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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Apr 24, 2008 4:12 am Post subject: first scan of Pentax 67 55 f 3.5 |
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F16SUNSHINE wrote:
Ok here is my first try with the V700. This was one of the nights that I did moonlight frames at witchpark. The top image is the 67 with 55mm f3.5. The second is 40D with Zuiko 21/2. Both roughly 28mm on 35mm camera (75 degrees?). The film was Fuji Portra S 160. Please let me know what your first impressions are. Feedback and comments are much needed.
Well now that I see them both in the reduced size for upload, it looks like exposure is much different. These are both originals with no adjustments. I will adjust the 40D shot in raw for exposure and replace this one. Anyway I'll leave it up for all to view.
67 w 55/3.5
40D w 21/2
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Bruce
Joined: 15 Jan 2008 Posts: 842 Location: Boston, Ma USA
Expire: 2014-11-22
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Posted: Thu Apr 24, 2008 4:26 am Post subject: Re: first scan of Pentax 67 55 f 3.5 |
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Bruce wrote:
F16SUNSHINE wrote: |
Please let me know what your first impressions are. Feedback and comments are much needed.
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Probably not the feedback your looking for but... super shots! |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Thu Apr 24, 2008 4:26 am Post subject: |
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Katastrofo wrote:
The way it is right now, I'll take the first one, the film version. Nice job!
Is that your spaceship I see taking off into the sky in #1? Fulfills some
theories I have... |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Thu Apr 24, 2008 4:33 am Post subject: |
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luisalegria wrote:
It looks like you have greater exposure range in your film, for starters.
Or maybe thats just because your raw image needs some processing to get the same range ? |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Apr 24, 2008 4:57 am Post subject: |
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F16SUNSHINE wrote:
So here is the 40D shot with a plus + 1 1/3 stop exposure in raw. It is damn near impossible to get things looking similar with simple global adjustments. My verdict is Film is more natural. The space ship is of course a star trail. Most of the other bright spots are dust or other schmagg from development. This is a first go so hopefully things will get better. I like the cooler rendering from the 67 55mm and film
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Thu Apr 24, 2008 5:16 am Post subject: |
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Katastrofo wrote:
Yep, I still like the film version, better. And star trail works, too, you bet.
Bill |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Thu Apr 24, 2008 6:12 am Post subject: |
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poilu wrote:
seems that film make a wonderful job on this one _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Apr 24, 2008 6:14 am Post subject: |
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Orio wrote:
I love them all, and at this size, both film and digital seem equally effective to me. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
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Abbazz
Joined: 23 Jun 2007 Posts: 1098 Location: Jakarta
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Posted: Thu Apr 24, 2008 6:22 am Post subject: |
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Abbazz wrote:
Shadow detail seems better on the Pentax 67 shot. Thanks for sharing.
Cheers!
Abbazz _________________ Il n'y a rien dans le monde qui n'ait son moment decisif, et le chef-d'oeuvre de la bonne conduite est de connaitre et de prendre ce moment. - Cardinal de Retz
The 6x9 Photography Online Resource:
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Apr 24, 2008 8:08 am Post subject: |
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Richard_D wrote:
For me the film version definitely has the edge. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Thu Apr 24, 2008 9:40 am Post subject: |
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Attila wrote:
my 2c for film, 40D is more dark perhaps if you pp 40D version to lighter it will equal ... but now film is better. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Thu Apr 24, 2008 10:56 am Post subject: |
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Farside wrote:
I'd go along with the praise for the film version, but the digital one (exposure corrected) would stand on its own if the film version wasn't there, as we saw with your digital shots last week. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Thu Apr 24, 2008 11:02 am Post subject: |
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montecarlo wrote:
Abbazz wrote: |
Shadow detail seems better on the Pentax 67 shot. Thanks for sharing.
Cheers!
Abbazz |
Yes thats true and yes, thank you. I like the picture (first one ). I noticed this comparing my Pentax K100D 6Mpx sensor (the same found on Pentax *ist series, Konica Minolta digital SLRs and Nikon D70/s, Nikon D50 and Nikon D40 cameras) to Fuji Reala 100 film (but not only with this). I'll make some shots, using the same settings of the same scene to see the differences _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Thu Apr 24, 2008 8:35 pm Post subject: |
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Laurence wrote:
Good stuff! I look forward to seeing more varieties on the same theme. I too, like the film rendition, at least as can be shown on a web-reduced image. This is surely a nice location you have found! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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