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winmazing
Joined: 14 Mar 2009 Posts: 32 Location: Vancouver
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Posted: Wed Mar 18, 2009 6:49 am Post subject: |
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winmazing wrote:
Do you think there will be any problems focusing to infinity after putting an adapter on either the M-24H or M version? I have a Canon EOS 450D Thanks! _________________ Canon EOS 5D MK II | EOS M
AF: Canon EF 24-104mm f/4L IS, Canon EF 70-200mm F/4L IS, Canon 50mm f/1.4, Canon 1.4x EF Extender II
MF: Mir-24H 35mm f/2.0, Pentax Super Takumar 50mm f/1.4 |
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wariag
Joined: 08 Dec 2008 Posts: 59 Location: Lodz, Poland
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Posted: Wed Mar 18, 2009 9:28 am Post subject: |
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wariag wrote:
Zoom wrote: |
wariag wrote: |
Results of resolution test of Soviet lenses are provided in lines/mm.
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Yes.
wariag wrote: |
So it would be about 22/11 (Mir-1) and 20/10 lp/mm (Mir24M).
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Nope. Sorry, you are wrong.
Russian l/mm is equal to the Western (btw: from the world of TV-technics) lp/mm.
Why? Because a white (or black) line must be on the black (or white) background...
See also (in Russian, from the same source):
[ur=http://www.luminous-landscape.com/tutorials/understanding-series/understanding-mtf.shtmll=http://www.zenitcamera.com/qa/qa-resolution.html#n1]www.zenitcamera.com/qa/qa-resolution.html#n1[/url] |
OK, I am wrong, so the others are
"Resolution is usually measured in lines per millimeter, or line pairs per millimeter. (L/mm and LP/mm). Be careful not to confuse the two. These are not the same. Typically engineering types refer to lines per millimeter, rightly assuming that to have a black line one must also have a white line. But, photographers tend to be less rigorous in their thinking and so line pairs per millimeter is commonly used. Just be aware of what is being discussed, but also be aware that numerically L/mm is double LP/mm. 50 L/mm to an engineer means 50 line pairs, because as discussed above every black line must have matching white line. This is similar to the confusion that exists between DPI (dots per inch) and PPI (pixels per inch). Different, to be sure, but similar enough in common usage so you need to know what each is actually referring to."
http://www.luminous-landscape.com/tutorials/understanding-series/understanding-mtf.shtml _________________ analog system: Pentax K & M42
digital sytem: Nikon 1 (CX) & Samsung NX (APS-c)
optics: mostly USSR and GDR made primes; some Japanese, Korean and other nationality
primes:
8/2.8, 14/2.8, 20/2.8(AF), 30/2(AF), 50/1.4-3.5, 80/2, 90/2.8, 100/2.8, 135/2.8-3.5, 200/3.5-4, 300/4-5.5, 436/5.5, 600/7.5
zoom:
28-100/4, 35-70/2.5-3.5, 70-150/3.5, 70-200/2.8, 80-200/4. |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Wed Mar 18, 2009 9:34 am Post subject: |
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sichko wrote:
winmazing wrote: |
Do you think there will be any problems focusing to infinity after putting an adapter on either the M-24H or M version? I have a Canon EOS 450D Thanks! |
There shouldn't be but I'm not a Canon user. I'm sure there must be a Canon user on this forum who has used the Mir 24. Lets hope he sees your post. If not start a new thread asking for specific advice. _________________ John |
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winmazing
Joined: 14 Mar 2009 Posts: 32 Location: Vancouver
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Posted: Wed Mar 18, 2009 10:07 am Post subject: |
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winmazing wrote:
I ended up getting the MIR-24H for $70USD because of its closer focal length and greater aperture range. Hopefully it won't disappoint. Now to get an adapter _________________ Canon EOS 5D MK II | EOS M
AF: Canon EF 24-104mm f/4L IS, Canon EF 70-200mm F/4L IS, Canon 50mm f/1.4, Canon 1.4x EF Extender II
MF: Mir-24H 35mm f/2.0, Pentax Super Takumar 50mm f/1.4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Mar 18, 2009 10:50 am Post subject: |
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Orio wrote:
sichko wrote: |
winmazing wrote: |
Do you think there will be any problems focusing to infinity after putting an adapter on either the M-24H or M version? I have a Canon EOS 450D Thanks! |
There shouldn't be but I'm not a Canon user. I'm sure there must be a Canon user on this forum who has used the Mir 24. Lets hope he sees your post. If not start a new thread asking for specific advice. |
Absolutely no problem at all:
On EOS 50D:
On EOS 400D:
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Wed Mar 18, 2009 12:52 pm Post subject: |
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estudleon wrote:
Hi, Orio.
