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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Tue Sep 09, 2008 6:43 pm Post subject: |
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Richard_D wrote:
A G Photography wrote: |
Richard_D wrote: |
It looks pretty good for that many pixels, very little noise at 200, if not totally noise free at 100%. Not quite up there with the Canon 1ds MkIII but pretty good. |
To my eyes at 100% it looks more nitid than Canon 1ds MKIII though, just my impression? |
Yes the samples do look bright but smooth if that's what you mean.
To be honest beyond the large files the Canon 1ds MkIII produces I'm not that impressed with it's IQ - up to 400 ISO I think the 5D produces much better images, I suspect if you interpolated a 5D shot at 200 ISO it would be on a par with the 1ds MkIII...
Sony have obviously cut corners to keep the price low - what's a plastic shell doing on a camera aimed at semi-pro's - and in terms of speed etc. it's specs are decidely average rather than class leading, but provisionally it looks a very good camera for the price. They might not quite be up on the playing field with Nikon and Canon yet, but they seem to be on the sidelines already. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Sep 09, 2008 6:52 pm Post subject: |
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Orio wrote:
I have taken a closer look at more 100% samples:
http://www.imaging-resource.com/PRODS/AA900/AA900HI_ISO_NR.HTM
ISO 800 looks quite noisy compared to resized images, and 1600 ISO even more. However, I have saved on my disk the "noise reduction off" version of one 1600 ISO image, and processed it with Noise Ninja, and obtained a significantly better result than any "NR" versions.
So I think buyers of this camera should also buy Noise Ninja and save pictures with noise reduction off, to denoise them in Photoshop later. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Tue Sep 09, 2008 11:03 pm Post subject: |
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ChrisLilley wrote:
Orio wrote: |
So I think buyers of this camera should also buy Noise Ninja and save pictures with noise reduction off, to denoise them in Photoshop later. |
Good advice. Noise Ninja also works stand alone, and recently is available as a plugin for Aperture as well. _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Wed Sep 10, 2008 7:25 pm Post subject: |
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montecarlo wrote:
Another rumor http://www.eos-numerique.com/forums/f11/exclusivite-eos-numerique-le-nouveau-5d-mark-ii-89968/ ??? _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Sep 10, 2008 7:37 pm Post subject: |
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Orio wrote:
I will not spend 2600 Euros for a videocamera _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Wed Sep 10, 2008 9:17 pm Post subject: |
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ChrisLilley wrote:
Orio wrote: |
I will not spend 2600 Euros for a videocamera |
You feel that the ability to capture the liveview video somehow impacts the still-image performance? Could you explain how that could be the case? I can't see a mechanism, myself. _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Sep 10, 2008 9:30 pm Post subject: |
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Orio wrote:
ChrisLilley wrote: |
Orio wrote: |
I will not spend 2600 Euros for a videocamera |
You feel that the ability to capture the liveview video somehow impacts the still-image performance? Could you explain how that could be the case? I can't see a mechanism, myself. |
What I feel is, they have diverted part of the investment to make a video recorder, and I don't want that. This means maybe the camera is a 2000USD worth for photos and 600USD worth for video. Well I don't want that, I want that all the money that I pay for a camera has gone into R&D to make better photos, not video.
Additional worry: the video trend casts a menacing shadow on whom this camera aims at. If they are targeting semi-amateurs, then there is also the risk that they fit in 26 MP or so but without the necessary quality control.
What I want is: more REAL (not cheesy) MP, to allow safer cropping, better quality at ISO 800/1600, and more dynamic range if possible.
For video function, I have the same interest and use that I have for 70 yrs old Jeohva Witness women ringing my bell on Sunday mornings or 200 Kgs, 70cm long hair WWE wrestlers: NONE.
Bottom line: give me a semipro reflex camera, that is what I ask for.
Multiplay toys, that's not for me.
If this is really the new camera, then chances are I might get a 50D as second body, or perhaps no second body at all. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Thu Sep 11, 2008 8:19 am Post subject: |
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montecarlo wrote:
Tomorrow we might see what Pentax prepared for Photokina '08
http://www.pentax.de/de/roadshow.php _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Sep 11, 2008 2:16 pm Post subject: |
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Richard_D wrote:
Orio wrote: |
ChrisLilley wrote: |
Orio wrote: |
I will not spend 2600 Euros for a videocamera |
You feel that the ability to capture the liveview video somehow impacts the still-image performance? Could you explain how that could be the case? I can't see a mechanism, myself. |
What I feel is, they have diverted part of the investment to make a video recorder, and I don't want that. This means maybe the camera is a 2000USD worth for photos and 600USD worth for video. Well I don't want that, I want that all the money that I pay for a camera has gone into R&D to make better photos, not video.
