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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Wed May 25, 2011 8:48 am Post subject: Idyllic World - Zeiss Flektogon 2.4/35 MC |
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tobbsman wrote:
3 more Panoramas with the Flek 35 from a bike tour last week.
as one can see , the aim was to practise prominent blured flower foregrounds and get more depth into pano-compositions.
- 9 shots panorama
- 3 rows landscape format
- @f3.5
-8 shots in 2 rows landscape formate
- @f3.5
-2 shots
- planar projection
@f3.5
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Rolf
Joined: 02 May 2009 Posts: 4123 Location: NRW/Germany
Expire: 2015-12-26
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Posted: Wed May 25, 2011 9:33 am Post subject: |
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Rolf wrote:
Unbelievable as always Tobias. Excellent shots and IQ.
Does your first sentence means that you used different distances within your shots ?
_________________ Rolf |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed May 25, 2011 10:11 am Post subject: |
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Orio wrote:
Tobias, composition lighting etc. as always excellent, but why leave flowers blurred?
I would love to have everything focused in such images. Blur does not really add to the atmosphere or scene, I think. It might actually even become distracting as in #1 in my opinion. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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symphonic
Joined: 23 May 2010 Posts: 550 Location: SE Europe, Croatia
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Posted: Wed May 25, 2011 10:34 am Post subject: |
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symphonic wrote:
Great work, have to say I eagerly wait for every photo you and Roman (NikonD) put here, mountain photography is by far my favorite!
I agree with Orio on the blur. What exactly do you mean by "planar projection" in the third photo? _________________ Toni,
EOS 450D
CZJ Sonnar 135/3.5 MC | Pancolar 50/1.8 MC
Contax Planar 50/1.4 AEJ | Contax Sonnar 135/2.8 AEJ
Yashica ML 28/2.8 | Zuiko 28/3.5
Vivitar Series1 105/2.5 OM
AF: Tokina 12-24 |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Wed May 25, 2011 10:49 am Post subject: |
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tobbsman wrote:
Orio, I can understand very good what you say, bacause I am doubting too.
This was a kind on practising session, so I was very interrested about the outcome. I rarely make panos with a ~f3.5 apperture.
- I think in 2 the blured flowers are definitly disturbing.
- in 3 the blur is not as prominent as I intended, so not too disturbing for my taste
- in #1 the effect that I wanted to achieve worked out best. the blured flowers take a big part of the frame and become a interresting element of the composition for my taste
what also plays a roll is, that our eyes are not used to landscape scenery photographs tooken with wide appertures, we may have to get used to.
I think there's potentioal, so I'll make furthere experiments ...
@Rolf
no, it doesn't really mean that.
But what you say it true, I tried different distances to the flowers. In #1
the nearest flowers were ~5-10 cm away from the lens.
... which makes it very difficult while shooting without tripod. I had to rotate the camera as closest to the nodal point of the lens as possible, else the sticher would have no chance to recoglize some control points in between the frames.
__________
I did one a similar panorama with SMC A 100/2.8 Macro with this kind of technic:
@symphonic
I mean how the stiching engine handles the frames and projects it:
can be spherical, cylindrical, planar, mercator etc ...
check out a discription about planar projection in my pano-guide ...
http://forum.mflenses.com/a-beginners-guide-to-panorama-stiching-t19182.html
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Rolf
Joined: 02 May 2009 Posts: 4123 Location: NRW/Germany
Expire: 2015-12-26
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Posted: Wed May 25, 2011 12:00 pm Post subject: |
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Rolf wrote:
Tobias, you know the situation - if you ask 10 persons you will get 11 different answers.
Personally I believe that the flower blur is the special effect - let me say the kick - on your images. It is the play between sharpness and blurring, between different light situation etc. when an image is facinating and the eyes find the way through the image.
So for IMHO an image with no blur from the front to infinity is ok but a little bit boring - because most of the images are looking like.
For me your images are perfect.
_________________ Rolf |
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NikonD
Joined: 29 Jul 2008 Posts: 1922 Location: Slovenija
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Posted: Wed May 25, 2011 2:02 pm Post subject: |
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NikonD wrote:
wow, excellent work Tobias, but that is to expect from a panmaster |
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Minolfan
Joined: 30 Dec 2008 Posts: 3439 Location: Netherlands
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Posted: Wed May 25, 2011 5:56 pm Post subject: |
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Minolfan wrote:
Quote: |
Tobias, you know the situation - if you ask 10 persons you will get 11 different answers.
Personally I believe that the flower blur is the special effect - let me say the kick - on your images. It is the play between sharpness and blurring, between different light situation etc. when an image is facinating and the eyes find the way through the image.
So for IMHO an image with no blur from the front to infinity is ok but a little bit boring - because most of the images are looking like.
