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Sony A7r, gamechanger, to be announced Wed
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PostPosted: Thu Nov 07, 2013 1:50 pm    Post subject: Reply with quote

Please relax. This is not personal. Do not make it personal.

Advances in sensor technology can only be a good thing.

If you think you do not need a better sensor, this does not mean that sensor RnD should stop Wink

All of us who use 40 or 50-year-old lenses, we do it only for sharpness??
Of course not. It is the special rendering we love, the bokeh, color rendition, the vintage look blah blah.


PostPosted: Thu Nov 07, 2013 1:52 pm    Post subject: Reply with quote

Put on a lens what is perform crappy on m4/3 or APS-C and start to sign on Canon 5D2 ... I believe Nikon did ruin own reputation with this nee 16M full frame camera will rich low success just like Nikon V1, J1 Nikon didn't look at all what majority of customer want.. we will see how quickly will change to higher pixel or dissapear from market , crappy idea just like Pentax Q, or Pentax mirrorless etc


PostPosted: Thu Nov 07, 2013 2:12 pm    Post subject: Reply with quote

Oh I'm relaxed, I'm just trying to understand the issue because I'm looking to buy a new camera in a few months and I don't know what sort of sensor would suit me best.

Realistically, I'm not going to be able to change my collection of lenses in order to suit the sensor, so it seems logical to me that I should chose a sensor that suits my lenses.

Let's say that my best lenses are resolving on their best day, 55-60lp/mm at most, that equates to a 4500x3000 sensor, which is just under 13mp.

So am I correct in thinking that, with the restriction imposed by what glass I own, any sensor that has at least 13mp is capable of extracting all of the resolution my glass is capable of?

Maybe my maths is wrong?


PostPosted: Thu Nov 07, 2013 2:17 pm    Post subject: Reply with quote

iangreenhalgh1 wrote:
Oh I'm relaxed, I'm just trying to understand the issue because I'm looking to buy a new camera in a few months and I don't know what sort of sensor would suit me best.

Realistically, I'm not going to be able to change my collection of lenses in order to suit the sensor, so it seems logical to me that I should chose a sensor that suits my lenses.

Let's say that my best lenses are resolving on their best day, 55-60lp/mm at most, that equates to a 4500x3000 sensor, which is just under 13mp.

So am I correct in thinking that, with the restriction imposed by what glass I own, any sensor that has at least 13mp is capable of extracting all of the resolution my glass is capable of?

Maybe my maths is wrong?


I can promise you, that resizing a 36mp image from a7r down to, say, 20mp, will give very clean and sharp images.
Probably the sharpest you have ever seen.
The algorithms that scale images down, are really good.
As a nice side-effect, downsizing also gets rids of noise.


PostPosted: Thu Nov 07, 2013 2:23 pm    Post subject: Reply with quote

I made this:

It is difficult to see the real difference in sensor area when both sensors are shown in landscape. It is easier to see the real difference if you tilt the APS-C sensor up in portrait mode over the FF sensor.

As you can see, the pixel size of the A7R is slightly bigger than a NEX 5n (compare fig. 1 to 2)
You can crop away all of the red area in figure 2 on a A7R and still have a NEX 5n picture left Wink

The widest part of a NEX 5n picture has the same resolution as the shortest part of a A7R picture.



PostPosted: Thu Nov 07, 2013 2:26 pm    Post subject: Reply with quote

I don't see the point, just buy a cheaper 16-20mp camera. Larger pixels in theory, should offer advantages in noise, dynamic range etc.

I'd love to be able to try out 16, 24 and 36mp FF cameras and see which gives the best output with my favourite lenses, I have a feeling that the 16mp one would be everything I need or desire.


PostPosted: Thu Nov 07, 2013 2:38 pm    Post subject: Reply with quote

Cool visualisation.

