin with take a aperture between f8 and f11 (daylight, outdoor use) to get everything in your pano sharp. Watch that your shutter speed does not become slower than 1/160, to prevent camera shake. Go for 100% safety.
Remember! One single frame with camera shake destroys the whole panorama.
Try to shoot with higher ISO if the shutter becomes to slow --> With an
e.g. everage 25 frames panorama one does not notice much of a grain (when shot with e.g. ISO 400-500) when the whole panorama is scaled down to e.g. a 50Megapixel resolution.
Here's an example of an large-scale panorama stiched from more than 30 frames which shot on a very high ISO with polarizer.


(SMC A 20/2.8, Hochkönig, Berchtesgadener Alpen, Salzburger Land)

- short or long lenses, all is possible. As used with analog panorama-cameras, all typ of lenses from super wide angel till telelenses are used by panorama photographs.

exaples why to take a long lens:
1)you want nicer bokeh


2)your subject is far away

(SMC A 100/2.8 Macro, Kitzsteinhorh, Nationalpark Hohe Tauern, Salzburger Land)

3)you want to make a large scale print and use stiching technics to gain megapixles (pseudo-panorama):


(SMC A 70-210/4, Fortress of Salzburg)
see here a 32 Megapixel Panorama

http://farm3.static.flickr.com/2231/2336651991_c67e098714_o.jpg


- make a metering on a light part (maybe not the lightest) of the panorama-scenery and use this as your shutter speed for all frames.




Capturing the frames



- a steady hand is needed or a tripod
- a nodal panoramahead (e.g. Nodal Ninja) for your tripod is not necessary at all!
- 99% of my panoramas are done freehand
- try to get a rhythm while capturing each frame, move your camera always the same distance to the next frame - don't worry, one get a feeling for the distances
- try to find signifficant points in your scenery and remember them; you'll need this points to relate on when you change to the second or third row of frames

- do not move your legs or your hips, turn with your upper body/shoulders around your spine. Remember! You do not have to immitate a nodal-point panoramahead

- the most difficult part is to make straight rows of frames. One tends to descend to the right !! (you could miss a lot of sky later at the top-right side of your pano). To prevent that, try to relate your rows on the horizon or on the siglifficalt poits in the scenery which you memorized.

- mostly I use 3 rows of landscape format frames above each other

(SMC A 20/2.8, Hochkönig, Berchtesgadener Alpen, Salzburger Land)

- 2 rows of portrait frames can be very useful when one needs to shoot fast (see explaination later)

- sometimes panoramas with only 2-3 landscape or 3-6 portrait format frames can be enough
I use this a lot if I don't want or can't change to a wider lens


(SMC A 20/2.8, Hochkönig, Berchtesgadener Alpen, Salzburger Land)



- 4 rows example:


(SMC A 20/2.8, Umballfälle, East Tyrol, Austria)

- portrait format panoramas are of course possible as well


(SMC DA*16-50/2.8 on 16mm, Venice, Italy)


- your beginning frame is the main subject.
Try to get the main subject(s) (e.g. house, tree, person, car etc.) in one frame, then you build up the panorama around this frame


(see the result above)

- make a seperate shot with the subject in the middle of the frame ... this is VERY useful if there occur stiching errors and you
want to mount your subject later into the finished panorama

- shoot in RAW mode! If your metering was slightly off, you could later (using the batchmode of your RAW converter) correct all the frames to the exposure you want.





Special situations



moving objects
- be aware with moving objects:
- don't worry, your sticher can handle moving objects BUT those objects should not be cutted, they should be in one frame.
- too many moving objects can create "ghost-images" (e.g. birds), but can later on be corrected easily in PS.


(SMC M 28/2.8, Untersberg, Salzburger Hochthron, Salzburger Land)

night situations
- take a tripod and do same as written above (capturing the frames).
- a steady tripod is needed, wind (shake) can easily destroy a single frame.

