Photography Books

[Orio]

Well, links do not necessarily have to be electronic. So post here the references to the photography books that you think are interesting for the community. They may or may not have www links with them.
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ХОРИОС-61 ( ώρεος ) : Lens sana in corpore sano

Main Tools:
LENSES: Carl Zeiss, Leitz, Soviet, old Nikkors, others.
DSLR: Canon EOS 5D, 50D. SLR: Contax AX, RX, 167MT; Voigtländer Bessaflex TM; Praktica FX2; Nikon FM2, F70.
RANGEFINDERS: Contax G2, Kiev-4, Voigtlaender Bessa-T, Canonette QL17. MEDIUM FORMAT: Pentacon 6, Zeiss Super Ikonta, Agfa Record II.
Read Full List HERE
www.timelessphotography.eu
www.oriofoto.net

"Freedom is the right to tell people what they do not want to hear. " (George Orwell)
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[Orio]

If you like photography books that are big, great quality, and cheap, I have one for you:

PARIS MON AMOUR
Jean-Claude Gautrand
Taschen Books

I paid for this big and large book only 11 Euros. It contains a very well made selection of black and white photos of Paris, covering practically the whole 20th century.
The books has 240 pages and practically all of them is photographs, printed very large, one per page.
The photos are by many of the most renowned masters of photography. Just to name a few: Cartier-Bresson, Kertész, Doisneau, Brassai, and others.
The book has Paris in the title, but what is really about, is people.
It is one of the most interesting selections of what is called today "street photography", a definition that I personally hate, but that seems to be popular.
This book is a constant source of emotion and inspiration for me. This is the type of photography that I love the most, but you already guessed that I think, by looking at my images. The not small difference here is that these photos are not made by an amateur, but by real masters. And this shows, in every page.
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ХОРИОС-61 ( ώρεος ) : Lens sana in corpore sano

Main Tools:
LENSES: Carl Zeiss, Leitz, Soviet, old Nikkors, others.
DSLR: Canon EOS 5D, 50D. SLR: Contax AX, RX, 167MT; Voigtländer Bessaflex TM; Praktica FX2; Nikon FM2, F70.
RANGEFINDERS: Contax G2, Kiev-4, Voigtlaender Bessa-T, Canonette QL17. MEDIUM FORMAT: Pentacon 6, Zeiss Super Ikonta, Agfa Record II.
Read Full List HERE
www.timelessphotography.eu
www.oriofoto.net

"Freedom is the right to tell people what they do not want to hear. " (George Orwell)
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[montecarlo]

Hello all,

The book I consider very usefull even if you are more advanced is this one: "Photography Field Guide - Secrets to making great pictures" by R.Caputo and P.Burian ( http://shop.nationalgeographic.com/product/175/60/122.html ).
Is is edited (my copy) when the film was still ruling. It starts from the basics of photography withount using a complex language, so anyone can understand what is about. In the second part of the book are presented different types of photography (landscapes, people, action photo, travel, macro, etc.) and for each type, a well known photographer (most of them former or actual collaborators at NGS) and his/her advices regarding the type of photography but not only.
Of course in the same series are more books, which presents a specific type of photography for who wants to study a particular one.
Enjoy the reading.

PS. Hope it is not a problem I posted here this (Stiky thread/topic).
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Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0
Porst Reflex TL , Carl Zeiss Jena Flektogon 35mm f:2.4 , Pentacon 50mm f:1.8 , Porst MC 135mm f:2.8
Ricoh XR7, Ricoh KR10, Petri GX-1 , Chinon MC 28mm f:2.8 , Varexon EEK 35mm f:2.8 , smc Pentax-M 50mm f:1.7, Ricoh 50mm f:1.7 , Soligor T 135mm f:2.8 , Chinon MC 200mm f:3.3
Pentax K100D , smc Pentax-DA 18-55 , smc Pentax-FA 80-320

[Orio]

[LucisPictor]

Fans of cities in general and New York fans especially should try to get

Horst Hamann: "New York Vertical"

Fantastic shots by Hamann with his Linhof-Technorama. Excellent b&w prints!!!
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There are two kinds of people in the world: those who divide the world into two kinds of people, and those who don’t.
"Schnäppchenjäger" | "KAPCTEH" | "Karusutenu" | "Carsten" | T-shirt?
Cams in use: EOS 40D, EOS 350D, EOS500, Spotmatic SPII, Yashica-24, EXA I & 1c, Zenit EM; Oly 35RC,Minolta Hi-Matic E & F, Ricoh 500RF, Yashica Electro 35 GS, FED-3b and some others...
Lenses in use: Asahi Pentax: 2.8/28;3.5/35;1.4/50;1.7/50;2.8/105;28-80 | Canon (AF):1.8/50;17-85;75-300 | Former GDR: Pentacon 3.5/30; Pentaflex 1.8/50; CZJ 2.8/50; CZJ 4/135; Pentacon 4/200 | Fujinon: 43-75 | Hanimex: 3.5/23; 4/100;80-200 | Hoya: 25-42;80-205 | Kiron: 2/28;70-210 | Leica: Elmarit-R 2.8/35 | Mamiya: 1.8/55 | Minolta: 1.7/50 | Nikkor: 2.8/24;2/35;2/50;1.2/55;1.8/85;3.5/135 | West German: Ludwig 2.9/50; Meyer 2.8/100; Will 4.5/105; Schneider 3.5/135;Enna 3.5/135; Zeiss 4/135;Isco 4/135; Enna 4.5/240 | Olympus: 3.5/28;1.4/50;3.5/135 | Rikenon: 1.7/50;35-70 | Rollei/Voigtländer: 1.4/55;1.8/50 | Russian: Peleng3.5/8; Zenitar2.8/16; MIR2.8/37; Volna2.8/50; Industar3.5/50; Industar3.5/5cm; Helios2/50; Helios2/58; Volna2.8/80; Jupiter2/85; Kaleinar2.8/100;Tair2.8/135; Jupiter3.5/135; Jupiter4/135; Telear3.5/200; Jupiter4/200; Tair4.5/300;RF: Jupiter2.8/35;Industar2.8/53 | Sigma: 28-85;28-105(AF);17-70(AF) | Soligor: 28-105;35-200;70-220 | Tamron: 2.5/24;2.5/135;2.8/135;60-300;70-210 | Tokina: 28-105;80-200;12-24(AF);70-210(AF) | Vivitar: 3.5/17;2/24;2/28;2.5/28;2.8/28 | Yashica: 1.7/50;2/5cm | Other Japanese: Cosina3.8/20; Petri2.8/28; Albinar2.8/28; Porst1.8/35; 2.8/135; Weltblick3.5/135; Beroflex 8/500; Spiratone28-200; Maginon70-210
Green are the lenses I shoot the most.
More? http://forum.mflenses.com/viewtopic.php?t=65

[Seymore]

I recently read Ansel Adams - An Autobiography and found it quite enlightening. Tells about the man from his childhood and what influenced him. Anyone know he was a talented concert pianist? I didn't...

http://www.amazon.com/Ansel-Adams-Autobiography/dp/0821222414
Currently it's a cheap paperback and took me about a week to go thru. Well worth the $15 (USD) I paid for it.
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Seymore...
- smugmug

"One axiom I discovered proved to be of great value: the client seldom, if ever, knows exactly what he wants from the photographer. However, his pride does not allow him to give you any such ridiculous impression. The desire and need for interpretative work is usually uninformed and the client often looks to the professional for guidance in this respect.
Ansel Adams - An Autobiography