Have all the MIR's this warm tonality? _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Mar 18, 2009 1:00 pm Post subject: |
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Orio wrote:
estudleon wrote: |
Hi, Orio.
Have all the MIR's this warm tonality? |
The second photo was taken under tungsten light, so that explains it.
The first photo does not seem to have a warm cast to me. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Wed Mar 18, 2009 1:53 pm Post subject: |
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estudleon wrote:
Orio wrote: |
estudleon wrote: |
Hi, Orio.
Have all the MIR's this warm tonality? |
The second photo was taken under tungsten light, so that explains it.
The first photo does not seem to have a warm cast to me. |
Yes, it's subjetive, but I note the pavement like too reddish, something unreal, that I do not identify with which I see normally in rainy days. But you are right, it´s subjetive. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Mar 18, 2009 1:59 pm Post subject: |
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Orio wrote:
estudleon wrote: |
Yes, it's subjetive, but I note the pavement like too reddish, something unreal, that I do not identify with which I see normally in rainy days. But you are right, it´s subjetive. |
That was the lighting that day. In fact, the light was the reason why I took the photo. It is not uncommon lighting here especially when the wind blows from the south. Sometimes it carries so much sand that the day after I find a layer of red sand on the car. When I took the photo, the rain was already finished. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Zoom
Joined: 17 Mar 2009 Posts: 5
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Posted: Wed Mar 18, 2009 3:16 pm Post subject: |
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Zoom wrote:
Quote: |
Resolution is usually measured in lines per millimeter, or line pairs per millimeter. (L/mm and LP/mm). Be careful not to confuse the two.
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For me is not clearly to think out these lp/mm. It was not necessary to pull it from a TV-technics. Now all are confused... |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Mar 18, 2009 3:45 pm Post subject: |
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Orio wrote:
I think the figures show that the MIR-24 is slightly more resolving than the MIR-1
No revolutionary difference.
Of course resolvance alone does not tell everything about a lens and so here's where the better coating on the MIR-24 comes into play. By improving (significantly) the contrast of the lens and by increasing the colour density, the coating plays an important part in making the MIR-24 a more pleasing lens to use (at least for me). _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Wed Mar 18, 2009 5:05 pm Post subject: |
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ChrisLilley wrote:
winmazing wrote: |
I ended up getting the MIR-24H for $70USD because of its closer focal length and greater aperture range. Hopefully it won't disappoint. Now to get an adapter |
You list Nikon Micro-Nikkor 55mm f/3.5 already, so the Mir 24-N which is also a Nikon mount would use the same adapter for your Canon, no? _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list)
Last edited by ChrisLilley on Wed Apr 01, 2009 2:30 pm; edited 1 time in total |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Wed Mar 18, 2009 5:44 pm Post subject: |
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sichko wrote:
Orio wrote: |
I think the figures show that the MIR-24 is slightly more resolving than the MIR-1 |
Do you have the figures for the Mir 24H ? Those for the Mir 24M show that it has less resolving power than the Mir 1. _________________ John |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Mar 18, 2009 6:31 pm Post subject: |
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Orio wrote:
sichko wrote: |
Those for the Mir 24M show that it has less resolving power than the Mir 1. |
Really? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Wed Mar 18, 2009 7:01 pm Post subject: |
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sichko wrote:
Orio wrote: |
sichko wrote: |
Those for the Mir 24M show that it has less resolving power than the Mir 1. |