Additional worry: the video trend casts a menacing shadow on whom this camera aims at. If they are targeting semi-amateurs, then there is also the risk that they fit in 26 MP or so but without the necessary quality control.
What I want is: more REAL (not cheesy) MP, to allow safer cropping, better quality at ISO 800/1600, and more dynamic range if possible.
For video function, I have the same interest and use that I have for 70 yrs old Jeohva Witness women ringing my bell on Sunday mornings or 200 Kgs, 70cm long hair WWE wrestlers: NONE.
Bottom line: give me a semipro reflex camera, that is what I ask for.
Multiplay toys, that's not for me.
If this is really the new camera, then chances are I might get a 50D as second body, or perhaps no second body at all. |
From what I understand if you're providing a live feed for live-view anyway, there's essentially no additional costs in simply recording it. Nikon have added to the D90 as a test to see how pro's react (following requests from pro's to have it) with a view to adding it to pro cameras in the future if it's well recieved. The main market is photojournalists and media services. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Sep 11, 2008 2:47 pm Post subject: |
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Orio wrote:
[quote="Richard_D"
From what I understand if you're providing a live feed for live-view anyway, there's essentially no additional costs in simply recording it. Nikon have added to the D90 as a test to see how pro's react (following requests from pro's to have it) with a view to adding it to pro cameras in the future if it's well recieved. The main market is photojournalists and media services.[/quote]
I don't understand how this live view work, does it keep the mirror locked up or...? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Sep 11, 2008 4:23 pm Post subject: |
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Richard_D wrote:
Orio wrote: |
[quote="Richard_D"
From what I understand if you're providing a live feed for live-view anyway, there's essentially no additional costs in simply recording it. Nikon have added to the D90 as a test to see how pro's react (following requests from pro's to have it) with a view to adding it to pro cameras in the future if it's well recieved. The main market is photojournalists and media services. |
I don't understand how this live view work, does it keep the mirror locked up or...?[/quote]
On most systems yes. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Sep 11, 2008 4:58 pm Post subject: |
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F16SUNSHINE wrote:
Orio on the Canon the live view is with the Mirror locked up.
I actually was a skeptic of this feature when I bought the 40D.
I figured it would not be used and be a useless extra. Maybe the feeling you have (as I do) for video capability on a DSLR.
The live view has actually become quite useful at times.
Tripod work such as Macro and product shots are a dream with the live view.
The next 5D (and 50D) will be even better as the LCD will be an improvement over the 40D.
Those 10x magnifications will look much nicer.
Another advantage is the LCD compensates for brightness. So when you stop down for a macro scene for example.
The Scene does not go dark as it would in the viewfinder.
I'm not a big macro shooter but, it is a nice advantage to have when I do make some close focus tripod shots.
Where the live view is worthless IMHO is for long lens work.
The tiniest movement and the wholoe scene goes wiggling like mad Worthless! _________________ Moderator |
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gcrimmins
Joined: 31 Mar 2008 Posts: 146 Location: Moscow, Idaho, USA
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Posted: Fri Sep 12, 2008 1:51 am Post subject: |
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gcrimmins wrote:
I actually really hope the new Canon does offer video. Here's why. I work at a small daily newspaper. Like most newspapers, there is increasing emphasis being put on our Web page, including videos. Our publisher recently asked if we could just shoot everything with a video camera and frame-grab stills as needed. I think that would result in low-quality still images. I would much rather have a DSLR that would also shoot videos. Sure, having a DSLR and a good video camera is the best solution. But if the budget only allowed for one camera, I'd much rather it be a DSLR that shoots videos. Even if I had a video camera, it would be nice to have a DSLR that could shoot video so I always had that option available, even if I left the video camera in the car because I didn't think I would need it.
I'm not trying to be contradictory, and I can understand Orio's desire that time and money be focused on a producing a camera that will take the best still images. I don't disagree with that. But I do think for certain types of photography like photojournalism, it would be nice to have a DSLR that shoots video. Mine is just another viewpoint, and certainly isn't more correct than others.
--Geoff |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Sep 12, 2008 2:50 am Post subject: |
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Orio wrote:
gcrimmins wrote: |
I'm not trying to be contradictory, and I can understand Orio's desire that time and money be focused on a producing a camera that will take the best still images. I don't disagree with that. But I do think for certain types of photography like photojournalism, it would be nice to have a DSLR that shoots video. Mine is just another viewpoint, and certainly isn't more correct than others.
--Geoff |
The solution is, Canon gives the 7DV for 2600 Eur and the 7DS for 2000 Eur _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Fri Sep 12, 2008 6:14 am Post subject: |
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montecarlo wrote:
Panasonic G1 the m4/3 camera
http://www.dpreview.com/Previews/PanasonicG1/ _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Fri Sep 12, 2008 7:20 am Post subject: |
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ChrisLilley wrote:
F16SUNSHINE wrote: |
The live view has actually become quite useful at times.