I had luck with my Manfrotto tripod, there was heavy wind on the top of this mountain ...



That is a kind of trick-shot; It's nearly day down in the image and night at the top of the photograph.
more about this kind of technics --> see in the advanced panorama guide which is coming soon)
(SMC K 135/2.5, town of Hallein, Salzburger Land)

- use a cable shutter release
- when shooting in bulb mode, take a stop-watch with you to correctly expose each frame
- in some nightfall situations you need a calculator.


nightfall situation
- remember that it becomes darker and darker very fast while nightfall!
If you make e.g. a 25-frames panorama this is a crucial thing. So if the exposure for one frame takes e.g. 45 seconds at the beginning of nightfall, same exposure 20 minutes later can be 1:30min. This situations are quite tricky to shoot because you are doing everything in manual mode.
Shooting panoramas in the "blue hour" is a challenging thing:



(paper-factory "M-Real", Hallein, Salzburger Land)


- interesting night-technics are explaind in the Advanced Guide, which will come soon

- remember: clouds are moving fast ! If you want less blur in your clouds, shoot with wider apertures and higher ISO ratios to shoot your frames faster.

cloudes movements in a moonlight situation:

(SMC A 20/2.8, Saalfelden, Salzburger Land)


- don't worry, your stiching software can handle clouds movements very well.





Using Filters


- any filter which couses vignetting are dangerous for the panographer e.g. polarizer
- filters as ND-grads never use ! Your hands will not memorize the horizon of your ND gradient filter perfectly. Better make a gradient later in PS.
- ND grey filters can be used without problem
using the polarizer correctly:
- if you are shooting 20mm or wider you have to have a polarizer with a very thin THIN filter ring. That prevents vignetting which is upmoast dangerous to panorama shooting.
- never turn your polarizer to the position where it is most effective
(darkest sky/lightest highlights). Stay somwhere in the middle (again to prevent vignetting). it could end up (in the worst case) like that:


(SMC K 24/2.8, Zell am See, Austria)

- nerver turn you polarizer during the shooting process.

Panoramas taken with a circ. polarizer:


(SMC A 20/2.8, Hochkönig, Berchtesgadener Alpen, Salzburger Land)



(SMC A 20/2.8, Pasterze-Glazier, National Park "Hohe Tauern", Austria)





Subject/Motive

- any subject is possible
- medium-scale landscapes are good to begin with
- look for eyechatching motives inside the scenery


(SMC A 20/2.8, near Pasterze-Glazier, National Park "Hohe Tauern", Austria)


(SMC A 20/2.8, Weissensee/Gletscherwelt, National Park "Hohe Tauern", Austria)

- remember: proportions of distances will look very different in the stiched shot then what you expect.
e.g. a cow which is 50cm away from you can look as it is 20meters away
e.g. huge mountain grups can look like small hills, people look like ants

I was standing nerly under the windmill, which creates a very awkward distortion


(SMC A 20/2.8, Zeeland, "Neeltje Jans", Holland)

a huge rainbow can look like a childrens toy:

(SMC A 20/2.8, Zeeland, "Neeltje Jans", Holland)


- with larg-scale shots try do bring a reference point in your shot (e.g. people, cars etc. something to relate proportions on)

watch my wife under the windmill


(SMC K 28/3.5, Zeeland, Wemeldinge, The Netherlands)

- a foreground subject gives an extra feeling of depth


(SMC A 20/2.8, Weissensee/Gletscherwelt, National Park "Hohe Tauern", Austria)


- first photograph the motive/subject then build the panorama around it


- Black & White works perfect on panoramas (watch my wife standing middle/right)


(SMC A 20/2.8, Krimmler Waterfalls, Nationalpark Hohe Tauer, Austria)






The Stiching Process


I will not do recomandations on a certain stiching software product. There's a lot of great software with mostly similar features ...

