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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Wed Oct 02, 2013 10:01 pm Post subject: Digital Leica M9 vs. Bessa R3A 35mm Film |
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MatthewOsbornePhotography wrote:
Tomorrow I plan to do a Leica M9 vs. Voigtlander Bessa R3A 35mm Film camera comparison. You can find more details here:
http://matthewosbornephotography.wordpress.com/2013/10/02/digital-leica-m9-vs-bessa-r3a-35mm-film/
I wanted to ask if anyone else had done a similar experiment, perhaps Leica M9 vs Leica film bodies using black and white film?
If the Leica M9 results are similar to the film photography photos it may well be the end of me shooting 35mm B&W film.
I think Kodak Portra colour film still has the edge over the M9 for colour tones.. (I think)... but the M9 can get close.
I'll share results on the blog once film developed. _________________ Regards
Matt
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
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Posted: Wed Oct 02, 2013 10:07 pm Post subject: |
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Orio wrote:
It's like comparing a car with a motorcycle. _________________ Orio, Administrator
T*
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Wed Oct 02, 2013 10:11 pm Post subject: 35mm film vs. Leica M9 |
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MatthewOsbornePhotography wrote:
Orio wrote: |
It's like comparing a car with a motorcycle. |
Can you explain more as I can't see it in my images. Yes they both get from A to B and produce the final image but I am comparing the final picture only, not how the images gets to that stage. I use both so am only looking at the end result. Thanks _________________ Regards
Matt
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Oct 02, 2013 10:22 pm Post subject: |
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Orio wrote:
They both produce images, but so does a Polaroid, for instance, which has a yet different purpose.
If you want to see it diachronically, digital comes after film, so it's a new technology and film is the past.
In this case, comparison is not appliable, because when two technologies, old and new, do the same job,
comparison does not make sense, new replaces old, just like colour TV replaced B&W TV.
If you want to see it sinchronically, then you would say that digital makes one kind of image for some purposes,
and film makes a different kind of image, for different purpose.
Example: digital has purpose to create a digital file that is easier to edit, a lot faster to send
(to newspapers, for instance), with a lot more and clearer detail, so files can be enlarged better, and a lot cheaper
cost, so more indicated where lots of photos need to be taken.
Film, now that is not the only technology anymore, has taken a different purpose, to make images that are more
artistic than commercial, more research than consume, more niche than popular, and where the "organic" impression
from the image is more important than the grain or the level of detail.
In this case, either, comparison does not make sense, because one medium has different purpose from the other.
If you search for sharpness, editability, life-like realism, you use digital, not film.
If you search for evocative colours, fine art B&W prints with subtle shadings, you use film, not digital.
For these reasons the comparison does not make sense. _________________ Orio, Administrator
T*
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Wed Oct 02, 2013 10:31 pm Post subject: Film vs. Digital |
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MatthewOsbornePhotography wrote:
Thanks for your reply Orio. Your answer makes sense. I moved from a Nikon D800 36mp sensor to film as the digital files were sharp but flat and lifeless. The Leica M9 is different. It occupies middle ground between film and a CMOS sensor. It is not just me that thinks that the Leica M9 Kodak CCD sensor looks more like film. I've read similar views online prior to buying the Leica. The Leica M9 sensor was designed to look like Kodachrome film and is definitely produces images like no other digital sensor I have experienced.
This is why I am making the comparison as M9 photos can look quite film like and organic rather than flat. Not any digital vs. film but specifically the Leica M9. _________________ Regards
Matt
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Wed Oct 02, 2013 10:48 pm Post subject: |
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Excalibur wrote:
Just to add:- You really have to compare a B\W shot with a print using chemicals.
_________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Wed Oct 02, 2013 11:15 pm Post subject: Re: Film vs. Digital |
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cooltouch wrote:
MatthewOsbornePhotography wrote: |
The Leica M9 sensor was designed to look like Kodachrome film and is definitely produces images like no other digital sensor I have experienced. |
I sure do miss Kodachrome. Before your comment I've been able to successfully ignore the M9, since it is so far out of my reach. But now I find myself wishing the M9 was a whole lot cheaper than it is . . . _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Wed Oct 02, 2013 11:17 pm Post subject: |
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LucisPictor wrote:
Orio has given some excellent arguments.
