Posted: Wed Sep 22, 2010 10:49 am Post subject: |
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RioRico wrote:
I agree with Attila. If the camera was junked except for the lens, that would be one thing. Destroying a good camera is something else entirely. A 620 camera can still be used, either by respooling 120 film onto 620 reels, or by making or buying cheap spindles to use 135 cartridges, for sprocket-hole panoramas. Use it in public, and you will draw admiring and puzzled stares!
If you do find a junked MF folder -- I mean one where the body is wrecked beyond repair -- you need to mount the entire lens+shutter assembly. I have a Zeiss Tessar 80/2.8 that's probably from an old Ikonta, I don't know, I bought it as-is. I use a 33-42mm step ring to mount it on M42 bellows for general photography. (I set the shutter to B and block it open with a screw in the cable socket.) Both my M42 and PK (Pentax) bellows are thick enough that lenses of 75mm or shorter don't reach infinity. So a 50mm lens from a junked 135 folder with a would only be useful for closeups/macros. Or, are there any M4/3 bellows?
Besides fine Schneider and Zeiss etc glass from upscale folders, you might consider the other end of the MF spectrum. If you find a trashed 120 or 620 box camera or maybe a crushed Polaroid. think about dissecting its broken corpse and removing the lens. To prepare the lens for bellows, use a camera body cap with a hole cut in the centre. _________________ Too many film+digi cams+lenses, oh my -- Pentax K20D, K-1000, M42s, more
The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |