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BrianS
Joined: 03 Aug 2013 Posts: 92
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Posted: Sun Sep 08, 2013 3:12 pm Post subject: |
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BrianS wrote:
An Uncoated 1938 Carl Zeiss Jena 5cm F1.5, at F4 on the Leica M8.
for the original Poster: you would have a field day in my hobby room looking through MANY lenses on the EP-2. Everything from a 4cm F1.4 Biotar up through a C-Sonnar. 7-element Raptar 51mm F1.5 thrown in. Someday I will make that one into RF coupled M-Mount.
BUT until then, best to post a sample image of the rendering of a lens that you are looking for. I sold a Jupiter-9 to a movie producer, he just had to have it for portraits. Based on the 7 element pre-war Zeiss design, rather than the 5 element post-war lenses. The rendering lost something with those elements. SO- you have a massive list of lenses from this thread, could be the index of Neblette "Photographic lenses".
It would be helpful to have an idea of "the look" that you like. |
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caspert79
Joined: 31 Oct 2010 Posts: 3220 Location: The Netherlands
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Posted: Sun Sep 08, 2013 3:26 pm Post subject: |
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caspert79 wrote:
I used to have a Yashica T4 compact film camera. It's Carl Zeiss Tessar 35mm, f/3.5 lens (T* coated) was magic. Colors were very special and contrast was fabulous. I'm not sure if these are typical characteristics of a Tessar design lens, or maybe it was the coating? |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Sun Sep 08, 2013 6:28 pm Post subject: |
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Mos6502 wrote:
You will of course note that the Raptar and some other lenses also appear in the list of tessar designs. Raptar was, as has been pointed out, just a trademark rather than a specific design. The most commonly encountered Raptars are tessar designs. Same with the Kodak Ektar, take a look here for some of the different designs that had that trademark applied to them: http://www.vintag.es/2012/10/kodak-lens-manual-1941.html
Some are double gauss designs, but most aren't, and you're more likely to encounter the ones that aren't. |
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BrianS
Joined: 03 Aug 2013 Posts: 92
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Posted: Sun Sep 08, 2013 10:03 pm Post subject: |
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BrianS wrote:
There are some interesting Raptars out there- the 35/2 Raptar for the Fastax mount is quite good, would work well with your format. I converted one to Contax mount using a J-12 focus mount. I have some digital shots on the EP2- will look for them. It is not a Tessar.
Found it...
35/2 Raptar, wide-open on the Olympus EP2. |
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nick_cool
Joined: 04 Mar 2013 Posts: 5
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Posted: Sun Sep 08, 2013 10:56 pm Post subject: My 5 cents. |
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nick_cool wrote:
Tokina 28mm f2.8 is small, inexpensive and nice lens.
But the ones I love are the Fujinons,
More pics here (most of them made with MF lenses):
www.flickr.com/photos/nick_cool2000/ |
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DR.JUAN
Joined: 08 Feb 2013 Posts: 661
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Posted: Sun Sep 08, 2013 11:41 pm Post subject: |
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DR.JUAN wrote:
Lightshow wrote: |
I really like the rendering of my MC Rokkor 28/2.5 and 58/1.2 though you can substitute the MC 50/1.4 as its the same formula.
For compact stealthy shooting, the old Pen F lenses would be quite good. |
Yes, the 1,2/58 and the 1,4/50 have the same formula. But the rendering not the same. The 58 lens has less apertures as sharper as the 50, in the center, the 50lens at f/2,8 and f/11 win. And in contrast the adventaje is for the 50 in almost all the apertures.
But the 58rendering IQ is fantastic, very artistic.
If you go to minolta, i hope that the exposed can help you. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Sep 09, 2013 6:37 am Post subject: |
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iangreenhalgh1 wrote:
Just shows, there's a lot of bunk on the net. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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kds315*
Joined: 12 Mar 2008 Posts: 16663 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Mon Sep 09, 2013 6:52 am Post subject: |
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kds315* wrote:
Here are a few (some unique ones) in use...
http://www.flickr.com/photos/kds315/sets/ _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Mon Sep 09, 2013 1:08 pm Post subject: |
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kuuan wrote:
my recommendation would be Takumar f2/58, Auto Takumar f2/55, Super Takumar f1.9/85 _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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Billou
Joined: 01 Feb 2013 Posts: 169 Location: Germany
Expire: 2015-05-19
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Posted: Mon Sep 09, 2013 1:39 pm Post subject: |
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Billou wrote:
For me, Re Auto Topcor 58/1.8, Vivitar Series 1 28/1.9, Mir 24N 35/2, Schneider Kreuznach Xenon 50/1.9. |
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GeorgeSalt
Joined: 09 Feb 2013 Posts: 336 Location: Norfolk, UK
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Posted: Mon Sep 09, 2013 1:50 pm Post subject: |
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GeorgeSalt wrote:
DR.JUAN wrote: |
ikon pantar |
Are any of the Panter lenses usable on either EOS or m4/3 mounts?
The Zeiss Ikon Pantar 75mm F4 is a very pretty looking lens, but I can't find anything on the web where someone has actually got it mounted on a digital camera of any type. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Sep 09, 2013 2:08 pm Post subject: |
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iangreenhalgh1 wrote:
The Pantars were triplets. The 45mm version fitted to some Contaflex and Contina models had an interchangeable front element and could have 35mm or 75mm add-on lenses fitted, which were made by Rodenstock.
