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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Fri Dec 28, 2012 3:46 pm Post subject: Distagon 3.5/15 versus SMC Pentax 3.5/15 |
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propellor wrote:
Today my Distagon arrived and I must confess I was rather nervous opening the box. This is the lens I have been looking at and for, for a long time. I just love the enormous blob of glass. Until now I had the Pentax 15mm and I just love that lens as well. What I have read, here on the forum and in other places, the Pentax and the Zeiss are supposed to be the same, so I was very happy with my Pentax. There is a biiiig price difference between the 2.
I was lucky to find a reasonably priced Distagon and decided to buy it. All my other lenses are Contax's so the pentax was a little bit of a loner in my lens case.
First impression? What an incredibly beautiful, solid, well made, lovely, sexy, I can go on for a while, piece of art.
And completely different to the Pentax.
The Distagon is bigger, wider and heavier than the Pentax.
As you can see the glass is bigger as well, both the front-, as well as the rear element. Im not an optics expert, but this fact tells me that maybe (probably) the 2 lenses are not of the same design at all. The technical drawings may look very much alike but the dimensions are definitely not the same, so the recipe probably isn't as well. Interesting fact I think.
It is raining cats and dogs today so I am not going outside to take some pics, but I did some things inside. Especially the min focus distance interests me. The Pentax has 30 cm min focus, the Distagon only 16.
Here are a couple of pics to see the difference:
Distagon 1600 ISO, 1/80th, wide open, focus distance 16 cm
Distagon 1600 ISO, 1/80th, wide open, focus distance 30 cm
Pentax 1600 ISO, 1/80th, wide open, focus distance 30 cm
Distagon 1600 ISO, 1/30th, f8, focus distance 16 cm
Distagon 1600 ISO, 1/30th, f8, focus distance 30 cm
Pentax 1600 ISO, 1/30th, f8, focus distance 30 cm
The min focus distance is a biiiig difference. It's like WA macro on the Distagon.....
It looks like the Pentax is slightly wider.
The Distagon seems to be better adjusted for straight lines.
The Distagon has a beautiful OOF area with the min focus distance of 16 cm.
I am not drawing any conclusions apart from my feeling that these lenses are NOT the same design at all.
I will be making more comparisons, but from what I see now I will be very interested in comments from this knowledgable forum. I will not go into the difference in coatings btw .....
Please let me know what you would like to see in a test. The Pentax will have to leave soon....... _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Fri Dec 28, 2012 4:24 pm Post subject: |
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David wrote:
Looks also like the Distagon has warmer colors. To my eyes, the Pentax seems to have sharper detail in the wood grain, less detail on the blue bottle's text. Maybe the Pentax has slightly more contrast, which would make the wood grain appear sharper. _________________ http://www.youtube.com/user/hancockDavidM |
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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Fri Dec 28, 2012 4:47 pm Post subject: |
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propellor wrote:
Please don't look at the colors. I forgot to adjust the White Balance, so I made some corrections after the shots were taken. But not very precise I'm afraid.....
Color and contrast comparison's will follow _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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Tervueren
Joined: 18 May 2011 Posts: 1177 Location: West Sussex, United Kingdom
Expire: 2014-11-08
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Posted: Fri Dec 28, 2012 5:15 pm Post subject: |
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Tervueren wrote:
What a beautiful lens and some very nice wood as well lol, Acacia ? |
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TrueLoveOne
Joined: 30 Sep 2012 Posts: 1839 Location: Netherlands
Expire: 2013-12-24
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Posted: Fri Dec 28, 2012 5:30 pm Post subject: |
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TrueLoveOne wrote:
What a fantastic piece of glass! Congrats with that one! I was curious and checked ebay.... _________________ My Flickr photostream: http://www.flickr.com/photos/chantalrene/
Sony A7, Canon 5D mkII, Minolta 7D + RD3000 and some more.....
