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Farside
Joined: 01 Sep 2007 Posts: 6557 Location: Ireland
Expire: 2013-12-27
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Posted: Tue Jan 15, 2013 7:22 pm Post subject: |
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Farside wrote:
Is that second picture reversed? I thought it was at first, when you see the doorway on the lower right, the C&C above it looks the wrong way around, but for all I know that's an actual company logo or name, wherever it was shot. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop Norway
http://www.fomafoto.com/
Webshop Czech
https://fomaobchod.cz/inshop/scripts/shop.aspx?action=DoChangeLanguage&LangID=4 |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Tue Jan 15, 2013 8:12 pm Post subject: |
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kuuan wrote:
Farside wrote: |
Is that second picture reversed? ... |
I don't think so, the license plates of the cars are the correct way around, most likely this was taken in Germany:
https://www.google.at/search?q=german+licenses+plate&hl=de&client=firefox-a&hs=AmY&tbo=u&rls=org.mozilla:en-US:official&tbm=isch&source=univ&sa=X&ei=Yrb1UOzFHMjWtAb_m4DYAQ&ved=0CFIQsAQ&biw=1252&bih=644
they really should have supplied bigger files though! _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Wed Jan 16, 2013 11:35 am Post subject: |
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ForenSeil wrote:
I've paid 15€ for my 0,5x focal reducer.
You can buy them for 50€ new in 2" size.
http://www.ebay.de/itm/2-Focal-Reducer-0-5fach-f-Teleskop-Brennweitenreducer-/370328345452?pt=LH_DefaultDomain_77&hash=item56394a1b6c
They work good from 0,3-0,7x (similar quality loss as with normal teleconverters)
That price is ok for playing around!
600$ is much too much imho!
150€ for an such an adapter, made from MC ED glass would be a fair price. _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language)
Last edited by ForenSeil on Wed Jan 16, 2013 2:58 pm; edited 1 time in total |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jan 16, 2013 1:12 pm Post subject: |
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iangreenhalgh1 wrote:
Anything that reduces IQ is a waste of time, what's the point of taking a good lens and reducing it's quality, might as well have saved your money and just bought a cheap crap lens in the first place. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Wed Jan 16, 2013 2:52 pm Post subject: |
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ForenSeil wrote:
iangreenhalgh1 wrote: |
...what's the point of taking a good lens and reducing it's quality... |
Because it would be cool to convert a medium format lens lens into a lens for Pentax Q or Nikon J1 and gain 10 F-stops more speed _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jan 16, 2013 6:10 pm Post subject: |
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iangreenhalgh1 wrote:
That makes no sense at all to me, put a huge heavy lens on a tiny camera. What use is speed like that anyways, unless you want to play at being Stanley Kubrick and shooting by candle light, and even then, a normal speed lens will do the job just as well if your technique is correct. What will the IQ be like? If the medium format lens has, let's say, 75lp/mm resolution, which is enough for razor sharp mf film shots, what's it going to look like on the tiny Q sensor? And modifying the light path so drastically is bound to have an effect on the IQ, probably the greater the ratio of compression, the greater the effect on the IQ. A moderate ratio, such as going from 35mm to APS-C might give an acceptable reduction in IQ but a severe compression such as from a 70mm image circle down to the fly speck of the Q sensor is likely to have a proportionately greater effect on the IQ.
I'm all for experimentation, but it needs to have at least some sound theory behind it. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 9:38 pm Post subject: |
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rawhead wrote:
I believe going from 135 to APS-C with a good 20-30mm difference in the flange focal distance could allow for relatively stress-free reducing of the FL, so I'm pretty giddy about this adapter. Considering that, e.g., SLR Magic's 35/0.95 for APS-C costs $1300, this adapter @ $600 which will allow me to mount my Zuiko 50/1.2 (which could be purchased for ~$400) and use it like a 33.3mm F0.9 lens, is certainly not a bad deal. And of course, I'll get to mount my Zuiko 21/2, 28/2 and use them as if they were mounted on my 5Dmk2, as well. Those currently do not have equivalents on the E-mount system (14mm f1.4, 18mm f1.4) and when we do see equivalents, say, from Zeiss, you can bet they will have a price tag that goes far beyond $600.
