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bob955i
Joined: 15 Apr 2007 Posts: 2495
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Posted: Sun Mar 04, 2012 10:27 pm Post subject: |
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bob955i wrote:
iangreenhalgh1 wrote: |
bob955i wrote: |
Not disputing that you've had a bad experience with Vivitar and yes by all means share the pain but my point was that it could easily have been with almost any other manufacturer, even high-end ones. |
Well, with other makers who I've sampled, the bad ones are merely mediocre, with Vivitar, the bad ones are unusable junk, surely it is important to know this?
I would suggest to anyone that they try to test a Vivitar lens before buying or only purchase from someone reputable who you can trust to have tested it and not sell you a piece of junk. |
Ummm, I'm not disagreeing with you Ian... |
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Sun Mar 04, 2012 10:55 pm Post subject: |
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Excalibur wrote:
H'mmm people forget that old lenses were made for film cameras....well I have many ordinary Vivitars (no series one) and would rate the worst that I own as "good" for resolution. _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Mar 04, 2012 11:03 pm Post subject: |
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iangreenhalgh1 wrote:
I think I was unlucky with mine, sadly. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Boomer Depp
Joined: 08 Oct 2009 Posts: 552 Location: Kingston,Washighton
Expire: 2011-12-04
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Posted: Mon Mar 05, 2012 7:08 pm Post subject: |
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Boomer Depp wrote:
woodrim wrote: |
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Well put...love it! _________________ Trust that little voice in your head that says "Wouldn't it be interesting if...." And then do it. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Mar 05, 2012 7:46 pm Post subject: |
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iangreenhalgh1 wrote:
I don't, pretty rude actually. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Mon Mar 05, 2012 8:19 pm Post subject: |
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woodrim wrote:
Ian: My apologies, sort of. Let me first say that if I properly understood something that Attila said in another post, then I have the utmost respect for you on a personal level. My frustration came from trying to help you through your evaluation of the Series 1 135mm lens. I made some recommendations that apparently fell on deaf ears. No, I am not convinced that the lens you had was defective at all. I wish you could have handed it over to Lloydy (is that who it was?) who took your mediocre 28mm CLOSE FOCUS and achieved brilliant results. And that was another frustrating experience getting you to understand that the Close Focus was part of the proper name, not just a function of focus, and was different from the other 28mm Vivitars.
The Series 1 135mm is far from perfect, but when used properly considering its strengths and weaknesses, it will provide outstanding results. Your test shots, including the one you posted a few up from here, were designed to demonstrate the lens' weak points. I can assure you that I can also produce an equally poor picture from my version. In fact, I did - plenty of times - before I learned how to use it. I don't expect all lenses to perform the same in all circumstances, and I don't rate them exclusively on wide open performance.
I'll stop here for fear of further concussion, but I'm perfectly willing to explain more about your testing issues if you're open to listening.
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Hello Boomer, nice to see you back again. _________________ Regards,
Woodrim |
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Boomer Depp
Joined: 08 Oct 2009 Posts: 552 Location: Kingston,Washighton
Expire: 2011-12-04
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Posted: Mon Mar 05, 2012 9:47 pm Post subject: |
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Boomer Depp wrote:
woodrim wrote: |
Ian: My apologies, sort of. Let me first say that if I properly understood something that Attila said in another post, then I have the utmost respect for you on a personal level. My frustration came from trying to help you through your evaluation of the Series 1 135mm lens. I made some recommendations that apparently fell on deaf ears. No, I am not convinced that the lens you had was defective at all. I wish you could have handed it over to Lloydy (is that who it was?) who took your mediocre 28mm CLOSE FOCUS and achieved brilliant results. And that was another frustrating experience getting you to understand that the Close Focus was part of the proper name, not just a function of focus, and was different from the other 28mm Vivitars.
