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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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 Posted: Sat Mar 05, 2011 3:11 pm Post subject: |
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Katastrofo wrote:
Laurence, gorgeous, you are the king of slide!
Jussi, love the second one, well caught! |
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Sun Mar 06, 2011 1:32 pm Post subject: |
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Nesster wrote:
Thanks, Bill... I'm horning in with the Box Tengor, this is with Delta 100 from 2 years ago somewhere in Pennsylvania
Metro's Bar - Restaurant Pizza by Nesster, on Flickr
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-Jussi
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Sun Mar 06, 2011 3:19 pm Post subject: |
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Katastrofo wrote:
Nice one, Jussi, when are they putting a roof on that place?  Real
ballsy using 100 film in these cameras, I like your style.  |
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Barmaleykin
Joined: 27 May 2010
Posts: 16
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| Posted: Wed Mar 09, 2011 7:33 pm Post subject: |
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Barmaleykin wrote:
Coronet Meniscus
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Barmaleykin
Joined: 27 May 2010
Posts: 16
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| Posted: Wed Mar 09, 2011 7:36 pm Post subject: Coronet Meniscus |
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Barmaleykin wrote:
Coronet Meniscus
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rawhead
Joined: 09 Feb 2009
Posts: 1525
Location: Boston, MA
Expire: 2014-04-29
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| Posted: Wed Mar 09, 2011 8:06 pm Post subject: |
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rawhead wrote:
I finally got a hold of a 6x9 film holder for my Mamiya Super 23, which will be the default back I use with it (I have my 67II for 6x7).
Mamiya Super 23 + Sekor 100mm f2.8 + Fuji Astia 100F
In the woods. by Dr. RawheaD, on Flickr
_________________
Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Wed Mar 09, 2011 8:21 pm Post subject: |
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Nesster wrote:
I had to google the Coronet Meniscus --- interesting results, what the Lensbaby hopes to be maybe.
Very nice result with the 23 - do you find this combination is good to use, photographically? I've cast green eyes toward Bill's Koni Omegas before, now I have to do so with the Mamiya too
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Wed Mar 09, 2011 8:48 pm Post subject: |
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Laurence wrote:
Gotta LOVE the Box Tengor shot, Jussi!
Rawhead, that's quite an outfit, and seems to be pretty sharp!
I really do like that shot of the church with the Coronet Meniscus, it has
an old-time feel to it.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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rawhead
Joined: 09 Feb 2009
Posts: 1525
Location: Boston, MA
Expire: 2014-04-29
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| Posted: Wed Mar 09, 2011 9:11 pm Post subject: |
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rawhead wrote:
| Nesster wrote: |
Very nice result with the 23 - do you find this combination is good to use, photographically? I've cast green eyes toward Bill's Koni Omegas before, now I have to do so with the Mamiya too |
Yes, it's great. The 100/2.8 is an awesome lens. For 6x7 It'd come second only to my smc 105/2.4 on my 67II, but in 6x9, I don't know of a better "shallow DoF" lens/camera combo that I can think of.
However, I have come to the conclusion that the rear tilt movements of the Super 23 is really cumbersome and never get used, so i've decided to swap the body with a straight-up Mamiya Universal. The advantage of the latter is that with it, I get to shoot Polaroid/Fuji instant film in 2x3  So, a Mamiya 23 + 6x7 back + 127mm lens will be going on the market real soon.
_________________
Sony α7R, Pentax 67II, Kiev-60, Hasselblad 203FE, 903SWC, Graflex Norita 66, Mamiya M645 1000s, Burke & James 8x10, Graflex Pacemaker Speed Graphic (4x5 and 3x4), Century Graphic (2x3), R.B. Graflex Seried D, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, Mamiya C330f, a few M42, six P6, three OM, four Hasselblad, two Pentax 67, two Mamiya 645, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar and Leica Noctilux |
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Bogie
Joined: 22 Jan 2011
Posts: 173
Location: Houten, The Netherlands
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| Posted: Fri Mar 11, 2011 10:18 am Post subject: |
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Bogie wrote:
Here some of my first results with the Voigtländer Bessa 6x9 (manufactured 1942-1945) which I purchased two weeks ago. Pictures shot in the old innercity of Utrecht. Film: Kodak 400TX.
1.
2.
3.
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35mm, 120mm & digital camera-user |
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Tue Mar 29, 2011 10:45 am Post subject: |
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Nesster wrote:
Nice result with the Bessa.
Modern Business Machines by Nesster, on Flickr
Kodak 160NC in the Goerz Tenax
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-Jussi
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Wed Mar 30, 2011 9:38 pm Post subject: |
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Laurence wrote:
Hey Jussi!
