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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Wed Apr 17, 2013 2:44 pm Post subject: Building a Konica kit around the Sony NEX |
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Bille wrote:
I was thinking about building a three lens kit for the Sony NEX including
Hexanon 21/2.8 (quite wide, super compact)
Hexanon 40/1.8 (pancake type fast standard)
Hexanon 135/2.5 (for the occasional tele shot at around 200mm equivalent)
Opinions? |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Apr 17, 2013 3:21 pm Post subject: |
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iangreenhalgh1 wrote:
Yes, drop the 1.8/40, it's mediocre compared to the 1.7/50 which is one of the sharpest and finest 'normal' lenses by any maker. The 1.4/57 and 1.4/50 are great lenses but the 1.7/50 is the best. Ignore the older 1.8/52 or the later plastic 1.8/50, they are good lenses but not in the same class as the 1.7/50, 1.4/57 and 1.4/50.
The older 4/21 is a superb lens so an alternative to the 2.8/21.
The 3.2/135 is better than the 3.5/135, I have several Konica 135s and the 3.2 is the best of the bunch, although I have yet to try the 2.5 which is hard to find. I have compared the 3.2/135 to several other top level 135mms and it really is a great lens that performs far better than it's cheap price tag suggests so for me, a no-brainer.
My favourite Hexanons are 4/21, 2.8/24, 3.5/28, 1.4/50, 1.7/50, 3.2/135, those all get used on my NEX often and are in the top echelon imho. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Wed Apr 17, 2013 4:30 pm Post subject: |
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Bille wrote:
iangreenhalgh1 wrote: |
Yes, drop the 1.8/40, it's mediocre compared to the 1.7/50 which is one of the sharpest and finest 'normal' lenses by any maker. |
Last type or which one?
http://www.buhla.de/Foto/Konica/Objektive/50_17.html |
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DR.JUAN
Joined: 08 Feb 2013 Posts: 661
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Posted: Wed Apr 17, 2013 6:58 pm Post subject: |
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DR.JUAN wrote:
iangreenhalgh1 wrote: |
Yes, drop the 1.8/40, it's mediocre compared to the 1.7/50 which is one of the sharpest and finest 'normal' lenses by any maker. The 1.4/57 and 1.4/50 are great lenses but the 1.7/50 is the best. Ignore the older 1.8/52 or the later plastic 1.8/50, they are good lenses but not in the same class as the 1.7/50, 1.4/57 and 1.4/50.
The older 4/21 is a superb lens so an alternative to the 2.8/21.
The 3.2/135 is better than the 3.5/135, I have several Konica 135s and the 3.2 is the best of the bunch, although I have yet to try the 2.5 which is hard to find. I have compared the 3.2/135 to several other top level 135mms and it really is a great lens that performs far better than it's cheap price tag suggests so for me, a no-brainer.
My favourite Hexanons are 4/21, 2.8/24, 3.5/28, 1.4/50, 1.7/50, 3.2/135, those all get used on my NEX often and are in the top echelon imho. |
+1.
Like if I wrote that. Only add the 1,8/85 hexanon.
To my use I like the 2,8 or 4/21 again. |
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DR.JUAN
Joined: 08 Feb 2013 Posts: 661
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Posted: Wed Apr 17, 2013 7:01 pm Post subject: |
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DR.JUAN wrote:
The EE and the first AE are the same, both excelent. |
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guardian
Joined: 18 Mar 2009 Posts: 1746
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Posted: Wed Apr 17, 2013 7:33 pm Post subject: |
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guardian wrote:
Oftentimes at that website, more recent versions are described as being slightly less sharp. It might be true. However:
Purchase of a more recent version of (whatever) lens increases your chances of having better coatings. In addition, and important for small, mirrorless cameras, the newer versions tend to be lighter in weight . . . a better match for such cameras. Finally, the newer versions are, well, they are newer! This mitigates in favor, speaking in general, of less wear and tear, less dust and dirt and fewer dings.
So bottom line, there are tradeoffs. With the two Hexanons I like, the 50/1.7 and the 28/3.5, I have tried to add both newer and older versions to my collection. They really are all great lenses. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Apr 17, 2013 7:40 pm Post subject: |
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iangreenhalgh1 wrote:
Actually, in most cases, the later ones are less good. This is true of the 3.5/135 - the earlier ones are better, and very much true of the 3.5/28 - the earlier 7-element one is better than the later 5-element one. The late plastic 1.8/40, 1.8/50 and 35-70 kit zoom simply aren't upto the standards of all the earlier Hexanons, sadly. The 35-70 is small, light and plastic but inferior by a fair margin to the larger, heavier metal 35-70 it replaced. The 1.8/50 is a good lens, compares favourably to things like the Canon FD 1.8/50, but it outclassed by the earlier 1.7/50 Hexanon.
