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kansalliskala
Joined: 19 Jul 2007 Posts: 5044 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Wed Oct 14, 2009 8:49 am Post subject: What focal lenght - aperture would you use in low light? |
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kansalliskala wrote:
I mean a situation you would have just one lens and had to shoot all kinds and sizes of objects. Not very dark but say normal day inside without flash.
I'm just thinking that 1.4 / 50 is not very usable if you shoot like a barrel or something and focus is only on the front side.
Short or long is the question? Is 2.8 enough? _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Oct 14, 2009 9:23 am Post subject: Re: What focal lenght - aperture would you use in low light? |
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Orio wrote:
kansalliskala wrote: |
I mean a situation you would have just one lens and had to shoot all kinds and sizes of objects. Not very dark but say normal day inside without flash.
I'm just thinking that 1.4 / 50 is not very usable if you shoot like a barrel or something and focus is only on the front side. |
But may be useable for other situations. And for the barrel, you can stop the lens down. The reverse is not possible (make a f2.8 lens faster than it is when you could use thin DOF)
Quote: |
Short or long is the question? |
You can crop a short FL image into a detail. You can not enlarge a long FL image to show more. The answer is obvious. I always use my 1.4/35 Distagon for the situation you describe. 35mm is wide enough to get ambient, but not so wide that the small objects can't be satisfactorily enlarged by cropping, if needed.
No. There will be situations when you can use a f1.4 aperture and to have to use a f2.8 means to lose two stops, that usually means higher ISO and much more noise. A shot that you could make at ISO 400 with moderate noise, would become a ISO 1600 with high noise. This will make the difference between an image that is clear and can be printed in moderately large size, and an image that is noisy and can only be printed small. _________________ Orio, Administrator
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Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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Posted: Wed Oct 14, 2009 10:34 am Post subject: |
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Nesster wrote:
Rangefinder cam, between 50mm and 35mm lens, 1/30sec @f/2.8 for normal daytime indoors, if the lens allows, can go down to f/2 and 1/15 if needed. B&W ASA 400 film.
Or that's what's worked for me in the past _________________ -Jussi
Camera photos
Print Photographica
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kansalliskala
Joined: 19 Jul 2007 Posts: 5044 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Wed Oct 14, 2009 12:35 pm Post subject: |
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kansalliskala wrote:
Here is a cool gadget:
http://www.dofmaster.com/dofjs.html _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Wed Oct 14, 2009 12:44 pm Post subject: |
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LucisPictor wrote:
Full frame cam: 2.0/35 or 1.4/50.
APS-cam: 1.8/24 or 2.0/35
(If possible a 1.4/35 instead of the 2.0/35, but these 1.4-lenses are really expensive.) _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Oct 14, 2009 12:58 pm Post subject: |
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Orio wrote:
LucisPictor wrote: |
Full frame cam: 2.0/35 or 1.4/50.
APS-cam: 1.8/24 or 2.0/35
(If possible a 1.4/35 instead of the 2.0/35, but these 1.4-lenses are really expensive.) |
Samyang new 1.4/35 will be priced low
(we'll have to see about the quality of course) _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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kansalliskala
Joined: 19 Jul 2007 Posts: 5044 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Wed Oct 14, 2009 1:50 pm Post subject: |
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kansalliskala wrote:
The "circle of confusion" is confusing me ..
DOF is relative to picture size _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Oct 14, 2009 2:17 pm Post subject: |
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Orio wrote:
kansalliskala wrote: |
The "circle of confusion" is confusing me ..
DOF is relative to picture size |
Ok, set focal lenght to 35mm
scale = meters
aperture = f/1.4
distance = 5 meters
you will see that at wide open with a 35mm lens at a typical shooting distance of 5 meters, you will have more than one meter of depth of field around your subject. This means plenty of safety for a decent sharpness even in a snapshot situation.
If you use the same parameters, but with a 50mm lens, you will see that you will have only half meter of DOF around your subject. This means much more danger of a non sharp picture for the subject.
Therefore, this proves that it is not the same thing to use a 1.4/50 and a 1.4/35 lens. In the typical indoor shooting situation, the 1.4/35 gives you more than double the DOF wide open than a 50mm lens.
