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steph_erick
Joined: 05 Jan 2010 Posts: 2
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Posted: Tue Jan 05, 2010 11:57 am Post subject: Jupiter 6-2 M42 (black) / Carl Zeiss Jena 200mm 2.8 M42 |
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steph_erick wrote:
Hello.
I want to know between these two lens, which will be the best in optical quality.
I can have the Jupiter for 175€ and the zeiss for 200€.
Wath do you think of this price ?
Or if I owe more to turn to the new Zeiss 135mm 1.8 for Sony mount.
Thank you for your help and excuse my English. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 05, 2010 12:16 pm Post subject: |
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Orio wrote:
Choose the CZJ 200, it's better.
The J6 looks and feel very cool but image wise it does not perform as good as the CZJ 200, mainly because of the weaker coating. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Jan 05, 2010 12:54 pm Post subject: |
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Pancolart wrote:
I don't agree with Orio here. If you are a strong man choose Jupiter, especially if the unit is black. I own 2 samples of each lens, all my samples are as new so i think i can get representative results. I found Jupiter slightly sharper wide open. Jupiter is built like tank whereas Sonnars are prone to aperture jamming not only due to grease but also due to light mechanics and Auto possibility. Jupiter is pure preset - aperture setting is force analog connected so it is nearly "impossible" to defect. The MC recipe must be near identical by outer look and results comparison. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Tue Jan 05, 2010 1:10 pm Post subject: |
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estudleon wrote:
I will not used neither lenses specifically. But almost all the CZJ that I had, found out problems with the aperture mechanism. Only with two old zebras CZJ (sonnar 3,5 and flektogon 4/20) I had no problems.
The plastic parts in the mechanism don't resist long wear. The blades rub over that parts and scrape the plastic. Result? The scraped plastic restrains the blades, which turns to mechanism erratic. Sometimes close and open very well, sometimes no.
Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Tue Jan 05, 2010 1:23 pm Post subject: |
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rbelyell wrote:
i like the color and sharpness of the jupiter; but it is HUGE!!!!
also, i got my copy, a very nice one, a few months ago for less than $100usd--i think it was actually about $65usd; so while its a good lens i think your copy is way overpriced. check ebay and be a little patient and i think you will get it for less than 1/2. _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 05, 2010 1:24 pm Post subject: |
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Orio wrote:
My personal experience with both the J6-1 and J6-2 is that they give a very low contrast compared to CZJ 180 and 200. The J6-2 (black) performance can be bettered with a hood, whereas the J6-1 with it's all-silver surface produces internal reflections that weaken the contrast no matter what shooting condition.
None of the J6 (black or silver) appear to have multicoating, just like the Helios-40 black and silver.
The MC coating of the Jena lenses, albeit not as perfect as the Oberkochen lenses, is still vastly superior in performance compared to the single coating of soviet lenses.
Amongst the soviet teles, only the recent batches of Jupiter-9 and Tair-11A seem to have multicoating.
I concede that mechanically-wise the recent Jena lenses (those with multicoating) are prone to failure in the aperture mechanism, whereas most (but not all) of soviet lenses are built more sturdily. However, when aperture failure happens naturally (i.e. not due to shock), it can be repaired by any decent lens technician even without spare parts. On the contrary, nobody can improve the weak coating on the large front glasses of soviet tele lenses. A weakness that gets worse with size (meaning that it's worse in the J-6s than it is in the Helios-40s).
Optically speaking, the J-6 is a copy the 2.8/180 Sonnar and the performance is comparable to the single coated (zebra or previous) CZJ 180s. The Sonnar 200 is a later design, always multicoated, derived from the 180 but -reportedly- improved. My copy of the CZJ 200 was slightly sharper than the CZJ 180 multicoated, however such small differences are most likely due to copy variations than to a difference of performance in the designs. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Jan 05, 2010 2:23 pm Post subject: |
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Pancolart wrote:
Does these unmanipulated photos counts as proof of MC (being nearly the same purple tone as on Sonnar):
_________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Tue Jan 05, 2010 3:40 pm Post subject: |
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estudleon wrote:
It reminds me the coated of the chrome jupiter-9. Is it MC? It might be not.
Rino. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 05, 2010 4:09 pm Post subject: |
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Orio wrote:
estudleon wrote: |
It reminds me the coated of the chrome jupiter-9. Is it MC? It might be not.
