View previous topic :: View next topic |
Author |
Message |
magnet-2009
Joined: 22 Apr 2009 Posts: 505 Location: Greece, Athens
|
Posted: Thu Jun 18, 2009 9:50 pm Post subject: Someone could explain...accessory for crop bodies |
|
|
magnet-2009 wrote:
Someone could explain...accessory for crop bodies solves the metering problems.
Details?
http://www.penta-club.ru/forum/index.php?showtopic=41859&st=0 |
|
Back to top |
|
|
visualopsins
Joined: 05 Mar 2009 Posts: 11064 Location: California
Expire: 2025-04-11
|
Posted: Thu Jun 18, 2009 11:28 pm Post subject: |
|
|
visualopsins wrote:
google translation of that web page:
http://translate.google.com/translate?js=n&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.penta-club.ru%2Fforum%2Findex.php%3Fshowtopic%3D41859%26st%3D0&sl=ru&tl=en&history_state0=
looks like a simple mask over rear of lens to limit projected image circle size. masks full-frame image circle to cover only crop-sensor.
my idea was to place mask over front of lens, but each focal length needs a different size mask. the rear mask is same size opening for all focal length lenses, maybe easier.
idea is less light into metering -- only crop-size image circle not full frame size. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
|
|
Back to top |
|
|
aoleg
Joined: 22 Feb 2008 Posts: 1387 Location: Berlin, DE
|
Posted: Fri Jun 19, 2009 1:45 am Post subject: |
|
|
aoleg wrote:
Yep, the thread describes the issue of cropped Pentax bodies over-exposing with MF glass. The mask (or, rather, screen) put at the rear of some lenses improves exposure and contrast without affecting other characteristics such as light fall-off and effective light transmission of the lens, if implemented properly.
The thread has images to illustrate masks that were properly and inproperly done, and discusses the effect it has on bokeh if implemented in a deliberately wrong way. They figured, it's possible to obtain characteristic 'swirly' look when using the mask too small; this works similarly to large-aperture lenses manufactures in slim mounts (e.g. a 85/1.5 lens in M42).
Anyways, it's an easy way to get something new - and possibly better - out of old glass used on cropped sensors. _________________ List of lenses |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Fri Jun 19, 2009 9:53 am Post subject: |
|
|
Orio wrote:
Simpler to adjust exposure compensation with + or - values.
I assume that Pentax cameras should have that feature. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
|
Posted: Fri Jun 19, 2009 10:12 am Post subject: |
|
|
Nesster wrote:
The results are interesting and looks like there's some experimentation possible.
In my experience the pentax digital bodies under expose by >1 stop with mf lenses. Foil or a metal wire round the lens to short the mount contacts usually improves the situation.
And yes, exposure comp. _________________ -Jussi
Camera photos
Print Photographica
|
|
Back to top |
|
|
LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
|
Posted: Fri Jun 19, 2009 1:40 pm Post subject: |
|
|
LucisPictor wrote:
aoleg wrote: |
.. without affecting other characteristics such as light fall-off and effective light transmission of the lens, ... |
I would really have problems to believe that. Does a lens really work like that? I thought that it wasn't about "linear" light rays and that there are some rays coming from the edge of a lens hitting the sensor. But this might be a misconception.
I thought that if you block a part of lens, all that happens is that the image gets darker, but you still see the whole image... _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
|
Back to top |
|
|
Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
|
Posted: Fri Jun 19, 2009 2:32 pm Post subject: |
|
|
Nesster wrote:
Some lens mounts seem to have just such an aperture - I'm thinking I've seen it in Minolta, and maybe some others.
I'd agree though really am clueless - you still see the whole image, though possibly not that much darker - isn't one of the roles of the rear element the collection and direction of all those rays to the film? I.e. the aperture cuts light and edge aberrations by blocking their passage through the lens... by the time you're baffling the rear end, I would think most of the effect is on all those 'wasted' rays that are looking for reflective surfaces along the light path to reflect off of? Depending on where and what the meter sensors are reading, removing this extra light may make the reading more correct. _________________ -Jussi
Camera photos
Print Photographica
|
|
Back to top |
|
|
Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
|
Posted: Fri Jun 19, 2009 2:47 pm Post subject: |
|
|
Nesster wrote:
Here's links to a couple of Adaptall-2 mounts - Minolta MD and a couple of Canon
http://i297.photobucket.com/albums/mm203/ideastoprint/Adaptall-2_MD_1.jpg
http://static.photo.net/attachments/bboard/00H/00HnIr-31949884.jpg
Some adaptalls have the baffle some do not. I never could figure why. _________________ -Jussi
Camera photos
Print Photographica
|
|
Back to top |
|
|
Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
|
Posted: Fri Jun 19, 2009 3:10 pm Post subject: |
|
|
Farside wrote:
Yep, I have Canon FD and Minolta mounts with those. Must have made sense at the time, perhaps some of the Tamron range were too splattery at the rear end.
Maybe there's a case for flocking dSLRs now? _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop Norway
http://www.fomafoto.com/
Webshop Czech
https://fomaobchod.cz/inshop/scripts/shop.aspx?action=DoChangeLanguage&LangID=4 |
|
Back to top |
|
|
Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
|
Posted: Fri Jun 19, 2009 3:47 pm Post subject: |
|
|
Nesster wrote:
the internet's a wonderful thing -- seems even some current lenses have these rectangular baffles - usual explanation seems to have to do with veiling flare etc.
Here's one of many Konica to Oly conversions where the style is to add a baffle:
http://blog.lewander.com/2007/07/konica-hexonon-lens-on-fourthirds-mount.html _________________ -Jussi
Camera photos
Print Photographica
|
|
Back to top |
|
|
spiralcity
Joined: 02 Oct 2008 Posts: 1207 Location: Chicago, U.S.A
|
Posted: Sat Jun 20, 2009 3:43 am Post subject: |
|
|
spiralcity wrote:
Orio wrote: |
Simpler to adjust exposure compensation with + or - values.
I assume that Pentax cameras should have that feature. |
Yes. It's really quite that easy.
Who needs a mask? _________________ Nikons : F4-EM-FG-FE2-FA-EL-FTN-N2020-N70-F Nikkorex
Fujica: ST605N-ST701-ST705-ST705W-ST801-ST901-AZ1-AX-3
Chinon: CE4s-CM4s-CM5
Pentax: ME-Soptmatic
Ricoh:XR6
Pentax- K10D
Lenses- M42's-Nikon F mount, Pentax PK
FREE PHOTOGRAPHY COURSE |
|
Back to top |
|
|
aoleg
Joined: 22 Feb 2008 Posts: 1387 Location: Berlin, DE
|
Posted: Sat Jun 20, 2009 7:07 am Post subject: |
|
|
aoleg wrote:
Nesster wrote: |
the internet's a wonderful thing -- seems even some current lenses have these rectangular baffles - usual explanation seems to have to do with veiling flare etc. |
Exactly! This thing is supposed to cut reflections of diverging rays inside the camera tunnel, thus improving contrast and reducing metering errors. As experiments done by the Russian guys proved, it works as it is supposed to _________________ List of lenses |
|
Back to top |
|
|
|
|
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|