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wuxiekeji
Joined: 15 Aug 2012 Posts: 213
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Posted: Sat Sep 08, 2012 1:38 pm Post subject: Noise on 60D |
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wuxiekeji wrote:
Hi,
I always find that my 60D seems to have excessive noise even at low ISOs when shooting in low light. I find it especially true when using a wide angle (any wide angle, like Distagon 4/18 or Samyang 1.4/35) and especially true for shooting things with strongly coloured backgrounds. I've included an example below, 100% crop shot at 1/3 s, ISO 200, RAW with minimal post processing:
Is this abnormal? I've seen guides online recommending shooting in multiples of ISO 160 for video. Is this true for photographs as well? _________________ Canon EOS 6D | Canon EOS 60D | Canon EOS-M | Voigtlander Nokton 1.4/35 | Zeiss Distagon C-Y 4/18 | Zeiss Distagon ZF 2/28 | Samyang 1.4/35 | Zeiss Planar C-Y 1.4/50 | Zeiss Planar C-Y 1.4/85 | Zeiss Makro-Planar C-Y 2.8/100 | Zeiss Sonnar C-Y 2.8/135 | Nikkor ED Ai-S 2.8/180 | Canon FD SSC Fluorite 2.8/300 | Tair-3S 4.5/300 |
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RTI
Joined: 15 Jul 2011 Posts: 282 Location: Moldova, Chisinau
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Posted: Sat Sep 08, 2012 2:17 pm Post subject: Re: Noise on 60D |
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RTI wrote:
wuxiekeji wrote: |
Hi,
I always find that my 60D seems to have excessive noise even at low ISOs when shooting in low light. I find it especially true when using a wide angle (any wide angle, like Distagon 4/18 or Samyang 1.4/35) and especially true for shooting things with strongly coloured backgrounds. I've included an example below, 100% crop shot at 1/3 s, ISO 200, RAW with minimal post processing:
Is this abnormal? I've seen guides online recommending shooting in multiples of ISO 160 for video. Is this true for photographs as well? |
Check if you have long exposure NR on (I'm not sure how exactly it's called on Canon). Also if you shoot raw, I don't see a problem, most of the sofware removes such kind of noise very well. _________________ Cameras: Canon 5DIII, Zorki-4, Canon AE-1
MF:Rokkor 58/1.2, Rokkor MC 58/1.4, Yashica ML 50/1.7, M39 Jupiter-9 (silver 1955), Zuiko 35-70/3.6
AF: Sigma Art 35/1.4, Tamron 24-70/2.8 VC, |
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Smoli4
Joined: 01 Jul 2011 Posts: 606 Location: Haifa, Israel
Expire: 2013-06-07
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Posted: Sat Sep 08, 2012 2:50 pm Post subject: |
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Smoli4 wrote:
how does ISO 100 look at these conditions? _________________ Canon 6D + Mir 24, SMC Tak 50 f1.4, 135 f2.5 V2, Tamron SP 90mm f2.5 52B, mcMTO 500 8, Canon IS USM 75-300 4.5-5.6, zeiss ikon talon 85 f2.8 |
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Novembersierra
Joined: 29 Aug 2012 Posts: 4 Location: Venice, IT
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Posted: Sun Sep 09, 2012 1:55 pm Post subject: |
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Novembersierra wrote:
Long exposure NR takes care of the noise for exposures of at least 1 sec or longer removing the infamous hot pixels.
Usual NR affects only the jpegs, obviously.
Having similar results (abit less actually) from my 40D, may I suggest you to make sure you don't have Higlight Tone Priority enabled?
It gives you a stop more of headroom, often preventing blown highlights and is damn useful in daylight/high contrast situations, but introduces awful noise, especially chroma noise, in the dark and shaded areas and it's obviously worst at night.
You can see if it's enabled or not by simply looking at the ISO: if it's like this '2oo' whith the little zeros and you cannot set them below 200, it's on, if it's like '200' and you can set them in their full range until iso 100, it's off.
It's like this on my 40, hope it's the same for the new models.
Nick |
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Nisseliten
Joined: 26 May 2012 Posts: 332 Location: Sweden
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Posted: Sun Sep 09, 2012 2:48 pm Post subject: |
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Nisseliten wrote:
Something seems fishy to be honest, I took night shots a few weeks ago, 200 iso 30 seconds and got the same, or maybe a bit less noise on my 550D.
These are unedited shots, taken at 200iso 30sec exposure, straight from the raw file with no noise reduction applied.
Taken with the Leica Elmarit-R 19/2.8 at f4 or 5.6 if memory serves me right.
Highlight priority mode turned off.
#1
#2
#3
_________________
DSLR: Canon 550D, Panasonic DMC-GF3
SLR: Leica R3mot electronic, Leica R4s, Leica R4mot electronic. and more.
Medium Format: Many.
Lenses
Leica: 19/2.8, 35/2, 35/2.8x2, 50/2, 60/2.8 macro, 90/2, 90/2.8, 180/3.4, 250/4, 500/8 T-Noflexar 400/5.6
Other: When will it end?!
Canon: 50/1.8, 70-200 f4 IS
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sun Sep 09, 2012 5:08 pm Post subject: |
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patrickh wrote:
I hated the noise on my 40D when I had it. It compared very poorly with my Nikon D200 and does not hold a candle to my Nex5N.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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wuxiekeji
Joined: 15 Aug 2012 Posts: 213
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Posted: Sun Sep 09, 2012 8:55 pm Post subject: |
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wuxiekeji wrote:
patrickh wrote: |
I hated the noise on my 40D when I had it. It compared very poorly with my Nikon D200 and does not hold a candle to my Nex5N.
patrickh |
I can confirm significantly less noise at 100. But I haven't done an extensive test of 200 vs 320 (some people claim 320 has less noise than 200).
The thing that seems especially fishy to me is that the chroma noise is far from IID, i.e. I see red blotches in the noise coming together in groups of multiple pixels. And that it seems worse with wider lenses for some reason, though it may also be an illusion. _________________ Canon EOS 6D | Canon EOS 60D | Canon EOS-M | Voigtlander Nokton 1.4/35 | Zeiss Distagon C-Y 4/18 | Zeiss Distagon ZF 2/28 | Samyang 1.4/35 | Zeiss Planar C-Y 1.4/50 | Zeiss Planar C-Y 1.4/85 | Zeiss Makro-Planar C-Y 2.8/100 | Zeiss Sonnar C-Y 2.8/135 | Nikkor ED Ai-S 2.8/180 | Canon FD SSC Fluorite 2.8/300 | Tair-3S 4.5/300 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Sep 09, 2012 9:51 pm Post subject: |
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Orio wrote:
After having used 300D, 400D, and 50D, I am very happy with the noise performance of my 60D.
It holds up well with my 5D and 5DMkII. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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s58y
Joined: 05 Sep 2010 Posts: 131 Location: Eastern NY
Expire: 2013-09-10
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Posted: Mon Sep 10, 2012 12:33 am Post subject: |
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s58y wrote:
You could try taking a dark frame at ISO200 and 1/3 sec, to make sure there's nothing going on with the lens and the sensor microlenses, etc.
Sometimes you can use software to get the recorded sensor temperature from the captured shot. If so, you can try to shoot the dark frame at about the same sensor temperature. _________________
flickr photostream
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tanheis
Joined: 05 Sep 2007 Posts: 507 Location: Finland
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Posted: Mon Sep 10, 2012 10:46 am Post subject: |
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tanheis wrote:
Left your original. Right more noise reduction.
Bottom less noise reduction.
_________________ EOS 5D mk II
Lenses: Zeiss Distagon T* 15/2.8, Nikkor 24mm 2.8, Pentacon 30 3.5, SMC Takumar 50 1.4, Nikon 50mm 1.4 AI-S & non-AI ones,Olympus OM Zuiko 28/2,Pentacon 50 1.8,Industar-50 50mm 3.5(silver & black) Tamron SP 90mm 2.5, Tokina 28-85 4, Tamron SP 35-80 2.8-3.8, Zeiss 15mm 2.8 ZE Distagon, Zeiss Tessar 45/2.8, Zeiss Planar 85/1.4,Nikon 105mm 1.8,Nikon 200/2 ED-IF AI-S,Seimar 135 2.8, Tamron SP 300mm 5.6, Tamron SP 60-300 3.8-5.4, Tamron SP 500mm 8.0 Mirror, Zenit Photosniper + Tair-3, Canon FD 800 5.6L - EOS converted
-----------------------------------------------
Canon EOS M
Canon EF-M 22mm f/2 STM
Olympus PEN-F 42mm f/1.2 |
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std
Joined: 09 Feb 2010 Posts: 1826 Location: Bulgaria
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Posted: Mon Sep 10, 2012 11:52 am Post subject: |
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std wrote:
Your example looks underexposed , but still it has good detail.
An option could be to expose to the right (ETTR) and then correct the exposure in the raw converter. _________________ Stefan
My lens list:
SLR MD: Rokkor 1,7/50 Exakta: Kilfitt-Makro-Kilar E 3.5/4cm; CZJ 2/50 Pancolar;M42: CZJ 2.8/50 Tessar; Mir-1B 2.8/37; Jupiter-9 2/85 T-mount: Tamron 5.9/200; Tamron 6.9/300; Tamron 7.5/400 C-mount: Cosmicar 1.8/50 Y/S: Sun 3.5/38-90, Sun 4/70-210 RF Contax RF: Jupiter-8 2/50; Contax G:CZ 2,8/21 Biogon T; CZ 2,8/28 Biogon T; CZ 2/35 Planar T; CZ 2/45 Planar T; CZ 2,8/90 Sonnar T |
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fatdeeman
Joined: 13 Jun 2009 Posts: 780 Location: UK
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Posted: Mon Sep 10, 2012 12:49 pm Post subject: |
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fatdeeman wrote:
It's a noisy sensor at the end if the day, I find the raw software used make a difference, capture one gives the most pleasing colours and detail but lots of noise, adobe camera raw is not quite as sharp but has better noise reduction. Canon Dpp probably gives the cleanest images but has the least options.
It's a bit disheartening to see noise at iso 100 but in reality it's not really an issue in prints, just annoying when looking at an image at 100% I find topaz denoise does a great job at reducing it, it's just a shame that it's necessary at such low iso!
A lot of people say the canon 18mp sensor is bad at low iso but relatively good at high iso!
I wish my 60d had the sensor from my nex-5n sometimes! _________________ - Dave
www.lensporn.net
www.flickr.com/photos/fatdeeman/
DSLR: Canon EOS 60D, Samsung GX-1S (Pentax *ist DS2)
Mirrorless: Panasonic DMC-G1, Sony NEX-5N
Compact: Canon PowerShot G3
Lenses:
Wide: Tokina RMC 28mm F/2.8, Tamron Adaptall 2 28mm F/2.5, Sun Optical 28mm F/2.5, Super paragon 28mm F/2.8, Sigma filtermatic 24mm F/2.8, Fujinon 35mm F/2.8, Sun Optical 35mm F/2.8
Standard: Industar 50-2, Helios 44-2, Helios 44M, Helios 44M-3, Pentax-M 50mm F/1.4, Pentax-M 50mm F/1.7, Pentax-M 50mm F/2, Ricoh 50mm F/1.7, Chinon 50mm F/1.7
Tele: Pentacon 135mm F/2.8, Pentacon 200mm F/3.5, Optomax 200mm f/3.5, Sun Optical 135mm F/3.5, Soligor 350mm F/5.6
Zoom: Tokina 28-70mm f/3.5-4.5 SZ-X270 SD, Sigma Zoom Pi 35-200mm F4-5.6, Sun Optical 28-80mm F/3.5-4.5, Sunagor 80-205mm F/3.8, Tokina RMC 80-200mm F/4, Vivitar 70-150mm F/3.8, Tamron 95-205mm F/6.3, Tamron Adaptall 28-200mm F/3.8-5.6 LD Aspherical, Tokina RMC 70-210mm F/3.5
Mirror: Falcon (Samyang) 800mm F/8, MTO-11CA 1000mm F/10, Tamron Adaptall 2 500mm F/8
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fatdeeman
Joined: 13 Jun 2009 Posts: 780 Location: UK
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Posted: Mon Sep 10, 2012 12:53 pm Post subject: |
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fatdeeman wrote:
Nisseliten wrote: |
Something seems fishy to be honest, I took night shots a few weeks ago, 200 iso 30 seconds and got the same, or maybe a bit less noise on my 550D.
These are unedited shots, taken at 200iso 30sec exposure, straight from the raw file with no noise reduction applied.