Rino. |
Difficult to say when you don't have the lens in your hands and you can not rotate it to look from different light angles. My copy of the black J6-2 was surely NOT multicoated. Of course I can not exclude that other copies of the J6-2 were multicoated. Colour, however, is not a sure indicator of multicoating. The Helios-40-2 has a different coating colour than the silver Helios-40, and yet, it is not multicoated either (I handled three copies of it, still own two, and they are all not multicoated).
Another thing to keep into consideration: the number of the coated elements.
Some lenses that are reported as multicoated, only have the external elements with such protection. This is easier to tell: lenses that have all elements multicoated, look somehow "denser" when seen through, than lenses that have multicoating only on external elements.
Of course, when you don't have coating on the internal elements, the internal reflections can bounce more freely, and this weakens the lens performance. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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hinnerker
Joined: 17 Aug 2009 Posts: 929 Location: Germany near Kiel
Expire: 2015-08-09
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Posted: Tue Jan 05, 2010 6:18 pm Post subject: |
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hinnerker wrote:
Orio wrote: |
Choose the CZJ 200, it's better.
The J6 looks and feel very cool but image wise it does not perform as good as the CZJ 200, mainly because of the weaker coating. |
+1
Coating is one thing.. i did have 5 copys of the Sonnar 180 (Olympia, Zebra, MC) and 2 copys of the 2.8/200. Only one copy of the J6-2... me, i would prefer the 2.8/200. Especially the last copy i did own, mint condition was so great, that i was thinking about selling my Leica 2.8/180mm II for that. But the heavyweight of the 2.8/200mm was the reason to keep my Elmarit.
Right, the aperture is a little Problem, because the mechanical realisation was not as good as expected. But on the other hand, especially the 2.8/200mm is a very good lens for servicing this by yourself. After 2 weeks of intensive use.. the aperture stucks.. but why, the lens was mint and no Oil on the blades..
The solution was to unscrew one little lock-screw on the front part of the tubus, so the complete Front element lenses can removed by unscrewing this. Now you are on the blade mechanic.
And this was the problem..
After pressing down the moving ring with the cut for the aperture moving pin, the whole mechanic works perfect.. that was all. The little plastic pin did hide hisself under the moving ring instead of moving in the cut-leading..
So the mechanical problem is easy to solve and no reason not to buy this lens, if all other components are in good condition.
I would buy the 2.8/200mm again and again.
Cheers
Henry _________________ some light-painting lens stuff..
... and an EOS 5D MKII
www.digicamclub.de |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Jan 05, 2010 11:29 pm Post subject: |
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Pancolart wrote:
But come-on Henry you cannot encourage butchery. The lens was made only in small quantities . _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Wed Sep 15, 2010 1:38 pm Post subject: |
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Pancolart wrote:
I have two samples from each lens. I will post some comparison info.
First let me just say Jupiter has more aperture blades forming bokeh resembling circle which i prefer over Sonnar. Second it's mechanics is by far superior and nearly indestructible. Now let's equalize sides with third. Sonnar is lighter. It matters since the weight of Jupiter really gets troublesome after holding it for more then half hour (concerts usually last longer). And fourth: Sonnar gets more out of the foggy and rainy weather conditions. Tested and confirmed with all 4 lenses.
If i was ask which lens to be used for a project i would hesitate in decision. If i was ask which lens to buy i'd choose Jupiter for sure.
Here not exactly test shots but... All wide-open.
CZJ Sonnar 2.8/200mm
Jupiter-6-2 2.8/180mm
Jupiter-6-2 2.8/180mm
CZJ Sonnar 2.8/200mm
_________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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aoleg
Joined: 22 Feb 2008 Posts: 1387 Location: Berlin, DE
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Posted: Wed Sep 15, 2010 6:57 pm Post subject: |
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aoleg wrote:
Orio wrote: |
My personal experience with both the J6-1 and J6-2 is that they give a very low contrast compared to CZJ 180 and 200. The J6-2 (black) performance can be bettered with a hood, whereas the J6-1 with it's all-silver surface produces internal reflections that weaken the contrast no matter what shooting condition. |
I have both J6-2 and MC CZJ Sonnar 180/2.8. Both used with correctly sized (this is important) hoods. I don't see a huge difference in contrast or flare, even when shot against the light. Sure, the hoods help, and yes, the MC Sonnar has somewhat higher contrast, but the difference is not that big. Sharpness is exactly the same on my two samples, while bokeh is different due to differently shaped diaphragm (6 rounded blades with the Sonnar and many blades forming a ninja-star pattern in Jupiter-6).