Conclusion: invest some money in a 35mm f/1.4 lens.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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marty
Joined: 09 Apr 2009 Posts: 767 Location: Italy
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Posted: Wed Oct 14, 2009 5:03 pm Post subject: |
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marty wrote:
For me would be a fast 35mm too. Inside you'll get a frame (assuming you're shooting on 24x36) that's, IMO, not too wide and not too tight (which I find a bit claustrophobic). I chose my 35 f2 for that reason, plus it's reasonably light and balances well with the body which let me to go down at 1/15 or even 1/8 (with a bit of luck).
Cheers, Marty. _________________ Canon FD
Bodies: AT-1, A-1, T-90
Lenses: nFD 20mm f2.8, 24 f2.8, 28 f2.8, 35 f2, FD 50 f1.8 S.C., 85 f1.8, 100 f2.8, 135 f2.8, 200 f4, 300 f4
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kansalliskala
Joined: 19 Jul 2007 Posts: 5044 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Wed Oct 14, 2009 7:29 pm Post subject: |
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kansalliskala wrote:
Orio wrote: |
kansalliskala wrote: |
The "circle of confusion" is confusing me ..
DOF is relative to picture size |
Ok, set focal lenght to 35mm
scale = meters
aperture = f/1.4
distance = 5 meters
you will see that at wide open with a 35mm lens at a typical shooting distance of 5 meters, you will have more than one meter of depth of field around your subject. This means plenty of safety for a decent sharpness even in a snapshot situation.
If you use the same parameters, but with a 50mm lens, you will see that you will have only half meter of DOF around your subject. This means much more danger of a non sharp picture for the subject.
Therefore, this proves that it is not the same thing to use a 1.4/50 and a 1.4/35 lens. In the typical indoor shooting situation, the 1.4/35 gives you more than double the DOF wide open than a 50mm lens.
Conclusion: invest some money in a 35mm f/1.4 lens.
- |
I was confused with the thing that bigger film gives more DOF - according to the calculator. But then the circle of confusion is bigger for larger film. So DOF is a theoretical concept that is linked to the size of the picture -- and the calculator (and the matemathical model behind it) already makes this interpretation for you and doesn't talk about the picture as such?
_________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Oct 14, 2009 7:47 pm Post subject: |
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Orio wrote:
I don't know the scientific explanations.
For sure the larger the image base (film, sensor) the thinner the DOF at the same focal lenght.
But for your purpose, it matters more what DOF you can achieve at wide apertures in 135 format and for that a moderately wide fast lens is more useful than a standard fast lens in low light situations. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Oct 14, 2009 9:37 pm Post subject: |
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Attila wrote:
IS or monopod can help a lot also new Canon camera has great high ISO.
I used my 135mm f1.8 Spiratone at wide open pretty successfully. Biotar 75mm f1.5 Pancolar 80 etc also great wide open. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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kansalliskala
Joined: 19 Jul 2007 Posts: 5044 Location: Southern Finland countryside
Expire: 2016-12-30
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Posted: Thu Oct 15, 2009 6:34 am Post subject: |
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kansalliskala wrote:
Orio wrote: |
I don't know the scientific explanations.
For sure the larger the image base (film, sensor) the thinner the DOF at the same focal lenght.
But for your purpose, it matters more what DOF you can achieve at wide apertures in 135 format and for that a moderately wide fast lens is more useful than a standard fast lens in low light situations. |
I agree with you in the question of lens selection.
But the calculator gives unexpected results:
EDIT:
I'm ashamed to admit but knowledge on physics is not enough to understand wikipedia. And I've studied in a Technical University some time.
Here is the theory anyways:
http://en.wikipedia.org/wiki/Depth_of_field _________________ MF: Kodak DCS SLR/c; Samsung NX10; OM-10; Canon T50
Zuiko 28/3.5, Distagon 35/2.8; Yashica ML 50/2;
Zuiko 50/1.4; S-M-C 120/2.8; Zuiko 135/3.5; 200/5;
Tamron AD1 135/2.8, Soligor 180/3.5; Tamron AD1 300/5.6
Tamron zooms: 01A, Z-210
Yashicaflex C; Київ 4 + Юпитер 8, 11; Polaroid 100; Olympus XA; Yashica T3
Museum stuff: Certo-Phot; Tele-Edixon 135; Polaris 90-190; Asahi Bellows; Ixus IIs
Projects: Agfa Isolette III (no shutter), Canon AE-1D (no sensor),
Nikon D80 (dead), The "Peace Camera"
AF: Canon, Tokina, Sigma Video: JVC GZ-MG275E |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Thu Oct 15, 2009 1:05 pm Post subject: |
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estudleon wrote:
If you take a pic with a 35 mm lens at F/1,4 with the subject at 2 m, you wil have in focus 0,27 m. If use a 50 F/1,4 mm lens, you need to take the pic at 3 m to have similar 0,27 m in focus and perspective.