Also, regarding medium format lenses, it's kind of silly to think about an adapter that will compress that to Pentax Q sensor.
However, if you think that basically the same exact optical formula (reduction factor 1.5x) but with slightly larger elements could convert a Hasselblad/Zeiss V-mount lens (say Planar 110/2) to act as the lenses were intended on a 1.5x crop square sensor like CFV-16 (as a 73mm f1.4 lens), then something like that is VERY interesting for Hasselblad and other 6x6 shooters, like me.
It's kind of frustrating that so many people fail to see exactly how truly exciting this development is… I'm reminded of the time when Apple first introduced the iPod (and later iTunes) and I was running around trying to tell people how truly amazing it was and that how it would revolutionize how we interact with music, and so many people were like "Bleh, I like my Nomad better" _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 9:40 pm Post subject: |
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rawhead wrote:
Needless to say, I'm purchasing this adapter pronto. I just need to raise $600 _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jan 16, 2013 10:04 pm Post subject: |
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iangreenhalgh1 wrote:
I don't see how it's exciting, then again I'm not obsessed with the speed of lenses, shooting wide open is not something I think is worth doing most of the time. I don't an ipod and have never used itunes either, I was listening to MP3s in the mid 90s so I don't think that analogy is that true. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 10:11 pm Post subject: |
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rawhead wrote:
Well there you go, you're not obsessed with the speed of lenses. So it's something that is not exciting to you, personally, but surely you understand that, seeing how many, many, many, many people DO care about the speed of lenses, how something like this could be very exciting to people other than you, no?
I'm perfectly fine with people who come out and declare that they are not personally interested in XYZ. I just find it mildly annoying when people come out and declare that XYZ is not something (other) people should be interested in. Not to say that you said so, but I AM hearing a lot of exaclty such sentiment. _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jan 16, 2013 10:30 pm Post subject: |
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iangreenhalgh1 wrote:
That's a lot of manys.
Considering most of the photos I see taken with ultra speed lenses at full aperture are crappy then yes, I fail to see the excitement. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it!
Last edited by iangreenhalgh1 on Wed Jan 16, 2013 10:31 pm; edited 1 time in total |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 10:31 pm Post subject: |
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rawhead wrote:
Also, it's not *just* about the speed of lenses; as I mentioned above, this technology will allow, for the first time ever, legacy Hasselblad/Zeiss (and other 6x6 and larger medium format) shooters to use our lenses as they were originally intended using extant technology.
We are probably never going to see a full-size 6x6 (or 6x7 or 6x9) sensor, which means all the lenses that existed for MF systems other than 645 could only be used "cropped".
Until now.
With the same technology, all 6x6 lenses (for SLR MF) can be used "natively" on a 1.5x crop MF sensor like the CFVII and 16. All SLR MF lenses of the 6x7, 6x8, and 6x9 variety can be used natively on a full frame 645 sensor like the current top of the line MF digital backs like IQ180.
THIS is very very very exciting. _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 10:35 pm Post subject: |
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rawhead wrote:
iangreenhalgh1 wrote: |
That's a lot of manys.
Considering most of the photos I see taken with ultra speed lenses at full aperture are crappy then yes, I fail to see the excitement. |
That's rather stupid thing to say, when many of the photos I see taken with slow speed & large DoF lenses stopped down to F22 are really crappy, too.