If you shoot without a hood, the Jupiter will flare and exhibit low contrast.
Orio wrote: |
None of the J6 (black or silver) appear to have multicoating, just like the Helios-40 black and silver. |
That's right. J6-2 has the same coatings as Helios-40-2 (orange). They are rather good and quite hard (not easy to scratch while cleaning).
Orio wrote: |
The MC coating of the Jena lenses, albeit not as perfect as the Oberkochen lenses, is still vastly superior in performance compared to the single coating of soviet lenses. |
Agreed. The difference is not that big compared to later single-coated lenses though. Jupiter-6 (silver), Helios-40 (silver), Jupiter-37 (non-MC) have old coatings that aren't as effective or robust as newer ones used in Jupiter-6-2 or Helios-40-2. _________________ List of lenses |
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dude163
Joined: 21 Mar 2010 Posts: 726 Location: New Brunswick , Canada
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Posted: Thu Sep 16, 2010 12:08 am Post subject: |
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dude163 wrote:
Where are you guys finding these jupiter 6s for under 200 euros, Icant get any luck on ebay at all!
they look really cool, and the 200/2.8 CZJ is a nice looking item too,
Pancolar: those shots are awesome , I need to find a place in Canada that I can get some of those lenses too! _________________ Stormtrooper white Pentax K-X m42 adapter
Soviets: Helios 44m-6 and 40-1 , Pentacon 50mm f1.8
Taks : ST 28mm f3.5 , ST 35mm f3.5, SMC 50mm f1.4 , ST 55mm f2 , SMC 135 f 3.5 , ST 200 f 4
CZJ Tessar 50/2.8 1954 model
Leica m8u : Rigid cron 50/2 Elmar 90/4 Elmarit 135/2.8 Jupiter8 50/2 Serenar 85/2
my flickr : http://www.flickr.com/photos/riverviewfoto/
Vintage lens blog : http://dude163.blogspot.com/
500px : http://500px.com/roberttwilson |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Sep 16, 2010 10:07 am Post subject: |
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Pancolart wrote:
aoleg wrote: |
That's right. J6-2 has the same coatings as Helios-40-2 (orange). |
That just can't be. I have: Jupiter-6-2 serial: 780939 and N004613 both having the same violet coating like on the photos i posted above. You "cannot" get violet reflection out of Helios-40-2. It's yellow/orange.
dude163 wrote: |
Where are you guys finding these jupiter 6s for under 200 euros, Icant get any luck on ebay at all! they look really cool, and the 200/2.8 CZJ is a nice looking item too,
Pancolar: those shots are awesome , I need to find a place in Canada that I can get some of those lenses too! |
Thank's dude. Well i wouldn't separate from any of mine for 200 EUR anymore . Poland used to be a cool source few years ago, but now local prospectors don't allow anything to pass near them. When on market second time prices are "corrected". _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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no-X
Joined: 19 Jul 2008 Posts: 2495 Location: Budejky, Czech Republic
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Posted: Thu Sep 16, 2010 11:17 am Post subject: |
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no-X wrote:
I'd expect less CA and better sharpness for the Jupiter and better contrast and lower weight for the Sonnar. _________________ (almost) complete list of Helios lenses |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Thu Sep 16, 2010 11:22 am Post subject: |
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Anu wrote:
Orio wrote: |
Optically speaking, the J-6 is a copy the 2.8/180 Sonnar and the performance is comparable to the single coated (zebra or previous) CZJ 180s. The Sonnar 200 is a later design, always multicoated, derived from the 180 but -reportedly- improved. My copy of the CZJ 200 was slightly sharper than the CZJ 180 multicoated, however such small differences are most likely due to copy variations than to a difference of performance in the designs. |
Actually 200/2.8 is rather different design from the 180/2.8, and it indeed gives a better image quality than the 180/2.8. Both are very sharp, but the 200 has quite a bit less all kinds of colour aberrations. If the Soviet lens is a copy of the Jena 180, pick the Jena 200. |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Thu Sep 16, 2010 11:29 am Post subject: |
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Anu wrote:
Pancolart wrote: |
I have two samples from each lens. I will post some comparison info.
