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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Wed Oct 28, 2009 10:51 pm Post subject: The Incredible story of Vivian Maier |
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F16SUNSHINE wrote:
I have been following this for a bit. There really is some remarkable work here and a truly incredible story
http://vivianmaier.blogspot.com/
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I acquired Vivian's negatives while at a furniture and antique auction. From what I know, the auction house acquired her belongings from her storage locker that was sold off due to delinquent payments. I didn't know what 'street photography' was when I purchased them.
It took me days to look through all of her work. It inspired me to pick up photography myself. Little by little, as I progressed as a photographer, I would revisit Vivian's negatives and I would "see" more in her work. I bought her same camera and took to the same streets soon to realize how difficult it was to make images of her caliber. I discovered the eye she had for photography through my own practice. Needless to say, I am attached to her work.
After some researching, I have only little information about Vivian. Central Camera (110 yr old camera shop in Chicago) has encountered Vivian from time to time when she would purchase film while out on the Chicago streets. From what they knew of her, they say she was a very "keep your distance from me" type of person but was also outspoken. She loved foreign films and didn't care much for American films.
Some of her photos have pictures of children and often times it was near a beach. I later found out she was a nanny for a family on the North Side whose children these most likely were. One of her obituary's state she lived in Oak Park, a close Chicago suburb but, I later found the lived in the Rogers Park neighborhood in Chicago.
Out of the 30-40,000 negatives I have in the collection, about 10-15,000 negatives were still in rolls, undeveloped from the 1960's-1970's. I have been successfully developing these rolls. I still have about 600 rolls yet to develop. I must say, it's very exciting for me. Most of her negatives that were developed in sleeves have the date and location penciled in French (she had poor penmanship).
I found her name written with pencil on a photo-lab envelope. I decided to 'Google' her about a year after I purchased these only to find her obituary placed the day before my search. She passed only a couple of days before my inquiry on her.
I wanted to meet her in person well before I found her obituary but, the auction house had stated she was ill, so I didn't want to bother her. So many questions would have been answered if I had. |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Wed Oct 28, 2009 10:58 pm Post subject: |
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kuuan wrote:
WOW..very good photos, very touching story
thank you very much for posting this _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Wed Oct 28, 2009 11:52 pm Post subject: |
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Farside wrote:
Amazing discovery. I wonder how many unsung and undiscovered pic collections are out there. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
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FOMAPAN on forum -
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Wed Oct 28, 2009 11:56 pm Post subject: |
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F16SUNSHINE wrote:
There so many page to review.
This scene is interesting. Must be from her later years.
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Oct 29, 2009 3:08 am Post subject: |
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F16SUNSHINE wrote:
A few more of my favorites.
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Thu Oct 29, 2009 3:16 am Post subject: |
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mo wrote:
A truly amazing woman,thanks for posting. _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu Oct 29, 2009 5:42 am Post subject: |
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patrickh wrote:
What a discovery, what a talent, what a shame. Thanks Andy - fascinating
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Rolf
Joined: 02 May 2009 Posts: 4123 Location: NRW/Germany
Expire: 2015-12-26
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Posted: Thu Oct 29, 2009 7:23 am Post subject: |
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Rolf wrote:
Hi Andy, thanks for sharing this. A great find.
When I view older images or films with poeple on it, I always think about their life, what is or was their story, where they are now, what they are doing now ... what would happen to find these people and show their old pics and so on.
For me one of the few moments to think about images a longer time. _________________ Rolf |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Thu Oct 29, 2009 7:29 am Post subject: |
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mo wrote:
I love the way the people just look at her through the camera....no malice just wonder.She obviously had a way with people or do you think there may have been words said after the photo taken?
Could you take photos like that in this day and age?? _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Thu Oct 29, 2009 7:38 am Post subject: |
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PaulC wrote:
Unknown in life, worldwide fame a few weeks after death. It's a strange world. It's a strange obsession, too: capturing fleeting encounters with strangers.
They are well shot but most of them don't say anything to me. This one does, though: I think it's one of the cleverest uses of the accidental juxtaposition of people/signs/symbols I've ever seen:
_________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Thu Oct 29, 2009 7:43 am Post subject: |
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PaulC wrote:
Mo-Fo wrote: |
I love the way the people just look at her through the camera....no malice just wonder.She obviously had a way with people or do you think there may have been words said after the photo taken?
