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pdesopo
Joined: 26 Jan 2011 Posts: 83
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Posted: Thu Jun 09, 2011 5:41 am Post subject: Widest vintage lens? |
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pdesopo wrote:
I saw the Vivitar 17mm. Is there something else even wider than that?
Considering is gonna be mounted on a 7D the crop sensor plays a role here...
Don't need a crazy wide though, just curious what else is possible to found to check price and quality, as for instance the Vivitar 17mm is not super cheap compared to an used/new Canon 18-55. _________________ Pietro Desopo
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu Jun 09, 2011 5:53 am Post subject: |
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IAZA wrote:
fish eye, not too 'fish eye" in APS-C
canon fd 15/2,8
zenitar 16/2,8
pentax takumar 17/4
wide
Tokina 17/3,5, tamron 17/3,5,
samyang 14/2,8 well its new, not vintage _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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WolverineX
Joined: 19 Apr 2009 Posts: 1693 Location: Zagreb , Croatia , Europe
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Posted: Thu Jun 09, 2011 6:07 am Post subject: |
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WolverineX wrote:
sigma 14mm/3.5 (it's not fisheye) _________________ my tools:Oly E-M5 + 45mm/1.8 + Oly E-520 + 12-60 + 14-42 + 70-300 + Sigma 105mm + FL-50R + EC20 + SRF-11 ring flash
http://forum.mflenses.com/wolverinex-testing-my-lenses-series-link-list-t39524.html |
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pdesopo
Joined: 26 Jan 2011 Posts: 83
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Posted: Thu Jun 09, 2011 6:18 am Post subject: |
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pdesopo wrote:
Thank you!
It seems the cheapest ones are the Pentax and the Zenitar, but the bid is not done yet on eBay, so I expect the price will rise.
Probably not easy to find a cheap wide. _________________ Pietro Desopo
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ManualFocus-G
Joined: 29 Dec 2008 Posts: 6622 Location: United Kingdom
Expire: 2014-11-24
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Posted: Thu Jun 09, 2011 6:28 am Post subject: |
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ManualFocus-G wrote:
Zenitar isn't really vintage! What is your reason for getting such a wide old lens for your 7D? I strongly suspect any modern APS-C zoom lens with outperform an old lens on crop. E.g. Canon kit lens was better than the Tamron SP 17/3.5 on my 40D. _________________ Graham - Moderator
Shooter of choice: Fujifilm X-T20 with M42, PB and C/Y lenses
See my Flickr photos at http://www.flickr.com/photos/manualfocus-g |
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pdesopo
Joined: 26 Jan 2011 Posts: 83
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Posted: Thu Jun 09, 2011 7:18 am Post subject: |
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pdesopo wrote:
ManualFocus-G wrote: |
Zenitar isn't really vintage! What is your reason for getting such a wide old lens for your 7D? I strongly suspect any modern APS-C zoom lens with outperform an old lens on crop. E.g. Canon kit lens was better than the Tamron SP 17/3.5 on my 40D. |
Yeah, I think that probably I'll go with the 18-55. _________________ Pietro Desopo
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visualopsins
Joined: 05 Mar 2009 Posts: 11057 Location: California
Expire: 2025-04-11
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Posted: Thu Jun 09, 2011 9:29 am Post subject: |
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visualopsins wrote:
+1 for 18-55 version with IS is best for money imho (no fisheye) _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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trev
Joined: 30 Jun 2010 Posts: 580 Location: North Wales - UK
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Posted: Thu Jun 09, 2011 10:44 am Post subject: |
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trev wrote:
If you can afford one, go for the Sigma 17-70 ef-s lens for canon which is VASTLY superior to canons 18-55 and not too far short of canon's 17-85 either _________________ Fuji X10, X-A1 and Samsung nx 20 |
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symphonic
Joined: 23 May 2010 Posts: 550 Location: SE Europe, Croatia
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Posted: Thu Jun 09, 2011 11:41 am Post subject: |
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symphonic wrote:
The Canon 18-55 (IS version) is a pretty sharp lens, despite the fact it's a kit lens and costs so little. My copy is even sharper then Tokina 12-24 in the 18-24 range.
The only real issue with it is it's plastic and of course, has a very cheap and flimsy feel to it, which is why I almost never use it. _________________ Toni,
EOS 450D
CZJ Sonnar 135/3.5 MC | Pancolar 50/1.8 MC
Contax Planar 50/1.4 AEJ | Contax Sonnar 135/2.8 AEJ
Yashica ML 28/2.8 | Zuiko 28/3.5
Vivitar Series1 105/2.5 OM
AF: Tokina 12-24 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Jun 09, 2011 12:13 pm Post subject: |
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iangreenhalgh1 wrote:
I wouldn't pay much for that 18-55, it will break/fall apart at some point, both of mine did. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Thu Jun 09, 2011 1:57 pm Post subject: |
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RioRico wrote:
The 'widest' vintage lens I know if is the (T2) 12mm f/8 variously badged as Vemar, Lentar, Spiratone -- if you see any 12/8, that's it. It is VERY fishy. The earlier version has a one-piece lens hood; the later version has a two-piece hood, and if you leave the hood ring on, you get a full-circle image on FF.