Really? |
The figures are quoted in an earlier post in this thread. _________________ John |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Mar 19, 2009 2:02 am Post subject: |
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Orio wrote:
sichko wrote: |
The figures are quoted in an earlier post in this thread. |
Ah ok, I saw them now. Yes, small difference in favour of the MIR-1 _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Krisgage
Joined: 16 Mar 2009 Posts: 681 Location: Singapore
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Posted: Thu Mar 19, 2009 6:26 am Post subject: |
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Krisgage wrote:
I have the silver M39 Silver Grand Prix Brussel 1958 MIR-1. I like this lens alot. It enables me to take good photos and also the "glow" I like. |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Fri Mar 20, 2009 1:05 am Post subject: |
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Farside wrote:
kansalliskala wrote: |
rawhead wrote: |
What you do is you pre-set the aperture to what you want to shoot with... say f5.6. Most presets will let you move between wide open and that number f5.6.
So, after you preset the aperture, go wide open, focus, then stop down to f5.6, meter, and shoot. |
Or the alternative way: preset the aperture - forget to stop down - and curse like *$£@l when the slides come back over-exposed. |
And what kind of klutz would do that for a wedding shoot? Don't ask me how I know, I just do, ok? _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
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aoleg
Joined: 22 Feb 2008 Posts: 1387 Location: Berlin, DE
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Posted: Sat Mar 21, 2009 1:15 am Post subject: |
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aoleg wrote:
Orio wrote: |
sichko wrote: |
The figures are quoted in an earlier post in this thread. |
Ah ok, I saw them now. Yes, small difference in favour of the MIR-1 |
Note that in Russia lens' performance was mesaured wide open. Therefore it's not surprising for Mir-1 to be sharper wide open at f/3.5 than Mr-24 at f/2. Try stopping down Mir-24 and you'll see its resolving power. _________________ List of lenses |
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winmazing
Joined: 14 Mar 2009 Posts: 32 Location: Vancouver
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Posted: Wed Apr 01, 2009 4:02 am Post subject: |
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winmazing wrote:
So after a couple of weeks i finally received my Mir-24 and boy was I in for a surprise.
I haven't taken any pictures with it yet because i haven't gotten my Nikon to Eos mount yet, but I don't think i would've in the condition i got the lens in. There was a cloud of dust inside the lens - not a spec or two, but a visible cloud of small dust. It was one of those boring days so i decided to take the lens apart to clean it out.
It was actually surprisingly easy. It was obvious someone had opened it up before as the screws were a bit worn. I opened the front of the lens by unscrewing the donut ring that secures the lens elements in and guess what i found under the ring - a worm! looked like a small silk worm or larvae of some sort. Must've been there for over a decade
Well after that I took the elements out above and under the aperture rings - cleaned the dust out with the help of some microfiber cloths and a hurricane blower. Put everything back and took it apart again to clean the aperture rings and now the lens seems to be in a respectable condition.
I realized one important thing while dissembling the lens - I normally have my MF lenses set on its highest aperture/lowest f stop number, but that actually stretches the spring that controls the aperture openings,. Over time the spring will get elongated and less snappy so now i have all my MF lenses set to infinity. I'm sure many of you know of this, but I thought i'd share my experience.
Looking forward to take some pics! _________________ Canon EOS 5D MK II | EOS M
AF: Canon EF 24-104mm f/4L IS, Canon EF 70-200mm F/4L IS, Canon 50mm f/1.4, Canon 1.4x EF Extender II
MF: Mir-24H 35mm f/2.0, Pentax Super Takumar 50mm f/1.4 |
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