So unless smaller size and lighter weight are critically important to you, the later lenses are the least good ones to collect, the build quality is much less with use of plastics and the IQ falls a little below the very high standards the Hexanons maintained until the last days when the cheaper plastic stuff was introduced. Konica farmed out production of some lenses in the later years to Tokina, which includes the 1.8/50 and you can feel it's not a proper Konica, it lacks the solid metal feeling and overall impression of high quality. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Wed Apr 17, 2013 7:50 pm Post subject: |
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Bille wrote:
iangreenhalgh1 wrote: |
Actually, in most cases, the later ones are less good. This is true of the 3.5/135 - the earlier ones are better, and very much true of the 3.5/28 - the earlier 7-element one is better than the later 5-element one. The late plastic 1.8/40, 1.8/50 and 35-70 kit zoom simply aren't upto the standards of all the earlier Hexanons, sadly. The 35-70 is small, light and plastic but inferior by a fair margin to the larger, heavier metal 35-70 it replaced. The 1.8/50 is a good lens, compares favourably to things like the Canon FD 1.8/50, but it outclassed by the earlier 1.7/50 Hexanon.
So unless smaller size and lighter weight are critically important to you, the later lenses are the least good ones to collect, the build quality is much less with use of plastics and the IQ falls a little below the very high standards the Hexanons maintained until the last days when the cheaper plastic stuff was introduced. Konica farmed out production of some lenses in the later years to Tokina, which includes the 1.8/50 and you can feel it's not a proper Konica, it lacks the solid metal feeling and overall impression of high quality. |
Thanks for the info. In this case I am looking for size and weight. The 21/2.8 seems much better suited to the NEX than the larger 21/4. I own "a few" 50mm lenses so the 40/1.8 would at least add another focal length. I also like the Zeiss AE - style shape of the aperture one stop down.
I have owned some earlier Hexanons in the past and yes, build quality seemed very good. |
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fermy
Joined: 17 Feb 2012 Posts: 1974
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Posted: Wed Apr 17, 2013 9:33 pm Post subject: |
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fermy wrote:
Well, of the normal Konicas I have (also 50/1.7 and 40/1.8 ), I strongly prefer 50/1.4 followed by 50/1.7. So that should tell you that 40/1.8 is the weakest optically. 50/1.7 is slightly sharper, but 50/1.4 has gorgeous colors and overall rendering. http://forum.mflenses.com/konica-hexanon-50mm-f1-4-t48850.html.
On the other hand, 40mm is not available in other reasonably priced lines, so I don't think you should avoid having it. It's not like having a 4 lens kit instead of a 3-lens one, will make you broke.
FYI, I have both newer 135/3.2 and older 135/3.5 for sale (50/1.7 too btw). Out of these two 135/3.2 is slightly sharper, but 135/3.5 is really beautifully made. http://forum.mflenses.com/viewtopic.php?t=48094. To be honest, I would go for older 135mm f3.5, it's a pleasure to hold and look at, in comparison 135/3.2 has more utilitarian and common styling. I don't think sharpness differences is big enough to lose any sleep over it. _________________ Many lenses and some film bodies for sale here: http://forum.mflenses.com/canon-fd-minolta-md-c-mounts-m42-pentax-and-more-t50465.html
Flickr http://www.flickr.com/photos/96060788@N06/ |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Apr 17, 2013 10:14 pm Post subject: |
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iangreenhalgh1 wrote:
I'll second what fermy says, there isn't enough of a difference between the 3.2 and 3.5 to really matter. The 3.2 is contrastier though, but nothing to lose any sleep over. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Apr 17, 2013 11:40 pm Post subject: |
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Attila wrote:
iangreenhalgh1 wrote: |
I'll second what fermy says, there isn't enough of a difference between the 3.2 and 3.5 to really matter. The 3.2 is contrastier though, but nothing to lose any sleep over. |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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jimithing616
Joined: 27 Mar 2013 Posts: 63 Location: Minneapolis, MN
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Posted: Thu Apr 18, 2013 12:07 am Post subject: |
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jimithing616 wrote:
I would have to +1 the 135 3.5
I dont have the 3.2 to compare it to, but I have some of the best 135 3.5's out there including the Canon FD, both SSC and nFD version, Minolta 135 3.5 in both MC and MD, and the 2.8 in MD, and the Pentax m42 125 3.5 and Pentax-M 135 3.5
out of all of these, I prefer the Hexanon's build quality to all of these, I would call it equal to the Minolta Mc ...
IQ wise I would say it is VERY VERY good. I am not a pixel peeper and I am fairly new at all of this, I am only 24 and been shooting for about a year... BUT I can tell you that it definitely doesn't feel any worse IQ wise than any of the lenses I listed to my untrained eye. Take that for whatever it is worth! haha _________________ My Best Lenses (off the top of my head):
Konica UC 28mm 1.8 AR
Konica UC 80-200mm 4 AR x2
Konica 55mm 3.5 Macro w/Converter.