I don't see much sense in comparing an M9 to a film Bessa, or any other digital cam to any film cam, either.
Of course, if you want to do it for fun reasons, I'm in. Otherwise they are just two too different tools for the job.
My favoruite analogy (although some do not like it) is that digital vs. chemical photography is just like music from CD and vinyl.
Which one is "better"? It depends what you want and what other elements you have in the chain.
If you have a bad record player but an excellent CD player, vinyl will not stand a chance against the digital recording. And the other way around. How do you develop your film? How do you print it? Or do you scan it? If yes, how? Do you shoot in RAW? How do you process those files? There are so many steps until you get the final result which you can compare that it is not really comparable any more.
But as I said, it can be great fun to shoot the same subjects with an M9 and a Bessa and see what you can get out of it.
Next week,on Wednesday, I will have the chance to shoot with the new Leica M (type 240) again. And this time, I am sure I might also compare it to some other cams, perhaps even with a Leica CL. But not to see which one is the better one, just for fun. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Wed Oct 02, 2013 11:20 pm Post subject: Re: Film vs. Digital |
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LucisPictor wrote:
MatthewOsbornePhotography wrote: |
The Leica M9 sensor was designed to look like Kodachrome film
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I doubt that this is correct, to be honest.
MatthewOsbornePhotography wrote: |
... and is definitely produces images like no other digital sensor I have experienced.
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It is true that the images of an M9 (or an M8!) seem to carry some special "timbre", but it's hard to say if that was part of the original design concept or if it is a result of the particular feeling that a Leica M conveys to its user. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Wed Oct 02, 2013 11:30 pm Post subject: Re: Film vs. Digital |
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Farside wrote:
LucisPictor wrote: |
It is true that the images of an M9 (or an M8!) seem to carry some special "timbre", but it's hard to say if that was part of the original design concept or if it is a result of the particular feeling that a Leica M conveys to its user. |
It's analogous to the i-Gadget from Apple. There's a cunningly disguised smug-stimulator inside it, that pricks the finger of the users and injects a hormone, causing them to feel good and radiate an air of smugness
Not directed at any Leica users here, honest. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Oct 02, 2013 11:47 pm Post subject: |
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iangreenhalgh1 wrote:
I think I have an allergic reaction to that hormone.
Honestly, a really good shooter can produce the results they want with any decent camera, the actual camera and lens being way down the list of important factors. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Oct 02, 2013 11:53 pm Post subject: |
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Attila wrote:
iangreenhalgh1 wrote: |
I think I have an allergic reaction to that hormone.
Honestly, a really good shooter can produce the results they want with any decent camera, the actual camera and lens being way down the list of important factors. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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philslizzy
Joined: 07 Aug 2012 Posts: 4744 Location: Cheshire, England
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Posted: Thu Oct 03, 2013 12:43 am Post subject: |
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philslizzy wrote:
Do your test anyway, I've read the replies to your post and I understand why you want to compare them. Of course the difference or lack of it may be down to your own perception, as others said, because you own a Leica. But...
...The proof is in the pudding. _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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Lloydy
Joined: 02 Sep 2009 Posts: 7788 Location: Ironbridge. UK.
Expire: 2022-01-01
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Posted: Thu Oct 03, 2013 1:03 am Post subject: |
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Lloydy wrote:
the test should still be interesting even with the huge differences in technology that have been pointed out, and for one simple reason; both technologies produce an image, both cameras are considered among the best of their type and era.
Obviously we shall view the results digitally, and if that favours the digital camera / process over the film camera / process / digital scan is a debatable point.
I want to see it. Straight unprocessed images, just the processing to get them on the screen. _________________ LENSES & CAMERAS FOR SALE.....
I have loads of stuff that I have to get rid of, if you see me commenting about something I have got and you want one, ask me.
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 03, 2013 3:35 am Post subject: |
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Orio wrote:
Anyway, in the past three years, I have shot a lot of M9 and a lot of Zeiss Ikon (rangefinder) film.
I find the M9 sensor every bit as digital as any other digital sensor that I have used.
