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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Feb 09, 2009 2:48 pm Post subject: Carnevale 2009 first Sunday (preview) |
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Orio wrote:
Planar 1.4/85 on 50D
Distagon 1.4/35 on 5D
pictures #02 and #05 are 5D, the rest is 50D.
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- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Mon Feb 09, 2009 3:59 pm Post subject: |
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no-X wrote:
#04 and #11 are the best! _________________ (almost) complete list of Helios lenses |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Mon Feb 09, 2009 4:24 pm Post subject: |
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Schnauzer wrote:
They are all very nice Orio. You certainly have a way of capturing the moment. _________________ Ron |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Feb 09, 2009 4:26 pm Post subject: |
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Orio wrote:
By the way, I am very happy about how the 50D worked on the field.
So far I never used it for a serious task and I was afraid that the metering could be unreliable, the dynamic range too narrow and the noise too obtrusive. It proved instead to be quite good, on the same level as my former 400D with regards to metering, dynamic range is nice, and of course the resolution is a killer compared to the 400D. I still perhaps prefer a bit the image quality of the older Canons (300D, 400D, 5D) over the new processor ones (40D, 50D, 450D, 5D MkII). Older Canons (CMOS 1 and 2) look more film-like to me than the newer Canons (CMOS 3 and 4).
But the resolution of the 50D really is impressive. Given it's a crop format, and coupled with a tele lens, it really makes a terrific tool for street or event photography.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Mon Feb 09, 2009 4:39 pm Post subject: |
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poilu wrote:
the carnevale series get even better every year, nice you got some decent weather
50D and katzeye seems a perfect combo for crisp & sharp pics |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Mon Feb 09, 2009 4:40 pm Post subject: |
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patrickh wrote:
Orio
Thanks for a look at another street festival. Your town is clearly full of proud citizens and you show them to great effect. My favourites are the portraits, you have caught some magical looks.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon Feb 09, 2009 4:54 pm Post subject: |
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Orio wrote:
Thanks guys. Yes, considering that it was more than 5 months that I wasn't doing any serious photography, I was lucky enough yesterday to grab some good ones.
I really wish I could make more portraits even in a more controlled situation than a street parade. The difference betweeh in-focus and out-of-focus in pic #7 reminded me why I love my Planar 1.4/85 so much. Zeiss bokeh is often spoken badly about but there convinces me 100%
I also took the following image which also reminded me of another thing, that is how good is the Distagon 1.4/35 wide open (camera is the 5D). I was standing in the crowd aiming at the action, when I was distracted by the hair of a woman in front of me. So I focused on it and the picture was there for me:
01.
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Mon Feb 09, 2009 5:20 pm Post subject: |
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F16SUNSHINE wrote:
Beautiful work as always!
This is always the best time of year here on the Board when your Carnival series comes up.
My fav for the moment is 8 and this last one.
_________________ Moderator |
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horvlas
Joined: 30 Dec 2008 Posts: 202 Location: Budapest, Hungary
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Posted: Mon Feb 09, 2009 7:55 pm Post subject: |
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horvlas wrote:
Simply awesome! |
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GrahamNR17
Joined: 17 Jan 2009 Posts: 1855 Location: Norfolk, UK
Expire: 2012-09-06
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Posted: Mon Feb 09, 2009 8:35 pm Post subject: |
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GrahamNR17 wrote:
I like these photos a lot |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Mon Feb 09, 2009 8:42 pm Post subject: |
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sichko wrote:
Wonderful set. _________________ John |
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hacksawbob
Joined: 28 Feb 2007 Posts: 1293 Location: LANCS UK
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Posted: Mon Feb 09, 2009 10:07 pm Post subject: |
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hacksawbob wrote:
excelled yourself again, beautiful colours and felt like bokeh!
on 9 13 and 14 do you shout to attract their attention?
5 really has the feeling of the festival summed up but I personally would prefer a crop to remove the dead space to the right especially the distracting red elbow.
I have a personal crop, it works really nicely in square format. if I can post it let me know. _________________ LENS LIST |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Mon Feb 09, 2009 10:42 pm Post subject: |
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Attila wrote:
#5 !! Congrats!! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Feb 10, 2009 12:09 am Post subject: |
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Orio wrote:
Thanks guys!
