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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 12:57 am Post subject: Maine forest |
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Schnauzer wrote:
These aren't my fish and I don't know anything about landscapes so don't expect much
Where I live is in the beginning of a triangle of land with a river on one side and the main road to New Brunswick, Canada on the other side. Its 90 miles to the Canadian border without a single paved road crossing the triangle. Maine is the most heavily forested of the lower 48 states and this is all logging/ forestry country. We went riding some of the logging roads today taking pictures of some of the outlets of the lakes that literally dot the area. We had a great time. I had forgotten that we used to do this all the time.
We saw a few moose, but the camera was in the back of the vehicle so the dogs wouldn't scar it all up. By the time I got the camera the moose were in the woods out of sight.
It had been raining, but stopped and brightened up a little.
5DMII
Yashica ML 28/2.8 at f/5.6
To bad reducing for the web make the huge pictures from the 5DMII look bad. The more you crop the better they look. This is just a small crop and it looks better to me than the full size. Some how they always look over sharpened when reduced even though they are not.
An eagle nest way out there in an old tree.
_________________ Ron
Last edited by Schnauzer on Sun Jul 05, 2009 4:05 pm; edited 1 time in total |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun Jul 05, 2009 1:25 am Post subject: |
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Laurence wrote:
Simply magnificent landscapes. A part of Maine that I had not envisioned. Almost a cross between wetlands and the Serengeti Plains. These are well-taken, and the composition is beautiful in a hard-to-compose area. Love these, Ron. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 1:36 am Post subject: |
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Schnauzer wrote:
Thank you very much Larry. I really appreciate it. _________________ Ron |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Sun Jul 05, 2009 5:24 am Post subject: |
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poilu wrote:
very nice landscape
great composition and colors, they could be painting
my fav #2#4#5 |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sun Jul 05, 2009 7:09 am Post subject: |
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patrickh wrote:
Ron
These are superb - you are well on the way to becoming a mainstream landscape taker
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Sun Jul 05, 2009 7:53 am Post subject: |
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LucisPictor wrote:
Isn't is amazing that in the States the Northwest and the Northeast have the most amazing landscapes? _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Jul 05, 2009 9:01 am Post subject: |
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Orio wrote:
Very good landscape, the cloudy weather gives a sense of melancholy which I think is VERY appropriate for the swamps, plus you got the benefit of the clouds reflections (which you wouldn't have in a sunny day!)
Thumbs up!! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 2:05 pm Post subject: |
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Schnauzer wrote:
Wow!! You guys actually liked them. Thanks a lot. I wish I had the eye for landscapes that a lot of you do.
Now, for my own information/learning process about landscapes. These wouldn't be interesting, would they? And if you don't mind taking the time, why?
_________________ Ron |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Jul 05, 2009 2:33 pm Post subject: |
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Orio wrote:
Ron, I will give you my opinion.
A landscape is not much different from other types of pictures, in that it also needs a point of interest.
In your last pictures, it is difficult to define what the point of interest is. The vegetation makes a rather undifferentiated mass. There is the water, but it also flows without particular interest points. It may be the rocks at the bottom of the first picture, but they are not so prominent. It could be the fallen trunk in the second picture, but it is quite distant and small and the deep DOF does not make it stand out.
In your previous pictures, those of the swamps, the water was the main subject, but it worked well for two reasons:
1- your point of view was lower, near to the water level. One thing I learned in photography is that the photograph comes out stronger when the main subject is at the same (or near) level than your camera's eye level. In your river pictures, the water is seen from above and this reduces the importance.
2- in the water of the swamp, there was some well focused vegetation, and mostly, there were the reflections of the clouds, which made a gorgeous effect.
hope this helps _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 2:52 pm Post subject: |
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Schnauzer wrote:
Thanks Orio. That does help
The streams were very interesting, nice sounds of the water moving and I thought pretty. But after taking the pictures they did nothing for me. That is why I didn't post them.
In the other pictures I was able to get down close to the water to give a better perspective. In the stream shots I had to take them off of a bridge.
I will learn this. I need to develop my eyes for this sort of thing as well as keeping some key points in mind. _________________ Ron |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sun Jul 05, 2009 3:41 pm Post subject: |
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Katastrofo wrote:
Very nice, Ron, in the first set, the Maine Everglades (where's the airboats, anyway) I like the last two. In the second set I like the 2nd
one, the vertical comp really works in this. Let's have more of these.
Nice frames, BTW. |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 4:01 pm Post subject: |
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Schnauzer wrote:
Thank you Bill. _________________ Ron |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Sun Jul 05, 2009 4:10 pm Post subject: |
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patrickh wrote:
Ron
Going along with Orio, I would add that light is also critical. Adams would wait up to two weeks to get the light right, and he aimed to have the key portion of his shot "highlighted". We don't normally have the luxury of waiting so a certain amount of successful landscapes is serendipity. I suspect #2 would have been even more successful with some diffused sunlight
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Jul 05, 2009 4:54 pm Post subject: |
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Attila wrote:
Simple beautiful! Go to there again with Velvia and medium format camera _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 5:39 pm Post subject: |
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Schnauzer wrote:
patrickh wrote: |
Ron
Going along with Orio, I would add that light is also critical. Adams would wait up to two weeks to get the light right, and he aimed to have the key portion of his shot "highlighted". We don't normally have the luxury of waiting so a certain amount of successful landscapes is serendipity. I suspect #2 would have been even more successful with some diffused sunlight
patrickh |
Thanks Patrick. I agree. Unfortunately it was very overcast. In fact it rained so hard about an hour later that I could hardly see to drive with the wipers on high.
We have had 1 sunshiny day in over three weeks with rain every day except for that one day. Summer is short enough here without the rain ruining the summer we all look forward to. _________________ Ron |
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Schnauzer
Joined: 09 Apr 2008 Posts: 2155 Location: Maine, USA
Expire: 2012-03-08
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Posted: Sun Jul 05, 2009 5:42 pm Post subject: |
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Schnauzer wrote:
Attila wrote: |
Simple beautiful! Go to there again with Velvia and medium format camera |
I don't have a MF camera Attila, but I do plan to get some provia for the EOS 3.
I took some shots with the EOS 3 loaded with gold 200. I had the helios 44M-4 on it. I'll have them back in a couple of days. _________________ Ron |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun Jul 05, 2009 5:48 pm Post subject: |
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Laurence wrote:
I agree about Orio's premise that "points of interest" are of importance. Even if you feel, Ron, that the last group is not as interesting, I STILL love them because I am "into" seeing what the land looks like in different places in the world. I also agree with staying low with the camera (when possible).
Our weather has been the opposite of yours - we have a drought situation in comparison with most years. We have set two records for number of days without rain, since February. Not good...
I would certainly love to see you continue with your "tour" with images. _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Jul 05, 2009 6:30 pm Post subject: |
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Attila wrote:
Schnauzer wrote: |
Attila wrote: |
Simple beautiful! Go to there again with Velvia and medium format camera |
I don't have a MF camera Attila, but I do plan to get some provia for the EOS 3.
I took some shots with the EOS 3 loaded with gold 200. I had the helios 44M-4 on it. I'll have them back in a couple of days. |
Velvia or Provia for this exceptional subject and larger format what you can afford it. 35mm film will not really better than your DSLR, but a 6x9 Bessa RF with Skopar or Heliar can be produce unbelievable result. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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