Tripod work such as Macro and product shots are a dream with the live view. |
That is why the next camera I buy has to have live view. (My last one (not an SLR, but a Minolta A1 bridge) had this feature and I really miss it.
F16SUNSHINE wrote: |
Where the live view is worthless IMHO is for long lens work.
The tiniest movement and the wholoe scene goes wiggling like mad Worthless! |
Actually that is useful too its telling you that you need a better tripod, a better head, or better long lens technique _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Sun Sep 14, 2008 12:23 am Post subject: |
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F16SUNSHINE wrote:
Quote: |
Actually that is useful too Smile its telling you that you need a better tripod, a better head, or better long lens technique Wink |
hehe
Maybe that's true. Try it with a 200-400 on a 1.6 crop cam with the live view in magnification of 5X-10X and tell me what you think
I'll stick to the focus screen. _________________ Moderator |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Sun Sep 14, 2008 12:53 am Post subject: |
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poilu wrote:
sunshine wrote: |
Maybe that's true. Try it with a 200-400 on a 1.6 crop cam with the live view in magnification of 5X-10X and tell me what you think |
this is true for Canon, others have in body stabilization and liveview is usable even with magnification
for Canon it is better to have enough money and get lens with IS _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Sep 14, 2008 1:01 am Post subject: |
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Orio wrote:
My main objection to the liveview is that it will make me look like those idiot-looking tourists that hold their compact cameras at one meter distance from them with their arms extended _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Sun Sep 14, 2008 2:54 am Post subject: |
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F16SUNSHINE wrote:
HA HA
I agree. This is not the use for Liveview for us MF lens guys.
It is for "private shoots" only
Truly though it does have a real purpose for photography.
I would say that it's hard to call it an "expressive" tool if you know what I mean.
For technical shoots and hardhat/lunch pale photography ( jobby style so to speak) it is very useful at times.
Before making use of it. I would Poo Poo live view now I think I like it _________________ Moderator |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Fri Sep 19, 2008 12:51 pm Post subject: Pentax news |
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montecarlo wrote:
http://img254.imageshack.us/my.php?image=nachrichtendivisionimagjz7.jpg
for the moment. Probably official launch on monday. _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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Séamuis
Joined: 20 Jul 2008 Posts: 157 Location: here & now
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Posted: Fri Sep 19, 2008 5:46 pm Post subject: |
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Séamuis wrote:
here is some just leaked products from pentax (in german)
http://www.phototalk24.de/news.php?id=95&XTCsid=3238cfedb8ad56559b709bfb9cb7c445 _________________ Fish-Eye -- Fish-Eye-Takumar 1:11/18
WideAngle -- Super-Takumar 1:3.5/28, Auto-Takumar 1:2.3/35, Auto-Takumar 1:3.5/35, Super-Takumar 1:3.5/35
Normal -- S-M-C Takumar 1:1.4/50, Auto-Takumar 1:1.8/55, Super-Takumar 1:1.8/55, S-M-C Takumar 1:1.8/55, SMC Takumar 1:1.8/55, Auto-Takumar 1:2/55
TeleType -- S-M-C Takumar 1:1.8/85, S-M-C Takumar 1:2.8/105, Super-Takumar 1:3.5/135, Tele-Takumar 1:6.3/300
Zoom -- Super Takumar-Zoom 1:4.5/70~150
Macro -- Macro-Takumar 1:4/50, S-M-C Macro-Takumar 1:4/100, Bellows-Takumar 1:4/100
Medium Format -- S-M-C Takumar 6X7 1:2.8/90 LS
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Mon Sep 22, 2008 11:50 am Post subject: |
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montecarlo wrote:
Oly news http://www.dpreview.com/news/0809/08092208olympus_micro_four_thirds.asp (that is what I call a compact camera )
and http://www.dpreview.com/news/0809/08092207olympus_four%20thirds.asp _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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montecarlo
Joined: 04 Apr 2007 Posts: 1865 Location: Romania
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Posted: Mon Sep 22, 2008 1:48 pm Post subject: |
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montecarlo wrote:
??? http://www.flickr.com/photos/29782425@N08/2879015170/sizes/l/ ??? _________________ Canonet QL17 III
Zenit E , Helios-44 58mm f:2.0 , Tair-11A 135mm f:2.8, Jupiter-9 85mm f:2.0,
Carl Zeiss Jena Flektogon 35mm f:2.4
Pentax MX, ME Super, Chinon CE4/CM4, Petri MC 28mm f:2, smc Pentax-M 50mm f:1.7, Soligor T 135mm f:2.8
Minolta X500, Tokina 28/2.8, Rokkor 50/1.7, 80-205/4.5
Nikon D90, Nikkor 35/2.0, Nikkor 50/1.8, Sigma 24/2.8, Nikkor 18-105 VR |
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