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Leica 19mm Elmarit & D700
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PostPosted: Mon Nov 02, 2009 8:01 pm    Post subject: Leica 19mm Elmarit & D700 Reply with quote

One of the greatest pleasures I owe to David Lladò at Leitax is that he made it possible that I can use my cherished 19mm Elmarit with the Nikon D700.
An extraordinary lense, even with a full-frame sensor sharp into the corners.
Here are three pictures from Frankfurt. All @ f5.6

The first is the Cupola at the Schirn Gallery, ISO 640




The next two I took inside the Frankfurt cathedral. Both ISO 1600.


Pillars:

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Pietà:


[url=http://forum.mflenses.com/userpix/200911/big_1116_Piet_1.jpg]


Last edited by madamasu on Tue Nov 03, 2009 6:03 pm; edited 1 time in total


PostPosted: Mon Nov 02, 2009 8:03 pm    Post subject: Reply with quote

Amazing Thomas!!


PostPosted: Tue Nov 03, 2009 9:07 am    Post subject: Reply with quote

Nice lens, nice compositioning, great work !
I like the Pietà a lot.

I could imagine all these photographs with little bit of DRI, which could give more lightning quality.

Cheers
Tobias


PostPosted: Tue Nov 03, 2009 10:38 am    Post subject: Reply with quote

Thanks for the suggestion, Tobias. I tried to use Shadows/Highlights in PS4 to shed a little more light on the Pietà. I think it works like this too:




Last edited by madamasu on Tue Nov 03, 2009 6:04 pm; edited 1 time in total


PostPosted: Tue Nov 03, 2009 10:56 am    Post subject: Reply with quote

great wide madamasu, superb pillars Shocked
tobbs tips is perfect to transform a true photo into a false drawing


PostPosted: Tue Nov 03, 2009 11:51 am    Post subject: Reply with quote

I am not a great fan of PS "Tiefen/Lichter" (Shadows/Highlights). Colors get different and the photograph looses depth, and there is more noise of course. I hardly use it.

Quote:
tobbs tips is perfect to transform a true photo into a false drawing

@poilu

Can you explain me the definition of a "true photo" and a "false photo" ? Wink

... and I don't think that DRI has to look like a false drawing. DRI images shold be that good, that you even don't notice that it is a DRI... and I think they can.

Cheers
Tobias


PostPosted: Tue Nov 03, 2009 12:14 pm    Post subject: Reply with quote

If you use 'Shadows/Highlights' in the LAB-mode there shouldn't be any changes in colour. Sometimes it is the only way I know to overcome the great contrasts between deep shadows and blown out highlights, so I use it quite frequently, if only in a moderate amount.
The picture of the Pietà was taken in a pretty dark surrounding against a window lit by daylight and some sun. I took two pictures: in one I have a decent exposure of the window, which shows its colours and structure, in the other I have a better exposure of the Pietà, but the window has already lost structure and the camera tells me, there are blown-out highlights. I'm not a
very good photographer and have to read more about and experiment more in these situations.

Thomas

P.S. Maybe Poilu thinks of HDR, and there I would support him: most of the HDR pictures I have seen so far are decidedly not to my liking. They look as if somebody had tried to turn a mediocre or uninteresting photo into something special, but - again to my eyes - it looks like artificial crap with the pretence of being a piece of art.


PostPosted: Tue Nov 03, 2009 12:49 pm    Post subject: Reply with quote

Wow, Thomas!

A fantastic lens (one of the best superwides ever) on a great cam!
Together with your talent this set produces excellent results.


PostPosted: Tue Nov 03, 2009 12:59 pm    Post subject: Reply with quote

tobbs wrote:
DRI images should be that good, that you even don't notice that it is a DRI...

I agree that it is a great technology
noise reduction, CA removal, distortion correction, color manipulation are already in current dslr algorithms
next step is HDRI, Canon already implemented the highlight tone priority
I just hope they will not touch the raw
it was a time where cgi (computer grenerated images) tried to look like photos
now photos try to look like cgi, what a irony Embarassed


PostPosted: Tue Nov 03, 2009 5:20 pm    Post subject: Reply with quote

Fantastic


patrickh


PostPosted: Tue Nov 03, 2009 8:59 pm    Post subject: Reply with quote

Great photos
the last one is the best for me

Regards
Catalin


PostPosted: Tue Nov 03, 2009 10:05 pm    Post subject: Reply with quote

I'm not sure I like the worked-over version of the Pieta... but then, it appears when old frescoes and paintings are restored - using modern authentic performance standards - they seem a bit worked-over also. Though, we are told, more what the original eyes saw. So perhaps this worked-over Pieta is more what the eye saw, rather than what the lens saw?


PostPosted: Thu Nov 05, 2009 8:20 pm    Post subject: Reply with quote

Thomas..

I love the PIETA motif so much..

The expression of the picture is ACCURATE..

I like the ORIGINAL version..

thanks

tf


PostPosted: Sun Nov 08, 2009 6:36 pm    Post subject: Reply with quote

Thanks to all of you for your comments and suggestions.
I upload another picture taken a week or so ago during a walk in the neighbourhood.

Autumn colours. ISO 320 @ f 5.6: