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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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 Posted: Tue Sep 21, 2010 3:25 pm Post subject: how to get an interesting look and shallow DOF |
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timo832000 wrote:
Yesterday I made an interesting experiment, look at the results and guess what my intention was and what I did? 
The only thing I will tell you is that I used my Pentax K10d (APSC) and a Leitz Summicron 90 @F2.
Have a nice day!
Timo
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visualopsins
Joined: 05 Mar 2009
Posts: 10586
Location: California
Expire: 2025-04-11
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| Posted: Tue Sep 21, 2010 3:38 pm Post subject: |
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visualopsins wrote:
Mixed lighting? Looks like incandescent on your (camera) left side, to warm skin tones?
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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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| Posted: Tue Sep 21, 2010 3:44 pm Post subject: |
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timo832000 wrote:
Okay, but I did not mean colors tones or lighting issues, this time I simply did not care about this. It was something else I have tried.
Let`s have a look on a crop:
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8310
Joined: 05 Jun 2010
Posts: 123
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| Posted: Tue Sep 21, 2010 4:17 pm Post subject: |
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8310 wrote:
Maybe I am wrong, but it looks kind of wide to me for 90mm on crop.
Did you take several pictures and stitched them together? Panorama-like?
That would explain the wide fov and one could also achieve pretty shallow dof. |
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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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| Posted: Tue Sep 21, 2010 4:29 pm Post subject: |
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timo832000 wrote:
Thats it.
My intention was to get a kind of "medium format look-a-like",
so i tried to make a pano from a very near subject.
It was surprisingly easy to stitch the 16 images because I did not have any problems with non matching perspectives as I had expected.
The only tool I used was a simple tripod no pano head.
Timo
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MF-addicted
Joined: 11 Mar 2009
Posts: 803
Location: Stuttgart (Germany)
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| Posted: Tue Sep 21, 2010 4:45 pm Post subject: |
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MF-addicted wrote:
Cool work - near distance pano.
Will give it a trial, too.
Thanks.
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8310
Joined: 05 Jun 2010
Posts: 123
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| Posted: Tue Sep 21, 2010 4:50 pm Post subject: |
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8310 wrote:
I've been planning to do this for quite a while now, but have been too lazy to actually do it.
Came out pretty well.
How much time between the first and the last picture? I imagine it might be hard for the model to not move a bit. She probably shouldn't even breathe.  |
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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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| Posted: Tue Sep 21, 2010 5:32 pm Post subject: |
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timo832000 wrote:
I needed only one minute to take the sixteen pictures. Yes she was not allowed to move but after I had taken the first three rows I allowed her to move her eyes and her head again. At all I imagined it to be a bigger problem.
Timo
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egidio
Joined: 02 Sep 2009
Posts: 222
Location: slovenia
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| Posted: Tue Sep 21, 2010 8:23 pm Post subject: |
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egidio wrote:
nice! I was just doing that today on a shoot, managed to get very nice look with crop senzor. Photoshop photomerge method is very good these days.
Second thing you could do is to make compositing of few images with different focus points...you could make an entire image out of focus and than make a mask for let say legs and background. You could use slow 35mm for that, but compositing masks would show some errors on edges
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poilu
Joined: 26 Aug 2007
Posts: 10471
Location: Greece
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| Posted: Tue Sep 21, 2010 8:35 pm Post subject: |
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poilu wrote:
nice experiment, great results!
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RioRico
Joined: 12 Mar 2010
Posts: 1120
Location: California or Guatemala or somewhere
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| Posted: Wed Sep 22, 2010 8:20 am Post subject: |
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RioRico wrote:
The quick & dirty way:
A fast wide lens and a closeup adapter.
For instance, Vivitar 24/2 and +1 dioptre meniscus.
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Wed Sep 22, 2010 8:24 am Post subject: |
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Orio wrote:
Yeah, I guessed it immediately. It's the (in?)famous Branizer method, the Photoshop channel on Facebook posted a link to the concept and tutorial two days ago:
http://blog.buiphotography.com/2009/07/the-brenizer-method-explained-with-directions/
I have to say that you did it more moderately than the samples in the tutorial - which I appreciate, because in my mind the tutorial examples are on the "heavy" side.
I am of the school of thought that effects and tricks should be used but not perceived.
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dfujevec
Joined: 27 Nov 2009
Posts: 43
Location: Slovenia
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| Posted: Sat Sep 25, 2010 9:15 pm Post subject: |
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dfujevec wrote:
Here is my first attempt. Just 4 pictures with old preset Takumar 135 f3,5 and Pentax K20d. Lens was wide open and my girlfriend was 2m away.
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spleenone
Joined: 26 Dec 2009
Posts: 1130
Location: Slovakia
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| Posted: Sat Sep 25, 2010 9:35 pm Post subject: |
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spleenone wrote:
| dfujevec wrote: |
Here is my first attempt. Just 4 pictures with old preset Takumar 135 f3,5 and Pentax K20d. Lens was wide open and my girlfriend was 2m away.
