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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Wed Sep 28, 2011 1:31 pm Post subject: Please give me your opinion of this Vivitar 400/5.6 |
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revers wrote:
I received my Vivitar 400/5.6 in mint condition this morning. Reviews I read pretty much discounted this lens as a poor performer. No wildlife about this morning so I just picked a few things about the yard to try it out. All but the CA test were shot wide open @ f5.6 & the distance to subject are approximate. I applied my normal post processing to all shots.
I used a cable release with this set-up.
1. 25'
2. 50', focus on leaves on table.
3. 75', focus on bench.
4. 100', focus on weather vain.
5. CA test, 125', f11
_________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Wed Sep 28, 2011 10:28 pm Post subject: |
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revers wrote:
I am disappointed in the folks here, 48 views & not a single reply to my request. There are very knowledgeable folk here that I was counting on to give me an opinion. Is it that bad that nobody wants to say so? _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Sep 28, 2011 10:31 pm Post subject: |
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Attila wrote:
Looks to me a very fine lens on this size, pixel peeping can say more about fine details. Usually reault getting lot worst on similar lenses. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Wed Sep 28, 2011 10:42 pm Post subject: |
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revers wrote:
Thanks Attila.
After I bought it, I found that the early version (Komine made) that I bid on, was considered soft with high high CA. That is why I did the CA test, as this is what I believe is supposed to show it. If I am in error, please advise. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Riku
Joined: 23 May 2007 Posts: 1059 Location: Finland
Expire: 2017-04-30
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Posted: Wed Sep 28, 2011 10:54 pm Post subject: |
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Riku wrote:
You need to post bigger pictures or 100% size crops. Then we can judge the lens. |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Wed Sep 28, 2011 10:58 pm Post subject: |
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luisalegria wrote:
You would see CA problems mainly in a crop also.
What I would be looking at would be just the old 1:1 pixel-peeping. Its hard to tell one tele from another without it.
But then I am not good at noticing anything else ! _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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Kathmandu
Joined: 09 Dec 2009 Posts: 1479 Location: (Kathmandu,Nepal. Currently)Pacific Northwest, USA
Expire: 2012-04-08
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Posted: Wed Sep 28, 2011 10:59 pm Post subject: |
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Kathmandu wrote:
Ron,
Just chiming in here, 48 views and no replies does not mean should not get you too disappointed-considering the geographical diversity of the members here. Of the 48- you have lots that visited the page via a search for that lens-and who may not necessarily be a member here right?
Having said that I believe the weather vane @100 ft. is pretty sharp and is showing good color tones,as far as as your CA test ;maybe you can crop a portion of that image and upload it to get a better look.
Best regards eh _________________ kathmandu
Sony α 700 DSLR
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Minolfan
Joined: 30 Dec 2008 Posts: 3438 Location: Netherlands
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Posted: Thu Sep 29, 2011 12:09 am Post subject: |
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Minolfan wrote:
I used the Komine made 400mm Vivitar some years for pictures of sailing races. The lens was a lot better in IQ and handling then the Typonar preset 400mm 6.3 I used before. And then a sturdy and heavy Accura I tested and didn't buy, because that one was too soft and less sharp.
I was quit satisfied by the results. I still have the lens, but not used for some time as it is in MD mount and doesn't fit on my DSLR. Deserves fresh air again for some birding on one of my film Minoltas.
I felt a bit ashamed not to have done yet when I saw your post, sorry for not reacting faster.
May be I should try the lens with teleconverter on DSLR too (I have the Minolta converter-s in a drawer) however that is a difficult combo to handle on APS-C: 2x400x1,5 . Need a block of concrete as a tripod? |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Thu Sep 29, 2011 3:44 am Post subject: |
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woodrim wrote:
f/11 isn't the aperture for testing CA, wide open or a stop down is. Looks pretty decent to me. _________________ Regards,
Woodrim |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Thu Sep 29, 2011 6:13 am Post subject: |
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martinsmith99 wrote:
Kathmandu wrote: |
Just chiming in here, 48 views and no replies does not mean should not get you too disappointed-considering the geographical diversity of the members here. Of the 48- you have lots that visited the page via a search for that lens-and who may not necessarily be a member here right?