If you want fast stiching/rendering you need a fast CPU. 4 GB Ram is good, I worked years with only 2GB.

- load your photographs (RAW or jpg) into the sticher
- don't forget to set the lens' length, so the sticher can handle your files correctly (correct lens distortions etc.)
(If you use manual lenses the length of the lens is not stored in the EXIFs, so the stiching software can't derive it)
- disable "Auto level" and "auto color correction" (or similar)
- the "standard" detection mode is 99% enough to detect and stich your panoramas correctly
if your sticher has troubles with detecting, try to set it on "low detection" (or similar), often this helps
- the detection/stiching process takes in everage ~20-30 seconds for a 20frames panorama (depends on your computer power)
- in advanced modes one can define the projection modes of the frames: mostly sphereical/cylyndrical/planar
Play around with ot ALOT!
Example for spherical projection:


(C. Zeiss Jena Flektogon 20mm 2.8 MC, Paris, Tour Eiffel)

- after shortly editing in advanced mode, render the Panorama
- be aware: a 25frames Panorama has about 150Megapixel (with a 10MP camera).
- render in TIF mode
- activate 16bit TIF mode if you use RAW images, to get even better quality.

Rendering a 25frames(10MP) panorama takes about 5 minutes (Dual Core 2X2.4 Ghz).






Special Features - Stiching Software

(more of it will be in the 2nd part of this panorama guide.

- Just to explain one feature which I use a lot:
In "planar projection mode" (see above) one can immitate a T/S lens by manually correcting the horizontals and verticals. One can make architecture shots with a resolution which
a T/S lens never can produce. e.g. the architecture photograph beneath from 21 frames becomes a 150Megapixel output file.


(SMC A 50/1.2, Overzande, Zeeland, The Netherlands)

planar projection:


frame distortion planar projection:



that would be spherical projection:


frame distortion spherical projection:


another example of a T/S stiching:


(C. Zeiss Flektogon 35mm 2.4 MC, church windowof Notre Dame, Paris, France)

_______________________________

Hope you enjoyed this Guide and got a litte insight in the panorama world.
Dozens of my panoramas can be viewd on my webpage:

http://www.vogelschreck.com

_______________________________
Any use of this texts and photograph content is prohibited by the author.
2009, Tobias Guttmann
_________________
Camera Pentax K10D
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8, SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC)
S.M.C Takumar 85mm 1.8, Helios 44M-4

Visit my MF Web Gallery !

Check out my Panorama Guide !

[Spotmatic]

1st reaction:

Wow, you made one of the best howto's I have ever seen.

2nd reaction:

Wow, I got an overdose of panoramas, and each one of them is the best I have ever seen.


_________________
"Old Takumars never die; they just fade away"

Pentax K-7 + Pentax 645 + Bessa RF 10,5cm Heliar, Bessa II Apo-Lanthar and a 'little' bag full of MF lenses. The lens list is * here *.
My fast 80s: Asahi-Kogaku Takumar 83mm f/1.9 - Super-Takumar 85mm f/1.9 - S-M-C Takumar 85mm f/1.8 - FA 77mm f/1.8 Limited - Cyclop 85/1.5 (Helios-40 innards) - Komura 80mm f/1.8 - Komura 85mm f/1.4 - Accura Supertel Tc 1:1.9 f=85mm - Jupiter-9 2/85 - Meyer Görlitz Primoplan 7,5cm 1:1.9 - Carl Zeiss Jena 75mm f/1.5 Biotar - Carl Zeiss Jena 80mm f/1.8 Pancolar - Canon 85mm f/1.8 S.S.C. - Canon 85mm f/1.2 S.S.C. Aspherical - Enna München Ennalyt 85mm f/1.5 - Olympus Zuiko Auto-T MC 85mm f/2

[trifox]

Mr. Tobbsman!!

RESPECT x 100 !!!


..you are a master of Pano .!