But if you can't go to 3 m., using the 50 mm lens, you have to close the aperture to F/2,8 to obtain similar 0,27 m in focus.
All of that is right if you use a film 35 mm. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 15, 2009 1:27 pm Post subject: |
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Orio wrote:
kansalliskala wrote: |
[
But the calculator gives unexpected results: |
because the calculator is build on a wrong assumption.
It considers APS-C cameras are making the focal lenght longer. This is the error.
for this reason, with the calculator the same parameters give a narrower DOF compared to FF camera.
But the assumption is wrong, because APS-C cameras do not make the focal lenght longer, they only crop the same image circle that is recorded by the FF camera.
So in reality, what happens with APS-C cameras is that the frame is smaller, but the DOF is exactly the same as you would have with the same lens aperture and distance on a FF camera.
Conclusion: don't mind the APS-C values of that calculator, they are wrong.
Only consider the full frame camera values.
Orio _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Fri Oct 16, 2009 1:41 pm Post subject: |
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sichko wrote:
kansalliskala wrote: |
But the calculator gives unexpected results: |
Yes it's tricky !
Orio wrote: |
because the calculator is build on a wrong assumption.
It considers APS-C cameras are making the focal lenght longer. This is the error. |
Maybe not.
Note that the calculator allows entries for the size of "circle of confusion" (COC) instead of camera brand/model. So if we set focal length =50 mm, aperture = f/8 & subject distance = 3 m, then we get the the following values for the depth of field, for different cameras
Nikon D3 (FF) DOF = 1.85 m
Nikon D300 (SPS-C) DOF = 1.17
Olympus E420 (4/3) DOF = 0.87
and for different COCs
COC = 0.015 mm DOF = 0.87 m
0.018 1.05
0.020 1.17
0.029 1.78
0.030 1.85
So the calculator is assigning different COC sizes to different sensor/film sizes. The origin of these numbers is given here.. .
http://en.wikipedia.org/wiki/Circle_of_confusion
The COC determines the hyperfocal distance, which determines the DOF, as described here...
http://en.wikipedia.org/wiki/Depth_of_field
Edited to fix 2nd link - Sat 17 October _________________ John
Last edited by sichko on Sat Oct 17, 2009 8:24 am; edited 1 time in total |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Fri Oct 16, 2009 2:12 pm Post subject: |
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Anu wrote:
sichko wrote: |
kansalliskala wrote: |
But the calculator gives unexpected results: |
Yes it's tricky !
Orio wrote: |
because the calculator is build on a wrong assumption.
It considers APS-C cameras are making the focal lenght longer. This is the error. |
Maybe not.
|
I think what Orio meant was that you can not compare 35mm lens on a FF (a wide lens) to 35mm on APS-C (a normal lens) and expect to have thinner DOF on the FF - the opposite is what will happen.
If one wants a sensible comparison, one needs to compare cameras with lenses that give the same angle of view. So in this example one would need to replace the 35mm lens on FF camera with a 56mm lens and then the calculator gives 0.48m DOF compared to the 0.79m of the APS-C normal lens. Or if one insists on wide angle, then on APS-C one needs to pick approximately 21.875mm lens (I'm using Canon crop factor) and compare it to the 35mm FF lens - now FF has DOF of 1.29m and APS-C has about 2.25m.
If the focal lenght is the same for different sized sensors, the smaller sensor will provide less DOF as the image needs to be magnified more.
I just ran out of coffee, darn... |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Fri Oct 16, 2009 6:04 pm Post subject: |
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sichko wrote:
Anu wrote: |
If the focal length is the same for different sized sensors, the smaller sensor will provide less DOF as the image needs to be magnified more.
|
Yes. And this is recognised by the calculator and indeed by other calculators which allow only COC entries and not camera brand/model or format sizes. See for example....
http://www.tawbaware.com/maxlyons/calc.htm
An interesting point raised in this thread is the effect of working distance.
Orio wrote: |
Ok, set focal lenght to 35mm
scale = meters
aperture = f/1.4
distance = 5 meters
you will see that at wide open with a 35mm lens at a typical shooting distance of 5 meters, you will have more than one meter of depth of field around your subject. This means plenty of safety for a decent sharpness even in a snapshot situation.