Minolta and Konica collector.... slowly selling all the other stuff! |
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Sat Dec 29, 2012 4:51 pm Post subject: Carl Zeiss DISTAGON 3,5/15mm |
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OPAL wrote:
The DistagonT* 3,5/15mm was originally designed for the famous CONTAREX SLR by the genius optical designer Dr. Erhard Glatzel. Lateron improved, the 15mm glass was available for the Contax RTS, Rolleiflex SL35E/SL2000/3000, and was also manufactured for Leica, as Leica-R Super-Elmarit 3,5/15mm!
Due to an collabration between PENTAX and ZEISS in the optical eye wear glass business, the optical design of the 15mm was also manufactured by PENTAX as SMC 3,5/15mm! But the Pentax 15mm has unfortunately not reached the optical quality of the original Zeiss glass, Made in Oberkochen!
I do use the Distagon T* 3,5/15mm with adaptor very successfully on my Canon 5DMkII, and I definately will never sell it!
Best |
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kds315*
Joined: 12 Mar 2008 Posts: 16663 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sat Dec 29, 2012 5:17 pm Post subject: |
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kds315* wrote:
Congratulations - wonderful lens! _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Sat Dec 29, 2012 8:33 pm Post subject: |
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hifisapi wrote:
Based on size, I agree its not the same optical design as the Pentax. Do you know the groups/elements of the Zeiss? _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Dec 29, 2012 8:44 pm Post subject: |
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Orio wrote:
About the minimum focusing distance, a possible explanation could be (pure speculation here, as I don't have any factual evidence support)
the absence in the Pentax model of the floating element whose purpose it's to optimize performance at close-up distances.
If the floating element was absent in the Pentax model (replaced by a non moving one), the designers may have decided to limit the focusing range to a distance of 30cms, which would be safe.
In any case, even if this type of home-made tests is subject to many variables and needs to be taken cautiously, this first comparison is quite embarassing for the Pentax lens.
The quality difference between the two lenses is visible at naked eye. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Sat Dec 29, 2012 9:12 pm Post subject: |
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hifisapi wrote:
Orio wrote: |
About the minimum focusing distance, a possible explanation could be (pure speculation here, as I don't have any factual evidence support)
the absence in the Pentax model of the floating element whose purpose it's to optimize performance at close-up distances.
If the floating element was absent in the Pentax model (replaced by a non moving one), the designers may have decided to limit the focusing range to a distance of 30cms, which would be safe.
In any case, even if this type of home-made tests is subject to many variables and needs to be taken cautiously, this first comparison is quite embarassing for the Pentax lens.
The quality difference between the two lenses is visible at naked eye. |
Well if the Pentax lens is earlier, smaller, and less expensive, its no surprise that its not as good a performer, is it? _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Dec 29, 2012 9:40 pm Post subject: |
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Orio wrote:
hifisapi wrote: |
Well if the Pentax lens is earlier, smaller, and less expensive, its no surprise that its not as good a performer, is it? |
The Takumar lens is (at least initially) the original Glatzel's model. It is shorter in lenght and smaller in size by Asahi's choice.
Glatzel made two versions of the lens: the first one with the aspherical element, and a second one with a spherical element + the addition of another element for the required correction.
The reason is that Zeiss asked Glatzel to make a spherical version of the lens because building the aspherical element with the technology of the time was too expensive.
Asahi instead opted for the aspherical version, and they started the production of the aspherical version,
but they soon stopped it because (as Zeiss already guessed) it was too difficult and expensive.
So they switched to a spherical version, too. But they had to re-calculate it themselves, because in the meantime,
the collaboration between Zeiss and Asahi was ended, and Glatzel was not more available to Asahi.
Please learn everything about it here:
http://www.marcocavina.com/articoli_fotografici/15mm_Zeiss_Pentax/00_pag.htm
I don't know if Propellor's lens is the original Glatzel's aspherical or the Asahi-redesigned spherical version.