Could you take photos like that in this day and age?? |
I think a waist-level finder helps a lot. And if you want to try street photography today you need something that either blends in, like a mobile phone, or looks like a mad obsession, like a folding camera. A DSLR looks too serious. _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Thu Oct 29, 2009 7:49 am Post subject: |
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mo wrote:
I only briefly read the link does it give an indication of the camera she used? _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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madamasu
Joined: 03 Feb 2009 Posts: 597 Location: Frankfurt/Main Germany
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Posted: Thu Oct 29, 2009 8:56 am Post subject: |
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madamasu wrote:
Hi, Andy,
also my best thanks for sharing all this with us. Wonderful street-photography
by a real master-photographer.
Thomas _________________ Zorki 4
Jupiter 8, 9, 11, 12 & triple finder
Nikon D200, D700
Nikkors: 15/3.5 AI; N.C 24mm/2.8 (AIed);
N 35mm/1.4 (AIed); 45mm/2.8P; 50mm/1.2 AIS; Micro 55mm/2.8 AIS; Noct 58mm/1.2 AIS;85mm/1.8 (K-lense AIed); 105mm/2.5 AIS; 135mm/3.5 (K-lense AIed)
Voigtlaender Ultron 40mm/2; CZJ Flektogon 20mm/4 (AIed); Helios-81M; MIR-20N; Volna-3; Flektogon 50/4;Flektogon 65/2.8; Biometar 80/2.8; Biometar 120/2.8; Sonnar 180/2.8; Sonnar 300/4
Kiron 70-210/4.5 Makro
--------------------------------------------------------
http://www.flickr.com/photos/madamasu |
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Thu Oct 29, 2009 10:49 am Post subject: |
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PaulC wrote:
Mo-Fo wrote: |
I only briefly read the link does it give an indication of the camera she used? |
There's a photo of her holding a TLR, possibly a Rolleicord. _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Thu Oct 29, 2009 11:02 am Post subject: |
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kuuan wrote:
PaulC wrote: |
Mo-Fo wrote: |
I love the way the people just look at her through the camera....no malice just wonder.She obviously had a way with people or do you think there may have been words said after the photo taken?
Could you take photos like that in this day and age?? |
I think a waist-level finder helps a lot. And if you want to try street photography today you need something that either blends in, like a mobile phone, or looks like a mad obsession, like a folding camera. A DSLR looks too serious. |
I much agree.
A TLR, like Vivian used, looking downwards into the finder, should be fine too.
( A small 28/35/50mm primes on my *istDs still feels ok for shooting street, I'd feel very different if I used a large zoom ) _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Thu Oct 29, 2009 5:16 pm Post subject: |
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PaulC wrote:
A thought just hit me - who owns the copyright to these works? They seem certain to become regarded as an important record of life in the city, so they are valuable.
Does buying a trunk that bailiffs have seized transfer copyright to you, even though there was no mention of it? Or does it belong to the photographer's heirs? _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Thu Oct 29, 2009 6:11 pm Post subject: |
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Farside wrote:
PaulC wrote: |
A thought just hit me - who owns the copyright to these works? They seem certain to become regarded as an important record of life in the city, so they are valuable.
Does buying a trunk that bailiffs have seized transfer copyright to you, even though there was no mention of it? Or does it belong to the photographer's heirs? |
Most definitely to the heirs. Copyright was not transferred by her, and her death doesn't end copyright. In the case of written works, CR extends for 50 or 70ish years after the death and can be renewed. Just look at how much the family of the late Charles Dickens still makes from his works. Afaik, it's exactly the same for photographic works. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop Norway
http://www.fomafoto.com/
Webshop Czech
https://fomaobchod.cz/inshop/scripts/shop.aspx?action=DoChangeLanguage&LangID=4 |
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blende8
Joined: 29 Sep 2007 Posts: 260 Location: Bremen, Germany
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Posted: Wed Dec 29, 2010 10:22 am Post subject: Vivian Maier - must see! |
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blende8 wrote:
Two videos:
WTTW Chicago Tonight's Documentary
(during the video you can see a box with the cameras of Vivian.)
