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Volunteer
Joined: 16 Mar 2011 Posts: 74 Location: Zagreb, Croatia
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Posted: Wed May 25, 2011 11:58 am Post subject: M42 macro or tubes? |
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Volunteer wrote:
I ordered some cheap macro tubes which I intend to use with my current lenses for quasi-macro photography. What I would like to know is - is there any non-expensive m42 macro lens that you had experience with and how does it differ from macro tubes?
I guess one of the differences would be wider DOF? _________________ This lens is good for portraits = This lens is as soft as Oprah's butt. |
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Wed May 25, 2011 12:14 pm Post subject: |
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ChromaticAberration wrote:
One of the differences would definetly be price-wise since tubes are the cheapest option but I am also interested in this matter since I am not sure which are the major differences that justify the investment on a macro-dedicated lens.
I also do not believe there are any inexpensive macro-dedicated lenses out there, maybe the best option would be a nice wide-angle with close focus capabilities (some of them get as close as 20cm I believe) which gives you a near 1:2 ratio.
The alternative I am currently making use of, is getting and Industar 50-2 and put in on those tubes. I have to say though that my first tests aren't that impressive, sharpness wise:
_________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
_________________
Marketplace feedback
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a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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eddieitman
Joined: 12 Apr 2011 Posts: 1246 Location: United Kingdom
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Posted: Wed May 25, 2011 12:37 pm Post subject: |
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eddieitman wrote:
Well i use my Macro Tubes quite a lot and i am always very impressed with them, I now have a Cosinon 28mm F2.8 that focuses at 0'40 with the extension tubes i can make it focus at just a few MM from the subject no idea what type of magnification it would give so far all very sharp, but these have been objects around the house. hope to do some and post for you soon.
I will do this when my Mir 1B arrives as i want to test 28mm versus 37mm to see what is better. _________________ My web site www.digital-darkroom.weebly.com
Life is like a camera. Focus on what's important, capture the good times, develop from the negatives and if things don't work out, just take another shot. |
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lauge
Joined: 14 Jun 2008 Posts: 101 Location: Copenhagen, Denmark
Expire: 2013-05-30
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Posted: Wed May 25, 2011 12:38 pm Post subject: |
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lauge wrote:
Extension tubes is stretching the performance of the lens, I have successfully used the Takumar S-M-C 50/1.4 which in some situation equals the Kiron 105/2.8 Macro in sharpness. Cheapest alternative is close focusing lenses like the Industar 61, though not true macro it does the job for flowers etc.
Let me know if you need examples. _________________ M42:
S-M-C Takumar: 3.5/28 1.4/50 2.8/105
USSR: Industar 61L/Z
CZJ: Flektogon 2.4/35
MD:
Rokkor: 35-70/3.5
Kiron: 2.8/105 Macro
OM:
Zuiko: 50/1.8 75-150/4
Sigma: 24/2.8
Cameras:
Asahi Spotmatic F (looking for a sample with working light meter)
Olympus OM-1
Zeiss Ikon Contaflex IV
NEX 7 Sony A55 Konica Minolta Dynax 5D Minolta Dynax 7 Minolta AF 7000 |
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Volunteer
Joined: 16 Mar 2011 Posts: 74 Location: Zagreb, Croatia
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Posted: Wed May 25, 2011 12:44 pm Post subject: |
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Volunteer wrote:
I don't need examples - you've said it all. Thanks all, I guess I won't be needing a macro lens. I have been using close up lenses, they do have really nice magnification, but sharpness is a donwside. Tubes should do better as they do not have an additional optical element. _________________ This lens is good for portraits = This lens is as soft as Oprah's butt. |
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Cistron
Joined: 25 Feb 2011 Posts: 238 Location: London/Vienna
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Posted: Wed May 25, 2011 1:56 pm Post subject: |
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Cistron wrote:
Not sure if there is too much difference in performance between an dedicated macro lens and extension tubes. Surely, a macro-lens also focuses to infinity and is therefore handier to use, but it is also heavier. Reduction of the effective aperture by extension should be equivalent for tubes and macro-lens, no? _________________ Canon 5D, Jupiter 11A 135mm f/4, Soligor (Tokina) 105mm f/2.8, Nikon 55mm f/1.2 S-Auto, Sigma MF 50mm f/2.8 Macro, Olympus Zuiko 50mm f/1.8 MC, Olympus Zuiko 28mm f/2.8 MC |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed May 25, 2011 3:49 pm Post subject: |
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iangreenhalgh1 wrote:
Macro lenses are expensive, but a cheaper and just as effective option is to buy a quality enlarger lens like a Rodenstock Rogonar or Schneider Componon and mount it on some bellows, many of these enlarger lenses are also used for macro work in the pro world. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Wed May 25, 2011 6:02 pm Post subject: |
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revers wrote:
Jupiter-8 on 25mm tube.