The 12/8 is fixed-focus, with Waterhouse stops of f/8, f/11, and f/16. My copy isn't built right and won't reach infinity, so I use it for subjects 10-20cm away where the background doesn't matter. Other copies do reach infinity. I can probably reach infinity if I just shave away a little more of the T2 adapter...
The 12/8 typically sells for ~US$100. Just something to consider, eh? _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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pdesopo
Joined: 26 Jan 2011 Posts: 83
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Posted: Thu Jun 09, 2011 4:36 pm Post subject: |
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pdesopo wrote:
So, the 18-55 is good but not sturdy. I guess it's like the nifty-fifty. To be honest I haven't got any problem with the 50mm so far, even if it's plastic. Bought 1 year ago still working fine. Of course needs more care than other lenses.
I didn't know about the Vemar, Spiratone and the Lentar. I'm wondering how good this lenses are and what would be the result on the ASP-C sensor as like I said don't need a real fisheye but just a good wide. I'll look for some samples. _________________ Pietro Desopo
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Thu Jun 09, 2011 5:04 pm Post subject: |
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Scheimpflug wrote:
pdesopo wrote: |
I didn't know about the Vemar, Spiratone and the Lentar. I'm wondering how good this lenses are and what would be the result on the ASP-C sensor as like I said don't need a real fisheye but just a good wide. I'll look for some samples. |
To answer your question, it's not very good. And I'll second what RioRico said - "VERY fishy".
In the center, the quality can be surprisingly good... but as you go out across the frame (even on APS-C), it drops off pretty quickly.
I use mine quite frequently, enough so that it has a dedicated space in my primary camera bag. But I don't use it very much for single shots - mostly only for spherical panoramas, where the edges will overlap and be blended away for the final composite image. I also never use it on anything but f16, or else the bad edges creep too far into the center for my tastes, so it is pretty much an outdoor-use-only lens for me. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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cheekygeek
Joined: 05 Aug 2008 Posts: 183
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Posted: Thu Jun 09, 2011 6:34 pm Post subject: |
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cheekygeek wrote:
Proper term for "not fisheye" = rectilinear.
Examples of each: http://www.arri.de/camera/tutorials/what_is_rectilinear_what_is_a_fisheye.html
Seems like some are mixing AF into the discussion (odd for a MF lens forum). _________________ DSLR: Pentax K-3 II, D-BG5 grip, SLR: Pentax SP500, Pentax SP, Pentax SP II, Pentax Spotmatic F, MX, ME-Super, Super Program, pZ-1
Lenses:
Tele-Takumar: 300mm f6.3; 200mm f5.6; Takumar 200mm f3.5; Takumar 135mm f3.5; Macro-Takumar 50mm f4 (1:1)Super Takumars: 24mm f3.5, 55mm f2.0, 135mm f3.5; S-M-C Takumar 35mm f3.5, 50mm Macro f4.0 (1:2), 50mm f1.4, 135mm f2.5 (v2); Pentax SMC K 17mm f4 fisheye; Pentax-A: 50mm f1.4, 35-70mm f4; Pentacon: 50mm f1.8; Spiratone 85mm f1.8 (y/s); Vivitar: 85mm f1.8 preset; Carl Zeiss Jena Flektogon Electric 35mm f2,4 |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Fri Jun 10, 2011 12:00 am Post subject: |
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cooltouch wrote:
iangreenhalgh1 wrote: |
I wouldn't pay much for that 18-55, it will break/fall apart at some point, both of mine did. |
I wonder, were these the first non-IS versions? I have the second IS version, which is much better optically than the first version. I don't treat it like a hockey puck, but I don't exactly treat it gently either. Anyway, mine is still hanging in there after two and a half years. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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pdesopo
Joined: 26 Jan 2011 Posts: 83
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Posted: Fri Jun 10, 2011 7:05 am Post subject: |
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pdesopo wrote:
Thanks for the explanation.
About the AF I see your point. Despite I love manual lenses, the thing is since it seems hard to find a good cheap manual lens I think I don't have much choice. _________________ Pietro Desopo
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Fri Jun 10, 2011 3:28 pm Post subject: |
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cooltouch wrote:
Yes, this is especially true if you're shooting with a crop-body DSLR. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Fri Jun 10, 2011 4:44 pm Post subject: |
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RioRico wrote:
The sad truth for MFL'ers is that good wide rectilinear ultrawide MFL's just can't be found, except maybe at astronomical cost. Newer AF UW's for dSLR's are better, both optically and in price / performance. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Fri Jun 10, 2011 10:54 pm Post subject: |
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cooltouch wrote:
RioRico wrote: |
The sad truth for MFL'ers is that good wide rectilinear ultrawide MFL's just can't be found, except maybe at astronomical cost. |
Well, there is the Samyang 14mm, which from everything I've read, is a very nice lens. It's a bit pricey, but certainly not astronomical. No reasonably priced zooms, though. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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