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I think you got something wider than full frame image. But good experimet. Girlfried had to be very patient. I should also try it =)
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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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| Posted: Mon Oct 04, 2010 7:00 pm Post subject: |
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timo832000 wrote:
Here is another one, my neighbours car, a vintage Porsche. Stitched from 60 images, captured with K10D & Summicron 90 @ 4, processed with PS CS3.
The Result is a 98mpix image.
Timo
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Nordentro
Joined: 24 Jun 2010
Posts: 4711
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| Posted: Mon Oct 04, 2010 9:17 pm Post subject: |
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Nordentro wrote:
| timo832000 wrote: |
Here is another one, my neighbours car, a vintage Porsche. Stitched from 60 images, captured with K10D & Summicron 90 @ 4, processed with PS CS3.
The Result is a 98mpix image.
Timo |
Nice, must have been a full day work?
I like this stitching technique
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TBaker
Joined: 02 Dec 2009
Posts: 344
Location: Canada
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| Posted: Wed Oct 27, 2010 1:48 am Post subject: |
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TBaker wrote:
Love that Porsche. 
I've started playing with this method some time ago.
This is shot with the 5D MKII with Tak SMC 50 1.4 wide open and about 40 shots.(damn sky was blown out and I missed it)
1951 Nash Canadian Statesman
...and this one more recently with 5D MKII and Canon 70-200 2.8 wide open and about 60 shots all merged in CS5.
Rock
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timo832000
Joined: 09 Jun 2008
Posts: 544
Location: Germany / Cologne
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| Posted: Mon Nov 29, 2010 7:45 am Post subject: |
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timo832000 wrote:
old railway:
Pentax K10D + Leitz Elmarit 2.8/135 @F8, stitched from 70 images, cropped.
Timo
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uhoh7
Joined: 24 Nov 2010
Posts: 1300
Location: Idaho, USA
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| Posted: Mon Nov 29, 2010 6:50 pm Post subject: |
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uhoh7 wrote:
Inspirational thread.
I have a Soligar 135 f/2 c/d I really want to try this with outdoors. It has a very shallow DOF wide open.
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bogolisk
Joined: 20 Dec 2009
Posts: 448
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| Posted: Mon Nov 29, 2010 6:54 pm Post subject: |
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bogolisk wrote:
| timo832000 wrote: |
old railway:
Pentax K10D + Leitz Elmarit 2.8/135 @F8, stitched from 70 images, cropped.
Timo |
Wow! I really like it!
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spleenone
Joined: 26 Dec 2009
Posts: 1130
Location: Slovakia
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| Posted: Mon Nov 29, 2010 8:47 pm Post subject: |
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spleenone wrote:
| TBaker wrote: |
1951 Nash Canadian Statesman
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Lovely!
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Olivier
Joined: 18 Feb 2009
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Location: France
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| Posted: Mon Nov 29, 2010 9:35 pm Post subject: |
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Olivier wrote:
Wow !
That's a great topic !
Thank you.
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RioRico
Joined: 12 Mar 2010
Posts: 1120
Location: California or Guatemala or somewhere
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| Posted: Tue Nov 30, 2010 4:55 am Post subject: |
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RioRico wrote:
So, nobody likes my suggestion of a fast wide lens with a +1 dioptre closeup meniscus strapped on? Bother...
NOTE: I eagerly await the arrival of a Vivitar-Kiron 24/2 so I can try this myself.
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The simple truth is this: There are no neutral photographs. --F-Stop Fitzgerald |
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uhoh7
Joined: 24 Nov 2010
Posts: 1300
Location: Idaho, USA
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| Posted: Tue Nov 30, 2010 8:34 am Post subject: |
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uhoh7 wrote:
| RioRico wrote: |
So, nobody likes my suggestion of a fast wide lens with a +1 dioptre closeup meniscus strapped on? Bother...
NOTE: I eagerly await the arrival of a Vivitar-Kiron 24/2 so I can try this myself. |
I'd love to see it.
If it's really good we can call it the "riorico technique"!
I also eagerly await a 24 f/2, though it's an nFD. My kiron 28 is quite good.
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Olivier
Joined: 18 Feb 2009
Posts: 5076
Location: France
Expire: 2015-08-06
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| Posted: Tue Nov 30, 2010 9:35 am Post subject: |
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Olivier wrote:
| RioRico wrote: |
So, nobody likes my suggestion of a fast wide lens with a +1 dioptre closeup meniscus strapped on? Bother...
NOTE: I eagerly await the arrival of a Vivitar-Kiron 24/2 so I can try this myself. |
I saw very good pictures taken by Bryan Peterson with a Nikkor 12-24mm + canon 500D close-up lens.
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