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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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 Posted: Sat Jan 26, 2008 6:43 pm Post subject: Strictly Yashica Mat Thread -New Image Jan 31 |
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Laurence wrote:
I'll call this my "proprietary" Yashica Mat thread, so that I can just add images as I scan them. I thank you all for giving me the encouragement to continue my scanning of the Yashica tansparencies and negatives.
This particular image was taken during a stormy twilight evening in the Cascade mountain range.
I had just set up my mountaineering tent, and was getting ready for the next blast of thunderstorms to howl through my position in the ridgecrest. It was a WILD night that I enjoyed very much. I as comfortable with a fine sleeping bag, a flashlight, and a good book, and even though the tent was "rattling" in the high winds, I knew that it was built to withstand this kind of weather.
I was down to my last shot left in my Yashica Mat. Even though I was going to head back out to the trailhead the next morning, I thought I would save a final shot "just in case". 
Well, in the darkness I saw some kind of "light" through the tent walls, so I looked out and saw the opening in the storm. It impressed me enough to break out the Yashica and prop it up on my backpack and aim it out the tent door.
This resulted in what I like to think is a nice shot. The whole square frame was black, except for that bright slash through the center of the viewfinder.
I gave a Sunny 16 wild guess at the exposure and fired off the last shot I had. 
Basically, I looked at the very brightest part of the formation, figured that would easily be f:16 and the reciprocal of the film (1/100th for the ASA100 film). I knew the meter in my brain would be "fooled" by that, so I opened up a stop and crossed my fingers.
Back at home, I cropped out the upper and lower parts of the transparency, and just left parts of those dark areas to delineate the horizontal shape of the clearing. I think that the crop lends credence to the sort of panographic element of the image.
To me anyway, this sort of image epitomizes the wildness of the weather that evening. Even with that weather, there was a symbol of the storm breaking up, and that conveyed a symbol of hope and enlightenment that being in this isolated position conveyed to me.
Clearing in the Storm over the Stuart Range
Yashica Mat 124
f:11, 1/100th
Fuji Provia
.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
Last edited by Laurence on Thu Jan 31, 2008 10:08 pm; edited 2 times in total |
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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| Posted: Sat Jan 26, 2008 8:22 pm Post subject: |
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patrickh wrote:
Laurence
You can assume even if I am silent that I love your pictures. I am so glad that someone with your eye spends so much time outside in that beautiful neighborhood
patrickh
_________________
DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Sat Jan 26, 2008 9:02 pm Post subject: |
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Orio wrote:
Laurence,
Yashica -if it still existed- should really pay you good money for the advertising you make of this camera. You only publish amazing pictures from it!
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007
Posts: 10471
Location: Greece
Expire: 2019-08-29
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| Posted: Sat Jan 26, 2008 9:07 pm Post subject: |
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poilu wrote:
WOW this shot killed me, beautiful, congrats Laurence
_________________
T* |
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Jesito
Joined: 24 Aug 2007
Posts: 5745
Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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| Posted: Sat Jan 26, 2008 11:06 pm Post subject: |
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Jesito wrote:
Laurence, you're a great photographer...
I enjoy a lot each of your new shots, thanks for sharing them!.
In this last one, I like a lot the nice composition and the vivid colours.
Keep up the good work!.
Jes.
_________________
Jesito, Moderator 
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
Compact Digital Olympus C-5050, Aiptek Slim 3000, Canon Powershot A540, Nikon 5200, SIGMA DP1s, Polaroid X530, IXUS55, Kodak 6490, Powershot G9 and G10
CSCCanon EOS-M, Samsung NX100 and NX210, Lumix G5, NEX-F3 |
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peterqd
Joined: 28 Feb 2007
Posts: 7448
Location: near High Wycombe, UK
Expire: 2014-01-04
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| Posted: Sun Jan 27, 2008 1:20 am Post subject: Re: Strictly Yashica Mat Thread |
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peterqd wrote:
| Laurence wrote: |
| I gave a Sunny 16 wild guess at the exposure and fired off the last shot I had. |
That's the clever part. Not a wild guess when you have such great experience, knowledge and skill, and a good feel for your camera. Excellent Laurence - I would for certain have needed to bracket the exposure to get anywhere near this.