Thanks!

tf
_________________
several crappy lenses...

Flickr.com
CAMERA, LENS, SHUTTER REPAIRS and LENS MOUNT CONVERSION - info@cameraserviceone.com, www.cameraserviceone.com

[Olivier]

Oh YES, I enjoyed a lot !!!

Thanks Tobias.
That's a Masterpiece.
_________________
Olivier
DSLR : Canon EOS 40D - EOS 400D
SLR : Canon EOS 500N - ZENITH EM
M42 Lenses : Carl Zeiss Jena Flektogon 2.8/35 - Aus Jena Tessar 2.8/50 - Carl Zeiss Jena Sonnar 1Q 4/135 - Carl Zeiss Jena Triotar T 4/13,5 * Fujinon 1.8/55 * Helios-40 1.5/85 - Helios 44M 2/58 * Industar-61 L/Z-MC 2.8/50 macro * Jupiter-9 2/85 - Jupiter-37A 3.5/135 - Jupiter-21M 4/200 * Meyer Optik Görlitz Trioplan 2.8/100 - Meyer Optik Görlitz Orestegor 4/200 * MIR-1B 2.8/37 * Pentacon 2.8/29 - Pentacon 1.8/50 - Pentacon 2.8/135 * Piesker Picon 2.8/135 * Prinzflex 2.8/135 - Prinzflex 3.5/200 * Soligor 2.8/35 - Soligor 2.8/135 - Soligor 3.5/200 - Soligor 4.5/250 - Soligor 6.3/400 * Steinheil München Quinar 2.8/135 * Tair-11A 2.8/135 - Tair-3 Grand Prix Brussels 1958 4.5/300 - Tair-3 4.5/300A * Super Takumar 1.8/55 * Tamron AD2 (03A) 3.8-4/80-210 - Tamron AD2 (01A) SP 2.8-3.8/35-80mm * Will. Wetzlar Vastar V 2.8/50 * Yashinon 4.5/70-230mm * Zenitar-M MC 2.8/16 Fisheye + Zenit Extension Tubes Set - extender TK-2M
Nikon Mount : Angenieux 2.5-3.3/35-70mm - Angenieux 3.5/70-210mm
P6 Mount : CZJ MC Sonnar 4/300 * Volna-3 2.8/80
PK Mount : MC Cosinon-W 2.8/28 * Tokina 2.8/35-70
EOS AF Lenses : Canon EF 1.8/50 II - EF 2.8/100 USM Macro - EFS 4-5.6/17-85 IS USM - EFS 3.5-5.6/18-55 - EFS 4.5-5.6/55-200 - EF 4/70-200 L IS USM * Sigma 4-5.6/70-300 DG Macro - Sigma 3.8-5.6/28-200 + Extender Kenko Pro 300 1.4x

[Jieffe]

OMG ! This post must be a sticky !

Best howto I've seen, never said so much "wow's" on one post ...

THANK YOU !
_________________
The gear I use : Pentax K200D & Samsung GX1s, a few Tamron, Pentax, East German and Russian lenses.
(Modded Sony DSC-V1 for Infrared)
Gimp & Ufraw on Linux Zenwalk
Flick : www.flickr.com/photos/jieffe

[sichko]

Many thanks for an excellent - and very generous - contribution.
_________________
John

D5000. MF : Nikkor 2.8/24 Ai, Nikkor 2.8/28 Ais, Nikkor 3.5/28 Ai, Nikkor 1.8/50 Ai, Nikkor 2.5/105 Ai, Nikon E 3.5/75-150. AF : Sigma 4-5.6/10-20, Nikkor 1.8G/35, Nikkor 55-200 VR

[Attila]