I do nothing to demand their attention. I shoot very near, most of the times I am at around 3-5 meters distance when shooting with wide angle and 5 to 10 mt distance when shooting with tele. This way most of the time I get noticed, also because I am a big person and not one that is easily unnoticed!
But in the Carnival it's all ok, people goes there to be seen, and you actually make them happy when you photograph them, for them it means you like what they are doing and you like their costumes (many people make the costumes at home by themselves, and so they are proud of their work). It isn't always the case obviously, in many cases my shooting decisions follow different ways than the simple appreciation, but it helps that they think that way
Bob you are welcome to post your square crop, but only here on Attila's server or on your own webspace if you have it. Please don't post it on public storage such as Flickr because those places claim rights of usage for the images posted on their servers. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Tue Feb 10, 2009 6:10 am Post subject: |
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patrickh wrote:
Flickr's nasty backdoor theft of copyright is a disgrace, and more people should be aware of it.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Tue Feb 10, 2009 6:31 am Post subject: |
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Katastrofo wrote:
Magnificent shots, Orio! Hard-pressed to say a fave(s) all are superb. |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Tue Feb 10, 2009 8:28 am Post subject: |
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tobbsman wrote:
Fantastic shots Orio ! I love the strong colors ...
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Feb 10, 2009 10:29 am Post subject: |
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Orio wrote:
Thanks guys - believe it or not, saturation was left at "standard" and I did not add any in PP. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Tue Feb 10, 2009 12:25 pm Post subject: |
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montecarlo wrote:
Congratulations Orio !
And another year has passed since the last Carnevale.
By the way, I often look with envy at your pictures seing that they are so well focused , especially when focusing while the lens is stoped-down and on quickly moving subjects. I have some problems regarding manual focusing on dSLR (and the K100D has relatively big viewfinder). With dedicated cameras (manual focusing film cameras) I have no problem. Are there some tricks? Thanks. _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Feb 10, 2009 12:48 pm Post subject: |
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Orio wrote:
montecarlo wrote: |
Congratulations Orio !
And another year has passed since the last Carnevale.
By the way, I often look with envy at your pictures seing that they are so well focused , especially when focusing while the lens is stoped-down and on quickly moving subjects. I have some problems regarding manual focusing on dSLR (and the K100D has relatively big viewfinder). With dedicated cameras (manual focusing film cameras) I have no problem. Are there some tricks? Thanks. |
Thanks Cosmin.
I wish there was a sure trick... but I don't have one, except those small common tips that you surely already know, like:
- use a good focusing screen (most manual cameras come with one - bad focusing screen is a problem that mostly affects the recent digital cameras)
- pre-focus when possible (if subject moves in a predictable direction)
- the above is related to a good knowledge of the situation... if you already have an experience with a situation (like I have with Carnevale, that I photograph it's several years now), you can take the best out of it.
In a new situation, you are likely not prepared to what can happen and your reaction times slow down.
- find the best possible compromise between shutter time (which I never set slower than 1/250 when possible), aperture, and ISO. I personally choose to sacrifice ISO first. I obtain better results by having a little more noise and wider DOF, than by having clean images with narrow DOF.
- practice with tracking and panning techniques. Mostly I find tracking useful with humans, panning is better for cars or trains.
I mean tracking when you follow a moving subject by rotating the focus ring as the subject gets closer. For this you need to have a lens with good mechanical manufacture. It is nearly impossible to do a good tracking technique using autofocus lenses, because they are built so crappy. But also amongst manual lenses, you have some where the focusing ring is stiff, or some where it is not smooth all over the range.
The most useful tool is for me the brain's reaction time. I let my mind being very instictual. The moment I feel something is good I don't stop and think about it, I click the shutter. I took some of my best shots that way. In other words I let my stomach decide when to trigger the shutter, not my brains or my books or my lessons at school. I leave rationalization for later, when I review my takes - or for another type of photography, when you have the time to study a subject. Live event does not give you that luxury, as you know better than me, you have to try to be as fast as life itself.
And of course, I let you see only my good shots, and not those that I put into the thrash...