If you use the same parameters, but with a 50mm lens, you will see that you will have only half meter of DOF around your subject. This means much more danger of a non sharp picture for the subject.
Therefore, this proves that it is not the same thing to use a 1.4/50 and a 1.4/35 lens. In the typical indoor shooting situation, the 1.4/35 gives you more than double the DOF wide open than a 50mm lens. |
So at the same working distance a 35 mm lens gives you greater DOF than a 50 mm lens. However in order to fill the frame, you have to work closer with the 35 mm...
estudleon wrote: |
If you take a pic with a 35 mm lens at F/1,4 with the subject at 2 m, you wil have in focus 0,27 m. If use a 50 F/1,4 mm lens, you need to take the pic at 3 m to have similar 0,27 m in focus and perspective.
But if you can't go to 3 m., using the 50 mm lens, you have to close the aperture to F/2,8 to obtain similar 0,27 m in focus.
All of that is right if you use a film 35mm. |
...when the two DOF values become identical. _________________ John |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Fri Oct 16, 2009 6:27 pm Post subject: |
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Anu wrote:
sichko wrote: |
Anu wrote: |
If the focal length is the same for different sized sensors, the smaller sensor will provide less DOF as the image needs to be magnified more.
|
Yes. And this is recognised by the calculator and indeed by other calculators which allow only COC entries and not camera brand/model or format sizes. See for example....
http://www.tawbaware.com/maxlyons/calc.htm
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As calculators are part of the thread, I'll share this link to my favorite one: http://eosdoc.com/jlcalc/ |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Oct 16, 2009 9:03 pm Post subject: |
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Orio wrote:
sichko wrote: |
Anu wrote: |
If the focal length is the same for different sized sensors, the smaller sensor will provide less DOF as the image needs to be magnified more.
|
Yes. And this is recognised by the calculator |
I am not convinced. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Sat Oct 17, 2009 12:34 am Post subject: |
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sichko wrote:
Orio wrote: |
sichko wrote: |
Anu wrote: |
If the focal length is the same for different sized sensors, the smaller sensor will provide less DOF as the image needs to be magnified more.
|
Yes. And this is recognised by the calculator |
I am not convinced. |
OK. Lets consider 3 situations.
1. FF and APS cameras, same lens. Compare the APS picture with that cropped from the centre of the FF. DOF is identical. If you use the calculator you cannot enter CANON 5D (or whatever) for the cropped picture. When you enter a brand/model all the calculator does is assign a value for the circle of confusion (COC) and this depends on the sensor size.
2. Different cameras, different lenses.
D3 (FF) 60mm lens f/2.8 distance = 3 m DOF = 0.42 m
D300 (APSC) 40 mm lens f/2.8 distance = 3 m DOF = 0.63 m
The focal lengths of the two lenses have been chosen to give the same FOV. Here
DOF(APS) > DOF(FF) In fact the ratio is equal to 1.5 - the crop factor and also the ratio of the two COC values.
3. Different cameras same lens
60 mm lens, f/2.8 distance = 3 m for both cameras
D3 DOF = 0.42 m
D300 DOF = 0.28 m
DOF(FF)>DOF(APS) Again a nice ratio of 1.5 ! Accident ?
Of course we have two very different fields of view here - two different pictures. You might argue that it's silly to even calculate the two DOF values. But if you want to you can.
Orio wrote: |
because the calculator is build on a wrong assumption.
It considers APS-C cameras are making the focal lenght longer. This is the error.
for this reason, with the calculator the same parameters give a narrower DOF compared to FF camera.
But the assumption is wrong, because APS-C cameras do not make the focal lenght longer, they only crop the same image circle that is recorded by the FF camera.
So in reality, what happens with APS-C cameras is that the frame is smaller, but the DOF is exactly the same as you would have with the same lens aperture and distance on a FF camera.
Conclusion: don't mind the APS-C values of that calculator, they are wrong.
Only consider the full frame camera values. |
I think there is some confusion here. I think the calculator is OK.
BTW. The original question was about which lens to use indoors. Of course I would prefer the wider lens as you suggest. But if you have a little more space a longer lens can give you the same DOF
D300 60 mm lens at f/2.8 distance 3m DOF = 0.28 m
D300 40 mm lens at f/2.8 distance 2m DOF = 0.28 m _________________ John |
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