It certainly is no "previous" lens because no previous 3.5/15 existed. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Sat Dec 29, 2012 10:09 pm Post subject: |
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hifisapi wrote:
Is the smc Pentax lens shown in the comparison photos the aspherical or non-aspherical version? Pentax made it both ways in that lens. The M42 versions were all aspherical and the PKA version were all non-aspherical. _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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aleksanderpolo
Joined: 24 Jan 2010 Posts: 684
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Posted: Sun Dec 30, 2012 7:03 am Post subject: |
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aleksanderpolo wrote:
There appears to be a aspherical K version, with a distance scale of 7 4 2 1.5...
http://www.bdimitrov.de/kmp/lenses/primes/ultra-wide/K15f3.5-i.html
The 3 pentax versions are all lighter than the contax one (550-600g vs 875g), so indeed it looks like they are not identical. Interesting.
Now we need someone to look at the Takumar and also the Hollywood. |
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Sun Dec 30, 2012 8:18 am Post subject: Zeiss Distagon T* 3,5/15mm |
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OPAL wrote:
hifisapi wrote: |
Based on size, I agree its not the same optical design as the Pentax. Do you know the groups/elements of the Zeiss? |
The 15mm Distagon exists of 13 elements in 12 groups, with one floating element to compensate the close distance of 0,16m! Its not only the number of elements in a lens, it must also be assembled properly with high precise mechanical parts. Both parts together are making an almost perfect lens! The original price was listed with almost 5,000 € for this lens! |
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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Mon Dec 31, 2012 3:16 pm Post subject: |
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propellor wrote:
TrueLoveOne wrote: |
What a fantastic piece of glass! Congrats with that one! I was curious and checked ebay.... |
Nice glass indeed. I did not pay Ebay price btw....
Quote: |
In any case, even if this type of home-made tests is subject to many variables and needs to be taken cautiously, this first comparison is quite embarassing for the Pentax lens.
The quality difference between the two lenses is visible at naked eye. |
Embarassing may be a bit harsh. The Pentax is still a great lens. The size is much more convenient that the Distagon is. My arm muscles will testify to that...
Quote: |
I don't know if Propellor's lens is the original Glatzel's aspherical or the Asahi-redesigned spherical version.
It certainly is no "previous" lens because no previous 3.5/15 existed. |
Mine is the spherical in PK mount.
There seems to be some sort on consensus that both lenses are family, but they are not identical twins.
I wonder what the Leica 15mm looks like. Would that one be the same as the Distagon? _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Mon Dec 31, 2012 3:31 pm Post subject: |
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propellor wrote:
Some pics taken with the Distagon:
Most are F8, some wide open as mentioned.
1, Wide Open
2
3
4
5
6
7
8, Wide Open
9
10
11, F8
12, Wide open _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Mon Dec 31, 2012 3:40 pm Post subject: |
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propellor wrote:
and some more.
1
2
3
4
5, Wide open
6, Wide open
7
8
9
10
11
12, Wide open _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Mon Dec 31, 2012 4:57 pm Post subject: |
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Attila wrote:
Congrats to your new jeweler! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Mon Dec 31, 2012 6:30 pm Post subject: Distagon 3,5/15mm |
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OPAL wrote:
Unfortunately, we all have to live with it, the better is always the good enemy! The new Distagon T*2,8/15mm ZE, ZF.2 is even better than the "old" 3,5/15mm Distagon! I am using my Distagon 3,5/15mm mostly with f/5.6, and that's the best f/stop anyway, for all of these 15mm SWA glasses SWC PENTAX 15mm or ZEISS T* 15mm! |
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Mon Dec 31, 2012 6:46 pm Post subject: Distagon 3,5/15mm |
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OPAL wrote:
The Leica R Super Elmar 3,5/15mm look very similar to the Zeiss 3,5/15mm glass. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 01, 2013 10:51 am Post subject: Re: Distagon 3,5/15mm |
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Orio wrote:
OPAL wrote: |
Unfortunately, we all have to live with it, the better is always the good enemy! The new Distagon T*2,8/15mm ZE, ZF.2 is even better than the "old" 3,5/15mm Distagon! |
It would better be, after 40 years! Otherwise it would have meant that Zeiss did not improve in half a century.