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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dakoo
Joined: 08 Mar 2008 Posts: 603
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Posted: Tue Feb 10, 2009 1:18 pm Post subject: |
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dakoo wrote:
It that annual event i await from one of my most favorite photographers !!
Some very very ORIO portraits there !!
You certainly know your lenses well. _________________ Yashica ML 2.4/24, ML 2.4./28,
Zeiss Distagon 35/1.4, Planer 1.4/50, Planer 1.7/50,
SMC Tak 1.4/50,Tessar 2.8/50, Jupiter2/85
CZJ 4/135; Pentacon 4/200
Canon Tns 24/3.5
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Mal1905
Joined: 30 Oct 2008 Posts: 1705 Location: Dublin, Ireland
Expire: 2011-11-18
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Posted: Tue Feb 10, 2009 3:28 pm Post subject: |
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Mal1905 wrote:
The photos are simply wonderful - there's so much depth in some of them, it's almost like being there for real! _________________
Canon EOS 5D / EOS 40D
Carl Zeiss Jena: Flektogon 2.8/20, 2.4/35, 2.8/35, Pancolar 2/50, MC 1.8/50, MC 1.8/80, Triotar 4/135, Tessar 2.8/50, S 4/135 1Q, S 3.5/135, Sonnar 3.5/135 MC, 2.8/180, Biotar 2/5,8cm, 2/58, 1.5/75
Carl Zeiss: Distagon 2/28 T*, 1.4/35 T*, Ultron 1.8/50, Tessar 2.8/50, Planar 1.4/50 T* MM, 1.7/50 T* MM, 1.4/85 T* AEG, Sonnar 2.8/135 T*
Asahi Optical Co.: Super-Multi-Coated Takumar 4.5/20, 3.5/24, 3.5/28, 2/35, 3.5/35, 1.4/50, 1.8/55, 1.8/85, 2.8/105, 2.8/120, 2.5/135 I & II, 3.5/135, 4/150, 4/200, 4/300, 5.6/400, 4/45-125, 4.5/85-210, Super-Takumar 4.5/20, 3.5/24, 3.5/28, 2/35, 3.5/35, 1.4/50, 1.8/55, 2/55, 2.8/105, 3.5/135, 4/150, 4/200, 4.5/70-150, Fish-Eye-Takumar 4/17, Macro-Takumar 4/50, Super-Macro Takumar 4/50, Super-Multi-Coated Macro-Takumar 4/50, 4/100, Bellows-Takumar 4/100, Asahi-Kogaku Takumar 3.5/50, 2.4/58, 3.5/100, Asahi-Kogaku Tele-Takumar 3.5/135, Auto-Takumar 2.3/35, 3.5/35, 1.8/55, 1.8/55 (Zebra), 2/55, 2.2/55, 1.8/85, 2.8/105, 3.5/135, Takumar 4/35, 2.2/55, 2/58, 2.8/105, 3.5/135, 3.5/200, 5.6/200, Tele-Takumar 5.6/200, 6.3/300, SMC Takumar 1.4/50, 1.8/55, 2/55, SMC-M 1.4/50, 1.7/50, 2/50
Tomioka: Tominon 2/5cm, Auto-Chinon 3.5/21, 1.4/55, Auto-Yashinon DS-M 1.2/55 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Feb 10, 2009 4:12 pm Post subject: |
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Orio wrote:
Thank you!
It's such a great compliment, that "Orio portrait" thing. I hope I am really up to it and can deserve it. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Tue Feb 10, 2009 4:37 pm Post subject: |
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LucisPictor wrote:
Excellent, all of them! Thank God you have posted some shots again.
No.12 is amazing, but I really love No.11.
Great choice of lens/cam sets, btw! _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Tue Feb 10, 2009 4:39 pm Post subject: |
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LucisPictor wrote:
I am also thrilled by Orio's manual focus precision!
Orio wrote: |
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- find the best possible compromise between shutter time (which I never set slower than 1/250 when possible), aperture, and ISO. I personally choose to sacrifice ISO first. I obtain better results by having a little more noise and wider DOF, than by having clean images with narrow DOF.
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That's an essential hint!! _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
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