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Someone could explain...accessory for crop bodies
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PostPosted: Thu Jun 18, 2009 9:50 pm    Post subject: Someone could explain...accessory for crop bodies Reply with quote

Someone could explain...accessory for crop bodies solves the metering problems.

Details?



http://www.penta-club.ru/forum/index.php?showtopic=41859&st=0


PostPosted: Thu Jun 18, 2009 11:28 pm    Post subject: Reply with quote

google translation of that web page:

http://translate.google.com/translate?js=n&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.penta-club.ru%2Fforum%2Findex.php%3Fshowtopic%3D41859%26st%3D0&sl=ru&tl=en&history_state0=

looks like a simple mask over rear of lens to limit projected image circle size. masks full-frame image circle to cover only crop-sensor.

my idea was to place mask over front of lens, but each focal length needs a different size mask. the rear mask is same size opening for all focal length lenses, maybe easier.

idea is less light into metering -- only crop-size image circle not full frame size.


PostPosted: Fri Jun 19, 2009 1:45 am    Post subject: Reply with quote

Yep, the thread describes the issue of cropped Pentax bodies over-exposing with MF glass. The mask (or, rather, screen) put at the rear of some lenses improves exposure and contrast without affecting other characteristics such as light fall-off and effective light transmission of the lens, if implemented properly.

The thread has images to illustrate masks that were properly and inproperly done, and discusses the effect it has on bokeh if implemented in a deliberately wrong way. They figured, it's possible to obtain characteristic 'swirly' look when using the mask too small; this works similarly to large-aperture lenses manufactures in slim mounts (e.g. a 85/1.5 lens in M42).

Anyways, it's an easy way to get something new - and possibly better - out of old glass used on cropped sensors.


PostPosted: Fri Jun 19, 2009 9:53 am    Post subject: Reply with quote

Simpler to adjust exposure compensation with + or - values.
I assume that Pentax cameras should have that feature.


PostPosted: Fri Jun 19, 2009 10:12 am    Post subject: Reply with quote

The results are interesting and looks like there's some experimentation possible.

In my experience the pentax digital bodies under expose by >1 stop with mf lenses. Foil or a metal wire round the lens to short the mount contacts usually improves the situation.

And yes, exposure comp. Smile


PostPosted: Fri Jun 19, 2009 1:40 pm    Post subject: Reply with quote

aoleg wrote:
.. without affecting other characteristics such as light fall-off and effective light transmission of the lens, ...


I would really have problems to believe that. Does a lens really work like that? I thought that it wasn't about "linear" light rays and that there are some rays coming from the edge of a lens hitting the sensor. But this might be a misconception.
I thought that if you block a part of lens, all that happens is that the image gets darker, but you still see the whole image...


PostPosted: Fri Jun 19, 2009 2:32 pm    Post subject: Reply with quote

Some lens mounts seem to have just such an aperture - I'm thinking I've seen it in Minolta, and maybe some others.

I'd agree though really am clueless - you still see the whole image, though possibly not that much darker - isn't one of the roles of the rear element the collection and direction of all those rays to the film? I.e. the aperture cuts light and edge aberrations by blocking their passage through the lens... by the time you're baffling the rear end, I would think most of the effect is on all those 'wasted' rays that are looking for reflective surfaces along the light path to reflect off of? Depending on where and what the meter sensors are reading, removing this extra light may make the reading more correct.


PostPosted: Fri Jun 19, 2009 2:47 pm    Post subject: Reply with quote

Here's links to a couple of Adaptall-2 mounts - Minolta MD and a couple of Canon

http://i297.photobucket.com/albums/mm203/ideastoprint/Adaptall-2_MD_1.jpg

http://static.photo.net/attachments/bboard/00H/00HnIr-31949884.jpg

Some adaptalls have the baffle some do not. I never could figure why.


PostPosted: Fri Jun 19, 2009 3:10 pm    Post subject: Reply with quote

Nesster wrote:
Here's links to a couple of Adaptall-2 mounts - Minolta MD and a couple of Canon

http://i297.photobucket.com/albums/mm203/ideastoprint/Adaptall-2_MD_1.jpg

http://static.photo.net/attachments/bboard/00H/00HnIr-31949884.jpg

Some adaptalls have the baffle some do not. I never could figure why.

Yep, I have Canon FD and Minolta mounts with those. Must have made sense at the time, perhaps some of the Tamron range were too splattery at the rear end.

Maybe there's a case for flocking dSLRs now? Smile


PostPosted: Fri Jun 19, 2009 3:47 pm    Post subject: Reply with quote

the internet's a wonderful thing -- seems even some current lenses have these rectangular baffles - usual explanation seems to have to do with veiling flare etc.

Here's one of many Konica to Oly conversions where the style is to add a baffle:
http://blog.lewander.com/2007/07/konica-hexonon-lens-on-fourthirds-mount.html


PostPosted: Sat Jun 20, 2009 3:43 am    Post subject: Reply with quote

Orio wrote:
Simpler to adjust exposure compensation with + or - values.
I assume that Pentax cameras should have that feature.


Very Happy Very Happy Very Happy Very Happy

Yes. It's really quite that easy.

Who needs a mask? Shocked Very Happy


PostPosted: Sat Jun 20, 2009 7:07 am    Post subject: Reply with quote

Nesster wrote:
the internet's a wonderful thing -- seems even some current lenses have these rectangular baffles - usual explanation seems to have to do with veiling flare etc.


Exactly! This thing is supposed to cut reflections of diverging rays inside the camera tunnel, thus improving contrast and reducing metering errors. As experiments done by the Russian guys proved, it works as it is supposed to Smile