But I'm getting the sense that it's really no use trying to convince you, so I stand down _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jan 16, 2013 10:36 pm Post subject: |
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iangreenhalgh1 wrote:
Let's see the resulting image quality first before we get excited. Also, where do you put the adapter? There's no room between the lens and body to put it in, say, a hasselblad system, it only works with mirrorless cameras because the register is much shorter than the system the lenses were designed for. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Wed Jan 16, 2013 10:52 pm Post subject: |
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rawhead wrote:
iangreenhalgh1 wrote: |
Let's see the resulting image quality first before we get excited. Also, where do you put the adapter? There's no room between the lens and body to put it in, say, a hasselblad system, it only works with mirrorless cameras because the register is much shorter than the system the lenses were designed for. |
There are already samples on the 'net for this particular product:
http://t.co/s1OhtZaD
Also, you're right about MF. There currently isn't a dedicated "mirrorless" medium format digital camera. There will be soon, though, I'm confident.
But there already are digital MF backs that can be attached to *any* box to make it a "mirroless" digital MF camera. Indeed there are already products out there that can do this, like the Hartblei H-Cam.
So, digital MF back + Harblei H-cam + Metabones adapter (made for MF) + 6x6 MF lens, and voila! I've actually already talked with Stefan, the CEO of Hartblei and he's already on board for precisely such a solution. Again, all of this can be done with existing technology. Metabones just needs to create an adapter with the same exact optical formula, but just bigger glass and a V-mount _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Nordentro
Joined: 24 Jun 2010 Posts: 4713 Location: Lillehammer, Norway
Expire: 2015-01-29
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Posted: Fri Jan 18, 2013 9:15 am Post subject: |
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Nordentro wrote:
This article is good:
http://philipbloom.net/2013/01/13/speedbooster/
"It’s easy to assume it would, as you are all aware that teleconverters adapters basically will magnify the aberrations of the given lens.
The reverse is true for the MetaBones ‘Speed Booster’ as it compresses the image and reduces lens aberration for the given lens. Of course, the adapter is not completely aberration free, but still taking this into account, there is a significant improvement in MTF compared to the given lens used without the ‘Speed Booster’."
wow!
I want different mounts for all my mf lenses to use with my OM-D! I hope the chinese would make good cheap ones _________________ Lars | Manuellfokus.no |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Sat Jan 19, 2013 8:00 am Post subject: |
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rawhead wrote:
Well, I just got the funds I need so I went ahead and ordered my copy today Will let you guys know what I think as soon as I get it. _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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caerwall
Joined: 11 Nov 2010 Posts: 51
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Posted: Sat Feb 02, 2013 4:50 am Post subject: I am with you all the way |
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caerwall wrote:
Yes, I have had mine for a few days. I like it. There are things it could do better. But if the benefits of this adapter are not self evident then I think we re all wasting our time trying to "sell" it to anyone not interested. For those that are: read the "White Paper" on the Metabones site - it caters for the theory, the good points, the concessions made (not to make it capable of generating f0.7), the warts and some samples. From a round up of the various first impressions and reviews no one is saying that the white paper is incorrect in it's claims.
I can enjoy it, others might think it waste of time for 1,001 reasons all of which may make some sort of sense. But others can see the giant step this device has made for the usefulness of a whole host of lenses made for 35mm film imaging circle.
Unsaid is that it gives aps-c size sensors a new lease of life just when the FF sensor size was working up a charge. Nothing wrong with a FF sensor but nothing wrong with leveraging diversity either.
Tom |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Fri Feb 22, 2013 6:35 am Post subject: |
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rawhead wrote:
Yeah, basically I'm like passed the stage of being really curious about this adapter…. it's now GLUED to my NEX6 pretty much. I'm just shooting it with my Zuiko lenses like I would a compact FF.