There was a Pantar 2.8/50 for the Icarex, also a triplet.
There are plenty of other triplets for SLRs, the Meyer Trioplan 2.9/50 is excellent, the Ludwig Meritar 2.9/50 is very good too. Steinheil made the Cassarit 2.8/50 as well. The most common is the Pentacon Domiplan 2.8/50, but I'd try to find any of the others rather than the Domiplan, which is poorly made and highly variable in image quality, excellent Domiplans do exist, but so do awful Domiplans and I suspect the latter are much more common. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Mos6502
Joined: 20 Jun 2011 Posts: 960 Location: Austin
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Posted: Mon Sep 09, 2013 2:43 pm Post subject: |
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Mos6502 wrote:
It think the trioplan and the meritar are probably the best triplets you can find in 50mm. The Icarex Pantar is one of the harder Icarex lenses to find. The steinheil triplets, in my experience at least, were all pretty awful even by triplet standards (only in 50mm, I have a 105mm cassar on a folder which is brilliant). The Iscotar is actually quite good for a triplet, but the earlier isconars, and westars are not quite as good at least in terms of sharpness.
The domiplan is ok, but the meritar renders better imo.
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caspert79
Joined: 31 Oct 2010 Posts: 3220 Location: The Netherlands
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Posted: Mon Sep 09, 2013 2:53 pm Post subject: |
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caspert79 wrote:
I owned a Konica AR 55mm macro lens that delivered very contrasty pictures with popping colors. |
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extra|ordinary
Joined: 06 Apr 2012 Posts: 11
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Posted: Mon Sep 09, 2013 6:12 pm Post subject: |
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extra|ordinary wrote:
Given you intend to use the lenses on the BM Cinema Cam, the 16mm sized sensor limits the usefulness of some of the longer focal lengths.
That said, two of my favorite lenses under 50mm, purely for the quality of rendering:
-Carl Zeiss Jena 35/2.4 Flektogon (M42 mount) - Wonderful lens! Although a bit difficult to focus accurately.
-Carl Zeiss 45/2.8 Tessar (C/Y mount) - This lens is really overlooked in the Contax line up! I love this lens to death.
My only concern with using either of these for video is that they are both pretty high contrast.
A third oddball recommendation would be the highly overlooked first generation Sigma 28/1.8 (the smaller lens with the 58mm filter threads). Purely on rendering, this lens is pretty remarkable. It's usability in video applications might be limited however, due to a noisy focus ring. Furthermore, this lens has a really unique color signature that may prove difficult to tame. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Mon Sep 09, 2013 7:10 pm Post subject: |
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Pancolart wrote:
extra|ordinary wrote: |
-Carl Zeiss Jena 35/2.4 Flektogon (M42 mount) - Wonderful lens! Although a bit difficult to focus accurately.
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Considering the title it would be one of the last lenses to recommend _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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mfkita
Joined: 29 Jul 2007 Posts: 222
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Posted: Mon Sep 09, 2013 10:44 pm Post subject: |
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mfkita wrote:
Found this at a pawn shop for $8...
Not the sharpest, but it's a lot of degrees of fun I can afford...
_________________ I favor the simple shot...and uncomplicated technology that won't distract me from seeing it...
NIKON D610, Canon 30D/450D/s90/A570is: Canon 35/2, 50/1.8 MKI, 18-55IS, 28-105/3.5-4.5, 70-210/3.5-4.5; MF Nikkors 50/2K, 50/1.4AIS, 60/2.8 Micro, 85/1.8-K (AI'd), 135/2.8K, 135/2.8Q.C, 180/2.8ED, 200/4Q (AI-cut), 200/4AIS, 300/4.5-H (AI'd), Olympus 24/2.8, Vivitar 28/2, Vivitar S1 70-210/3.5 and S1 28-90;Tamron sp90/2.5; (and 28-85 AF nikkor), 35mm Nikon F, FM, FE2/MD12 drive |
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DR.JUAN
Joined: 08 Feb 2013 Posts: 661
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Posted: Mon Sep 09, 2013 11:11 pm Post subject: |
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DR.JUAN wrote:
Looking for character, I prefer the sacrifice of some sharpness in favor of not, or less, CA.
In the triplets quid, I must say that the pantar was never a "looking for" lens. Only the cheapest way to have acces to the Icarex cam.
The tessar for her was perhaps one of the best version of these gem of lens.
If I don´t remember badly, the radionar wasn't bad at all. I use it with a plastic retina RF, may be S2 model.
Another point, is the triplets whom focus rotating only the front element, is not the best version.
Good luck. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Sep 10, 2013 4:57 am Post subject: |
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iangreenhalgh1 wrote:
The 'Tessar' for the Icarex is actually a rebadged Voigtlander Color-Skopar. I've read several times that it's the best 'Tessar' of that era. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Rawit
Joined: 23 Nov 2012 Posts: 39
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Posted: Tue Sep 10, 2013 8:21 am Post subject: |
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Rawit wrote:
You mention you are going to use it on the BlackMagic camera, so primarily for video. Make sure you get a lens with an aperture ring you can remove the clicks from. Most of them are ball bearing I guess, and I've read on this forum that it was do-able on the Konica's. Check for guides on how to do that before you buy a lens. |
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