Having said that I believe the weather vane @100 ft. is pretty sharp and is showing good color tones,as far as as your CA test ;maybe you can crop a portion of that image and upload it to get a better look. |
+1 Being the other side of the globe means I've only just seen this post. The number of views are probably made by lurkers that do not post.
It looks a decent lens at the sizes posted, but it's really difficult at this size to make any judgement as my Phone's camera probably looks ok in websize. _________________ Casual attendance these days |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Thu Sep 29, 2011 6:36 am Post subject: Re: Please give me your opinion of this Vivitar 400/5.6 |
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Scheimpflug wrote:
revers wrote: |
I applied my normal post processing to all shots. |
I think this is part of the difficulty in judging this lens, or any other for that matter. With enough post processing, you can make some really terrible lenses actually look pretty decent... and if you are used to "processing until it looks good" as part of your workflow, it is an easy slope to slip on when you receive a lens that otherwise should have been rejected for IQ reasons.
As posted here, we aren't really able to judge the lens - we are instead really judging the lens 50% and your post processing 50%.
Personally, after the post-processing (perhaps a bit heavy here), I would be happy with this lens. But being happy with it after PP still doesn't say if the lens is good or not. We would need to see the un-processed test shots for that. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Thu Sep 29, 2011 12:41 pm Post subject: |
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revers wrote:
Here I present the weather vain as shot, only converted to jpeg & re-sized.
A crop of the above :
I will re-shoot the CA test when the fog clears. [/img] _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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ManualFocus-G
Joined: 29 Dec 2008 Posts: 6622 Location: United Kingdom
Expire: 2014-11-24
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Posted: Thu Sep 29, 2011 12:59 pm Post subject: |
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ManualFocus-G wrote:
I presume it's the Tokina version you have?
As already discussed, the small images produced with pp earlier are not particularly helpful, but the last shot backs up what I have read and seen before...not too much contrast wide open and a bit soft. I had the Soligor version of this Tokina and found it difficult to focus because of the low contrast.
I now have the Komine version which is supposed to be better. Personally, I don't think the Komine is very good wipe open either, but it's an improvement nonetheless.
All that said, if you can focus OK with it reliably and have some decent pp, the lens could be very useful indeed _________________ Graham - Moderator
Shooter of choice: Fujifilm X-T20 with M42, PB and C/Y lenses
See my Flickr photos at http://www.flickr.com/photos/manualfocus-g |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Thu Sep 29, 2011 1:22 pm Post subject: |
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revers wrote:
This lens is made by Komine.
As you say, perhaps it can be saved by PP. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Thu Sep 29, 2011 1:29 pm Post subject: |
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ChromaticAberration wrote:
Being a fan of that dying practice of using as least PP as you can when you are trying to show what lens is capable of I must say it is not very impressive, but then again, most people are already badly used to seeing PP'd photos and when they see the raw version they get disappointed. _________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
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a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Thu Sep 29, 2011 3:25 pm Post subject: |
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revers wrote:
It is overcast but I redid the CA test wide open anyway.
Maybe not enough contrast with the grey sky? _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Laurentiu Cristofor
Joined: 23 Oct 2010 Posts: 524 Location: WA, USA
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Posted: Fri Sep 30, 2011 5:13 am Post subject: |
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Laurentiu Cristofor wrote:
It would be interesting to redo the shots on a brighter day. With some lenses, I see more CA on bright days than on cloudy ones. From the larger images, the lens looks ok for its period. Not bad, not amazing either. Which isn't surprising. Can't expect these lenses to compete with high end modern designs. Old lenses are most competitive in 24-135mm range - outside that, you might find the odd old but excellent performer, but it's a rare event. _________________ http://www.ipernity.com/home/2419272
https://laurphoto.blogspot.com/ |
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Pancolart
Joined: 04 Feb 2008 Posts: 3704 Location: Slovenia, EU
Expire: 2013-11-18
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Fri Sep 30, 2011 6:26 pm Post subject: |
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revers wrote:
Thanks for the feedback folks. Seems the reviews I read after I bought the lens were true, soft & bad CA. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Fri Sep 30, 2011 6:57 pm Post subject: |
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David wrote:
How good is your camera's IQ? What I mean to ask is, are you planning to take photos with this lens and print them as posters or as 8X10 or 11X14 prints? If the latter, it ought to be fine. If you want to make billboards to paper your walls with, this lens may not hold up.
