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Tamron Adaptalls
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PostPosted: Wed Aug 10, 2022 12:33 pm    Post subject: Reply with quote

Love the adaptall lenses, specifically the Adaptall-2 SP glass. And not just for novelty. These can still be very viable optics. I used the 180/2.5 often and all the way up until a couple years ago for paid portrait work. I'd still be using it, had I not finally found the Canon FD 85/1.2L which now has a complete monopoly on my portrait lenses. Obviously very different focal lengths, but because they share a purpose, it's tough not to go straight for that L lens. (And I own the Nikon AF-S 70-200/2.8 VRII, Sigma 135/1.8 Art, Nikon Z 85/1.8, and numerous other portrait capable lenses).

The longer Adaptall teles provide an excellent value to the budget-constrained photographers. Early on, I found the SP 400/4 65B lens for a very reasonable price, (this was before the spate of 150-600mm modern lenses) and it was optically much better than the various longer zooms and way less expensive than any 400mm prime of the same speed (most options were f/5.6+). I mention those modern super zooms only because, for $600-700 (or less even), you can get the Sigma or Tamron 150-600 and it will not only give you better image quality and auto-focus, but also that incredible flexibility. Tough to justify spending that same money or more on something like the Tamron 400/4 unless it's more about that specific lens than what it can do for you. The 300/2.8 might still be a great bargain though. I've seen them go for less than $400 and I'm not sure you can get a 300/2.8 rendering as good as these lenses anywhere else for the same or less money. The 300/2.8 360B is particularly lovely to use. My copy has a buttery smooth focus that I can flick with a pinky to adjust focus. I've used it a surprising amount for events with speakers at a podium in a darker presentation space. I can mount it on a tripod and be well off to the side of the stage and get some nice subject separation.

The 350/5.6 mirror lens is the best mirror lens I've ever used and is actually a useful optic to me. Less of a novelty like many of the other mirrors I have encountered.

I even more recently got a great deal on the fabled 70-150/2.8 (51A) Soft Focus lens because it was missing the front retaining ring. I've remedied that and have found it to be a very impressive performer. Not to mention the fun ability to add that soft effect onto your photos.

Overall, I have so many good things to say about many of these lenses and I've clearly leaned towards the longer focal lengths mostly. Altogether, I have held onto:

Tamron SP 17mm f/3.5 (151B)
Tamron SP 24mm f/2.5 (01BB)
Tamron SP 24-48mm f/3.5-3.8 (13A)
Tamron SP 70-150mm f/2.8 SOFT (51A)
Tamron SP 70-200mm f/2.8 (30A)
Tamron SP 70-210mm f/3.5-4 (52A)
Tamron SP 180mm f/2.5 LD-IF (63B)
Tamron SP 180mm f/2.5 LD-IF 35th Anniversary Edition (63B)
Tamron SP 300mm f/2.8 LD (107B)
Tamron SP 300mm f/2.8 LD-IF (60B)
Tamron SP 300mm f/2.8 LD-IF (360B)
Tamron SP 350mm f/5.6 (06B)
Tamron SP 400mm f/4 LD-IF (65B)
Tamron SP 200-500mm f/5.6 (31A)


PostPosted: Wed Aug 10, 2022 1:14 pm    Post subject: Reply with quote

justtorchit wrote:
The 300/2.8 might still be a great bargain though. I've seen them go for less than $400 and I'm not sure you can get a 300/2.8 rendering as good as these lenses anywhere else for the same or less money.



How about compared to a Tokina (AF) AT-X 300mm f2.8? I have read that both lenses have their own trouble with some purple fringing- good performance relative to the speed being the target here rather than 'APO'...

For a specs comparison,

Tamron Adaptall-2 SP 300mm f/2.8 LD IF - 360B
Weight: 2265g
Length: 208mm
Filter Diameter: 112mm, 43mm rear slot
Min. Focus: 2.5M
Min. Aperture: 32


Tokina AT-X 300 AF PRO 300mm f/2.8
Weight: 2300g
Length: 187mm
Filter Diameter: 112mm, 35.5mm rear slot
Min. Focus: 2.4m
Min. Aperture: 32

I've bolded the differences but they're pretty much the same, although 21mm is noticeable bit off in length.





Tamron



Tokina





Would be a fun comparison...


PostPosted: Wed Aug 10, 2022 1:44 pm    Post subject: Reply with quote

eggplant wrote:
How about compared to a Tokina (AF) AT-X 300mm f2.8? I have read that both lenses have their own trouble with some purple fringing- good performance relative to the speed being the target here rather than 'APO'...


I had the Tokina many years ago now and did not own the Tamron concurrently. I do recall the Tokina showed quite a bit of chromatic aberration and it ultimately led me to move on from it. While the Tamron certainly exhibits CA, I feel like it has never felt as significant as I what I got with the Tokina. The Tokina was still a good lens and you're right to compare. I do recall the Tokina's focusing being extremely fluid and smooth. Comparatively, my 360B feels a little more dampened, and the 60B even more dampened, if not a tad stiff, than both aforementioned lenses.