But obviously, a 2.8/15 today is the norm - at the time, a rectilinear 3.5/15 with the kind of control that Distagon has was something close to a revolution.
Only 1161 copies have ever been made of the Distagon 3.5/15 (of which 105 in Rolleiflex SL bayonet mount, not useable on Canon DSLRs). Some have been irreparably damaged over the years.
For it's rarity, and for the place and importance it has in the history of photographic optics, the lens is a museum piece already. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Tue Jan 01, 2013 11:01 am Post subject: Re: Distagon 3,5/15mm |
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OPAL wrote:
Orio wrote: |
OPAL wrote: |
Unfortunately, we all have to live with it, the better is always the good enemy! The new Distagon T*2,8/15mm ZE, ZF.2 is even better than the "old" 3,5/15mm Distagon! |
It would better be, after 40 years! Otherwise it would have meant that Zeiss did not improve in half a century.
But obviously, a 2.8/15 today is the norm - at the time, a rectilinear 3.5/15 with the kind of control that Distagon has was something close to a revolution.
Only 1161 copies have been made of the Distagon 3.5/15 (of which 105 in Rolleiflex SL bayonet not useable on Canon DSLRs). Some have been irreparably damaged over the years.
For it's rarity, and for the importance it had in the history of photographical optics, the lens is a museum piece already. |
Sorry, but for an "museum piece", my 15mm Distagon works still very fine and active on my Canon 5DMkII, with excellent results! Guenther Grasse stated once "the progress is an snail", and that counts especially for optical designs! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Jan 01, 2013 4:50 pm Post subject: Re: Distagon 3,5/15mm |
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Orio wrote:
OPAL wrote: |
Sorry, but for an "museum piece", my 15mm Distagon works still very fine and active on my Canon 5DMkII |
I never said it doesn't!
I have it too and also use it on the 5D MkII
My comment about it being a museum piece was only meant to be positive: it's a glass so rare and so important in the history of photographic optics, that it's something more worthy than the typical serial factory lens. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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OPAL
Joined: 11 Dec 2012 Posts: 354
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Posted: Tue Jan 01, 2013 6:02 pm Post subject: Re: Distagon 3,5/15mm |
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OPAL wrote:
Orio wrote: |
OPAL wrote: |
Sorry, but for an "museum piece", my 15mm Distagon works still very fine and active on my Canon 5DMkII |
I never said it doesn't!
I have it too and also use it on the 5D MkII
My comment about it being a museum piece was only meant to be positive: it's a glass so rare and so important in the history of photographic optics, that it's something more worthy than the typical serial factory lens. |
Never mind! Have you shortend the mirror on your 5DII to use the Distahon 15mm? |
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propellor
Joined: 29 Apr 2010 Posts: 205 Location: Amsterdam
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Posted: Thu Jan 03, 2013 4:32 pm Post subject: Re: Distagon 3,5/15mm |
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propellor wrote:
Orio wrote: |
For it's rarity, and for the place and importance it has in the history of photographic optics, the lens is a museum piece already. |
It does feel like I am allowed to keep watch over this beautiful work of art for the time being. I will use it, but will be extremely careful with it.
This is the first Contax lens btw that hangs up my mirror. I am not going to change anything on the lens like shortening the fin. I did get a nice Leitax mount for it. I want to be sure that the lens stays on the camera...... _________________ Distagon 3.5/15, Distagon 4/18, Distagon 2.8/21, Distagon 2.8/25, Distagon 2/28, Distagon 1.4/35, Planar 1.4/50, Planar 1.4/85, Makro Planar 2.8/100, Planar 2/135, Vario Sonnar 3,3-4,0/28-85, Vario Sonnar 4,5-5,6/100-300, Canon 5DMkII |
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