MANY.MANY THANKS!!!!!
_________________


Folder cameras: Konishiroku Pearl, Bessa RF Heliar,Bessa I Color-Skopar,Ercona II Tessar,Franka III Schneider-Kreuznach Radionar
[color=black][b]35mm rangefinderKonica III,Bessa L,Yashica Electro GN,Canonette QL 17
35mm SLRKonica FM,Konica FP,Konica FT-1,Konica FC-1,Konica TC4,Nikon FA,Exakta VarexIIa,Fujica ST801
Carl Zeiss Jena:Flektogon 2.8/20mm,4/25mm,2.4/35,2.8/65mm,4.5/4cm Tessar, 8/500mm Fernobjektiv
Pancolar 1.4/55mm,1.8/50mm,1.8/80mm,Tessar 2.8/50mm,Biotar 2/58mm,1.5/75mm,1.5/7,5cm
Carl Zeiss: Sonnar 2.8/135,2.8/180mm,Tessar 4/135mm
Nikon:2.8/20mm, 2.8/28mm,1.4/35mm,1.4/50mm,2/50mm,1.8/85mm,2/85mm,2.8/135mm
Pentax: Pentax 1.2/50mm,1.8/85mm,4/200mm
Helios: Helios-40 1.5/8,5cm,Helios-44-1 2/58mm,Helios-44-2 2/58mm
Olympus OM: 3.5/18mm,3.5/21mm,3.5/55mm macro,2/90mm macro,35-70mm
Meyer: 4.5/35mm Primagon,Primoplan 1.9/58mm,1.9/75mm,2.8/100mm,Orestegor 2.8/135mm,4.5/40 Helioplan
Leica: 4/100 Macro
Konica:21mm f4, 28mm f3.5,35mm f2.8,50mm f1.4,57mm f1.2,85mm f1.8,100mm f2.8,135mm f3.5,135mm f3.2,200mm f3.5,4/300mm,40cm f4.5
Please visit my Ebay shop
and my company site
http://www.hqdesign.eu/

[Attila]

[no-X]

tobbsman: simply
_________________
for sale: Vivitar (Komine) 55/2.8 Macro 1:1 (K/AR) | CZJ Tessar 13,5cm f/4.5 (M42) | Vivitar 35/1.9 (M42) | (Carl Zeiss) aus Jena 1Q Biometar z. 80/2.8 P6

list of Helios 44 lenses | List of CZJ T-marked M42 lenses | I'm not absolutely retarded, English simply isn't my mother tongue :s)

up-to 30mm: Vivitar (Tokina) Series 1 VMC 28/1.9, Vivitar (Komine) MC close-focus 28/2.8, Zeiss Distagon T* 25/2.8 ZS
35mm: Super Takumar 35/2 PRO, S-M-C Takumar 35/2, S-M-C Takumar 35/3.5, CZJ eMC Flektogon 35/2.4, SC Curtagon 35/2.8, Vivitar 35/1.9, MG Primagon V 35/4.5, CZJ Tessar T 40/4.5
50mm: S-M-C Takumar 50/1.4, S-M-C Macro Takumar 50/4, Tomioka Cosinon MC 55/1.4, Tomioka Yashinon 55/1.2, Tomioka Macro Yashinon 60/2.8, CZJ Biotar T 58/2 preset, CZJ Biotar T 58/2 17-blades, CZJ eMC Pancolar 50/1.8, aJ Pancolar 55/1.4, KMZ Helios 44-2 58/2 00xxx, KMZ Helios 44-2 58/2 0xxx, MMZ Helios MC 44-3 58/2, Helios 77M 50/1.8, KMZ Zenitar M2s MC 50/2, KMZ Industar 50/3.5, MC Volna-9 Macro 50/2.8, MC Pentacon 50/1.8, MG Trioplan 50/2.9, MG Primoplan V 58/1.9, Voigtländer Color Ultron 50/1.8, Macro Prakticar 55/2.8
85mm:, CZJ Biotar T 75/1.5 M42, CZJ eMC Pancolar 80/1.8, aJ Biometar 80/2.8 P6 zebra, CZJ Biometar 80/2.8 M42, MG Primoplan V 75/1.9 [exa], MG Night Primoplan 80/1.9 [VP Night], KMZ Helios 40-2 85/1.5 (custom hybrid of 40 and 40-2), S-M-C Takumar 85/1.8, KMZ Jupiter-9 Π 8,5/2 M39, LZOS Jupiter-9 85/2 SLR M39, LZOS Jupiter-9 85/2 M42, Kodak Meniscus 90mm, MG Telefogar V 90/3.5, MG Trioplan V 100/2.8
over 100mm: Ernemann Kinostigmat 11cm, Voigtlander SL Macro APO Lanthar 125/2.5, Spiratone 135/1.8 plura-coat, KOMZ MC Jupiter 37AM 135/3.5, KOMZ Jupiter-11 135/4, KMZ Tair 11A 135/2.8, Pentacon preset 135/2.8 (bokehmonster), CZJ Sonnar MC 135/3.5, CZJ Triotar T 135/4, LR-A Pololyt 135/4.5 "T2", ZOMZ TAIR-3 300/4.5