_________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed May 25, 2011 6:17 pm Post subject: |
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Attila wrote:
lauge wrote: |
Extension tubes is stretching the performance of the lens, I have successfully used the Takumar S-M-C 50/1.4 which in some situation equals the Kiron 105/2.8 Macro in sharpness. Cheapest alternative is close focusing lenses like the Industar 61, though not true macro it does the job for flowers etc.
Let me know if you need examples. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed May 25, 2011 6:18 pm Post subject: |
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Attila wrote:
iangreenhalgh1 wrote: |
Macro lenses are expensive, but a cheaper and just as effective option is to buy a quality enlarger lens like a Rodenstock Rogonar or Schneider Componon and mount it on some bellows, many of these enlarger lenses are also used for macro work in the pro world. |
+1 they are produce same or even better images than most macro lenses include expensive ones. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Wed May 25, 2011 8:35 pm Post subject: |
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ChromaticAberration wrote:
Attila wrote: |
iangreenhalgh1 wrote: |
Macro lenses are expensive, but a cheaper and just as effective option is to buy a quality enlarger lens like a Rodenstock Rogonar or Schneider Componon and mount it on some bellows, many of these enlarger lenses are also used for macro work in the pro world. |
+1 they are produce same or even better images than most macro lenses include expensive ones. |
Well is this is kind of a surprise for me since macro lenses are so expensive they should excel at what they were built for. I am gonna have to try my other 50's in those tubes hehe _________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
_________________
Marketplace feedback
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a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed May 25, 2011 9:08 pm Post subject: |
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Attila wrote:
Quiet common in photography you can get same or even better result with inexpensive stuff + proper technic than 1000 USD+ gear.
A reverse mount 50mm lens Pancolar for example give you extreme magnification with excellent sharpness. A stacking macro + ring flash + any lens produce better looking images than an expensive macro lens etc. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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indianadinos
Joined: 06 Jul 2008 Posts: 1310 Location: Toulouse, France
Expire: 2011-12-05
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Posted: Wed May 25, 2011 9:18 pm Post subject: |
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indianadinos wrote:
iangreenhalgh1 wrote: |
Macro lenses are expensive, but a cheaper and just as effective option is to buy a quality enlarger lens like a Rodenstock Rogonar or Schneider Componon and mount it on some bellows, many of these enlarger lenses are also used for macro work in the pro world. |
+1 ... I currently use an APO-Rodagon 50/2.8 or a Taylor-Hobson Ental II with a bellows for macro work, they have better rendering than my Kiron 105/2.8 or my Tamron SP90 and they were much cheaper ... _________________ Please visit my blogs Shooting with a Pentax K10D / FF Visions