Or even perhaps more digital, since it's sharper than any other I have due to the lack of AA filter,
and sharper in my comparison book means "more digital".
The Kodachrome-like colours? Good marketing... I have used Kodachrome in my film life... _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
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Posted: Thu Oct 03, 2013 4:24 am Post subject: |
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iangreenhalgh1 wrote:
A microfilm like Tech Pan or Copex can beat any digital sensor for sharpness, but you need a very high end scanner to extract all the resolution, or make a very big silver print to see it. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
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Posted: Thu Oct 03, 2013 7:51 am Post subject: |
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Excalibur wrote:
Lloydy wrote: |
the test should still be interesting even with the huge differences in technology that have been pointed out, and for one simple reason; both technologies produce an image, both cameras are considered among the best of their type and era.
Obviously we shall view the results digitally, and if that favours the digital camera / process over the film camera / process / digital scan is a debatable point.
I want to see it. Straight unprocessed images, just the processing to get them on the screen. |
That is the problem as scan any shot from B\W film (and colour) and you turn it into pixels and depending on the scanner and esp what you are scanning.....scanner noise. And even if you use chemicals for your neg, the print is limited to the paper being able to cope with the full range of tones...depending on the subject.
It would seem to show film at its best you would have to use slide film.... B\W (not sure if it exists now) or colour, and project at home, and then you have to have a good quality screen and not a white bed sheet _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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scsambrook
Joined: 29 Mar 2009 Posts: 2167 Location: Glasgow Scotland
Expire: 2011-11-18
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Posted: Thu Oct 03, 2013 9:01 am Post subject: |
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scsambrook wrote:
Another interesting thread, and no doubt when Matthew had finished his evaluation he'll be nearer to knowing which he prefers. But if he's a professional wedding or portrait photographer depending on selling his pictures for his income, maybe the real test is to ask clients which output they prefer. Would using one medium rather than the other give him a competitive edge? Or enable him to charge a premium price?
Sadly, I think such would not be the case. Those who purchase photos look at what's in the picture, not at the highly developed technology of the camera or the manipulative post-processing or darkroom skills of the photographer. As a friend of mine likes to say, "Close enough is good enough". If the colours are okay, the highlights aren't blown and the shadows aren't clogged, then its mostly the look on the people's faces that gets the 'oohs and ahhs' and the repeat orders.
Now, that's not to say Matthew's exercise is pointless. Not at all. Once he's satisfied which of his mediums-of-choice seems the best in his eyes, then he can concentrate without distraction on the artistic side of taking the pictures. _________________ Stephen
Equipment: Pentax DSLR for casual shooting, Lumix G1 and Fuji XE-1 for playing with old lenses, and Leica M8 because I still like the optical rangefinder system. |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Thu Oct 03, 2013 11:45 am Post subject: |
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Farside wrote:
scsambrook wrote: |
Sadly, I think such would not be the case. Those who purchase photos look at what's in the picture, not at the highly developed technology of the camera or the manipulative post-processing or darkroom skills of the photographer. As a friend of mine likes to say, "Close enough is good enough". If the colours are okay, the highlights aren't blown and the shadows aren't clogged, then its mostly the look on the people's faces that gets the 'oohs and ahhs' and the repeat orders.
Now, that's not to say Matthew's exercise is pointless. Not at all. Once he's satisfied which of his mediums-of-choice seems the best in his eyes, then he can concentrate without distraction on the artistic side of taking the pictures. |
I thorougly agree. Otoh, if the pics are taken with the best available tech then stored with lossless and most space-efficient software available, it allows some future processing to take place with more advanced imaging software than is available now, revealing details that are not available cheaply enough to make it worthwhile at the present time.
I'm thinking of future re-orders in Ultra-HD, sort of thing. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
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exaklaus
Joined: 11 Aug 2009 Posts: 1633 Location: Niederrhein, Germany
Expire: 2011-12-02
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Posted: Thu Oct 03, 2013 3:56 pm Post subject: |
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exaklaus wrote:
I'm looking forward to seeing the results!
Will produce interesting results because of you, a good photographer with interesting themes when shooting.
There are a lot of comparing threads about comparing whatever.... with pretty boring themes.
So I want to see your's!