I can confirm that D800 36Mpx is very useful for group shots.
Not many of my lenses can outresolve the d800's sensor.
Noise at 1:1 crop might not be as good as my pentax k5 nor 5dm2 nor nex5n, but

when resizing to 5dm2 size, the result is better regarding noise, and outperforms crop sensors.
Best group shots are from higher resolution, where i can still do some post processing.

If I can pick one of the nex FF, A7r is what I want, simply because I have more choices.

edit:
Most of my lenses outresolve 5d classic. Wide open is not counting.
Many lenses outresolve 5dm2.
D800 has a limited number of lenses to use, but many ais just blurred at 1:1 crop.


PostPosted: Thu Nov 07, 2013 2:57 pm    Post subject: Reply with quote

So if I understand you right Hoan, most lenses can outresolve a 24mp FF sensor but resolve less than a 36mp FF sensor?

I've been trying to understand this issue, but it's fairly complex. This article has a lot of detailed info:

http://www.luminous-landscape.com/tutorials/resolution.shtml

Quote:
Consider a 35mm system with a lens at f/11. At best, the maximum resolution you will get is equivalent to 16 MP, even if your camera has 22 or 25 MP. In the case of an APS-C based system the limit goes to 7 MP, and 4 MP considering a Four Thirds format. Stopping down to f/22 the limit of the effective resolution of the 35mm based system goes to 4 MP!


If I understand that right, they are saying that at f11, you are only going to get enough resolution to match a 16mp FF sensor.

That sounds like it fits with Hoan's observations, if using f5.6, you should be able to get enough resolution for a 24mp sensor.


PostPosted: Thu Nov 07, 2013 3:00 pm    Post subject: Reply with quote

iangreenhalgh1 wrote:
So if I understand you right Hoan, most lenses can outresolve a 24mp FF sensor but resolve less than a 36mp FF sensor?

I've been trying to understand this issue, but it's fairly complex. This article has a lot of detailed info:

http://www.luminous-landscape.com/tutorials/resolution.shtml

Quote:
Consider a 35mm system with a lens at f/11. At best, the maximum resolution you will get is equivalent to 16 MP, even if your camera has 22 or 25 MP. In the case of an APS-C based system the limit goes to 7 MP, and 4 MP considering a Four Thirds format. Stopping down to f/22 the limit of the effective resolution of the 35mm based system goes to 4 MP!


If I understand that right, they are saying that at f11, you are only going to get enough resolution to match a 16mp FF sensor.

That sounds like it fits with Hoan's observations, if using f5.6, you should be able to get enough resolution for a 24mp sensor.


"Point & shoot" digital cameras never go above f/7.
There is no resolution left beyond this aperture.

Bob Atkins has a relevant article in his site since 2003
http://photo.net/equipment/digital/sensorsize/
VERY GOOD READ!
Study the table carefully.


PostPosted: Thu Nov 07, 2013 3:04 pm    Post subject: Reply with quote

Nordentro wrote:
I made this:

It is difficult to see the real difference in sensor area when both sensors are shown in landscape. It is easier to see the real difference if you tilt the APS-C sensor up in portrait mode over the FF sensor.

As you can see, the pixel size of the A7R is slightly bigger than a NEX 5n (compare fig. 1 to 2)
You can crop away all of the red area in figure 2 on a A7R and still have a NEX 5n picture left Wink

The widest part of a NEX 5n picture has the same resolution as the shortest part of a A7R picture.



hey now, we dont want to confuse this issue with facts do we? imo, these arguments, constantly reproduced across all too many of our threads, are like fires: theyre without goal (except mindlessly extending the fire), theyre destructive and they need 'oxygen' to survive. here, the 'oxygen' is replying, in any way, whether with fact or well intentioned opinion. because there is no 'goal' other than self-perpetuation, replies of any kind only fuel the fire. my advice, ignore the invitation to argue and just move the discussion along with those interested in 'discussion' and not 'destruction'.


PostPosted: Thu Nov 07, 2013 3:07 pm    Post subject: Reply with quote

Nikos wrote:
iangreenhalgh1 wrote:
So if I understand you right Hoan, most lenses can outresolve a 24mp FF sensor but resolve less than a 36mp FF sensor?

