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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Wed Jan 05, 2011 10:51 am Post subject: No color from old Kodak C-41 film? (samples inside) |
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Scheimpflug wrote:
I have just had a roll of old C-41 Kodak Max 400 processed at a local lab, a roll out of a set of three that I picked up at a thrift store while traveling. The rolls were still in their black plastic containers, but not in the boxes, so unfortunately I have no idea how old the film is or how it was stored.
I wasn't expecting perfect results, but I was a bit surprised to examine the negatives, as I found that they had essentially no separation in the colors.
Does anyone have any thoughts on what might have gone wrong? Is this just what film does when it ages or is stored improperly?
Here are the scans of the negatives, along with my best attempt at a color correction (including the orange mask removal):
Please forgive the composition - the camera is handmade, and doesn't yet have a viewfinder. I can see that I still need to dial in the focusing and catch a few light leaks as well. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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Jesito
Joined: 24 Aug 2007 Posts: 5745 Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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Posted: Thu Jan 06, 2011 8:59 am Post subject: |
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Jesito wrote:
These are poor results even for an expired film. I've run many expired rolls and never got such a result. Are you sure the camera is working properly?. If so, maybe the roll was damaged beyond useage...
Regards.
Jes. _________________ Jesito, Moderator
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Thu Jan 06, 2011 9:27 am Post subject: |
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Excalibur wrote:
erm well colour neg and B/W film are quite tough but haven't used film left out in the desert for a few years but at a guess (other than blaming the lab for shoddy work), could it be underexposed negs then cross processed i.e. E6 film in c41 chemicals or c41 film in E6 chemicals............... _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Thu Jan 06, 2011 12:04 pm Post subject: |
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Scheimpflug wrote:
Jesito wrote: |
These are poor results even for an expired film. I've run many expired rolls and never got such a result. Are you sure the camera is working properly?. If so, maybe the roll was damaged beyond useage... |
I suppose "camera is working properly" is subject to interpretation. The shutter only fires at 1/1000 (or perhaps just a bit faster?), so I loaded the ISO-400 film and was shooting at f/4 & f/8 in the sunshine.
There's no meter and no viewfinder, so the fact that it advances film and produced images would probably be enough to call it "working" as far as the camera is concerned.
Excalibur wrote: |
erm well colour neg and B/W film are quite tough but haven't used film left out in the desert for a few years but at a guess (other than blaming the lab for shoddy work), could it be underexposed negs then cross processed i.e. E6 film in c41 chemicals or c41 film in E6 chemicals............... |
I don't think they're underexposed... I can take a shot of the film strip tomorrow in the light, but the exposures actually look pretty good. The majority of the uneven look to the images here are actually from the slide duplicator I'm using to "scan" them... it needs just a bit more diffusion for the light behind it.
The film is C-41, and nobody does B&W locally, so I suppose E6 development is the only cross-processing possibility? Would that produce this type of result?
The images are interesting, when the orange mask is removed and the images are inverted, the resulting image has essentially no data in the blue channel. The histograms look reasonable for the red and green, but the blue is pretty much nonexistent. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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marty
Joined: 09 Apr 2009 Posts: 767 Location: Italy
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Posted: Sun Jan 09, 2011 7:48 pm Post subject: |
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marty wrote:
Looks either they kept the film in the shop window exposed to elements for ages or ran it through expired chemistry (possibly even both of them). I feel to exclude x-pro, in such case the mask should be on the turquoise side rather than the usual orange.
Cheers, M. _________________ Canon FD
Bodies: AT-1, A-1, T-90
Lenses: nFD 20mm f2.8, 24 f2.8, 28 f2.8, 35 f2, FD 50 f1.8 S.C., 85 f1.8, 100 f2.8, 135 f2.8, 200 f4, 300 f4
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Mon Jan 17, 2011 7:55 am Post subject: |
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Scheimpflug wrote:
So I made a parallel thread over at the APUG forums, and a member there clued me in on the problem. The incandescent light source I was using behind the slide duplicator didn't have enough blue light to overcome the orange mask in the film.
http://www.apug.org/forums/forum40/85814-no-color-old-kodak-c-41-film-samples-inside.html
I don't have any bright blue lights, so instead I picked a light blue color and displayed it full-screen on my monitor, and used that as the backlight for the slide duplicator. It wasn't nearly as bright as using an incandescent light behind it, so my exposure times were really long (4+ seconds)... Here is the blue color that I used:
... and here are the results!
As you can see, they are substantially improved!
I do need to find a better blue light source though... Does anyone have any ideas? _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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marty
Joined: 09 Apr 2009 Posts: 767 Location: Italy
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Posted: Mon Jan 17, 2011 9:08 am Post subject: |
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marty wrote:
What about a flash with a blue gel ? That would be triggered with a sync cable, just behind the film holder, direct or reflected from a white surface.
Cheers, M. _________________ Canon FD
Bodies: AT-1, A-1, T-90
Lenses: nFD 20mm f2.8, 24 f2.8, 28 f2.8, 35 f2, FD 50 f1.8 S.C., 85 f1.8, 100 f2.8, 135 f2.8, 200 f4, 300 f4
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Neil Purling
Joined: 12 Oct 2009 Posts: 37
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Posted: Sun Mar 27, 2011 6:45 am Post subject: Re No Colour from Kodak Max film |
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Neil Purling wrote:
Scheimpflug: How far past date was the film? How badly was it stored?
Does anyone know where the blue-sensitive colour layer is in the emulsion? I wondered if that is why the film has not responded to blue light correctly.
I am particularly interested because I have a few boxes of this very film. I now think that as they are all past date they might be suspect. _________________ Leica IIIa c/w 50/3.5 Elmar and several Soviet lenses: J12, J8, Ind 22 & Ind 61LD
Nikon FE with 55/3.5 Micro-Nikkor, 50/1.8 Nikkor AIS 'pancake' and 50mm f2 Arsat-H (nikon AI)
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Yashica Mat TLR
4x5 Crown Graphic with 6" Beck Biplanat rapid-rectilinear in a Copal #1 & 127mm f4.7 Ektar in Supermatic shutter. |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Sun Mar 27, 2011 10:44 pm Post subject: |
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Scheimpflug wrote:
Unfortunately, I have no idea how old the film was or how it was stored. The film came along with an Olympus Superzoom 80G which I had purchased from a thrift store, together in a little plastic bag.
http://forum.mflenses.com/olympus-superzoom-80g-t34903.html
The Olympus was in *mint* condition with zero signs of wear or even any dust in the gaps in the plastic body, so I suppose I could assume that the film was purchased around the same time as the camera and they were simply never used. If so, that would place the date somewhere in the early 2000s? The only date reference I have is the downloadable owners manual from Olympus, which has a 2002 date on it...
At this point, I'm pretty sure that the color issues were almost entirely a result of my capture setup with the slide duplicator, particularly the color balance of the backlight. I would experiment with it more, but I think I'm just going to buy a "real" scanner instead.
How out of date is your film? _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Sat Dec 15, 2012 1:10 am Post subject: |
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philslizzy wrote:
they may have been made for the the old C22 process |
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