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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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 Posted: Fri Oct 10, 2008 11:02 pm Post subject: [impressive] 50D and Planar 2/135 |
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Orio wrote:
I would like to show you this sample I took today with the 50D and the Contax Planar 2/135.
I have to warn you before hand: this is quite impressive, so, if you are a sensitive kind, you'd probably better not see it!
Here's the full image resized:
And now the scary part, the full size image. As a link, of course.
The image is 100 ISO and taken hand-held
Open the page at your own risk (let it all load, it's big):
http://www.timelessphotography.eu/temp/50D_zeissplanar135_sample.htm
I warned you! 
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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| Posted: Sat Oct 11, 2008 12:15 am Post subject: |
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patrickh wrote:
Ouch it hurt my eyes.
patrickh
_________________
DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Katastrofo
Joined: 26 Feb 2007
Posts: 10405
Location: USA
Expire: 2013-11-19
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| Posted: Sat Oct 11, 2008 1:31 am Post subject: |
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Katastrofo wrote:
Geez, Orio, you shouldn't be aiming that camera at the earth! 
Mindboggling to say the least... |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sat Oct 11, 2008 1:58 am Post subject: |
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Laurence wrote:
Orio! Orio!
I loaded this image onto my wife's 24 inch monitor (that she made me give to her - ) and as it transformed into the image, my jaw kept dropping, dropping, dropping...until finally I had to get a spatula and pick up my jaw and screw it back in.
InCREDIBLE! The DETAIL, the lack of CA, the relative SHARPNESS and RESOLUTION are all mind-boggling.
Go up and look at the shadow transition in the upper roofline, where the gray meets the peach color. That shadow is FULL of smooth gradient. It's simply remarkable that you are getting this out of a RAW file.
Look at the interstices between the Aloe leaves, where the background detail shows beautiful detail. Notice the faux-granite texture on the top trim of the planter box!
Look at the shadows produced by the flowers, against the body of the planter box.
How about the transitional details and subtle coloration changes in the big drain pipe?
Finally, go look at the right hand branching of the Aloe, on the upper edge. Even the little spines are showing a gradient...and those are TINY spines, yet there it is!
Are you SURE this isn't medium format?
The Zeiss glass has found a beautiful partner.
Amazing
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Sat Oct 11, 2008 5:23 am Post subject: |
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Orio wrote:
I couldn't believe this image myself the moment I opened it.
There are many things that impress me, but most of all are the writings on the black rubber cable. They are clear as if I was in front of them. While they were at 15-20 mt distance. And I shot hand held.
Man, if I look closely on that tube, I can see the actual texture of the rubber. Can you think of a more elusive texture than that of an industrial rubber cable?
I am frankly astonished. I was hoping that the 15 Mp could mean more cropping room for me, but I wasn't expecting this quality at enlargement. It is well worth the pain of some caretaking for the noise. With a digital negative like this, you can make any print you wish.
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007
Posts: 10472
Location: Greece
Expire: 2019-08-29
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| Posted: Sat Oct 11, 2008 5:40 am Post subject: |
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poilu wrote:
Wow! that's impressive! I can count the legs of the flies
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LucisPictor
Joined: 26 Feb 2007
Posts: 17633
Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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| Posted: Sat Oct 11, 2008 9:39 am Post subject: |
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LucisPictor wrote:
[envy mode on]
What are you all talking about? Why are you all thrilled by such a soft, almost blurry picture with heavy CAs and a terrible distorsion, no details and a resolution similar to my old Jenoptik digicam!
[envy mode off]
Orio, I am truely speechless. I, like poilu, was instantly impressed by the fly, the white print and the little screw!
And yes, colours are great and corner performance is incredible!!
Congratulations, my friend!
_________________
Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator 
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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trifox
Joined: 14 May 2008
Posts: 3614
Location: UK
Expire: 2014-05-29
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| Posted: Sun Oct 12, 2008 10:51 pm Post subject: |
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trifox wrote:
Yep, the letters on the cable!!!! I going to sleep,, it will be better tonight 
tf |
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mjkerpan
Joined: 15 Mar 2008
Posts: 56
Location: Boston, USA
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| Posted: Mon Oct 13, 2008 4:54 pm Post subject: |
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mjkerpan wrote:
Wow! So much awesome detail. This just goes to show why Zeiss is number 1. One thing I would like to see would be how this compares to some of the old Zeiss Jena 135s, which would no doubt be much cheaper to get... |
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Mon Oct 13, 2008 6:16 pm Post subject: |
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Orio wrote:
| mjkerpan wrote: |
| Wow! So much awesome detail. This just goes to show why Zeiss is number 1. One thing I would like to see would be how this compares to some of the old Zeiss Jena 135s, which would no doubt be much cheaper to get... |
OK, I will make the comparison when I have time.
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Mon Oct 13, 2008 8:30 pm Post subject: |
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Laurence wrote:
| Orio wrote: |
| mjkerpan wrote: |
| Wow! So much awesome detail. This just goes to show why Zeiss is number 1. One thing I would like to see would be how this compares to some of the old Zeiss Jena 135s, which would no doubt be much cheaper to get... |
OK, I will make the comparison when I have time. |
And don't forget to go on a walk with the 50/3.5! 
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Mon Oct 13, 2008 8:40 pm Post subject: |
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Orio wrote:
yes, that too
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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