I've been trying to understand this issue, but it's fairly complex. This article has a lot of detailed info:

http://www.luminous-landscape.com/tutorials/resolution.shtml

Quote:
Consider a 35mm system with a lens at f/11. At best, the maximum resolution you will get is equivalent to 16 MP, even if your camera has 22 or 25 MP. In the case of an APS-C based system the limit goes to 7 MP, and 4 MP considering a Four Thirds format. Stopping down to f/22 the limit of the effective resolution of the 35mm based system goes to 4 MP!


If I understand that right, they are saying that at f11, you are only going to get enough resolution to match a 16mp FF sensor.

That sounds like it fits with Hoan's observations, if using f5.6, you should be able to get enough resolution for a 24mp sensor.


"Point & shoot" digital cameras never go above f/7.
There is no resolution left beyond this aperture.

Bob Atkins has a relevant article in his site since 2003
http://photo.net/equipment/digital/sensorsize/
VERY GOOD READ!
Study the table carefully.


Cheers Nikos, I'll give that a read.

BTW, does the diffraction limit change between a 24 and 36mp FF sensor? I'm thinking it does, due to the difference in pixel pitch.


PostPosted: Thu Nov 07, 2013 3:55 pm    Post subject: Reply with quote

Ian,

My last post is what I observed when using different lenses on different FF bodies, just daily use, nothing scientific.

When I am using the lenses, the f-stops are vary.
To see of a lens can outresolve the sensor, I need f5.6 or f8 or f11, hardly use f16, but sometimes f4 and f2.8.

Lenses that can be tested are all nikon mount, AF screw drive or MF, adapted to canon.

First time when I got the d800, noise from 36mpx at iso3200 is worse than 5dm2, nex5n and k5.
I shot raw, with all NR turned off, and do NR in post. That surprises me alot. But then I resized to 5dm2 resolution and other resolutions for crop sensor. NR applied, some what differently, to get the best result and compared with similar sizes, the 36mpx wins.

Same as 5dm2 when resized to 15-16Mpx.
Noise ratio at 1:1 crop might look the same, but NR can apply more on larger basis. Resizing will hide imperfection result after a NR.


PostPosted: Thu Nov 07, 2013 4:07 pm    Post subject: Reply with quote

I see, so the downsides of the smaller pixels on a 36mp sensor can be overcome by downsizing and post-processing. That's interesting and something to bear in mind, cheers.

It will be interesting to see how results differ between the a7 and a7r once a few months have passed and a few people have been using them.

In the Nikon world, what has been the general opinion of the differences in output quality between the d600 and d800?

Obviously, the d800 is more demanding of the lens, but given the same lens, I wonder what would give the best quality, a straight 24mp file from the d600 or a 36mp file from the d800 downsized to 24mp after having noise reduction applied?

Apart from resolution and noise, there are also the factors of dynamic range and tonal quality, those, in theory, should be superior with the 24mp sensor due to it's larger pixels, I wonder if this is visible in real-world results?


PostPosted: Thu Nov 07, 2013 4:45 pm    Post subject: Reply with quote

The d800 is the only nikon i have.
For convenient, I use 5dm2 with nikon lenses as well.
With the same lens, it may not be comparable, 5dm2 is old, d600 is new.

5d/5dm2 has S-type screen, d800 has 1.7x eyepiece.
canon has smaller files. d800 has 45MBytes files.

For D-range, i use nex5n or d800. The d800 is Very good at d-range.


PostPosted: Fri Nov 08, 2013 8:08 am    Post subject: Reply with quote

iangreenhalgh1 wrote:
Nothing to get excited about .....


That's what my dad said when I told him I had a date with Raquel Welch back in '62......

The man was just not easily impressed. Wink


PostPosted: Fri Nov 08, 2013 9:11 am    Post subject: Reply with quote

Raquel Welch in 62.... Oh my, now that is something Wink


PostPosted: Fri Nov 08, 2013 12:02 pm    Post subject: Reply with quote

uhoh7 wrote:
iangreenhalgh1 wrote:
Nothing to get excited about .....