PostPosted: Tue Oct 11, 2022 3:23 am    Post subject: Re: Tamron Adaptalls Reply with quote

bychance wrote:
Just how good do you think these lenes were/are.
I personally love them all and am on my second collection having sold the first some years ago. The sharpest lens I have ever used is a Tamron adaptall. I won't say which one, but it was cheap, mint and a masterpiece of manufacturing with timeless appeal for pre computerised lens design.
Just curious to know what this forum thinks of these wonderfull lenses.


I have a slack handful of Tamrons, but have been concentrating on SP version in the past while. As my digital sensor
resolutions go up, I think I may do them some justice by putting as good glass as I can afford on the cameras.
So far, in SPs I have:
28-80
28-135
35-80
90
70-210 (19AH)
60-300
500 (55BB mirror)

I'm still looking for a 24-48 and a 35-210.


PostPosted: Tue Oct 11, 2022 3:47 pm    Post subject: Reply with quote

Ultrapix wrote:
Today I became curious to quickly compare my manual wide-angle, indoor shots at various apertures, and outdoor views at 1:8 aperture;
I shot with:
...
2: Tamron Adaptall 2 - 24mm 1:2,5; lots of glow at higher apertures, peripheral areas (say 30 % of the image) never becoming sharp
3: Tamron Adaptall 2 - 28mm 1:2.5; practically the same as the 24, perhaps overall a little better
...
I'm a bit off topic, but the two Adaptall 2's come out badly for my taste; they are usable for creative images, you can exploit the good brightness, but for technical photos better to look elsewhere

Yep, agree on that though I only have the Tamron 2.5/24mm

Ultrapix wrote:
soon I'll look also at Minolta, whose fame has not yet made 28mm prices explode


I have lots of vintage 28mm primes - maybe 60 or so - but most are not that good on demanding FF sensors. I fact I wouldn't consider any of these lenses to be "excellent". Among the best vintage 28mm lenses I have is the Minolta MD-III 2/28mm (same computation as Minolta AF 2/28mm) => pretty good when stopped down to f4 ... f5.6.

I must says however that I've never used the Leica R 2.8/28mm, the Nikkor 2/28mm or the Zeiss CY 2/28mm.

S


PostPosted: Tue Oct 18, 2022 2:25 pm    Post subject: Reply with quote

stevemark wrote:
Ultrapix wrote:
Today I became curious to quickly compare my manual wide-angle, indoor shots at various apertures, and outdoor views at 1:8 aperture;
I shot with:
...
2: Tamron Adaptall 2 - 24mm 1:2,5; lots of glow at higher apertures, peripheral areas (say 30 % of the image) never becoming sharp
3: Tamron Adaptall 2 - 28mm 1:2.5; practically the same as the 24, perhaps overall a little better
...
I'm a bit off topic, but the two Adaptall 2's come out badly for my taste; they are usable for creative images, you can exploit the good brightness, but for technical photos better to look elsewhere

Yep, agree on that though I only have the Tamron 2.5/24mm

Ultrapix wrote:
soon I'll look also at Minolta, whose fame has not yet made 28mm prices explode


I have lots of vintage 28mm primes - maybe 60 or so - but most are not that good on demanding FF sensors. I fact I wouldn't consider any of these lenses to be "excellent". Among the best vintage 28mm lenses I have is the Minolta MD-III 2/28mm (same computation as Minolta AF 2/28mm) => pretty good when stopped down to f4 ... f5.6.

I must says however that I've never used the Leica R 2.8/28mm, the Nikkor 2/28mm or the Zeiss CY 2/28mm.

S


Thank you for your qualified testimony. Regarding the 28 Leicas, I had the first R version, which was certainly not satisfactory, and the fourth M (1:2.8 ), which I still consider to be at the top of quality, although I no longer own it.


PostPosted: Tue Oct 18, 2022 3:30 pm    Post subject: Reply with quote

Strange- I found my 28mm f2.5 Adaptall-2 lenses to not have too much glow wide open, and very usable even on MFT. And turn better performance than other era third-party 28mm lenses.


PostPosted: Tue Oct 18, 2022 4:54 pm    Post subject: Reply with quote

Eggplant, I own the 2nd version of the Adaptall-2 24mm f/2.5. I've compared it to only one other 24mm, however -- a Nikon 24/2.8 AIs. They were very close in performance, but I'd have to give the Tamron the edge in sharpness once stopped down to f/8 or so, plus it also had better corner resolution than the Nikon.


PostPosted: Tue Oct 18, 2022 6:05 pm    Post subject: Reply with quote

cooltouch wrote:
Eggplant, I own the 2nd version of the Adaptall-2 24mm f/2.5. I've compared it to only one other 24mm, however -- a Nikon 24/2.8 AIs. They were very close in performance, but I'd have to give the Tamron the edge in sharpness once stopped down to f/8 or so, plus it also had better corner resolution than the Nikon.