[tobbsman]

Thank you all, too kind of you!

I am looking forward to see your Panoramas!
Film-panos from scans are of course possible as well, I did not mention that in the Guide.

Cheers
Tobias
_________________
Camera Pentax K10D
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8, SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC)
S.M.C Takumar 85mm 1.8, Helios 44M-4

Visit my MF Web Gallery !

Check out my Panorama Guide !

[Gurdie]

Thank you very much. I have only tried some simple 3-4 frame panos with Hugin software, but your examples are mouth-watering.

I wish you could comment on the different panorama software you have tried.
_________________
Markku


Digital: Nikon D700, Canon PowerShot A70
Film: Nikon F2, FE, Nikkormat FTn, Zorki-C, Cosina CX-1, Yashica Electro 35 GSN
Medium Format: Agfa Isolette
Lenses: Nikkors 20/3.5 AI, 24/2.8 AI-S, 28/2 AI, 25-50/4 AI, 35/1.4 AI-S, 50/1.4 AI´d, 50/2 AI, 50-135/3.5 AI-S, 55/3.5 Micro AI´d, 85/1.8 AI´d, 105/2.5 AI´d, 105/4 Micro AI-S, 135/2.8 AI-S, 180/2.8 ED AI-S, TC-201
AF 50/1.8D, AF-S 24-85/3.5-4.5, AF 28-85/3.5-4.5, AF-S 70-300/4.5-5.6 VR
Third Party F-mount: Tokina SD 70-210/4-5.6
Russian: MC Zenitar-N 16/2.8, MIR-24N 35/2
M42: Auto Revuenon 55/1.4, Fujinon EBC 55/1.8, CZJ Sonnar 135/3.5
T-mount: Itohkogaku Higon 135/3.5, Soligor 180/3.5
-----------------------------------------

[tobbsman]

[dakoo]

there is so much pano done these days. Your results are on the most good panos i have seen.
And that not just one, so many of them...
What a great howto...
_________________
Yashica ML 2.4/24, ML 2.4./28,Zeiss Planer 1.7/50,SMC Tak 1.4/50,Tessar 2.8/50, Jupiter2/85
CZJ 4/135; Pentacon 4/200

[kds315*]

I'm EXTREMELY impressed!! Very generous to share your technique and excellent results!!
_________________
Klaus

http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
http://photographyoftheinvisibleworld.blogspot.com/ my UV diary


Currently most FAV lens(es):
Nikon UV Nikkor f4.5/105mm
Voigtländer (Cosina) Apo-Makro-Lanthar f2.5 125mm SL

Want to travel to Europe and see spots hardly anyone has seen, read this:
http://www.examiner.com/x-6661-Germany-Travel-Examiner

[Mist]

Most awesome panoramas I've ever seen.
Thanks a lot for sharing!