That's what my dad said when I told him I had a date with Raquel Welch back in '62......

The man was just not easily impressed. Wink

Mmm, you date married women? Bad boy...


PostPosted: Fri Nov 08, 2013 3:02 pm    Post subject: Reply with quote

iangreenhalgh1 wrote:
I don't see the point, just buy a cheaper 16-20mp camera. Larger pixels in theory, should offer advantages in noise, dynamic range etc.

I'd love to be able to try out 16, 24 and 36mp FF cameras and see which gives the best output with my favourite lenses, I have a feeling that the 16mp one would be everything I need or desire.


In practice the A7r shows visibly more details/resolution in lowlight (ISO3200 and ISO6400) and has much higher dynamic range (12ev VS 10ev) than A7.


PostPosted: Fri Nov 08, 2013 3:36 pm    Post subject: Reply with quote

Nikos wrote:
uhoh7 wrote:
iangreenhalgh1 wrote:
Nothing to get excited about .....


That's what my dad said when I told him I had a date with Raquel Welch back in '62......

The man was just not easily impressed. Wink

Mmm, you date married women? Bad boy...


She was separated in 1962 Wink


PostPosted: Fri Nov 08, 2013 5:53 pm    Post subject: Reply with quote

ForenSeil wrote:
iangreenhalgh1 wrote:
I don't see the point, just buy a cheaper 16-20mp camera. Larger pixels in theory, should offer advantages in noise, dynamic range etc.

I'd love to be able to try out 16, 24 and 36mp FF cameras and see which gives the best output with my favourite lenses, I have a feeling that the 16mp one would be everything I need or desire.


In practice the A7r shows visibly more details/resolution in lowlight (ISO3200 and ISO6400) and has much higher dynamic range (12ev VS 10ev) than A7.


Who shoots at those ISO settings? 10ev is awfully low for a modern sensor.

Anyways, it's too early to be sure of much with these cameras, judgement should be reserved for a while yet until there is a good body of results in real-world settings from a good number of people.


PostPosted: Fri Nov 08, 2013 6:11 pm    Post subject: Reply with quote

iangreenhalgh1 wrote:

10ev is awfully low for a modern sensor.


Not true.
Most cameras are still at 10ev (e.g. Nikon D800, Canon 5D MkIII)

Take a look here:
http://www.chip.de/bestenlisten/Bestenliste-Profi-DSLR-und-Profi-DSLM--index/detail/id/969/
(column Dynamikumfang)

According to this page, the a7r has 12ev.
It is one of the top 3 performers in this category.


PostPosted: Fri Nov 08, 2013 7:19 pm    Post subject: Reply with quote

According to Dxomark results, 10ev is poor for an upto-date sensor.

I checked with Dxomark what the cameras I own have:

Sony NEX-3 12 EV
Canon EOS 450D 10.8 EV
Samsung NX100 10.7 EV
Nikon D50 10.8 EV

Some others:

Samsung NX200 12.6 EV
Canon EOS 6D 12.1 EV
Nikon D800E 14.3 EV

Dxomark gives 14.1 EV for the A7R and 14 EV for THE SLT-A99.

Therefore, I believe that the correct figure for the A7R is 14 EV, Dxomark doesn't have data for the A7.


PostPosted: Fri Nov 08, 2013 7:34 pm    Post subject: Reply with quote

10 EV sounds unbelievable. It's way too low for a modern sensor even on a crop, let alone the FF.


PostPosted: Fri Nov 08, 2013 7:51 pm    Post subject: Reply with quote

It seems that the numbers from chip.de are not comparable to those of DxOMark.
Anyway, both rate a7r in the top 2-3 cameras.


PostPosted: Fri Nov 08, 2013 8:07 pm    Post subject: Reply with quote

Yes, clearly the numbers are not the same. I think 14 EV sounds more like the accurate one.