_________________
Peter - Moderator |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 6:27 am Post subject: |
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Laurence wrote:
| patrickh wrote: |
Laurence
You can assume even if I am silent that I love your pictures. I am so glad that someone with your eye spends so much time outside in that beautiful neighborhood
patrickh |
Thank you Patrick. And, I must assume that you will get your self and your camera up here some weekend, maybe this Spring, and we can head for the rain forest and crank out some shots?
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 6:28 am Post subject: |
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Laurence wrote:
| Orio wrote: |
Laurence,
Yashica -if it still existed- should really pay you good money for the advertising you make of this camera. You only publish amazing pictures from it! |
Well gosh, THANKS Orio! The nice thing is that the pictures sort of take care of themselves. The scenery is wonderful, so it becomes much easier.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 6:28 am Post subject: |
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Laurence wrote:
| poilu wrote: |
| WOW this shot killed me, beautiful, congrats Laurence |
You SOUND like you are still alive, though poilu!  Thank you for nice words.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 6:29 am Post subject: |
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Laurence wrote:
| Jesito wrote: |
Laurence, you're a great photographer...
I enjoy a lot each of your new shots, thanks for sharing them!.
In this last one, I like a lot the nice composition and the vivid colours.
Keep up the good work!.
Jes. |
Always great to hear from you Jes. Thanks very much for the kind words!
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 6:30 am Post subject: Re: Strictly Yashica Mat Thread |
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Laurence wrote:
| peterqd wrote: |
| Laurence wrote: |
| I gave a Sunny 16 wild guess at the exposure and fired off the last shot I had. |
That's the clever part. Not a wild guess when you have such great experience, knowledge and skill, and a good feel for your camera. Excellent Laurence - I would for certain have needed to bracket the exposure to get anywhere near this. |
Haha! Don't you know that I WISH I could have bracketed? I figured about a 50/50 chance of something turning out okay on this one, so I did get lucky! Keep up your OWN photography, your images are wonderful.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 7:24 am Post subject: Small Waterfall and Ferns |
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Laurence wrote:
This little creek and waterfall has been a favorite spot since I was very young. It hasn't changed too much, some of the gravels in the lower part of the creek have changed from flooding over the years, but this part of the creek stays pretty much the same.
I thought that the fiddlehead fern tops sihouetted agains the white water was worthy of a shot.
Fiddleheads and White Water - Washington Rain Forest Valley
Yashica Mat 124
f:22, 1 second
Kodachrome 64
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Sun Jan 27, 2008 8:21 am Post subject: |
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Orio wrote:
MAGNIFICENT!
The curvy composition with the foreground scenic element reminds me of Jugendstil / Liberty Style / Art Nouveau.
The fern frond in the foreground seems to have been placed there by a wise painter.
The nature is magnificent but what really makes this photo stand out is your composition. Congratulations!
-
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Sun Jan 27, 2008 11:10 am Post subject: |
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Attila wrote:
Unbelievable!
We have a similar nice place in Europe, Plitvice lakes in Croatia
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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| Posted: Sun Jan 27, 2008 9:06 pm Post subject: |
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patrickh wrote:
Attila
What a great shot - from the person who doesn't "do" landscapes.  Looks like a divine spot
patrickh
_________________
DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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bob955i
Joined: 15 Apr 2007
Posts: 2495
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| Posted: Sun Jan 27, 2008 9:22 pm Post subject: |
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bob955i wrote:
| Laurence wrote: |
| I invite you to take any of my images and use your judgement on how to make it possibly better. Please feel free to re-post your results, so that we may learn from each other. |
No need mate - your ability shines through.
These are top quality images worthy of National Geographic. |
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Attila
Joined: 24 Feb 2007
Posts: 57849
Location: Hungary
Expire: 2025-11-18
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| Posted: Sun Jan 27, 2008 9:23 pm Post subject: |
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Attila wrote:
Sorry I didn't marked this shoot is not by me. I just gathered from Internet to inform EU members this place a photographer paradise.