The Series 1 135mm is far from perfect, but when used properly considering its strengths and weaknesses, it will provide outstanding results. Your test shots, including the one you posted a few up from here, were designed to demonstrate the lens' weak points. I can assure you that I can also produce an equally poor picture from my version. In fact, I did - plenty of times - before I learned how to use it. I don't expect all lenses to perform the same in all circumstances, and I don't rate them exclusively on wide open performance.
I'll stop here for fear of further concussion, but I'm perfectly willing to explain more about your testing issues if you're open to listening.
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Hello Boomer, nice to see you back again. |
Thanks Woodrim!
I'd have to agree with your assessment,too Woodrim.
Also,compared to some of my exceptional quality glass,Vivitar did have some lenses that are still quite viable and just as capable of making great shots. _________________ Trust that little voice in your head that says "Wouldn't it be interesting if...." And then do it.
Last edited by Boomer Depp on Tue Mar 06, 2012 3:51 am; edited 1 time in total |
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Boomer Depp
Joined: 08 Oct 2009 Posts: 552 Location: Kingston,Washighton
Expire: 2011-12-04
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Posted: Mon Mar 05, 2012 9:54 pm Post subject: |
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Boomer Depp wrote:
iangreenhalgh1 wrote: |
I don't, pretty rude actually. |
Woodrim was making light at the irony of debating the issue....and I had to agree...and I'm sure he wasn't implying offense at all. _________________ Trust that little voice in your head that says "Wouldn't it be interesting if...." And then do it. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Mar 06, 2012 2:05 pm Post subject: |
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iangreenhalgh1 wrote:
Sorry for taking offence.
I don't agree that the 135mm lens I had was tested by me to emphasise it's weaknesses, I used it more times than the samples I posted and it was incapable of producing a sharp image without horrid CA, I can't accept this was my fault as I have used at least 15 other 135mm lenses and never had similar issues.
I just had an awful copy, I think it's good to recognise that awful copies exist and I would recommend someone to test a copy of this lens before handing over money for it, just in case it's as bad as the one I had.
Same with the 3.5/70-210, Lloydy has a good copy, I had a bad copy. Mine was absolutely mint, like it had never been used, and I suspect that was because the owner tried it once, discovered it sucked and never used it again.
On the two 28s I had, they were identical apart from one said CF and the other didn't, they had similar serial numbers and had the same close focussing distance, so I reckon the only difference was the lettering. The copy I gave to Lloydy didn't do well on my NEX, it had lower contrast and washed out colours, sharpness was alright though. It performed differently for Lloydy, why that is I don't know, but I had a similar experience with another lens which sucked on the NEX but did fine on my friend's EOS 400D. The other copy I had of the 28 was just a dog on the NEX, I didn't try it on another camera.
I'm not disputing there are very good copies of the Vivitars, but I do believe there are issues with QC and therefore some bad copies too. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Mar 06, 2012 2:50 pm Post subject: |
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Orio wrote:
In the late 60s-early 70s a real fashion for super fast lenses boomed. All the manufacturers jumped on the bandwagon
and released very fast lenses, especially tele. But unfortunately, many did only because a very fast lens would sell more,
while a slower lens would remain on the shop shelves. For this reason, lenses were released that were practically unuseable
wide open - the fast aperture was there as a marketing call, not much differently from the number of pixels in a digital camera today.
Buyers must be aware that in order to be sure to get a very fast lens that is also useable wide open, they'd better stay with the consolidated
brands: Leica, Zeiss, Nikon, Canon, Olympus, Pentax, Minolta (and maybe a few others I forget now).
These brands had a reputation that they could not afford to waste with unadequate products.
On the other hand, brands like Sigma, Tamron, Vivitar, Soligor, and the likes, were already known for providing low cost alternatives to the top brand lenses,
and they kept doing that with the super fast lenses too. This does not mean that every super fast lens they released is crap,
but it surely means that the risk of getting a poor super fast lens exists. So buyer should document himself very well, read reviews,
browse for forum opinions, before buying a super fast lens from a third party company. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Mar 06, 2012 3:09 pm Post subject: |
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iangreenhalgh1 wrote:
I think the Vivitar 2.3/135 was designed as an answer to the super fast but crap 135mms that appeared earlier.
