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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Mon Mar 09, 2009 5:28 am Post subject: Backlight |
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Laurence wrote:
Here's a good example of backlighting with the moss scattering the light evenly. Sometimes when hiking in the rain forest, there are literally thousands of backlit branches full of moss. It's hard to know where to look!
The area in the upper left of the image gives some idea of how the trunks of trees can be represented with backlit moss edges. It almost produces a graphic scene. I'll try to find an image to post that shows this.
Sigma SD-14
Tokina SD 28-70
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Bob van Sikorski
Joined: 12 Jan 2009 Posts: 287 Location: Czech Republic
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Posted: Mon Mar 09, 2009 5:34 am Post subject: |
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Bob van Sikorski wrote:
another from "impossible w/bayer" collection. really nice colours. _________________ Rokkor (MD 45/2.0, MC PF 50/1.7), Porst Color Reflex MC Auto 55/1.2, Jupiter 135/3.5
Minolta X-700, Minolta Dynax 4, Flexaret IIa (later version), Flexaret VI
Voigtländer Avus 9x12 (1927-1935 version)
Epson V500 + VueScan/Linux + RawTherapee 4.x + GIMP/wavelett sharpen plugin
Meopta Magnifax III (up to 6x9) + Opemus III (up to 6x6), Rodenstock Rodagon 50/2.8, Meopta Anaret 105/4.5
Proud user of czech films! company homepage: foma.cz, buy here: fomafoto.com |
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yalcinaydin
Joined: 20 May 2008 Posts: 825 Location: Izmir, Turkey
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Posted: Mon Mar 09, 2009 5:37 am Post subject: |
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yalcinaydin wrote:
Laurence, this is lovely. I'm sad that I can't be there this summer but I'll definitely be there in 2010 summer. _________________ My name is "Yalcin", and exactly "Yalçın" and here you can find my MF samples:
http://www.flickr.com/photos/yalcinaydin/sets/
Right now switching back to AF because of work needs but I still love the MF lenses |
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cledry
Joined: 22 Dec 2008 Posts: 142 Location: Orlando, FL USA
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Posted: Mon Mar 09, 2009 11:40 am Post subject: |
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cledry wrote:
This is one of my favourite thing, spotting strongly lit subjects and capturing the image. Backlighting or even just strong contrasting shadow and light are what make an ordinary shot into a spectacular shot.
Love this one,. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Mar 09, 2009 12:06 pm Post subject: |
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Orio wrote:
Very good capture Larry.
This is the type of shot that will really sing when taken on a slide and projected on a wall. Computer screen can not do justice to this type of dynamics. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue Mar 10, 2009 6:04 am Post subject: |
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Laurence wrote:
Bob, Yalcin, Cledry, Orio, thank you for taking a look. The Foveon and SD-14 has actually exceeded what I expected. You know how the "hype" can be...but in this case I am very very pleased with the "film like" colors and the dimensionality that is produced.
Orio, I have a couple of Provia 6x6 slides of backlit branches from the Yashica Mat, that I project with my old Bell and Howell medium format every once in a while. I am constantly blown away after the slides and projector are set up, and that first slide starts to shine on the screen. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Tue Mar 10, 2009 6:19 am Post subject: |
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Katastrofo wrote:
Really love this one, beautiful shot, Laurence! |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Tue Mar 10, 2009 9:46 am Post subject: |
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tobbsman wrote:
... love the great field of contrast in the shot and the striking green.
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Jesito
Joined: 24 Aug 2007 Posts: 5745 Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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Posted: Tue Mar 10, 2009 10:27 am Post subject: |
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Jesito wrote:
Hi Larry,
You always surprise me with the lovely compositions you get from the plants. Besides be technically perfect, the lighting and colouring trasmit a warm feeling that is like being there. I could even hear the murmuring waters not so far... Wonderful place, and nice shot!.
Kind regards,
Jes. _________________ Jesito, Moderator
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
Compact Digital Olympus C-5050, Aiptek Slim 3000, Canon Powershot A540, Nikon 5200, SIGMA DP1s, Polaroid X530, IXUS55, Kodak 6490, Powershot G9 and G10
CSCCanon EOS-M, Samsung NX100 and NX210, Lumix G5, NEX-F3 |
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walter23
Joined: 12 Dec 2008 Posts: 32
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Posted: Tue Mar 10, 2009 11:52 pm Post subject: |
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walter23 wrote:
Funny, I recently discovered that look while hiking around locally (same climate / ecology as your area, basically). I think these shots are too messy, but it's hard to isolate stuff in the forest.
http://i23.photobucket.com/albums/b377/walter2323/IMG_6356.jpg
http://i23.photobucket.com/albums/b377/walter2323/IMG_6354.jpg
And a crop in colour (gross looking because of the resolution limit)
http://i23.photobucket.com/albums/b377/walter2323/mossyshit.jpg
I like yours much better.
Last edited by walter23 on Wed Mar 11, 2009 4:28 am; edited 1 time in total |
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bawang
Joined: 26 Mar 2008 Posts: 548 Location: Indiana, USA
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Posted: Wed Mar 11, 2009 2:54 am Post subject: |
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bawang wrote:
Larry, that is one amazing shot.
How do you ever see these wonderful pictures you post here. I go hiking too, but could never conceive these compositions.
You gotta teach us to see through the crowded scene before our eyes, Sifu Larry. |
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