Klaus _________________ my Ebay auctions
Canon 5D II,
Fuji GW690III, Fuji G617, Fujifilm X-E1
Bessaflex TM
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Thu Oct 03, 2013 7:07 pm Post subject: Re: Film vs. Digital |
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LucisPictor wrote:
Farside wrote: |
LucisPictor wrote: |
It is true that the images of an M9 (or an M8!) seem to carry some special "timbre", but it's hard to say if that was part of the original design concept or if it is a result of the particular feeling that a Leica M conveys to its user. |
It's analogous to the i-Gadget from Apple. There's a cunningly disguised smug-stimulator inside it, that pricks the finger of the users and injects a hormone, causing them to feel good and radiate an air of smugness
|
Yes, I guess you're right! _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Fri Oct 04, 2013 11:43 am Post subject: |
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MatthewOsbornePhotography wrote:
Excalibur wrote: |
Lloydy wrote: |
the test should still be interesting even with the huge differences in technology that have been pointed out, and for one simple reason; both technologies produce an image, both cameras are considered among the best of their type and era.
Obviously we shall view the results digitally, and if that favours the digital camera / process over the film camera / process / digital scan is a debatable point.
I want to see it. Straight unprocessed images, just the processing to get them on the screen. |
That is the problem as scan any shot from B\W film (and colour) and you turn it into pixels and depending on the scanner and esp what you are scanning.....scanner noise. And even if you use chemicals for your neg, the print is limited to the paper being able to cope with the full range of tones...depending on the subject.
It would seem to show film at its best you would have to use slide film.... B\W (not sure if it exists now) or colour, and project at home, and then you have to have a good quality screen and not a white bed sheet |
When I get chance to make the comparison I will share Leica M9 DNG files converted to B&W (but no other alterations) + 35mm film negative scans scanned using Epson V600 on normal scan mode without dust removal or sharpening applied.
The weather in London yesterday was not the best so although I did 2 model shoots I only used the Leica M9 as would have been a pain to keep changing lenses in the wet between the film body and M9. The Leica M9 still did a fine job. Here is one from the afternoon when it had dried up a little in Regent's Park, taken with an Industar 26M 52mm f2.8 (that I bought in Ukraine with a FED-2 body for under £10). Great little lens and very light vs. the expensive glass (such as Voigtlander 35mm f1.2 ASPHii)
Industar 26M on Leica M9 by MatthewOsbornePhotography_, on Flickr
Straight from SD card - B&W JPEG as don't currently have my laptop.
I will report back once have done the film vs. digital comparison _________________ Regards
Matt
Weddings & Engagements: http://leicaweddingphotographer.co.uk/
Website: http://www.matthewosbornephotography.co.uk
Blog: https://MrLeica.com
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LeicaM9/M8/M3/M2/D800/Rolleiflex SL66E/Mamiya RZ67 ProII/Mamiya M645 1000S/Fuji GF670/Fujica GS645/PentaconSix/ARAX-CM/Nikon FM/Yashica MG-1/Moskva-5/Voigtlander Bessa R3A |
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Fri Oct 04, 2013 11:46 am Post subject: Thanks |
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MatthewOsbornePhotography wrote:
exaklaus wrote: |
I'm looking forward to seeing the results!
Will produce interesting results because of you, a good photographer with interesting themes when shooting.
There are a lot of comparing threads about comparing whatever.... with pretty boring themes.
So I want to see your's!
Klaus |
Thank you Klaus. Yes I prefer beautiful girl photos to coloured pencil photos comparisons any day.
I'll do my best _________________ Regards
Matt
Weddings & Engagements: http://leicaweddingphotographer.co.uk/
Website: http://www.matthewosbornephotography.co.uk
Blog: https://MrLeica.com
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Flickr: http://www.flickr.com/photos/32681588@N03/
Facebook Profile: https://www.facebook.com/matthewosbornephotographycouk
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Google+: https://plus.google.com/u/0/+MattOsbornePhotography/
LeicaM9/M8/M3/M2/D800/Rolleiflex SL66E/Mamiya RZ67 ProII/Mamiya M645 1000S/Fuji GF670/Fujica GS645/PentaconSix/ARAX-CM/Nikon FM/Yashica MG-1/Moskva-5/Voigtlander Bessa R3A |
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Fri Oct 04, 2013 11:56 am Post subject: |
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MatthewOsbornePhotography wrote:
scsambrook wrote: |
Another interesting thread, and no doubt when Matthew had finished his evaluation he'll be nearer to knowing which he prefers. But if he's a professional wedding or portrait photographer depending on selling his pictures for his income, maybe the real test is to ask clients which output they prefer. Would using one medium rather than the other give him a competitive edge? Or enable him to charge a premium price?