Minolta MD 24mm 2.8
Minolta MC 58mm 1.4
Minolta MD & MC 50 1.4
Vivitar 35mm 1.9 (minolta MD)
Canon FD 50mm 1.4 S.S.C. & FDn
Canon FD 24mm 2.8 S.S.C. & FDn
Canon FD 200mm 4 S.S.C
Canon FD 135 3.5 S.C. & FDn
Tamron Adaptall 2 24mm 2.5
Nikon AI-S 55mm 2.8 Macro
SMC Pentax-m 50mm 1.4
SMC Pentax-m 135 3.5
Spiratone Plura-Coat 28mm f/2 |
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Lightshow
Joined: 04 Nov 2011 Posts: 3666 Location: Calgary
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Posted: Thu Apr 18, 2013 1:22 am Post subject: |
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Lightshow wrote:
Jimi,
In the gear you list, you have "Canon FD 135 3.5 S.S.C", I think you may have a typo, as I don't think they made an SSC 135, just SC's.
I have to spend more time with my Konica's, all my test shots(On photo walks) were ok at best, the 57/1.4 being the best.
My best 135 is a Topcor R 135/3.5
http://www.flickr.com/photos/lightshow-photography/8613733565/sizes/k/in/photostream/ _________________ A Manual Focus Junky...
One photographers junk lens is an artists favorite tool.
My lens list
http://www.flickr.com/photos/lightshow-photography/ |
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jimithing616
Joined: 27 Mar 2013 Posts: 63 Location: Minneapolis, MN
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Posted: Thu Apr 18, 2013 5:59 am Post subject: |
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jimithing616 wrote:
Yep, a typo. I was at school when I typed those. No lenses in front of me. Nice catch
Anyway, You are correct... there is no SSC version of the 135 3.5 in breech mount, although I do in fact have a 135 3.5 "SSC" technically because the nFD 135 3.5 is in fact an "SSC" lens although it does not have the red marking.
In fact all the nFD 135 lenses would be "SSC" lenses, unmarked of course. _________________ My Best Lenses (off the top of my head):
Konica UC 28mm 1.8 AR
Konica UC 80-200mm 4 AR x2
Konica 55mm 3.5 Macro w/Converter.
Minolta MD 24mm 2.8
Minolta MC 58mm 1.4
Minolta MD & MC 50 1.4
Vivitar 35mm 1.9 (minolta MD)
Canon FD 50mm 1.4 S.S.C. & FDn
Canon FD 24mm 2.8 S.S.C. & FDn
Canon FD 200mm 4 S.S.C
Canon FD 135 3.5 S.C. & FDn
Tamron Adaptall 2 24mm 2.5
Nikon AI-S 55mm 2.8 Macro
SMC Pentax-m 50mm 1.4
SMC Pentax-m 135 3.5
Spiratone Plura-Coat 28mm f/2 |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Thu Apr 18, 2013 8:01 am Post subject: |
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Bille wrote:
iangreenhalgh1 wrote: |
I'll second what fermy says, there isn't enough of a difference between the 3.2 and 3.5 to really matter. The 3.2 is contrastier though, but nothing to lose any sleep over. |
How about the 2.5 ? |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Apr 18, 2013 3:50 pm Post subject: |
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iangreenhalgh1 wrote:
Don't own a 2.5, so can't say, I doubt it is better, just faster and heavier. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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TrueLoveOne
Joined: 30 Sep 2012 Posts: 1839 Location: Netherlands
Expire: 2013-12-24
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Posted: Thu Apr 18, 2013 4:32 pm Post subject: |
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TrueLoveOne wrote:
Another member who has discovered Konica lenses! (Yes, me too!)
I ran into an almost brandnew set a while ago. It contained the FS-1, and 3 lenses: 3.5/28, 1.8/40 and 3.5/135.
So far i have just used them with film, in the FS-1 body, and they all feel great! Results are very nice as well!
Still haven't ordered an adapter for my NEX, but i will very soon! I am also watching local internet sources for some more of these fine lenses, i guess it's grab 'em while they are still very affordable!
Just judging from example shots from many forum members here has to convince anybody that these are good lenses!
This is the set i have: http://forum.mflenses.com/konica-fs-1-t57329,highlight,%2Bkonica.html
And here some results: http://forum.mflenses.com/my-konica-hexanon-experiment-t57579,highlight,%2Bkonica.html _________________ My Flickr photostream: http://www.flickr.com/photos/chantalrene/
Sony A7, Canon 5D mkII, Minolta 7D + RD3000 and some more.....
Minolta and Konica collector.... slowly selling all the other stuff! |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Fri Apr 19, 2013 12:25 am Post subject: |
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Bille wrote:
TrueLoveOne wrote: |
Another member who has discovered Konica lenses! (Yes, me too!) |
More like a comeback.
But the 21/2.8 will be new to me. |
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Bille
Joined: 03 Jan 2013 Posts: 381
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Posted: Fri Apr 19, 2013 12:49 pm Post subject: |
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Bille wrote:
Hex 40/1.8, two quick shots at f2.8
Will add samples from the 21/2.8 and 135/2.5 when I have them here for testing. |
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