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Jan 27, 2008 9:43 pm Post subject: |
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Laurence wrote:
| Attila wrote: |
| Sorry I didn't marked this shoot is not by me. I just gathered from Internet to inform EU members this place a photographer paradise. |
Even if not from your lens, this is a remarkable place! I love to see these kinds of surprises from areas that I don't know about. Beautiful! 
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Wed Jan 30, 2008 10:07 pm Post subject: |
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Laurence wrote:
This was a unique experience for this shot. I was at the beach on a foggy evening, into the night hours waiting for the moon to rise. As I was moving around, I saw the reflections of some tidepools on the bedrock ledges near the surf line. The graphical nature of the shapes intrigued me, so I set up a timed shot.
I felt that the shot was a success, as it came out in a "graphical" form that I had envisioned. It makes for a very simplified shot -- but sometimes "simple" is good! All detail is obscured by the darkness, except for the reflected light from the triple-tiered tidepools.
Night Tidepool Dreams
Yashica Mat 124
f:11, 15 seconds (B setting with cable release)
Fuji Provia 100
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Thu Jan 31, 2008 12:00 am Post subject: |
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Orio wrote:
Looks like a Japanese print!
Beautifully envisioned and executed.
_________________
Orio, Administrator
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Thu Jan 31, 2008 1:53 am Post subject: |
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Laurence wrote:
| Orio wrote: |
Looks like a Japanese print!
Beautifully envisioned and executed. |
We are thinking on the same wavelength! When I was stumbling my way around in the sort of foggy darkness, these little pools caught me thinking immediately of those Japanese gardens. I am happy that you have interpreted it that way as well.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Richard_D
Joined: 21 Oct 2007
Posts: 2378
Location: Faversham Kent UK
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| Posted: Thu Jan 31, 2008 9:19 am Post subject: |
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Richard_D wrote:
I'm truly in awe of that shot!
_________________
Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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hacksawbob
Joined: 28 Feb 2007
Posts: 1293
Location: LANCS UK
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| Posted: Thu Jan 31, 2008 10:34 am Post subject: |
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hacksawbob wrote:
Tidepool dreams, absolutely brilliant. Shadow detail! PAh! like a good painting lets your imagination fill the gaps, you can see the reflections as tears or rips seing into another world Dali/escher like. This would make a great print. My Med format resolve is crumbling quickly!
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Thu Jan 31, 2008 10:09 pm Post subject: |
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Laurence wrote:
| hacksawbob wrote: |
| Tidepool dreams, absolutely brilliant. Shadow detail! PAh! like a good painting lets your imagination fill the gaps, you can see the reflections as tears or rips seing into another world Dali/escher like. This would make a great print. My Med format resolve is crumbling quickly! |
Thanks as always, hacksaw and Richard! I always take great joy in hearing from everyone. It keeps me going!
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Thu Jan 31, 2008 10:23 pm Post subject: |
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Laurence wrote:
As hacksaw indicated above, I DID feel like in a dream of sorts. The fog was swirling, and at times I felt like I was coccooned into my own body with no sense of direction other than the distant hiss of the surf. This was a mesmerizing evening on the beach, and I was hoping the moon would be visible when it rose.
Well, as serendipity sometimes takes a good turn, the fog lifted a little, and the moon was all of a sudden reflecting off the rocks! I turned around 180 degrees and walked toward the continent about 100 feet to where I knew this sandpool was located.
My intent was to "catch" the moon, and that was successful. But, I felt that there was a real bonus here; the little dendritic striations in the sand, the fact that the moon was "glowing" through the clouds and thus some of the light was cut off.
I think that this one gave me the same "dreamy" feel as the triple-tidepools image.
It took a little "figuring" to come up with a shutter speed, especially because the reciprocity effect was going to be a factor with the brightness of the moon. I got lucky, and hit it pretty close.
Cropped and slightly sharpened.
Moonbeam Dream
Yashica Mat 124
Yashinon 80/3.5
f:11, 8 seconds
Fuji Provia
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
Last edited by Laurence on Thu Jan 31, 2008 11:49 pm; edited 1 time in total |
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