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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Wed Feb 29, 2012 1:56 pm Post subject: |
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ForenSeil wrote:
Tedat wrote: |
DSG wrote: |
Attila wrote: |
both are excellent idea tamron sp and tokina 17 , especially tokina that is trully a gem. |
Not wide open it is'nt! I have both and the Tokina is terrible wide open (soft and lots of CA), but the Tamron is great wide open. So you can really only use the Tokina from f5.6 onwards, whereas the Tamron can be used at any aperture without worry. |
wide open it's absolut ok on a NEX and in my eyes equal to the Tamron.. stopped down it beats the Tamron. Maybe it has a bit more problems with CA, but nothing which couldn't be removed per software. I had both.. keept the Tokina and sold the Tamron.. |
+1
@DSG
Do you have the RMC Version?
I heard that the at least with the 24mm and 28mm counterparts are a lot better in the RMC versions.
My Tokina has a decent sharpness wide open. CAs are visible wide open but not field relevant - anyway the Tokina RMC 17mm absolutely kills the kit-lenses wide open...
Maybe you have decentered copy!? _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Feb 29, 2012 2:03 pm Post subject: |
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iangreenhalgh1 wrote:
I'll try my Tokina wide open when the sun appears. Could well be there is a difference in performance between copies, it happens, I had a Vivitar Series 1 2.3/135 that is a well regarded lens, my copy was awful, unusable until f8, whereas others have much better copies. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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DSG
Joined: 04 Mar 2007 Posts: 544 Location: London, UK.
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Posted: Sat Mar 03, 2012 12:40 pm Post subject: |
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DSG wrote:
[quote="ForenSeil"]
Tedat wrote: |
DSG wrote: |
Attila wrote: |
both are excellent idea tamron sp and tokina 17 , especially tokina that is trully a gem. |
Not wide open it is'nt! I have both and the Tokina is terrible wide open (soft and lots of CA), but the Tamron is great wide open. So you can really only use the Tokina from f5.6 onwards, whereas the Tamron can be used at any aperture without worry. |
wide open it's absolut ok on a NEX and in my eyes equal to the Tamron.. stopped down it beats the Tamron. Maybe it has a bit more problems with CA, but nothing which couldn't be removed per software. I had both.. keept the Tokina and sold the Tamron.. |
+1
"@DSG
Do you have the RMC Version?"
Yes, sorry should have mentioned that earlier.
"I heard that the at least with the 24mm and 28mm counterparts are a lot better in the RMC versions."
I also have the Tokina 24mm f2.8 RMC...I'd say its about the same as the 17mm sharpness wise...I dont use it as I much prefer to use my Carl Zeiss 28/2.8 Distagon T* instead
"My Tokina has a decent sharpness wide open. CAs are visible wide open but not field relevant - anyway the Tokina RMC 17mm absolutely kills the kit-lenses wide open...
Maybe you have decentered copy!?"
Dont know, I just know the Tamron is the better lens. |
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torbod
Joined: 31 Jan 2010 Posts: 379 Location: Sweden
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Posted: Sat Mar 03, 2012 3:00 pm Post subject: |
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torbod wrote:
I have just some samples with the Mir 20M. As said before, perfect center sharpness from wide open. Contrasty and nice colors. I think the bokeh is actually nice for being a UWA since it has little bokeh-CA and thus renders beautiful background highlights for my type of shooting. There is some CA and soft corners on full frame sensor, although easily beats the Flektogon 20 2.8 I have tried earlier. The distortion is slightly mustache shaped, but corrects relatively okay in ACR. CA is very easy to correct.
Samples below with Sony A900 are totally uncorrected for CA and distortion. I normally only set WB, levels, rescale and a touch of USM. All shot hand held at wide open if not remarked. Click on them for critical viewing.
Creamy bokeh and very sharp. Magnified nose blurriness is from hand shake.
Creamy bokeh and very sharp, look at that eye in magnification.
Shot at F/11
CA and distortion torture test. Wide open, no corrections. Focus on the forgotten christmas decoration beside the door.
Same at f/8 no corrections
Wide open shot again, now corrected in ACR with distortion, vignetting, and CA. Vignetting correction makes the tree branches ugly though and perhaps kills some of the sharpness at focus, but there is plenty to take from.
I think it is nice on FF but would would rock on APS-C with it's impressive center sharpness. Soft corners, mustache distortion and vignetting would be more or less cropped away and any remaining CA is very easy to correct.
Sorry for all dark images, I have a tendency to avoid blown highlights. Perhaps it is not that smart with UWA:s.
/T _________________
For Sale or Trade: Pick from the list below.
Manual Lenses: CV 15 4.5 | MIR-20H 20 3.5 | Elmarit-R 28 2.8 | Flektogon MC 35 2.4 | S-M-C Tak 50 1.4 | Rollei 50 1.8 HFT | Helios 44-3 MC 58 2 | MC ROKKOR-X 58 1.2 | MacroPlanar 60 2.8 | Vega-12b 90 2.8 | Tamron 52B 90 2.5 | CZJ 135 3.5 | Jupiter-21A 200 4 | Tair-3s 300 4.5 | KOHBEPTEP K-1 | Takumar x2 |
Camera: Sony Nex 5N |
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Keyser
Joined: 30 Jan 2012 Posts: 21 Location: Ireland
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Posted: Sat Mar 03, 2012 7:41 pm Post subject: |
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Keyser wrote:
Thanks for all the info so far everyone! Really appreciate it _________________ Helios 44-2, Mir-24H, Jupiter-9, Industar 50-2,
Olympus Zuiko OM 50mm f1.4, 135mm f3.5, 35mm f2.8, 28mm f2.8.
Super Takumar 55mm f2, Super Multicoated Takumar 35mm f3.5, SMC Takumar 135mm f3.5 |
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Pancolart
Joined: 04 Feb 2008 Posts: 3702 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Mon Mar 05, 2012 11:02 am Post subject: |
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Pancolart wrote:
torbod wrote: |
I have just some samples with the Mir 20M. As said before, perfect center sharpness from wide open. Contrasty and nice colors... |
+1 _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS
Last edited by Pancolart on Sun Mar 18, 2012 11:08 pm; edited 1 time in total |
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declan
Joined: 17 Dec 2009 Posts: 162 Location: Indonesia
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Posted: Wed Mar 07, 2012 9:03 am Post subject: |
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declan wrote:
Attila wrote: |
both are excellent idea tamron sp and tokina 17 , especially tokina that is trully a gem. |
just try to figured it out what gem is and so did increase my bid on this beauty. after having the beauty sigma 24/2.8, i figured it out using in 2x crop factor will not made that lens go wide so will try this tokina sl rmc 17 _________________ Owning a DSLR does not make you a photographer. It makes you a DSLR owner." - Anonymous
Evolt E-3|ZD 50-200 MK I|OM 65-200/f4|Tamron SP 90/f2.5|Tamron 2xtcon 18F|01F|OM 50/1.4
EP-L 2+EVF2|MMF-2|ZD 14-54 MK2|OM 50/1.8|Mal-1|Metz 44-af1
NX300|nx18-55|sef-8a
Mono-TriPod|Slingshot200AW|Compuday150|Mini Trekker AW|sling
Ebay : declan_79 |
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