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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Fri Apr 30, 2010 10:28 pm Post subject: Yashica Mat and Velvia - Close Up Experiment |
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Laurence wrote:
I fooled around with hand-holding various close-up filters in front of the
Yashica Mat. I tried about 8 shots in various magnification of filters.
I think this one came out the best. I wasn't expecting much, so this
was a decent surprise.
I know, it's a rather expensive way to experiment. But how many
times do we live? Once that I know of.
I don't remember which filter I used here, though. This is one of those
times that I didn't bother to write the data in my little shirt
pocket notebook.
But, at least I know it can be done. Framing shift is a problem, of
course. I approximated the composition by using the filters in front of the viewing lens first.
Used the "brain capable" sunny 16 rules, and exposed for the whites.
Looks like I was a little bit off, as I think a half-stop, or even a full
stop under would have been better.
I think that a judicious bit of sharpening and possibly Levels would make
this a pretty decent shot. This is straight out of the camera (and scanner).
Trillium Ovatum
Yashica Mat
Velvia
(Possibly a +2 close-up filter)
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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fish4570
Joined: 06 Jan 2010 Posts: 4514 Location: At the confluence of the Locust Fork of the Warrior River and Black Creek, Alabama
Expire: 2012-03-21
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Posted: Sat May 01, 2010 2:21 am Post subject: |
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fish4570 wrote:
I think you did right well, Mr. Smith and Weston.
The word Velvia still looks like a pretend cheese product, though, whenever I read it on this forum ... _________________ Paul
I chase Light
http://blackcreekjournal.blogspot.com/ |
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Sat May 01, 2010 12:27 pm Post subject: |
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rbelyell wrote:
you want better than this! cmon, you put us all to shame already! _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Sat May 01, 2010 12:31 pm Post subject: |
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martinsmith99 wrote:
Great experiment. Definitely a decent image. _________________ Casual attendance these days |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Sat May 01, 2010 1:46 pm Post subject: |
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Scheimpflug wrote:
fish4570 wrote: |
The word Velvia still looks like a pretend cheese product, though, whenever I read it on this forum ... |
I had to. _________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sat May 01, 2010 3:08 pm Post subject: |
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Schnauzer wrote:
The close up filters worked well for you Larry.
How much latitude do you have with this film? I know with print film you can over-expose quite a bit and be safe but their is very little leeway for under-exposure. _________________ Ron |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sat May 01, 2010 4:50 pm Post subject: |
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Katastrofo wrote:
It's a stunner, Laurence, love this shot!
Colors are exquisite. |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun May 02, 2010 7:53 pm Post subject: |
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Laurence wrote:
rbelyell wrote: |
you want better than this! cmon, you put us all to shame already! |
Thx Rebel; however, to my eye it seems a bit overblown on the
whites, though a histogram doesn't show it to be so. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun May 02, 2010 7:54 pm Post subject: |
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Laurence wrote:
martinsmith99 wrote: |
Great experiment. Definitely a decent image. |
Thanks Martin, it's fun to fool around with equipment, that's for sure. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun May 02, 2010 7:57 pm Post subject: |
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Laurence wrote:
Schnauzer wrote: |
The close up filters worked well for you Larry.
How much latitude do you have with this film? I know with print film you can over-expose quite a bit and be safe but their is very little leeway for under-exposure. |
The latitude is REALLY narrow. Velvia gives not even a tiny bit of
leeway for shooting. You can look at a single-stop difference
in two Velvia images, and the two images seems to be miles apart
in exposure. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun May 02, 2010 7:59 pm Post subject: |
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Laurence wrote:
Katastrofo wrote: |
It's a stunner, Laurence, love this shot!
Colors are exquisite. |
Thanks Bill. I certainly do love the Velvia for greens. And the yellow
stamens are dead-on to the original color. Velvia, like all other films,
has its own place in the photo world. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun May 02, 2010 8:01 pm Post subject: |
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Laurence wrote:
Fish and Scheimpflug: That Velvia Cheese box looks like it might
have been shot in Velvia itself! Pretty gaudy! "Cheese food
substitute" - nothing but the best. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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fish4570
Joined: 06 Jan 2010 Posts: 4514 Location: At the confluence of the Locust Fork of the Warrior River and Black Creek, Alabama
Expire: 2012-03-21
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Posted: Mon May 03, 2010 2:55 am Post subject: |
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fish4570 wrote:
The Velvia box even got a smile from my Farm Towning bride ...
I am glad you "had to ..." _________________ Paul
I chase Light
http://blackcreekjournal.blogspot.com/ |
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