For me your images are perfect.
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Well, not this time 11 different answers; I fully agree! |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed May 25, 2011 6:20 pm Post subject: |
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Laurence wrote:
At the expense of sounding trite, I agree with NikonD +1 _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed May 25, 2011 6:51 pm Post subject: |
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Attila wrote:
Awesome place, very well photographed! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Himself
Joined: 01 Mar 2007 Posts: 3248 Location: Montreal
Expire: 2013-05-30
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Posted: Wed May 25, 2011 8:42 pm Post subject: |
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Himself wrote:
Great composition, awesome landscape!
Those mountains are stunning.
#2 for me. _________________ Moderator Himself |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Wed May 25, 2011 10:20 pm Post subject: |
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kds315* wrote:
2+3 work for me, but if the blurred flowers get to prominent, it distorts the image. IMHO of course.
What you could also try is a very wide angle + very short ext. tube, get the flower sharp in the foreground
and the panorama behind. Kind of insect vision pano. I've seen very good such results with incredible DOF... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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yinyangbt
Joined: 08 Oct 2010 Posts: 1973 Location: Romania
Expire: 2012-12-27
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Posted: Thu May 26, 2011 5:22 am Post subject: |
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yinyangbt wrote:
Minolfan wrote: |
Quote: |
Tobias, you know the situation - if you ask 10 persons you will get 11 different answers.
Personally I believe that the flower blur is the special effect - let me say the kick - on your images. It is the play between sharpness and blurring, between different light situation etc. when an image is facinating and the eyes find the way through the image.
So for IMHO an image with no blur from the front to infinity is ok but a little bit boring - because most of the images are looking like.
For me your images are perfect.
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Well, not this time 11 different answers; I fully agree! |
Me too !
I think that the blur on the foreground can add somewhay a deepness effect in a landscape . Definitely not aclassical approach of landscape photography , but I like it !
Congratulations, Tobias ! _________________ Cheers , Teo
http://photo.net/photodb/member-photos?user_id=5778915 |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Thu May 26, 2011 6:58 am Post subject: |
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tobbsman wrote:
Many many thanks for your reactions and different opinions !
@Klaus
Quote: |
What you could also try is a very wide angle + very short ext. tube, get the flower sharp in the foreground
and the panorama behind. Kind of insect vision pano. I've seen very good such results with incredible DOF... |
this sounds very interesting! I'll definitly give it a try ...
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu May 26, 2011 6:21 pm Post subject: |
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patrickh wrote:
Tobias
Your usual great portrayal of a wonderful region
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu May 26, 2011 9:49 pm Post subject: |
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Orio wrote:
I think that a 18mm lens stopped down to f/22 and focused at about 1m may be enough to capture all flowers in focus without the use of a tube
(just make sure the nearest flowers are no closer than 35 cm from the lens). _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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kds315*
Joined: 12 Mar 2008 Posts: 16664 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Fri May 27, 2011 12:18 am Post subject: |
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kds315* wrote:
I meant similar to that (normal format, no vignette), but with a sharp BG until the horizon - and PANO that Tobias does so excellently...
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri May 27, 2011 1:26 am Post subject: |
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Orio wrote:
Ah ok, I see. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Fri May 27, 2011 7:54 pm Post subject: |
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tobbsman wrote:
Thanks klaus for showing the expaining smaple photograph!
that's similar to the macro-fisheye shots which I did once with my Kenko-SMC-Vititar combo:
http://www.flickr.com/photos/12447266@N05/sets/72157622683843898/with/4053894368/
The problem with this technic is that I don't get the resolution I want over the enitre frame. corner sharpnes is very week, so no stichind is ever possible.
@Orio
That for sure is a possibility. I am just doubting, because there is always a wind-flow in the air (there are rarely days where macro outdoor flower-shooting is possible without using very fast shutterspeeds), so flowers are shaking. Stopped down to f22 it may result in blur, which is not good for stiching either.
I'll make some test ... I got pretty interested now
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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ylyad
Joined: 01 Jun 2010 Posts: 476 Location: Zentralschweiz
Expire: 2013-12-05
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Posted: Sat May 28, 2011 7:47 am Post subject: |
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ylyad wrote:
I like this blurred foreground. But it requires a "strong" background, especially when it's large on the photo. That's why I'm not convinced with #1. #2 & #3 are really beautiful but the one I really like most is #4. The blurred foreground adds great depths and emphasizes the magnificent background. _________________
Camera: Fuji X-E2, Fuji X100T
MF: Canon nFD 50/1.4, Canon nFD 100/2.8, Tokina RMC 135/2.8
Tamron SP 24-48/3.5-3.8
http://www.flickr.com/derdide/
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