Home

Please support mflenses.com if you need any graphic related work order it from us, click on above banner to order!

SearchSearch MemberlistMemberlist RegisterRegister ProfileProfile Log in to check your private messagesLog in to check your private messages Log inLog in

Spooling partly exposed 120
View previous topic :: View next topic  


PostPosted: Tue Jun 29, 2010 5:37 pm    Post subject: Spooling partly exposed 120 Reply with quote

I mean I've exposed 2 frames Kodak slide film and want to switch to another camera. (Because TLR is so damn big and folder is small etc etc .. )

I'm planning just to roll the film to spool entirely, then move it to folder. Roll it entirely to takeup and then start again from frame 5. I'll miss 2 frames but I don't know how the cutting machine does the cuts, by the first frame or by some other mechanism?

Any comments? Possible problems? Should I just expose the first 2 frames also because they aren't very precious?


PostPosted: Thu Jul 01, 2010 5:20 pm    Post subject: Reply with quote

I'd use a changing bag and simply roll the film back onto its spool.
The START line on the film will (probably) be in the same position in both cameras, so it should be fine if they're both 6x6 or 6x9, etc. You'd get away with just missing one frame but personally I'd just start from frame 3.


PostPosted: Thu Jul 01, 2010 6:06 pm    Post subject: Reply with quote

+1 on that advice.

Do your cameras use the red window method, and are they the same format? The only start frame issue I can think of is if you are going from 6x6 to 6x9, say.


PostPosted: Fri Jul 02, 2010 7:16 am    Post subject: Reply with quote

TLR has start line and mechanism. Folder has the red window. Thank you for comments.

Actually I been re-thinking this camera question. I'm going to a wedding. First I thought folder would be handy, just put it in your pocket. Then I thought that TLR might even be less noticable, in the church especially where you don't have to hold it up on your face.


PostPosted: Fri Jul 02, 2010 7:29 am    Post subject: Reply with quote

This is something I've occasionally wanted to do, but never tried. I'd thought of getting an old roll of backing paper from a B&W film I'd processed, winding it on to frame 1 in camera A, opening the back and marking on the backing paper the film gate, then transferring the roll to camera B, winding on to frame 1, and opening to mark the film gate again, and see how they line up.


PostPosted: Mon Jul 26, 2010 9:24 pm    Post subject: Reply with quote

The problem is not to fit the frames. The biggest problem is you will wind the paper different than the film. As a result the paper will bulk.
Better finish the film in your camera and put another roll in the other camera. Come on, a roll of 120 film is not so expensive.