Shooting 28/2 on it is fantastic
Snowland by Dr. RawheaD, on Flickr
50/1.2 seems to give me a bit more color fringing that when on the 5Dmk2, but at the same time, the 5Dmk2 would not have been able to make this shot:
Shot with NEX6 + SB + OM50/1.2
This was shot with the camera on tripod set up 1 m away from the bird feeder and me inside the house using the NEX6 remote app for my iPhone. Before taking this shot, I stood 5 m away from the feeder with my 4x5 camera absolutely still for over 30 minutes. Not once did a cardinal land on the bird feeder while I froze my ass off. With the remote function and me inside the house, birds were landing within 5 minutes _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Nikos
Joined: 17 May 2010 Posts: 1077 Location: Greece
Expire: 2015-01-02
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Posted: Fri Feb 22, 2013 1:17 pm Post subject: |
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Nikos wrote:
rawhead wrote: |
Yeah, basically I'm like passed the stage of being really curious about this adapter…. it's now GLUED to my NEX6 pretty much. I'm just shooting it with my Zuiko lenses like I would a compact FF.
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Interesting results.
So I guess you recommend it.
It also allows control of the electronic aperture on EOS lenses, right?
I have 3 Zeiss lenses in EOS mount which I can only use wide-open on my NEX.
Now, a 100mm f/1.4 Makro-Planar sounds interesting... _________________ Νίκος • www.diafragma.gr
Cameras: Canon EOS 5D Mark II, Sony α7R, Sony NEX-5N
MF lenses:
SLR:
Canon TS-E 17mm f/4, Zeiss 2.8/21 ZE, Zeiss 2/28 Contax, Zeiss 2/35 ZE, Zeiss 1.4/50 Contax, Zeiss 1.4/85 Contax, Zeiss Makro 2/100 ZE,
Zeiss 2/135 Contax, Zeiss 2.8/135 Contax, Zeiss Vario-Sonnar 35-70 Contax, Zeiss Vario-Sonnar 100-300 Contax, Zeiss F-Distagon Rollei, Canon FD 24mm f2, Minolta MD Rokkor 35mm f2.8
Rangefinder:
Zeiss 4.5/21 C Biogon ZM, Zeiss 2/35 Biogon ZM, Voigtländer 15mm f/4.5 Heliar L39, Leica Tele-Elmarit 2.8/90mm, Zeiss 2/45 Contax G, Zeiss 2.8/90 Contax G, Canon 50mm 1.8 LTM
AF lenses: Canon 15mm f/2.8 Fisheye, Canon 24-70 f/2.8 L, Canon 70-200 f/2.8 L IS II, Canon 70-200 f/4 L, Canon 300 f/4 L IS, Canon 100 f/2.8 macro
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brianc1959
Joined: 23 Jan 2013 Posts: 7 Location: Virginia, USA
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Posted: Sat Feb 23, 2013 5:30 am Post subject: |
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brianc1959 wrote:
rawhead wrote: |
Yeah, basically I'm like passed the stage of being really curious about this adapter…. it's now GLUED to my NEX6 pretty much. I'm just shooting it with my Zuiko lenses like I would a compact FF.
Shooting 28/2 on it is fantastic
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"Snowland" is a really nice image! Do you remember what aperture you used?
BTW, do you know if there's a NEX-6 remote APP for Android? _________________ Brian Caldwell |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Sat Feb 23, 2013 6:29 am Post subject: |
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rawhead wrote:
brianc1959 wrote: |
rawhead wrote: |
Yeah, basically I'm like passed the stage of being really curious about this adapter…. it's now GLUED to my NEX6 pretty much. I'm just shooting it with my Zuiko lenses like I would a compact FF.
Shooting 28/2 on it is fantastic
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"Snowland" is a really nice image! Do you remember what aperture you used?
BTW, do you know if there's a NEX-6 remote APP for Android? |
Thank you very much; compliments from the master himself is a great honor. I do very much remember the aperture, as I was testing for the sweetspot of the lens, which is F5.6
http://classic-web.archive.org/web/20041227071726/http://members.aol.com/olympusom/lenstests/default_m.htm#28mm
While I love my Zuiko 21/2, I just think this 28/2 is an extraordinarily wonderful lens, and I think the SpeedBooster does it justice.
And yes, there should be an Android remote app for the NEX6:
http://www.youtube.com/watch?v=zPXnZnxSb0g _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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