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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 11, 2009 6:22 pm Post subject: Contax IIa first samples gallery |
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Orio wrote:
Linked to the thread on Rangefinder forum:
http://forum.mflenses.com/viewtopic,p,136003.html#136003
_________________ Orio, Administrator
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NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Sat Apr 11, 2009 6:42 pm Post subject: |
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poilu wrote:
ouch! that's shocking good!
what film did you use ? |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Sat Apr 11, 2009 6:50 pm Post subject: |
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F16SUNSHINE wrote:
Looks very promising! The shots are lovely.
I'm amazed by the signature of the 1.5/50. A lot of guys at RFF talk about that 50 Sonnar look.
I guess this is why Zeiss re-introduced it in the ZM line.
Sorry to hijack but I want to post 2 of mine to see if you notice the same "look" from the same lens model.
Mine is Opton version I think yours is also.
How did you like the camera? This one is a Contax II correct? I have a IIIa and like it very much.
The IIa would be my first choice honestly. The meter on the IIIa is not reliable. The non metered body is much nicer in use as it is more compact.
_________________ Moderator |
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trifox
Joined: 14 May 2008 Posts: 3614 Location: UK
Expire: 2014-05-29
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Posted: Sat Apr 11, 2009 8:33 pm Post subject: |
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trifox wrote:
there's nothing to touch a film ...
tf _________________ Flickr.com |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Sat Apr 11, 2009 8:52 pm Post subject: |
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tobbsman wrote:
Very punchy photographs, especially the first one. Looks very 3-dimensionally, like the cat would jump out of the frame. Film-grain is wonderful to see ...
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Apr 11, 2009 9:45 pm Post subject: |
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Attila wrote:
Nice ones! Nice to see Melissa out! Monica shoot also well done! I wish to see you again... _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Sat Apr 11, 2009 10:03 pm Post subject: |
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Farside wrote:
Orio, striking colours from that lens - allowing for the film, processing, etc. Would you say the RF is front focusing slightly? _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 11, 2009 10:23 pm Post subject: |
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Orio wrote:
poilu wrote: |
ouch! that's shocking good!
what film did you use ? |
Thanks! It's Ferrania Solaris 200, a cheap italian film:
http://www.ferraniait.com/Solutions/photography/photograph.htm
F16SUNSHINE wrote: |
I want to post 2 of mine to see if you notice the same "look" from the same lens model. |
Yes I remember your nice shots! Yours look clearer than mine, probably because you used a better film. I am not sure if I can define already a style of this lens, because did not use it very much. But I love what I am seeing and surely I will use it a lot more in the future!
Quote: |
Mine is Opton version I think yours is also. |
Yes and I thank you every time I look at this beautiful lens!
Quote: |
How did you like the camera? This one is a Contax II correct? I have a IIIa and like it very much.
The IIa would be my first choice honestly. The meter on the IIIa is not reliable. The non metered body is much nicer in use as it is more compact. |
I just love the Contax IIa. I think it's SO sexy! The most beautiful camera I have for sure. The mechanical functioning is perfect after more than half a century! I mean it feels like if it could never break.
However, I have to agree with Rick (Oleson) when he says that the Kiev is a friendlier camera to use. It feels cheaper than the Contax, but the viewfinder of the Kiev is 10 times better.
Attila wrote: |
Nice ones! Nice to see Melissa out! Monica shoot also well done! I wish to see you again... |
Thank you Attila! I too would really love to meet you again.
Let's hope we have the occasion soon!
Thanks to Trifox and Tobbsman also. Long live film ! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 11, 2009 10:25 pm Post subject: |
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Orio wrote:
Farside wrote: |
Orio, striking colours from that lens - allowing for the film, processing, etc. Would you say the RF is front focusing slightly? |
Dave (and Ireply to Andy also), I would say that perhaps when I focus close, if I set focus to say 1 meter, the real focus fall on 0.95, that is, a little before what I thought.
BUT ! The real point is, it's very difficult to read the viewfinder of my Contax correctly. The viewfinder is weak to start with, and the vertical is out of parallax. So I have to focus based on horizontal only. So what you see as missed focus, might as well be me reading badly the view finder. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 11, 2009 11:46 pm Post subject: |
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Orio wrote:
Here's Jupiter-9, not lucky with this lens yesterday, but one thing I seem to understand, the bokeh on this rangefinder version seems less "busy" than that of the reflex version:
Zeiss Jena 2/50 Sonnar, this seems to be a quite flaring lens:
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Apr 12, 2009 12:09 am Post subject: |
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Orio wrote:
As a final comment to this roll I can say that the quality difference between the Zeiss-Opton Sonnar on one side, and the Jupiter-9 and Zeiss Jena Sonnar on the other, is self evident. Not that the Jup and the Jena are bad lenses, they are good (the Jup especially, very sharp), but to me the Opton seems to play in another quality league, I don't know if you think the same. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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shad309
Joined: 08 Mar 2008 Posts: 453 Location: Illinois, USA
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Posted: Sun Apr 12, 2009 4:10 am Post subject: |
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shad309 wrote:
I love the 3rd shot with the J9! The hilly countryside is awesome. I wish I could see it in person it looks so inviting! _________________ Canon 400D & 350D
Lenses- German, Japanese, & Russian |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sun Apr 12, 2009 5:49 am Post subject: |
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patrickh wrote:
Third with J9 for me too - it has such atmosphere and depth. Great surprise from the J9 frankly
The B+W of Monica is superb - you must print it and hang it up in plain view
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Apr 12, 2009 10:00 am Post subject: |
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Orio wrote:
Thank you!
