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First lens to challenge 2.4/35mm Flektogon
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PostPosted: Sun Feb 21, 2010 11:33 am    Post subject: Reply with quote

Anu wrote:
Excalibur wrote:
***First lens to challenge 2.4/35mm Flektogon***

Erm no supporters of Canon FD 35mm f2.8 and F2...................................


Isn't their minimum focusing distance in the 30-35 cm neighbourhood?



Well it's in this link somewhere, but my 35mm f2.8 focuses down to about 16cm to front of lens, or about 19.5cm to the film plane.
http://www.mir.com.my/rb/photography/companies/canon/fdresources/fdlenses/35mm.htm
They go for about £15-£25 on ebay and are a great bang for buck.

New FD 35mm f/2.8 Lens
The most popular lens at 35mm focal length and also the most economical. As a result of holding the lens speed at f/2.8, the overall length of this lens is only 40mm and its weight of 165 grams makes it the lightest lens in the system. As for the optical features of this lens, the concave element of the front group is of meniscus shape with a strong curvature.


PostPosted: Sun Feb 21, 2010 11:56 am    Post subject: Reply with quote

Excalibur wrote:
Anu wrote:
Excalibur wrote:
***First lens to challenge 2.4/35mm Flektogon***

Erm no supporters of Canon FD 35mm f2.8 and F2...................................


Isn't their minimum focusing distance in the 30-35 cm neighbourhood?



Well it's in this link somewhere, but my 35mm f2.8 focuses down to about 16cm to front of lens, or about 19.5cm to the film plane.
http://www.mir.com.my/rb/photography/companies/canon/fdresources/fdlenses/35mm.htm
They go for about £15-£25 on ebay and are a great bang for buck.

New FD 35mm f/2.8 Lens
The most popular lens at 35mm focal length and also the most economical. As a result of holding the lens speed at f/2.8, the overall length of this lens is only 40mm and its weight of 165 grams makes it the lightest lens in the system. As for the optical features of this lens, the concave element of the front group is of meniscus shape with a strong curvature.


I looked at the same page when I made the comment, thus the 30-35cm numbers. That's quite a bit more than the under 20cm of CZJ...

Your numbers of your lens must be a bit off as if your 35/2.8 focuses about 16cm in front of the lens, and the sensor/film is about 4 cm behind the last element of the objective which also is a few centimeters thick, surely the total is more than 19.5 cm...


PostPosted: Sun Feb 21, 2010 12:10 pm    Post subject: Reply with quote

**Your numbers of your lens must be a bit off as if your 35/2.8 focuses about 16cm in front of the lens, and the sensor/film is about 4 cm behind the last element of the objective which also is a few centimeters thick, surely the total is more than 19.5 cm...**

You are correct and I'm wrong......I still think in inches and the film plane is about 3.5 inches (not 3.5cm) from front of lens, which is about 9cms..so focus of subject to film plane symbol will be about 25cms


PostPosted: Sun Feb 21, 2010 10:37 pm    Post subject: Reply with quote

[quote="dakoo"]FD->M42 ? So can this be done to any FD lense ?[/quote]

I have an older but like-new 500mm Sears mirror lens that I think was made by Tokina. It came with a Canon FD mount. I unscrewed the FD mount and in its place glued a 42mm-58mm step-up ring. Found the glue at the hardware store- it is supposed to bind to metal. Let it dry overnight. I then connected that to a standard 42mm Screw thread-EOS lens adapter. The lens now focuses to infinity on my 7D and is a great lightweight long lens in my pack.


PostPosted: Tue Feb 23, 2010 9:55 am    Post subject: Reply with quote

I found patent of this lens:

http://www.google.com/patents/about?id=NPU6AAAAEBAJ

It shows 8 different lens diagrams. The 28/1.9 has 3 elements in front group, so fig.10 is unlikely. It seems, that the 28/1.9 has 6 elements in the rear group and only two of them are cemented, so fig.1, 2 and 3 are unlikely, too. Front element is curved, so fig.6 and 9 are out of game... Fig.8 shows f/2.0 design. The last one - likely the 28/1.9 Vivitar - is fig.7:



PostPosted: Wed Feb 24, 2010 11:30 am    Post subject: Reply with quote

Taken outside. Wide-open, very bad cloudy light. I couldn't pick WB right. This lens if very fast - camera went up to 1/3500s on 200 ISO. I must compare with other Komine, Kiron 2/28mm soon.






PostPosted: Wed Feb 24, 2010 3:11 pm    Post subject: Reply with quote

In the usual situations where it would occur, is the purple fringing at fully open very bad with this Series 1 lens? I find it to be quite bad with the 200mm.


PostPosted: Sun May 02, 2010 12:48 pm    Post subject: Reply with quote

Another contender: Enna München 4/24mm. I am very pleased with results and short focusing distance really helps when shooting smaller objects. Multicoated version a bit better. And do check if all your elements are clean since this baby is prone to fogging due to plastic Ennalyt chassis (some lucky guys have metal version but not me).


PostPosted: Sun May 02, 2010 2:24 pm    Post subject: Reply with quote

The enna is one of the brand which more different commentaries have had.

I read and heard a lot of OK, so-so, poor.

Nice to see the images taklen with the 24 enna

Rino.