Takumar: 24/3.5, 28/3.5, 35/2, 35/3.5, 50/1.4, 55/1.8, 85/1.8, 105/2.8, 120/2.8, 135/3.5, 150/4, 200/4
Pentax-K: M28/2.8, K28/3.5, M50/1.4, A50/1.7, M50/4 Macro, K85/1.8, K105/2.8, K135/2.5, M200/4, M70-150/4
Zeiss: Flektogon 20/2.8, 20/4, 35/2.4, 35/2.8, Tessar 50/2.8, Pancolar 50/1.8, Biotar 58/2, Sonnar 135/3.5, Sonnar 180/2.8
Meyer: Primagon 35/4.5, Domiplan 50/2.8, Oreston 50/1.8, Primoplan 58/1.9, Trioplan 100/2.8, Orestor 100/2.8, Orestor 135/2.8
Schacht/Steinheil: Travenar 90/2.8, Travenon 135/4.5, Quinar 135/2.8, Quinar 135/3.5
Russian: MIR 37B, Industar 50/3.5, Helios 44M & 44M-2, Jupiter 37A
P6: Flektogon 50/4, Biometar 80/2.8, Orestor 300/4
Nikkor: Nikkor-O 35/2, Micro 55/3.5, Nikkor-S 50/1.4, Nikkor-Q 135/2.8
Fuji: EBC 28/3.5, EBC 55/3.5 Macro, EBC 135/2.5
Misc Lenses: Kiron 105/2.8 Macro, Tamron SP90/2.5
... and a few other Vivitar, Tamron, Sigma and Soligor lenses ...
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed May 25, 2011 11:26 pm Post subject: |
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patrickh wrote:
Been preaching enlarging lenses for some time now. I have many of the classic macros lenses, but find myself enjoying the results of such as el-nikkor 80/5.6, Componon-S 100/5.6 just as much and the quality is at least equal. Lot of examples in the forum.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Thu May 26, 2011 4:38 am Post subject: |
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RioRico wrote:
I now have three damn fine 1:1 camera macro lenses, as well as various mount-reversal adapters so I can go into a lens-reversal frenzy. But most of my close shooting now involves cheap enlarger lenses (EL's) on extension (bellows and tubes).
Just how cheap? A few months ago on eBay I won a lot of four 75mm EL's (Rodenstock Omegaron, Schneider Componar, Wollensak Raptar, Vivitar LU) for US$10 shipped, total. And other great stuff for not much more. (Apos, Eastman, Ilex, Komura, Leitz, Novoflex, Steinheil, etc.) My 35-50-75-90-105mm ELs work nicely, close. I also do a lot of non-macro shooting with longer EL's on extension.
NOTE: Most EL's are not coated. They are not designed for light to shine INTO the front of the lens! So, use a hood.
A basic rule of optics: A non-reversed lens cannot focus closer than its focal length, which is also the distance of greatest magnification. Put as much extension on a 50mm lens as possible, for more and more magnification, and you still can't focus closer than 50mm.
The corollary: Short lenses have close working distances, while longer lenses allow (or force) you to work further away. You can get 2:1 with a 35mm EL with only 105mm of extension,. Going 2:1 with a 150mm EL requires a LOT (450mm) of extension! That may be wise; ask me about shooting closeups of live uncaged rattlesnakes from a safe distance.
But I digress. EL's of 50-75mm are cheap and plentiful. You may want to put a short EL on tubes rather than bellows, as the bellows rail may keep you away from your subject. Some shooters also prefer to reverse the EL. I haven't tried that yet. (I'm away from home for awhile and haven't the right adapter rings with me.)
