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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue Oct 27, 2009 10:12 pm Post subject: More Arsat 30/3.5 - Velvia |
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Laurence wrote:
Here are some more Arsat images. A couple of them are sharpened,
just to see how well USM works on the Velvia scan from the Arsat.
Still experimenting, trying to see if the Arsat is a truly decent lens. So
far, it seems to be a keeper, but time will tell. All of these have some
degree of Photoshop processing.
East of Stevens Pass, North Cascades
Pentax 645
Arsat 30/3.5
f:8 and 1/125th
USM at 28/1/0, Auto Color Correction
Velvia
Crop from right edge of original image - almost wide open
Pentax 645
Arsat 30/3.5
f:4 and 1/60th
USM at 16/1/0, Auto Contrast
Velvia
Loses some detail because of intense crop, about 1/5 of original
Cropped 1/3 from bottom - No Sharpening
Pentax 645
Arsat 30/3.5
f:5.6 at 1/60th
Auto Levels
Velvia
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Tue Oct 27, 2009 10:37 pm Post subject: |
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Attila wrote:
#1 breathtaking! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Tue Oct 27, 2009 10:58 pm Post subject: |
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F16SUNSHINE wrote:
These look great Larry
+1 on #1
Is there really snow up there already?
Man I'm looking at Baker and there is no new on the "Flanks" yet.
It's just a matter of time though I guess.
The Arsat looks the real Deal. Congrats! _________________ Moderator |
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Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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Posted: Tue Oct 27, 2009 11:24 pm Post subject: |
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Nesster wrote:
#3 is a tone poem _________________ -Jussi
Camera photos
Print Photographica
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kds315*
Joined: 12 Mar 2008 Posts: 16628 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Wed Oct 28, 2009 12:43 am Post subject: |
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kds315* wrote:
WOW Larry - breathtaking!! _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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koji
Joined: 21 Jul 2008 Posts: 2106 Location: Hiroshima, Japan
Expire: 2012-12-27
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Posted: Wed Oct 28, 2009 12:48 am Post subject: |
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koji wrote:
Nesster wrote: |
#3 is a tone poem |
Well said, I did not know how to explain my thought. _________________ Our Home Page has 18,200 photos in 575 directories today.
Lenses: https://www.pbase.com/kkawakami/top_level_my_lenses |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Oct 28, 2009 4:21 am Post subject: |
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Laurence wrote:
Thanks you guys! Actually, the image #1 was cropped from the bottom
as well. The vertical wide-angle is huge.
Andy, yes this was the first snow of October, about 3 weeks ago. I
was on my way to a 9 day hike.
The Velvia really brought out the tones in image #3 - this was, to me, a
great place for the saturation of Velvia, especially in the golden-red
tones. The leaves are spot-on to what I saw, the tones against the blue-
green water mesmerized me. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Wed Oct 28, 2009 4:56 am Post subject: |
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poilu wrote:
[quote="koji"]
Nesster wrote: |
#3 is a tone poem |
+1 the best description
#1 breathtaking! superb |
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madamasu
Joined: 03 Feb 2009 Posts: 597 Location: Frankfurt/Main Germany
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Posted: Wed Oct 28, 2009 6:13 am Post subject: |
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madamasu wrote:
All three are wonderful, thank you for showing.
Thomas _________________ Zorki 4
Jupiter 8, 9, 11, 12 & triple finder
Nikon D200, D700
Nikkors: 15/3.5 AI; N.C 24mm/2.8 (AIed);
N 35mm/1.4 (AIed); 45mm/2.8P; 50mm/1.2 AIS; Micro 55mm/2.8 AIS; Noct 58mm/1.2 AIS;85mm/1.8 (K-lense AIed); 105mm/2.5 AIS; 135mm/3.5 (K-lense AIed)
Voigtlaender Ultron 40mm/2; CZJ Flektogon 20mm/4 (AIed); Helios-81M; MIR-20N; Volna-3; Flektogon 50/4;Flektogon 65/2.8; Biometar 80/2.8; Biometar 120/2.8; Sonnar 180/2.8; Sonnar 300/4
Kiron 70-210/4.5 Makro
--------------------------------------------------------
http://www.flickr.com/photos/madamasu |
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soikka
Joined: 11 Jun 2008 Posts: 534 Location: Finland
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Posted: Wed Oct 28, 2009 8:57 am Post subject: |
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soikka wrote:
Beautiful.
Two first would be nice in large size on a wall. _________________ DSLR: K-5,K20d+Grip, Ist*Ds
Film: MZ-5n, LX, MX+winder, SuperA+winder, ME Super,
M-series: 28/2.8, 35/2, 40/2.8, 135/3.5, 75-150/4, A-series: 50/1.7, Super-Taks: 55/1.8, 105/2.8, S-M-C Taks: 28/3.5, 50/1.4, 85/1.8, Sigma SW2 24/2.8, Tamron SPs: 90/2.5(I), 180/2.5, 500/8, Rikenon XR 35-70/3.5, Cosinon 40/2.5, F-1.7x AF-adapter, Olympus XA |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed Oct 28, 2009 2:59 pm Post subject: |
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patrickh wrote:
Superb Laurence - +1 for all comments above
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Wed Oct 28, 2009 3:35 pm Post subject: |
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PaulC wrote:
Nice stuff. What is the sharpness like with this lens, especially at the corners? _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Wed Oct 28, 2009 5:26 pm Post subject: |
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tobbsman wrote:
Nr.1, for my taste the strongest shot I have seen here in the forum since long time ... breathtaking indeed.
I also like the 3rd shot, the strange colorization makes it very appealing.