I always get angry at Monica because I always tell her when we go out "wear some nice female dress so that I can take some nice photos of you for a change, instead of the usual ugly sweaters" but she always grunts "no" _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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djmike
Joined: 01 Apr 2009 Posts: 930 Location: Taiwan
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Posted: Fri Apr 17, 2009 6:30 am Post subject: |
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djmike wrote:
Orio wrote: |
I always get angry at Monica because I always tell her when we go out "wear some nice female dress so that I can take some nice photos of you for a change, instead of the usual ugly sweaters" but she always grunts "no" |
Hah, I got some experience. But now my wife knows and will bring some nice dress automatically once I bring SLR and lenses with me when we're out. She knows "we can not waste films". Great shot and nice Contax IIa, Orio. _________________
DSLR: Canon 400D
SLR: Nikon FM2 + Canon A-1 + Canon AE1-P + Praktica MTL-5B + Pentax Spotmatic F + Fujica ST801 + Voigtlander Bassematic + Voigtlander Vito + Rollei 35S + Rolleiflex SL35 ME + Canon QL17 GIII + Olympus Pen EE-3
Lenses
M42: CZJ Flektogon 35/2.4 + CZJ Flektogon Zebra 35/2.8 + CZJ Pancolar 50/1.8 + CZJ Sonnar 135/3.5 + CZJ Tessar 50/2.8 Chrome + Pentacon 135/2.8 + Pentacon 50/1.8 + SMC Takumar 50/1.4 + SMC Takumar 55/2 + SMC Takumar 135/3.5 + Fujinon 55/1.8 + Jupiter-9 85/2 + Jupiter-37A 135/3.5 + Helios 44-6 58/2
Nikor: Nikkor 50/1.4 + Nikkor 28/3.5 + Nikkor 35-105 Zoom + 36-72 Series E Zoom
Canon: Canon FD + 28/2.8 + 50/1.8 + Canon 35-105 Macro Zoom
Other: Rollei Planar HFT 50/1.8
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Fri Apr 17, 2009 2:26 pm Post subject: |
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Katastrofo wrote:
Love all of these and still can't get over how great Ferrania film is for being so cheap. I'm thinking of looking for the Kiev 4a which I believe is
the clone to this one. (?) |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Fri Apr 17, 2009 6:47 pm Post subject: |
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LucisPictor wrote:
Wonderful results, Orio. Really good!
As for bokeh, I think this is one big advantage of film, that bokeh often is much smoother with film shots. But perhaps that's only me seeing it wrong. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Apr 17, 2009 9:09 pm Post subject: |
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Orio wrote:
LucisPictor wrote: |
As for bokeh, I think this is one big advantage of film, that bokeh often is much smoother with film shots. |
I agree, that is my experience also. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Apr 18, 2009 12:23 am Post subject: |
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A G Photography wrote:
Orio wrote: |
LucisPictor wrote: |
As for bokeh, I think this is one big advantage of film, that bokeh often is much smoother with film shots. |
I agree, that is my experience also. |
It is mine too in crop camera sensor and logical one if you think that DOF is also larger. Adding to it small sensors has a disadvantage in handling highlights properly. Already going from 12 to 14 bits for pixel is helping a lot in giving a lot more of those "invisible" middle tones which are instead extremely visible to the trained eye. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 18, 2009 8:00 am Post subject: |
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Orio wrote:
I think film bokeh is better in full frame also and the explanation I give is that maybe (it is just my assumption) the light on the chemicals of the film tends to spread a little more due to fact that chemicals are a whole surface not one composed of divided cells. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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lahnet
Joined: 10 Apr 2007 Posts: 1164 Location: Denmark
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Posted: Sat Apr 18, 2009 1:07 pm Post subject: |
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lahnet wrote:
I just bought a Kiev 4. If it can produce just half of this quality I will be happy. _________________ Henrik
Lahnet-Foto
My FLICKR
Gear list |
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LaHo
Joined: 16 Mar 2009 Posts: 57
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Posted: Sat Apr 18, 2009 2:20 pm Post subject: |
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LaHo wrote:
Impressive shots!
I love that first one (but then I love cats ). Hmm, I only have SLRs, but I definately have to shoot more film (as opposed to digital). _________________ Pentax K-5, Auto110, Spotmatic F, ME Super, MX, SuperA, MZ3, 645N, 6x7MLU, Mamiya C330, Zeiss Super Ikonta 531/16 |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Sat Apr 18, 2009 8:27 pm Post subject: |
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A G Photography wrote:
lahnet wrote: |
I just bought a Kiev 4. If it can produce just half of this quality I will be happy. |
A lot crappier built, the Jupiter 8 lenses aren't Sonnars, but actually there's also a lot of difference between the Sonnar 50/2 and the 1.5, and I guess between identical models too. For example I have a pre-war Sonnar 50/2 and it's nowhere near at what I saw from the Sonnar Opton 50/1.5 of Orio and Andy.
I should also try the Jupiter 3 50/1.5 though _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 18, 2009 10:39 pm Post subject: |
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Orio wrote:
I have to disagree with Alessandro about the Kiev 4, I find it to be a very nice camera. Of course the mechanics do not feel like those of the Contax. But the rangefinder of the Kiev is better, and this is not a secondary point.
As for the quality, well, it depends all on the lenses that you will use.
If you can find a Sonnar 1.5/50 for a good price, you will get the best lens.
But I have a Jupiter-8 also (50mm f/2) and I prefer it over the Jena Sonnar 2/50 (which I also have).
So don't underestimate the Jupiter-8. It is very cheap but it will make great photos. At least, this is my personal experience, maybe others might disagree. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
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