I have a Vivitar 6.3, and it's a fine lens (even though it vignettes with the hood extended and can be tricky to focus.) However, it has limitations and on learning to work WITH those limitations has helped me use it well. Here are three photos I took with it and a quick description of each:
This is a refinery about nine miles from where I took the shot. Also, the K-7 has a 1.5 crop, so the lens functions like a 600mm, but still. It looks close. Not a great shot, though, and my Vivitar 400, at least, is not great for distance shots. I took it to a Giants game recently and mounted it to my RT. About 60% of the photos were too blurry due to camera shake and only have 100 ISO film to use at night. Oops. I've bought 400 since then. Anyway, Here the vignetting isn't so bad, but it's also only so-so on long-range shots due to atmospheric haze. For additional reference, that hazy peak in the background is 41.62 miles from where I took the photo. All this, I suspect is a refresher.
This little guy was about 28 feet from me -- just a few feet beyond the minimum focal distance of 25 feet. So at close range the lens worked well. It was not superb for capturing the bird in action and is best suited for still shots. But you can see a nice, milky bokeh that characterizes many Vivitar lenses.
This is the best photo I've captured with my 400. This guy was about 225 feet away and this is about 85% of the full frame. Focusing on him was VERY tough and of about 200 shots maybe 18 turned out. These Vivitar 400s have problems, it seems, with large DoF, even on the lower stops. But at dusk, when f6.3 is a must, if's even harder.
For my Vivitar 400, it has the largest operating range from about 10:00 AM till a couple hours before dusk. That said, it captures colors most purely at dusk and at the same time has the fewest chromatic aberrations or contrast flacidity.
One last shot:
Try a moon shot with your lens stopped fully down, as this one was. My Vivitar 400 has a suitable hyperfocal distance for shots like this moon shot. With a tiny aperture and the focus set to about the middle of the moon's focal plane, most of the orb is well focused.
In short, my Vivitar 400 is never leaving my collection. Period. It's my most capable telephoto and works on every camera I own (or will once I get a Nikon-M42 adapter.) The class on these things is great and when used properly, with correct lighting, and a suitable subject, the lens is going to keep you happy for a long time. But it's useful range is much narrower than many lenses. _________________ http://www.youtube.com/user/hancockDavidM |
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Riku
Joined: 23 May 2007 Posts: 1059 Location: Finland
Expire: 2017-04-30
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Posted: Fri Sep 30, 2011 7:22 pm Post subject: |
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Riku wrote:
revers wrote: |
Thanks for the feedback folks. Seems the reviews I read after I bought the lens were true, soft & bad CA. |
You should only trust in your own tests.
Your lens seems more than usable. How much an AF version would cost?
The pics from Pancolart show excellent colors and contrast, but bokeh color fringing, which should not really even be considered an aberration because it's outside the focus plane. All lenses have that. |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Fri Sep 30, 2011 8:11 pm Post subject: |
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revers wrote:
Here is one I shot @ f11. The subject is about a 100' away. Slightly cropped.
_________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Fri Sep 30, 2011 10:12 pm Post subject: |
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David wrote:
Your gray squirrel shot looks great. I agree that your lens is a definite keeper. _________________ http://www.youtube.com/user/hancockDavidM |
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jl-c
Joined: 25 Oct 2011 Posts: 1 Location: UK
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Posted: Tue Oct 25, 2011 6:50 pm Post subject: Vivitar 400 f5.6 |
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jl-c wrote:
I loved this lens, I used it for many years on my Canon T90's. Recently I joined the dark side and bought a Nikon D7000 and thought, why not use that 400mm with it, so having bought a Canon FD to Nikon converter I dug out my 400mm lens to find it badly fungus infected. Does anyone know how to strip and rebuild it? I know sometimes fungus etches the glass but I would like to try anyway. I like the lens!!
I have mailed Vivitar but as yet have not had an answer. My abject apologies for hijacking the thread but I thought if you were interested in this lens then someone may know how to 'revive it' !
I think the published pictures are fine for what they are, after all it is 1980's technology and it wasn't the most costly lens back then!
Thanks for any help,
Jonathan _________________ Jonathan |
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Pancolart
Joined: 04 Feb 2008 Posts: 3704 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Oct 25, 2011 6:54 pm Post subject: |
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Pancolart wrote:
Just use your chainsaw!
Joke aside, it's much better you buy healthy specimen with Nikon mount. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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