First let me just say Jupiter has more aperture blades forming bokeh resembling circle which i prefer over Sonnar.
|
This of course only applies if one stops down.
Quote: |
Here not exactly test shots but... All wide-open.
|
Looking at these shots, it is hard to say much about anything but something about the bokeh. It'd be nice to have much larger and coloured images instead. Anyhow, the bokeh of the German lens is easily better in my opinion, at least when shot wide open, judging from your samples. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Sep 16, 2010 11:56 am Post subject: |
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Pancolart wrote:
no-X wrote: |
I'd expect less CA and better sharpness for the Jupiter and better contrast and lower weight for the Sonnar. |
Anu wrote: |
Looking at these shots, it is hard to say much about anything but something about the bokeh. It'd be nice to have much larger and coloured images instead. Anyhow, the bokeh of the German lens is easily better in my opinion, at least when shot wide open, judging from your samples. |
Please check:
http://forum.mflenses.com/viewtopic,p,1068386.html#1068386
I have to give the edge to Sonnar in such murky conditions. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Thu Sep 16, 2010 5:30 pm Post subject: |
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Anu wrote:
Pancolart wrote: |
no-X wrote: |
I'd expect less CA and better sharpness for the Jupiter and better contrast and lower weight for the Sonnar. |
Anu wrote: |
Looking at these shots, it is hard to say much about anything but something about the bokeh. It'd be nice to have much larger and coloured images instead. Anyhow, the bokeh of the German lens is easily better in my opinion, at least when shot wide open, judging from your samples. |
Please check:
http://forum.mflenses.com/viewtopic,p,1068386.html#1068386
I have to give the edge to Sonnar in such murky conditions. |
Nice foggy shots. I very rarely use the CZJ 200 or the CZJ 180 to shoot anything but animals or other close/medium distance subjects.
Anyhow, I do think that the CZJ 200 is a superior lens to the CZJ 180 (and almost certainly it's clones). Both are easily sharp enough for the cameras of tomorrow (and today too ), but when it comes to different aberrations, the newer lens is better. Also contrast is much better due to better coatings as your samples did show well.
Still, I like to shoot with the 180 as well - it has shorter MFD, and it creates different look. But I'll avoid it if the light is harsh and it is liklely I'll be shooting sharp light-dark-edges - the 200 handles them much better. |
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dude163
Joined: 21 Mar 2010 Posts: 726 Location: New Brunswick , Canada
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Posted: Tue Nov 23, 2010 3:29 am Post subject: |
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dude163 wrote:
Hahahah
this is funny, I did a search on the Jupiter 6 and I found a thread that I had already posted in myself!
irony! _________________ Stormtrooper white Pentax K-X m42 adapter
Soviets: Helios 44m-6 and 40-1 , Pentacon 50mm f1.8
Taks : ST 28mm f3.5 , ST 35mm f3.5, SMC 50mm f1.4 , ST 55mm f2 , SMC 135 f 3.5 , ST 200 f 4
CZJ Tessar 50/2.8 1954 model
Leica m8u : Rigid cron 50/2 Elmar 90/4 Elmarit 135/2.8 Jupiter8 50/2 Serenar 85/2
my flickr : http://www.flickr.com/photos/riverviewfoto/
Vintage lens blog : http://dude163.blogspot.com/
500px : http://500px.com/roberttwilson |
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Chris_T
Joined: 24 Nov 2012 Posts: 2
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Posted: Sat Nov 24, 2012 12:24 pm Post subject: Re: Jupiter 6-2 M42 (black) / Carl Zeiss Jena 200mm 2.8 M42 |
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Chris_T wrote:
steph_erick wrote: |
Hello.
I want to know between these two lens, which will be the best in optical quality.
I can have the Jupiter for 175€ and the zeiss for 200€.
Wath do you think of this price ?
Or if I owe more to turn to the new Zeiss 135mm 1.8 for Sony mount.
Thank you for your help and excuse my English. |
I am going to get this len for video shooting
anythings should attent to this lens? thanks |
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