Short video about the planned documentary
Self-portrait:
Her images:
http://vivianmaier.blogspot.com/
Great stuff! _________________ Best wishes, Wieland
K-1, K-5IIs
Pentax, mysterium quod absconditum fuit ...
Last edited by blende8 on Wed Dec 29, 2010 7:55 pm; edited 1 time in total |
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Seele
Joined: 17 Apr 2009 Posts: 742 Location: Sydney Australia
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Posted: Wed Dec 29, 2010 6:01 pm Post subject: |
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Seele wrote:
PaulC wrote: |
Mo-Fo wrote: |
I only briefly read the link does it give an indication of the camera she used? |
There's a photo of her holding a TLR, possibly a Rolleicord. |
From the picture it's a Rolleiflex Automat of some description; see the self-timer release button. |
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womble
Joined: 28 Sep 2009 Posts: 987 Location: Hertfordshire
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Posted: Wed Dec 29, 2010 10:30 pm Post subject: |
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womble wrote:
Fascinating story and some lovely pictures.
There is a long series of postings over almost two years on the "Hardcore Street Photography" group on Flickr as well as one or two disagreements about some of the facts in this case between the main chap working on this material and one of the other purchasers. Apparently the legal heirs have been contacted.
The hundreds of rolls of undeveloped film are just one amazing aspect of this story.
K. _________________ Kris Lockyear
Digital: Pentax K-3iii
35mm film SLRs: various Pentax bodies from a H2 to a SF7, favourites the MX and LX
Rangefinder: Zeiss Super Ikonta IV, FED2, Zorkii-4, Industar 26m, Jupiter 8, 11 and 12 lenses
Medium format: various folders, Yashica Mat 124 G. Lubitel 2
LF: Horseman LE 5x4 view camera.
MF lenses (favourites) Pentax "K" 200mm f/2.5; "K" 135mm f/2.5; "K" 50mm f/1.2; "K" 35mm f/2; "K" 30mm f/2.8; "K" 28mm f/3.5 shift; "K" 15mm f/3.5; M 100mm f/2.8; M 40mm f/2.8; Jupiter-9 85mm |
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kds315*
Joined: 12 Mar 2008 Posts: 16663 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Thu Dec 30, 2010 5:37 am Post subject: |
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kds315* wrote:
Wonderful find Andy, thanks for bringing that to our attention here! _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Thu Dec 30, 2010 5:56 pm Post subject: |
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Farside wrote:
I just hope it all gets sorted out amicably. The 'finders' of her work should get something out of it, for without them putting a lot of effort in we wouldn't have seen any of it. What I don't want to see happen is filthy lucre taking over, as it does in so many other things. All we need now is for a lawyer or two to get involved and the whole thing could get very sour. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop Norway
http://www.fomafoto.com/
Webshop Czech
https://fomaobchod.cz/inshop/scripts/shop.aspx?action=DoChangeLanguage&LangID=4 |
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Lloydy
Joined: 02 Sep 2009 Posts: 7795 Location: Ironbridge. UK.
Expire: 2022-01-01
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Posted: Thu Dec 30, 2010 7:36 pm Post subject: |
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Lloydy wrote:
that's history being recorded, the mundane history of a city's streets.
It's so good to see it being saved, it could have been so different. _________________ LENSES & CAMERAS FOR SALE.....
I have loads of stuff that I have to get rid of, if you see me commenting about something I have got and you want one, ask me.
My Flickr https://www.flickr.com/photos/mudplugga/
My ipernity -
http://www.ipernity.com/home/294337 |
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Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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Posted: Thu Dec 30, 2010 7:58 pm Post subject: |
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Nesster wrote:
the images are amazing, she really had the eye and the chutspa... quality work, and goes to show also that the range finder with wide lens cult isn't the only way to street excellence
Thanks for bringing this to our attention, this is very worth while work on many levels. _________________ -Jussi
Camera photos
Print Photographica
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lulalake
Joined: 22 Apr 2007 Posts: 1191 Location: Near Austin Texas
Expire: 2011-11-18
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Posted: Fri Dec 31, 2010 3:55 pm Post subject: |
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lulalake wrote:
Adding my thanks to the crew's thanks. This woman was fantastic. |
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