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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trifox
Joined: 14 May 2008 Posts: 3614 Location: UK
Expire: 2014-05-29
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Posted: Wed Oct 28, 2009 5:27 pm Post subject: |
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trifox wrote:
wow!! this combo is in perfect hands!!
I love these pics!!
tf _________________ Flickr.com |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Oct 28, 2009 8:53 pm Post subject: |
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Laurence wrote:
Thanks all of you! Funny, this was just to show the characteristics of
the Arsat, and a way to find out whether or not the lens is worth keeping.
Regarding the corner sharpness, #2 is an intense crop taken from the
lower right corner of an original. There IS some degradation
of sharpness in the corner, but as you can see, it seems to be
acceptable (at least to me).
Different types of shots can degrade or enhance the corner
sharpness depending on the subject matter. But overall I don't
think it is worse than any other super-wide.
Here is another corner crop, only about 1/3 cropped away this
time. You can see softer areas in the corners, but I don't think
it's all that bad. And I think that the overall propensity to do well
on shadows and highlights does say a lot for this lens.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Sun Mar 21, 2010 10:27 pm Post subject: |
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rawhead wrote:
So I just got myself an Arsat 30/3.5 and instead of making a whole new thread, I thought I'd just add it to the great thread Laurence started.
All with my problematic Kiev-6C + Arsat 30/3.5 + Fuji Provia 100F
In a word, I really like this lens. I've heard there are QA issues, but this appears to be a very good copy in that case, and definitely worth the $150 I paid for it, and then some _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sun Mar 21, 2010 11:16 pm Post subject: |
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Katastrofo wrote:
Excellent results and very good metering. Love the bee and flower shot,
which handily obscures the barrel distortion. Provia colors! |
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Sun Mar 21, 2010 11:21 pm Post subject: |
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rbelyell wrote:
i have been wanting to try this lens on my p6, but have not found a reasonably priced one. i am very new to medium format-i am still in the process of fixing my p6, but i love all these photos. i am very curious however at the fisheye effect i see in rawheads photos. i do not understand how a 30mm focal length can produce this effect? i routinely shoot 21mm-28mm and do not get this effect on ff 5d. how is this the case?
thanks for reply! _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Mar 21, 2010 11:25 pm Post subject: |
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Attila wrote:
Katastrofo wrote: |
Excellent results and very good metering. Love the bee and flower shot,
which handily obscures the barrel distortion. Provia colors! |
+1 _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Sun Mar 21, 2010 11:45 pm Post subject: |
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rawhead wrote:
rbelyell wrote: |
i have been wanting to try this lens on my p6, but have not found a reasonably priced one. i am very new to medium format-i am still in the process of fixing my p6, but i love all these photos. i am very curious however at the fisheye effect i see in rawheads photos. i do not understand how a 30mm focal length can produce this effect? i routinely shoot 21mm-28mm and do not get this effect on ff 5d. how is this the case?
thanks for reply! |
Well there are several things at play; one, a 30mm lens on a 6x6 medium format (56mm x 56mm) is much "wider" than 21mm on FF, closer to 15-16mm on FF, so any edge distortion will be much more obvious.
But much more importantly, lens design is very different; you are using rectilinear lenses which do all that they can to correct all those distortions; fisheye lenses don't even try. In fact it's encouraged
And as a consequence, as the final difference, you get a much wider field of view with a fisheye design than you would with a rectilinear design.
For example, on FF, you can get a 16mm fisheye lens (e.g., Zenitar) that has a 180˚ FOV from corner to corner; that is much wider FOV than you would get with a 16mm rectilinear lens, which will have something like a 100˚ FOV if I remember correctly (maybe even less).
So in sum, my 30mm is on a larger format and is designed differently from your superwides. _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Sun Mar 21, 2010 11:46 pm Post subject: |
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rawhead wrote:
Katastrofo wrote: |
Excellent results and very good metering. Love the bee and flower shot,
which handily obscures the barrel distortion. Provia colors! |
Thanks!
As you can see, being a bokeholic, I can't help but doing shallow DOF shots even with a fisheye :LOL: _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Mon Mar 22, 2010 5:41 pm Post subject: |
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Laurence wrote:
rawhead wrote: |
Katastrofo wrote: |
Excellent results and very good metering. Love the bee and flower shot,
which handily obscures the barrel distortion. Provia colors! |
Thanks!
As you can see, being a bokeholic, I can't help but doing shallow DOF shots even with a fisheye :LOL: |
Understand though, that the 30 isn't a fisheye.
The tulip image is worthy of an enlargement! NICE! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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rawhead
Joined: 09 Feb 2009 Posts: 1525 Location: Boston, MA
Expire: 2014-04-29
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Posted: Mon Mar 22, 2010 5:46 pm Post subject: |
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rawhead wrote:
Laurence wrote: |
Understand though, that the 30 isn't a fisheye.
The tulip image is worthy of an enlargement! NICE! |
I'm quite sure it is a full frame (rectangular) fish eye lens.
http://www.luminous-landscape.com/reviews/lenses/arstat-30mm.shtml
http://www.photographyreview.com/mfr/kiev/medium-format/PRD_135875_3113crx.aspx
http://www.araxphoto.com/lenses/arsat-fisheye/ _________________ Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Mon Mar 22, 2010 6:09 pm Post subject: |
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Katastrofo wrote:
Crocus and bee pic looks almost like a painting! Yep, for the wall. |
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spleenone
Joined: 26 Dec 2009 Posts: 1130 Location: Slovakia
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Posted: Mon Mar 22, 2010 8:35 pm Post subject: |
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spleenone wrote:
Yeees that shalow dof at flower shot is insane. I like it very much. _________________ Shoot on analog mainly with
Nikkor glass
then Pentacon6TL for squares
and Fujica GL690 in case of 6x9
Carpe diem! |
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