Oh yeah, why EL's? Because of their edge-to-edge flatfield sharpness, as well as the low cost. The same optics in a camera macro lens require a not-cheap long+precise focusing mechanism. Bellows and tubes just bypass that expense. Thus you get high-grade optics at a low low price. I like that. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Thu May 26, 2011 6:04 am Post subject: |
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martinsmith99 wrote:
I have macro lenses, enlarger lenses, bellows, tubes and helicoids; my favourite combo is a Helios 44-2 on tubes. The whole setup was under 10gbp. _________________ Casual attendance these days |
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Thu May 26, 2011 8:36 am Post subject: |
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ChromaticAberration wrote:
martinsmith99 wrote: |
my favourite combo is a Helios 44-2 on tubes. The whole setup was under 10gbp. |
What was the max extension (or magnification) you got with it? _________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
_________________
Marketplace feedback
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a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu May 26, 2011 11:53 am Post subject: |
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IAZA wrote:
I have 2 macro lens. 1 tube
if you see my avatar, was made with zenitar 50/1,7 & tube _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Thu May 26, 2011 1:12 pm Post subject: |
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RioRico wrote:
ChromaticAberration wrote: |
martinsmith99 wrote: |
my favourite combo is a Helios 44-2 on tubes. The whole setup was under 10gbp. |
What was the max extension (or magnification) you got with it? |
The 58mm Helios will reach just slightly beyond 1:1 magnification with 60mm of tubes, slightly beyond 1.5:1 with 90mm of tubes or bellows, slightly beyond 2:1 with 120mm of extension, etc. I have put my Helios-44M on 150mm of extension (bellows+tubes) for 2.5:1 magnification. But it becomes a bit clumsy beyond there handheld, because of the weight of the lens hanging on the end of long extension. Long setups benefit from a tripod and supports. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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lauge
Joined: 14 Jun 2008 Posts: 101 Location: Copenhagen, Denmark
Expire: 2013-05-30
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Posted: Thu May 26, 2011 3:07 pm Post subject: |
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lauge wrote:
indianadinos wrote: |
iangreenhalgh1 wrote: |
Macro lenses are expensive, but a cheaper and just as effective option is to buy a quality enlarger lens like a Rodenstock Rogonar or Schneider Componon and mount it on some bellows, many of these enlarger lenses are also used for macro work in the pro world. |
+1 ... I currently use an APO-Rodagon 50/2.8 or a Taylor-Hobson Ental II with a bellows for macro work, they have better rendering than my Kiron 105/2.8 or my Tamron SP90 and they were much cheaper ... |
I'm very interested in seeing samples of the rig and a comparison with your dedicated macro lenses. I have been looking for a bellows in M42 for a long time, to use for copying negative film and was also thinking about what lens to use - you might have the answer _________________ M42:
S-M-C Takumar: 3.5/28 1.4/50 2.8/105
USSR: Industar 61L/Z
CZJ: Flektogon 2.4/35
MD:
Rokkor: 35-70/3.5
Kiron: 2.8/105 Macro
OM:
Zuiko: 50/1.8 75-150/4
Sigma: 24/2.8
Cameras:
Asahi Spotmatic F (looking for a sample with working light meter)
Olympus OM-1
Zeiss Ikon Contaflex IV
NEX 7 Sony A55 Konica Minolta Dynax 5D Minolta Dynax 7 Minolta AF 7000 |
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ChromaticAberration
Joined: 23 Dec 2010 Posts: 819 Location: Portugal
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Posted: Thu May 26, 2011 5:20 pm Post subject: |
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ChromaticAberration wrote:
lauge wrote: |
I have been looking for a bellows in M42 for a long time, to use for copying negative film and was also thinking about what lens to use - you might have the answer |
I find bellows too big and clumsy, if I can't take a macro handheld I probably won't take it anyway unless I am experimenting at home or something.