Not just nice -- this is REALLY nice. It has a certain look about it that gives
me a feel of somewhere back in a time when things were somewhat
simpler. It might be the Goerz lens adding that "touch" as well.
This is an introspective, quiet, and beautifully composed image.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Wed Mar 30, 2011 9:51 pm Post subject: |
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Laurence wrote:
| Attila wrote: |
Welta Weltur 6x9 Carl Zeiss Jena Tessar Provia 100
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Simply......magnificent. 
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Thu Mar 31, 2011 9:07 pm Post subject: |
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Nesster wrote:
| Laurence wrote: |
Hey Jussi!
Not just nice -- this is REALLY nice. It has a certain look about it that gives
me a feel of somewhere back in a time when things were somewhat
simpler. It might be the Goerz lens adding that "touch" as well.
This is an introspective, quiet, and beautifully composed image. |
Thank you - I find shooting with these old folders is the most fun, I'm on my own for focus, exposure, even compensating for view finder skew. It is relaxing for sure.
The main problem is that these old cameras are a bit fragile in old age, I keep a rotation so as not to stress any one of them over much.
Here's another from the Goerz - this is the second roll through, the first after I fixed her up properly. The focus seems accurate - at least corresponds to my distance estimation - but the little brilliant finder points kind of high. Now I know.
 no not the animules again by Nesster, on Flickr
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-Jussi
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Thu Mar 31, 2011 9:23 pm Post subject: |
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Laurence wrote:
Jussi wrote: Thank you - I find shooting with these old folders is
the most fun, I'm on my own for focus, exposure, even compensating
for view finder skew. It is relaxing for sure.
The main problem is that these old cameras are a bit fragile in old
age, I keep a rotation so as not to stress any one of them
over much.
Here's another from the Goerz - this is the second roll through,
the first after I fixed her up properly. The focus seems accurate -
at least corresponds to my distance estimation - but the little
brilliant finder points kind of high. Now I know.
Once again, I see a "signature" from the Goerz. I know that it is difficult
to render anything of substance onto a monitor, but I think that the
Goerz DOES render a different feel. Of course, just like the "Zeiss look", it's
hard to explain. Perhaps it's something in the microcontrast, or perhaps
it's something inherent in the lens being so "bare" of coatings and other
"additions".
GREAT experimentation, and like you said, now you can aim a little
"high" through the viewfinder.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon Apr 04, 2011 12:33 am Post subject: |
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F16SUNSHINE wrote:
finally I have internet at the house again. 
Fuji GW 690iii acrosa100@100
A rare succesful Panned take.
Same day I took some of these reflections with Rollei Retro 80s. Across looks great as well
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Mon Apr 04, 2011 1:17 am Post subject: |
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Orio wrote:
Wow Andy, second is great!
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Apr 04, 2011 5:11 am Post subject: |
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Laurence wrote:
And the first one is great too! I've never had much luck with getting
the subject so well focused when panning. Your image is spot-on.
You mentioned "across"...did you mean "Acros" film?
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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| Posted: Mon Apr 04, 2011 10:19 am Post subject: |
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Nesster wrote:
+1 on the last two --
that reflection is very enticing. I could imagine going across it to the realm of the wee ones... till Larry brought up the film name
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-Jussi
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon Apr 04, 2011 10:53 am Post subject: |
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F16SUNSHINE wrote:
Thanks you guys. I'm happy you like them.
Yes I did miss the spelling Fuji Acros100 was the film.
I will leave it so the comments make sense
It's great stuff although a bit curly if it dries to fast. |
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon Apr 04, 2011 2:44 pm Post subject: |
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Attila wrote:
| Orio wrote: |
| Wow Andy, second is great! |
+10
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon May 02, 2011 8:50 pm Post subject: |
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F16SUNSHINE wrote:
Agfa Clack again. After this roll I understand this camera a bit better. I have some ideas of how I would make use of it's "flaws" or rather "personality"
Fuji Acros @ 100 in tmaxdev 1:4 5.5min @ 20c
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Mon May 02, 2011 9:38 pm Post subject: |
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Attila wrote:
This is B&W! Excellent I love it Andy!
_________________
-------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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F16SUNSHINE
Joined: 20 Aug 2007
Posts: 5486
Location: Left Coast
Expire: 2011-11-18
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| Posted: Mon May 02, 2011 11:10 pm Post subject: |
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F16SUNSHINE wrote:
Thank you Attila
Using the rudimentary Clack is a lot of fun.
Just frame pick one of two aperture settings and clack. Nothing else to do really.
Here it is again.
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Mon May 02, 2011 11:44 pm Post subject: |
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Katastrofo wrote:
Looks like you're having as much fun with the Clack as I am with these
Kodak Signet 35s. Great result with both film and developing! |
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