Sadly, I think such would not be the case. Those who purchase photos look at what's in the picture, not at the highly developed technology of the camera or the manipulative post-processing or darkroom skills of the photographer. As a friend of mine likes to say, "Close enough is good enough". If the colours are okay, the highlights aren't blown and the shadows aren't clogged, then its mostly the look on the people's faces that gets the 'oohs and ahhs' and the repeat orders.
Now, that's not to say Matthew's exercise is pointless. Not at all. Once he's satisfied which of his mediums-of-choice seems the best in his eyes, then he can concentrate without distraction on the artistic side of taking the pictures. |
Great point. As you correctly say my clients cannot tell the difference between my film photos and digital photos. For some where the camera gives a certain look (Contax 645 with Zeiss Planar 80mm f2 T shot wide open) the customer will say ooh I like the look of that photo but they don't know why. That comment referred to some Kodak Portra film shots vs. digital colour. For B&W they can't seem to tell the difference and some clients are now asking if my recent Leica M9 photos are film... so yes for paying clients if the Leica M9 gives me that 'look' for my B&W photos that clients like then it is 100x easy to shoot digital (with close enough results to film) that to develop and scan a whole wedding's worth of B&W film negatives.
Currently I am shooting the Leica weddings with a additional roll of colour Kodak portra film in the Contax 645 or Mamiya RZ67 pro ii for a few wow shots for their portrait session. Partly for me and partly for them as I love the Portra skin tones! _________________ Regards
Matt
Weddings & Engagements: http://leicaweddingphotographer.co.uk/
Website: http://www.matthewosbornephotography.co.uk
Blog: https://MrLeica.com
Social Networks
Flickr: http://www.flickr.com/photos/32681588@N03/
Facebook Profile: https://www.facebook.com/matthewosbornephotographycouk
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LeicaM9/M8/M3/M2/D800/Rolleiflex SL66E/Mamiya RZ67 ProII/Mamiya M645 1000S/Fuji GF670/Fujica GS645/PentaconSix/ARAX-CM/Nikon FM/Yashica MG-1/Moskva-5/Voigtlander Bessa R3A |
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MatthewOsbornePhotography
Joined: 30 Dec 2012 Posts: 154 Location: Coventry, UK
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Posted: Fri Oct 04, 2013 9:18 pm Post subject: No film shots yet to compare but Leica M9 is getting close! |
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MatthewOsbornePhotography wrote:
Here is another shot from Leica fashion shoot yesterday in London using the Leica M9 + Voigtlander Classic Nokton 35mm f1.2 ASPH ii (at f1.2)
The fact that it is not quite focused has given it a more vintage look. No PP as no laptop at moment. Leica M9 B&W in camera JPEG.
Leica M9 Soft Focus by MatthewOsbornePhotography_, on Flickr
*Another Flickr contact posted a B&W film shot on the same Flickr thread as a comparison using Fuji Neopan 400.
Thoughts welcome.. _________________ Regards
Matt
Weddings & Engagements: http://leicaweddingphotographer.co.uk/
Website: http://www.matthewosbornephotography.co.uk
Blog: https://MrLeica.com
Social Networks
Flickr: http://www.flickr.com/photos/32681588@N03/
Facebook Profile: https://www.facebook.com/matthewosbornephotographycouk
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LeicaM9/M8/M3/M2/D800/Rolleiflex SL66E/Mamiya RZ67 ProII/Mamiya M645 1000S/Fuji GF670/Fujica GS645/PentaconSix/ARAX-CM/Nikon FM/Yashica MG-1/Moskva-5/Voigtlander Bessa R3A |
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