I have to try and go beyond 1:1, gotta get me some more tubes !! _________________ Body: Fujifilm X-E1
Landscapes: Samyang 12mm f/2 NCS CS
Macro: Vivitar Series 1 105mm Æ’/2.5
Portrait: Helios-44 58mm Æ’/2.0
Low-light: SMC Takumar 50mm Æ’/1.4
_________________
Marketplace feedback
_________________
a pнoтograpн ιѕ neιтнer тaĸen or ѕeιzed вy ғorce. ιт oғғerѕ ιтѕelғ υp. ιт ιѕ тнe pнoтo тнaт тaĸeѕ yoυ. one мυѕт noт тaĸe pнoтoѕ.†– нenrι carтιer-вreѕѕon |
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RioRico
Joined: 12 Mar 2010 Posts: 1120 Location: California or Guatemala or somewhere
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Posted: Thu May 26, 2011 5:55 pm Post subject: |
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RioRico wrote:
ChromaticAberration wrote: |
lauge wrote: |
I have been looking for a bellows in M42 for a long time, to use for copying negative film and was also thinking about what lens to use - you might have the answer |
I find bellows too big and clumsy, if I can't take a macro handheld I probably won't take it anyway unless I am experimenting at home or something. |
There are bellows, and there are bellows. My M42 Bellowscope is small and lightweight, extends 45-110mm, and cost me US$41 on eBay (shipped) with a Steinheil Culminar-VL 105/4.5 included. With any EL shorter than 120mm mounted, it is about the size and weight of my MacroTakumar 50/4 (1:1) at full extension.
Bellows that extend further, or that contain bayonet mounts, may indeed be larger and clumsier. That is why I didn't bring a 37-140mm PK-M bellows with me on this journey. I use that little Bellowscope a LOT, for both macro and general non-macro shooting. On this journey it often hosts 105-127-162mm EL and projector lenses for general shooting, and 35-55-100 camera lenses for more macro work. (I forgot to pack a 75mm EL. Damn!) All handheld; I haven't opened the tripod even once in the past month.
Big bellows are clumsy. Little bellows aren't. I like what I have. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Thu May 26, 2011 7:11 pm Post subject: |
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cooltouch wrote:
Okay, RioRico finally hit on the point I was gonna make: flat-field sharpness. Enlarger lenses must have a flat field or else they're pretty worthless as enlarger lenses, aren't they. They also must be critically sharp since nobody wants a lens that's gonna lose sharpness from the negative during the printing process.
One of the main reasons why macro lenses tend to be expensive is because they too are flat-field optics. They have to be because frequently they are used for flat field work, like copying documents, for example.
And that is the biggest difference between using a macro lens and a non-macro lens with tubes. The lens with tubes will have curvature of field that you'll have to deal with, which may or may not be big deal.
Also, reversed wide angle lenses typically provide a flatter field than non-reversed, and are a great and cheap way to get into high-magnification photography. The biggest problem I see with going this route, however, is you cannot directly calculate the magnification of your reverse-mounted lens. But it is easy enough to determine.
Here is a great page that has a good variety of useful information for macro photography. Click on "Reversed Lens" to find out how the author does it.
http://peterforsell.com/macro.html
Looks like a pretty nice site, but I don't speak/read Finnish.
Regarding bellows, I've found them to be exceedingly frustrating to use on objects that are not sitting on my copy stand, for example, without the use of a focusing stage. And just in case you don't know what a focusing stage is, it's a device that goes between the bellows and the tripod and gives you the ability to move your entire bellows rig forward/backward/left/right. A real nice tool. They're not all that easy to find anymore, and when you do find one, they typically go for quite a bit. Fortunately, there's a Chinese eBay seller who offers ones made out of real metal for about $40. I bought one from him, and I am satisfied with it. There is some backlash to the rack gearing, but that's no big deal. Here's the one I bought:
Click here to see on Ebay
However, I found the exact same one here for less:
http://www.dinodirect.com/rail-plate-magnesium-alloy-macro-focus.html?cur=USD&AFFID=11&DinoDirect _________________ Michael
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Last edited by cooltouch on Thu May 26, 2011 7:24 pm; edited 1 time in total |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Thu May 26, 2011 7:14 pm Post subject: |
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Attila wrote:
martinsmith99 wrote: |
I have macro lenses, enlarger lenses, bellows, tubes and helicoids; my favourite combo is a Helios 44-2 on tubes. The whole setup was under 10gbp. |
excellent. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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