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Pentacon Six TL + 220 film question for Orio.
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PostPosted: Thu Jun 07, 2007 5:33 pm    Post subject: Pentacon Six TL + 220 film question for Orio. Reply with quote

Orio,

Have you ever used 220 film in your P6?

Reason I ask is that with any luck, I should be the proud owner of a P6 tomorrow but I've also read negative comments about the 220 side of things so was wondering if it was best to stick with 120.

Thanks.

Bob


PostPosted: Thu Jun 07, 2007 5:57 pm    Post subject: Reply with quote

I have never used 200 film on the P6, mostly for the reason that it's nearly impossible to find it here. I am also interested in trying it. Maybe we can share our experiences.


PostPosted: Thu Jun 07, 2007 7:02 pm    Post subject: Reply with quote

Thanks anyway Orio - I can get 220 here so I'll let you know.

I was just curious as to how the camera copes with a 24 exposure roll instead of 12, what with all the talk of frame spacing problems.


PostPosted: Thu Jun 07, 2007 7:16 pm    Post subject: Reply with quote

bob955i wrote:

I was just curious as to how the camera copes with a 24 exposure roll instead of 12, what with all the talk of frame spacing problems.


I have not been able to solve the spacing problem in a consistent way. I have followed the tutorials that can be found online. The fact is, sometimes they work, sometimes they don't. Sometimes you just load a film not caring, and in the "traditional" way, and it works perfectly. Sometimes it does not.
I am beginning to think that it's mostly a casual problem, that can happen or not happen regardless of your precautions.
But the P6 feels so good in the hands and also on the shelf, that I will not be able to give it up. and framing a picture in 6x6 is just great. You never worrk about the landscape/portrait orientation.


PostPosted: Thu Jun 07, 2007 7:23 pm    Post subject: Reply with quote

Regarding the frame spacing, I've read that the P6 may have been designed around a thicker film stock than what we have now - Orwo, I think, and that better results can sometimes be obtained by increasing the diameter of the take-up spool.


PostPosted: Thu Jun 07, 2007 8:29 pm    Post subject: Reply with quote

bob955i wrote:
Regarding the frame spacing, I've read that the P6 may have been designed around a thicker film stock than what we have now - Orwo, I think, and that better results can sometimes be obtained by increasing the diameter of the take-up spool.


Really? Do they report any practical way to do that?


PostPosted: Fri Jun 08, 2007 5:50 am    Post subject: Reply with quote

I never used 220 film on the Six ... reason: harder to find and the price is not < 2x 120 film ...


PostPosted: Fri Jun 08, 2007 8:00 am    Post subject: Reply with quote

@ Orio:

Yes, all you do is wind a piece of gaffa tape around the hub of the spool.

I don't know if it works consistently or not though since the spacing issue doesn't seem to be consistent itself.

@ Cobalt60: So far over here in the UK I can get Provia and Velvia in 220 from at least one supplier albeit only in 5 roll packs. They're also around twice the cost of the same film stock 120 5 packs.

I have a few other suppliers that I need to check out though, as the above films are slide and it would be good to see if I can track down some colour negative and B&W.


PostPosted: Fri Jun 08, 2007 8:12 am    Post subject: Reply with quote

Bob,

same over here ... some examples:

BW: KODAK Tri-x 320 120 (5 Pack)
120 - 18 € (x2= 36 €)
220 - 37 €

Negative: KODAK Portra 160 NC
120 - 19 € (x2= 38 €)
220 - 52 €

Slide: KODAK E 100G
120 - 27 € (x2= 54 €)
220 - 59 €


PostPosted: Fri Jun 08, 2007 8:20 am    Post subject: Reply with quote

Cobalt60: Over here, Velvia 100 120 5 pack @ Ł14.95 vs Velvia 100 220 5 pack @ Ł31. Provia 100 120 5 pack @ Ł12.95 vs Provia 100 220 5 pack @ Ł25.90.