PostPosted: Sun May 02, 2010 3:42 pm    Post subject: Reply with quote

Anu wrote:
Excalibur wrote:
***First lens to challenge 2.4/35mm Flektogon***

Erm no supporters of Canon FD 35mm f2.8 and F2...................................


Isn't their minimum focusing distance in the 30-35 cm neighbourhood?


Well my 35mm f2.8 is appx 27cm by a quick measurement from the film plane.


PostPosted: Mon May 03, 2010 7:36 am    Post subject: Reply with quote

Anu wrote:

Axial CA correction is different and I am not sure there are any tools available for limiting it's damages - DXO might have something in their raw-converter. I know that there is a paper in the net describing a method for limited correction, but AFAIK there are no public implementations of it available.


Do you have a link to this paper or the title + authors? Would be interesting reading.


PostPosted: Mon May 03, 2010 9:15 am    Post subject: Re: First lens to challenge 2.4/35mm Flektogon Reply with quote

Pancolart wrote:
I've tested many (though not in heavy price league) wide angle 28mm-35mm lenses but have never found any that would post a serious threat to Zeiss Flektogon 2.4/35mm for short distance near macro usage and possibly low light wide-open.


Then you obviously have'nt tried the Contax Carl Zeiss 28mm f2.8 Distagon T*! Wink


PostPosted: Mon May 03, 2010 12:58 pm    Post subject: Reply with quote

Nikon's ViewNX (and possibly CaptureNX) have facilities for axial aka longitudinal CA correction - and it works pretty well!


PostPosted: Mon May 03, 2010 10:18 pm    Post subject: Re: First lens to challenge 2.4/35mm Flektogon Reply with quote

DSG wrote:
Then you obviously have'nt tried the Contax Carl Zeiss 28mm f2.8 Distagon T*! Wink



This one? I have tried again and again – nice lens indeed.
But I'd prefer Flektogon again and again.


PostPosted: Tue May 04, 2010 1:50 am    Post subject: Reply with quote

I have not tried Distagon, but wonder if the key to Pancolart's statement is "short distance near macro usage". This is where I find my Flek to be a superior performer. At distance, the field levels out.


PostPosted: Tue May 04, 2010 7:15 am    Post subject: Reply with quote

How does this Distagon 28/2.8 compare to the (old) 28/2.0?


PostPosted: Tue May 04, 2010 6:06 pm    Post subject: Reply with quote

Mir-24M at its MFD - 29-30 cm
@f2

@f8


Default LR conversion with only exposure adjustments and resize without sharpening


PostPosted: Tue May 04, 2010 7:37 pm    Post subject: Reply with quote

dimitrygo wrote:
Mir-24M at its MFD - 29-30 cm
@f2

@f8


Default LR conversion with only exposure adjustments and resize without sharpening


erm that's not very good compared to a Hexanon 40mm f1.8 and others which are sharper:-
http://i304.photobucket.com/albums/nn172/chakrata/hex40.jpg

the above shot is a blow up from an original shot like this one for Pentax:-
http://i304.photobucket.com/albums/nn172/chakrata/pentax135mmf3-5.jpg


PostPosted: Tue May 04, 2010 7:43 pm    Post subject: Reply with quote

Excalibur wrote:

erm that's not very good compared to a Hexanon 40mm f1.8 and others which are sharper:-
http://i304.photobucket.com/albums/nn172/chakrata/hex40.jpg

the above shot is a blow up from an original shot like this one for Pentax:-
http://i304.photobucket.com/albums/nn172/chakrata/pentax135mmf3-5.jpg

Firstly try to click on the images and see the bigger pictures if you didn't try this before. Somehow it seems the site resize didn't do a favor to them.
Secondly it is hard to compare those images.


PostPosted: Tue May 04, 2010 7:52 pm    Post subject: Reply with quote

***Firstly try to click on the images and see the bigger pictures if you didn't this before. Somehow it seems the site resize didn't do a favor to them.
***

Well I clicked on your picture and it gets smaller, but clicking on other member's shots and it doesn't improve them much either. I'm using Firefox.


PostPosted: Tue May 04, 2010 8:04 pm    Post subject: Reply with quote

Excalibur wrote:
***Firstly try to click on the images and see the bigger pictures if you didn't this before. Somehow it seems the site resize didn't do a favor to them.
***

Well I clicked on your picture and it gets smaller, but clicking on other member's shots and it doesn't improve them much either. I'm using Firefox.


It probably depends on your screen resolution. You can try to open a picture in a new window and compare it to what you see on the forum page. If you won't see any difference just forget this Very Happy


PostPosted: Tue May 04, 2010 8:16 pm    Post subject: Reply with quote

Distagon 2/28 does not magnify as much in nearest focus position as the Flektogon 2.4/35.

Like the Distagon 1.4/35, the Distagon 2/28 does however have an internal floating element that optimizes performance at all focusing distances, and which, to quote Zeiss words, makes so that:

Quote:
the loss in image quality in the outer parts of the picture, otherwise disturbing, is largely compensated by this measure


Obviously, if the closeup foscuing is used to photograph a flower, with narrow DOF and plenty of artistic bokeh, the corner performance is not so important.

If instead the closeup focus is used to photograph, say, a particular of a stone friese or of a painting, uniform performance from centre to corner becomes important.

So ultimately even in closeup use there is no one purpose and no one instrument. It depends on the use, and on the expectations as well.

-