Clearly many people have great copies of it, so my experience isn't indicative of the possibilities with this lens, provided you get a good copy.
Mine was absolutely mint so I do wonder if it was used once or twice then never used again.
Maybe I got a 'Friday' lens? _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Mar 06, 2012 3:15 pm Post subject: |
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Orio wrote:
I tried shortly a Vivitar 2.3/135 and wide open it behaved like yours: soft and plenty of CA.
I think the wisest way to use such a lens is to take advantage of the fast aperture for critical focusing, then stop it down for shooting.
Provided, of course, that it doesn't focus-shift too much. But f/2.3 is not that fast to be a likely focus shifter. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Mar 06, 2012 3:21 pm Post subject: |
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iangreenhalgh1 wrote:
Orio wrote: |
I tried shortly a Vivitar 2.3/135 and wide open it behaved like yours: soft and plenty of CA.
I think the wisest way to use such a lens is to take advantage of the fast aperture for critical focusing, then stop it down for shooting.
Provided, of course, that it doesn't focus-shift too much. But f/2.3 is not that fast to be a likely focus shifter. |
Ooh, that's interesting. I wonder why some people are getting great results with it? I thought it was copy variation, maybe I'm wrong. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Mar 06, 2012 3:25 pm Post subject: |
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Orio wrote:
Copy variation is a likely factor in budget lenses, but I don't think so it's possible that the same lens design can range from excellent to crappy.
Most CA is removable in postwork, there are techniques for improving the apparent image quality, especially at web sizes...
so it's possible that the photos that you saw did speak more of the photographer's competence with photoshop than of the lens' quality. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Mar 06, 2012 3:28 pm Post subject: |
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iangreenhalgh1 wrote:
Orio wrote: |
Copy variation is a likely factor in budget lenses, but I don't think so it's possible that the same lens design can range from excellent to crappy.
Most CA is removable in postwork, there are techniques for improving the apparent image quality, especially at web sizes...
so it's possible that the photos that you saw did speak more of the photographer's competence with photoshop than of the lens' quality. |
Aah. right, thanks for input. I was contending that copy variation with these Vivitars must be a lot greater than I've seen with others as that would explain why my results were awful and others were good, hence I warned about trying before buying to avoid bad ones.
I could be completely wrong, it happens. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Mar 06, 2012 3:44 pm Post subject: |
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Orio wrote:
Warning about trying is an excellent advice in any case. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Hatch
Joined: 19 Feb 2012 Posts: 30 Location: Netherlands
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Posted: Fri Mar 09, 2012 6:21 pm Post subject: |
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Hatch wrote:
Don't know if it's been mentioned yet but the series 1 started out as Vivitar's topend series and they had some exceptional lenses.
They had a good thing going but blew it when they tried to cash in on that reputation when they released a lot of sub par lenses under the series 1 nomer and quality control went overboard.
Mine is a Q-DOS type.
All pictures I shot with it were out of focus.
I had some trouble focussing on the NEX 5 rear screen.
Now that I have a NEX 7 I'll try again.
Having seen these results from Atilla I'm looking forward to giving it a go.