Interesting. I got a Tamron Adaptall-2 24mm f/2.5 (not sure which version) two or three years ago. After a short test decided it was not stellar, so i put it somewhere in the attic. Maybe I should have a look at it again.

S


PostPosted: Tue Oct 18, 2022 10:41 pm    Post subject: Reply with quote

Well, unfortunately at the time I had only the Nikon 24 to compare my Tamron 24 to. I was using a Nikon F2 film camera with some fine-grained Ektar film for the comparison (I didn't, and still don't, own a full-frame digital). It is fairly well known that the Nikon 24mm f/2.8 is pretty blurry on the corners, so it's not really that difficult defeating it in corner resolution. The center sharpness comparison was done with a Canon crop-body camera using a Nikon F to EOS adapter for both lenses. The results were very close between the two, with just a slight but noticeable edge toward the Tamron.


PostPosted: Wed Oct 19, 2022 9:30 am    Post subject: Reply with quote

stevemark wrote:
cooltouch wrote:
Eggplant, I own the 2nd version of the Adaptall-2 24mm f/2.5. I've compared it to only one other 24mm, however -- a Nikon 24/2.8 AIs. They were very close in performance, but I'd have to give the Tamron the edge in sharpness once stopped down to f/8 or so, plus it also had better corner resolution than the Nikon.


Interesting. I got a Tamron Adaptall-2 24mm f/2.5 (not sure which version) two or three years ago. After a short test decided it was not stellar, so i put it somewhere in the attic. Maybe I should have a look at it again.

S
Easy to tell. The 01B has a traditional distance scale, on the 01BB it is behind a fashionable plastic window.


PostPosted: Wed Oct 19, 2022 2:45 pm    Post subject: Reply with quote

The later one, the 01BB, is the one I have. In addition to that plastic cover, the front of the lens is rounded off. Doesn't have that sharp edge the earlier models had.


PostPosted: Wed Oct 19, 2022 2:57 pm    Post subject: Reply with quote

cooltouch wrote:
It is fairly well known that the Nikon 24mm f/2.8 is pretty blurry on the corners, so it's not really that difficult defeating it in corner resolution. The center sharpness comparison was done with a Canon crop-body camera using a Nikon F to EOS adapter for both lenses. The results were very close between the two, with just a slight but noticeable edge toward the Tamron.


Hi Michael, long time no see.

And to think that Nikonians swear by the 24/2.8!! Ha ha ha...

Maybe a good benchmark could be the FD 24/2.8 SSC. I have that one and it's truly a superb lens. I always think of selling it and getting a wider lens, but I keep it because the sharpness and contrast is stunning.

But then you'd need a mirrorless full frame digital to make the comparison.


PostPosted: Wed Oct 19, 2022 8:27 pm    Post subject: Reply with quote

flavio81 wrote:

...
And to think that Nikonians swear by the 24/2.8!! Ha ha ha...

Maybe a good benchmark could be the FD 24/2.8 SSC. I have that one and it's truly a superb lens. I always think of selling it and getting a wider lens, but I keep it because the sharpness and contrast is stunning.

But then you'd need a mirrorless full frame digital to make the comparison.


I should re-do my 24mm FF comparison I did around 2016. In the mean time many "new" 24mm MF vintage lenses did arrive here, and it would certainly be interesting to see their performance on 24MP FF.

* Canon FD 2.8/24mm SSC, nFD 2.8/24mm and nFD 2/24mm (no 1.4/24mm, sadly ... but I might be able to organize one!)
* Kiron 2/24mm
* Konica AR 2.4/24mm (I) and AR 2.8/24mm "compact"
* Minolta MC-X 2.8/24mm (I) and (II), Minolta MD-I, MD-II and MD-III 2.8/24mm, Minolta AF 2.8/24mm
* Nikkor-N Auto 2.8/24mm, Nikkor Ai 2/24mm, 2.8/24mm and AiS 2.8/24mm
* Pentax Super-Takumar 3.5/24mm and SMC A 2.8/24mm
* Sigma 2.8/24mm "Super wide II"
* Sun Wide Auto 2.5/24mm (certainly the worst of all lenses mentioned here)
* Tamron Adaptall-2 2.5/24mm
* Vivitar 2/24mm (two versions)
* Yashica ML 2.8/24mm
* Zeiss CY Distagon 2.8/25mm

That's about two dozens ... which means I'd need a day with really stable weather conditions. Probably when I come back from my trip to Umbria/Italy where I'm heading for some landscape / calendar images. Mid Nov sound realistic.

S


PostPosted: Thu Oct 20, 2022 2:34 am    Post subject: Reply with quote

Would love to see that updated comparison.


PostPosted: Thu Oct 20, 2022 11:24 am    Post subject: Reply with quote

I also think it would be useful.