Taken with the Leica Elmarit-R 19/2.8 at f4 or 5.6 if memory serves me right. |
It's essentially the same sensor so I would expect similar results. _________________ - Dave
www.lensporn.net
www.flickr.com/photos/fatdeeman/
DSLR: Canon EOS 60D, Samsung GX-1S (Pentax *ist DS2)
Mirrorless: Panasonic DMC-G1, Sony NEX-5N
Compact: Canon PowerShot G3
Lenses:
Wide: Tokina RMC 28mm F/2.8, Tamron Adaptall 2 28mm F/2.5, Sun Optical 28mm F/2.5, Super paragon 28mm F/2.8, Sigma filtermatic 24mm F/2.8, Fujinon 35mm F/2.8, Sun Optical 35mm F/2.8
Standard: Industar 50-2, Helios 44-2, Helios 44M, Helios 44M-3, Pentax-M 50mm F/1.4, Pentax-M 50mm F/1.7, Pentax-M 50mm F/2, Ricoh 50mm F/1.7, Chinon 50mm F/1.7
Tele: Pentacon 135mm F/2.8, Pentacon 200mm F/3.5, Optomax 200mm f/3.5, Sun Optical 135mm F/3.5, Soligor 350mm F/5.6
Zoom: Tokina 28-70mm f/3.5-4.5 SZ-X270 SD, Sigma Zoom Pi 35-200mm F4-5.6, Sun Optical 28-80mm F/3.5-4.5, Sunagor 80-205mm F/3.8, Tokina RMC 80-200mm F/4, Vivitar 70-150mm F/3.8, Tamron 95-205mm F/6.3, Tamron Adaptall 28-200mm F/3.8-5.6 LD Aspherical, Tokina RMC 70-210mm F/3.5
Mirror: Falcon (Samyang) 800mm F/8, MTO-11CA 1000mm F/10, Tamron Adaptall 2 500mm F/8
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wuxiekeji
Joined: 15 Aug 2012 Posts: 213
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Posted: Mon Sep 10, 2012 12:57 pm Post subject: |
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wuxiekeji wrote:
fatdeeman wrote: |
A lot of people say the canon 18mp sensor is bad at low iso but relatively good at high iso! |
Yeah, this is sort of what I've found, I've found the noise levels at ISO 800-1600 rather acceptable for that kind of ISO, it's just that (even though my RAW processing software does a decent job -- I use Linux and DarkTable or GIMP Wavelet Denoise both do pretty well) I would just sort of expect no noise reduction necessary whatsoever at the lowest ISO setting, *or else* there ought to be a lower ISO setting. I mean, for those long exposure landscape shots on tripod, I can deal with longer exposure, if I could have ISO 50, ISO 10, whatever it takes to get a almost-noiseless image. Denoising software is great but it would inevitably rob the image of sharpness to some degree, even if just a little bit, and one would think it's nice to be able to have the very best of the best that my hardware is capable of, in those cases that I actually have the time to set up my tripod and everything.
Or maybe it's just that I work in an optics lab and I'm spoiled by the data I see from those insanely expensive CCD's at work ...
I'll do some dark shots and other tests later to see whether or not I can confirm this multiple-of-160 theory and whether or not it's the problem. _________________ Canon EOS 6D | Canon EOS 60D | Canon EOS-M | Voigtlander Nokton 1.4/35 | Zeiss Distagon C-Y 4/18 | Zeiss Distagon ZF 2/28 | Samyang 1.4/35 | Zeiss Planar C-Y 1.4/50 | Zeiss Planar C-Y 1.4/85 | Zeiss Makro-Planar C-Y 2.8/100 | Zeiss Sonnar C-Y 2.8/135 | Nikkor ED Ai-S 2.8/180 | Canon FD SSC Fluorite 2.8/300 | Tair-3S 4.5/300 |
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rolocosta
Joined: 04 Aug 2012 Posts: 5
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Posted: Tue Sep 11, 2012 6:29 pm Post subject: |
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rolocosta wrote:
I have a 60D and had same low iso high noise issue in low light when shooting with my sigma 10-20mm.. later i sold it and got the canon counterpart and the images were brilliant.. did not see the issue any longer.. issue seemed to be with the lens not the camera.. |
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sammo
Joined: 04 Jan 2012 Posts: 223 Location: CH and SI
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Posted: Wed Sep 12, 2012 1:08 pm Post subject: |
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sammo wrote:
Some info about how to get the best image quality at very low light levels (experience from astrophotography).
First, you have to keep in mind that for short exposure (daylight) photoghaphy ISO and noise correlation makes sense for easier interpretation, because you control the exposure time with it and don't feel a huge difference between, let's say 1/100 and 1/2000s, both are just a shot.
But when you are speaking about long exposure photography forget about ISO-noise relation, especially when you take photos in RAW, because ISO is just a gain setting in the detector's amplifier. What matters is how many photons do you detect, this is always the noise deteming factor.
A 30s ISO 100 and a 30s ISO200 photos will have basicly the same noise when you adjust the histogram levels on the raw photo (accualy in some cameras, like Canon 350D, it could happen that ISO200 is better!).
So to lower the noise you can either do obvious (get a more efficient sensor, better noise reduction), or you can do as astronomers do, substract raw dark frames (these accually don't make such a big difference with moder DSLR sensors) and stack images together to get more signal. |
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