http://forum.mflenses.com/vivitar-series-1-70-210mm-f28-f4-qdos-rare-3d-lens-t43011.html |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Mon Mar 19, 2012 9:52 pm Post subject: |
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woodrim wrote:
Really wish I could use this for other than close up, but is not to be until I purchase a NEX. Nevertheless, I took it out into the yard for some close up fun. Series 1 90/2.5
_________________ Regards,
Woodrim |
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Tedat
Joined: 08 Nov 2011 Posts: 800 Location: Berlin/Germany
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Posted: Tue Mar 20, 2012 7:27 am Post subject: |
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Tedat wrote:
woodrim wrote: |
Series 1 90/2.5 |
this lens alone should be reason enough to buy a NEX _________________ Regards
Jan
flickr
Sony A7RM2
Contax T*: Distagon 4/18, Distagon 2/28, Distagon 1.4/35, PC-Distagon 2.8/35, Planar 1.4/50, Planar 1.4/85, Planar 2/100, Planar 2/135, S-Planar 2.8/60, Tessar 2.8/45, Mirotar 8/500, Vario Sonnar 3.4/35-70, Vario Sonnar 4.5-5.6/100-300
Carl Zeiss for Rollei QBM: F-Distagon 2.8/16 HFT, Distagon 2.8/25, Planar 1.4/50 HFT, Sonnar 2.8/85
Konica Hexanon AR: 2.8/21, 1.2/57
Other: Minolta F2.8 [T4.5] 135mm STF, Meopta Meostigmat 1.4/70, Tokina AT-X 2.5/90.. and lots of early M42 Yashinon, Rikenon and Mamiya lenses |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Tue Mar 20, 2012 7:05 pm Post subject: |
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woodrim wrote:
Tedat wrote: |
woodrim wrote: |
Series 1 90/2.5 |
this lens alone should be reason enough to buy a NEX |
And it is. This lens is the single biggest reason for wanting a NEX, followed by my old Rokkor lenses and a couple of Konicas. This lens receives relatively little attention when folks discuss lenses in the 85mm range. While it is labeled as a 90mm, it is actually 87mm from what I've read. It typically runs more expensive than many of its peers, but less than the highly touted German 85mm glass. A little faster than some, and slower than others, but I look forward to making some comparisons to my other lenses in the range, especially the Hexanon 85/1.8 which is also awaiting a NEX. I expect its sharpness and bokeh to compare favorably. _________________ Regards,
Woodrim |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Mar 20, 2012 7:37 pm Post subject: |
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iangreenhalgh1 wrote:
Excellent macro shots. Is there much copy variation with the 90mm? I might be tempted to try one despite my prior horrific Vivitar experiences. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Wed Mar 21, 2012 12:10 am Post subject: |
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woodrim wrote:
Ian: I don't think this lens would perform well for you. And it's expensive. _________________ Regards,
Woodrim |
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Tedat
Joined: 08 Nov 2011 Posts: 800 Location: Berlin/Germany
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Posted: Wed Mar 21, 2012 12:26 pm Post subject: |
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Tedat wrote:
woodrim wrote: |
I look forward to making some comparisons to my other lenses in the range, especially the Hexanon 85/1.8 which is also awaiting a NEX. I expect its sharpness and bokeh to compare favorably. |
I really like my 1.8/85 Hexanon, but use it very seldom. The Vivitar/Tokina 2.5/90 makes more fun on the NEX, using it with fokus peaking is much more joy.. it's like "click.. perfect focus!"
And the bokeh is just wonderful _________________ Regards
Jan
flickr
Sony A7RM2
Contax T*: Distagon 4/18, Distagon 2/28, Distagon 1.4/35, PC-Distagon 2.8/35, Planar 1.4/50, Planar 1.4/85, Planar 2/100, Planar 2/135, S-Planar 2.8/60, Tessar 2.8/45, Mirotar 8/500, Vario Sonnar 3.4/35-70, Vario Sonnar 4.5-5.6/100-300
Carl Zeiss for Rollei QBM: F-Distagon 2.8/16 HFT, Distagon 2.8/25, Planar 1.4/50 HFT, Sonnar 2.8/85
Konica Hexanon AR: 2.8/21, 1.2/57
Other: Minolta F2.8 [T4.5] 135mm STF, Meopta Meostigmat 1.4/70, Tokina AT-X 2.5/90.. and lots of early M42 Yashinon, Rikenon and Mamiya lenses |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Mar 21, 2012 12:53 pm Post subject: |
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iangreenhalgh1 wrote:
woodrim wrote: |
Ian: I don't think this lens would perform well for you. And it's expensive. |
Why do you think that? _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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