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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Apr 21, 2012 1:54 am Post subject: Ilford FP4 in Rodinal, Zeiss Ikonta-M 524/16. |
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iangreenhalgh1 wrote:
Had to fix the contrast on these but no other PP. Not liking FP4 at all, glad I only bought 4 rolls. Grain and sharpness is fine but where's the blacks?
#1
#2
#3
#4
#5
#6
#7
_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Katastrofo
Joined: 26 Feb 2007 Posts: 10405 Location: USA
Expire: 2013-11-19
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Posted: Sat Apr 21, 2012 4:01 am Post subject: |
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Katastrofo wrote:
Was this 1:100 for 24 mins like the others? I'm doing the same, shooting rolls of film I don't much like, just to clear it
out of my refrigerator. Really like the blacks/contrast of this using TriX at box speed, Clayton F76 Plus 1:9, don't see anyone
here using this dev:
http://farm8.staticflickr.com/7168/6640061537_2c0e1eea9d_b.jpg
Seriously thinking about trying it, Arista Premium 400 is TriX, and so cheap from Freestyle.
Back to your set: Pretty impressive shadow detail in #2, view down the alleyway. |
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marty
Joined: 09 Apr 2009 Posts: 767 Location: Italy
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Posted: Sat Apr 21, 2012 9:01 am Post subject: |
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marty wrote:
Hi, there. Quite problematic film, ain't it? I've tried it in several developers and haven't quite found a combination that works for me. Your negs here look a bit underdeveloped. The problem is that giving more development leads soon to "bulletproof" highlights and "blocked" shadows. This poses a problem to me since I like to print in the traditional way, but if your not doing that it might be different. Having found a few leftover rolls I decided to make some more test and so far the more promising is a home brew two solution developer, this way I should be able to give more development without the aforementioned issue. Why not just giving up you may ask, the answer is that among average shots on this film there are a few which have a tonal range I like, in other words I see a potential awaiting to be unchained .
Cheers. _________________ Canon FD
Bodies: AT-1, A-1, T-90
Lenses: nFD 20mm f2.8, 24 f2.8, 28 f2.8, 35 f2, FD 50 f1.8 S.C., 85 f1.8, 100 f2.8, 135 f2.8, 200 f4, 300 f4
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Apr 21, 2012 12:22 pm Post subject: |
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iangreenhalgh1 wrote:
Bill, this was 1:50 for 18mins, which is the recipe on the back of the bottle.
Hiya Marty. The negs were nice and dense, I doubt I could have pushed the development much further, as you say. I wonder if a different developer would give better results. I am almost out of RO9 so I will dev the nest roll in Paterson FX-39. I have an Agfa Isolette III for a few days that belongs to a friend, I will try it today with a roll of FP4 and post results later.
I looked at other people's fp4 results, much better than mine, clearly fp4 in ro9 is not good combo, I expect it is much better to use ilford dev like ID-11, Microphen or Ilfosol. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Apr 21, 2012 3:23 pm Post subject: |
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Orio wrote:
Ilford FP4 is not a film for Rodinal developer. You need a developer for very fine grain results.
Try FP4 with any of these:
- Ilford ID-11
- Kodak T-Max
- Ornano Gradual ST 20
- Ornano Nucleol BF 200 _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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berraneck
Joined: 24 May 2009 Posts: 972 Location: prague, czech republic
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Posted: Sat Apr 21, 2012 3:38 pm Post subject: |
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berraneck wrote:
people are always surprised when "the film" doesn´t meet their expectations. that is simply wrong, because there are hundreds ways to develop it with hundreds possible results. that is the great thing with BW film, you can make your own look - if something doesn´t work for you, you change process or chemicals and can get results you need. but you need experience, time and patience... it took me 3years of searching for film/negative developer/process/paper/positive developer(process to find what I wanted... so good luck, sir:) _________________ equipment doesn´t count, good photographs do |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Apr 21, 2012 4:01 pm Post subject: |
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iangreenhalgh1 wrote:
Thanks for tips guys, I have another roll of fp4 to develop, I will try it in Paterson FX-39. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Sat Apr 21, 2012 6:37 pm Post subject: |
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Excalibur wrote:
Ah FP4 was always my favourite film, and a great combo was with a dev called Unitol, and even by 1961, Johnsons had filled their millionth bottle http://www.photomemorabilia.co.uk/Johnsons_of_Hendon/JoH_Chemicals.html all in the past oh well..... ID II or D76 was my second choice. _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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peterqd
Joined: 28 Feb 2007 Posts: 7448 Location: near High Wycombe, UK
Expire: 2014-01-04
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Posted: Sat Apr 21, 2012 6:55 pm Post subject: |
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peterqd wrote:
FP4 is my favourite too. This was developed in Ilfotec DD-X
_________________ Peter - Moderator |
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