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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Wed Apr 16, 2014 10:05 pm Post subject: |
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16:9 wrote:
The Amar might make the cut, and the Neonon 80 is already in the frame. I've updated the first entry in the thread to show the lens obtained and scheduled so far. Testing will begin when I can track down an APO EL 105. _________________ If it ain't broke, break it. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Thu Apr 17, 2014 1:54 am Post subject: |
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Ray Parkhurst wrote:
I've owned several Amar/S 105mm over the years, and they have all been quite hazy, with manufacturing defects. Have I just not received good lenses? None have been good enough to include in any test I've done. They may be excellent but it seems very tough to find one in good condition... |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Thu Apr 17, 2014 11:57 am Post subject: |
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ForenSeil wrote:
iangreenhalgh1 wrote: |
16:9 wrote: |
I aim to please: bought a Fujinon EX 105 and Ektar 75 in the past few hours for inclusion. |
I have little doubt the Ektar 75 will have the most pleasing bokeh of all the lenses on test. |
Many El-lenses have quite ugly bokeh, Including my beloved Rodagon 105, G-Claron 150 and several more I had _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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MacTak
Joined: 15 Jun 2011 Posts: 108
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Posted: Thu Apr 17, 2014 1:06 pm Post subject: |
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MacTak wrote:
Ray Parkhurst wrote: |
I've owned several Amar/S 105mm over the years, and they have all been quite hazy, with manufacturing defects. Have I just not received good lenses? None have been good enough to include in any test I've done. They may be excellent but it seems very tough to find one in good condition... |
That's good to know. Out of curiosity, were they like the one in the thread I posted (as I've seen earlier versions of it on Ebay too; perhaps it was only those you had bad experiences with?). |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Thu Apr 17, 2014 3:42 pm Post subject: |
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Ray Parkhurst wrote:
MacTak wrote: |
Ray Parkhurst wrote: |
I've owned several Amar/S 105mm over the years, and they have all been quite hazy, with manufacturing defects. Have I just not received good lenses? None have been good enough to include in any test I've done. They may be excellent but it seems very tough to find one in good condition... |
That's good to know. Out of curiosity, were they like the one in the thread I posted (as I've seen earlier versions of it on Ebay too; perhaps it was only those you had bad experiences with?). |
Would you please provide a link to that thread? Search doesn't seem to be working, only returning 404 errors...Ray |
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MacTak
Joined: 15 Jun 2011 Posts: 108
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Posted: Fri Apr 18, 2014 12:57 pm Post subject: |
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MacTak wrote:
Ray Parkhurst wrote: |
MacTak wrote: |
Ray Parkhurst wrote: |
I've owned several Amar/S 105mm over the years, and they have all been quite hazy, with manufacturing defects. Have I just not received good lenses? None have been good enough to include in any test I've done. They may be excellent but it seems very tough to find one in good condition... |
That's good to know. Out of curiosity, were they like the one in the thread I posted (as I've seen earlier versions of it on Ebay too; perhaps it was only those you had bad experiences with?). |
Would you please provide a link to that thread? Search doesn't seem to be working, only returning 404 errors...Ray |
Here's the link:
http://forum.mflenses.com/amar-s-4-5-105mm-made-in-poland-my-new-105-tele-t37668.html |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Fri Apr 18, 2014 10:36 pm Post subject: |
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Ray Parkhurst wrote:
MacTak wrote: |
Ray Parkhurst wrote: |
MacTak wrote: |
Ray Parkhurst wrote: |
I've owned several Amar/S 105mm over the years, and they have all been quite hazy, with manufacturing defects. Have I just not received good lenses? None have been good enough to include in any test I've done. They may be excellent but it seems very tough to find one in good condition... |
That's good to know. Out of curiosity, were they like the one in the thread I posted (as I've seen earlier versions of it on Ebay too; perhaps it was only those you had bad experiences with?). |
Would you please provide a link to that thread? Search doesn't seem to be working, only returning 404 errors...Ray |
Here's the link:
http://forum.mflenses.com/amar-s-4-5-105mm-made-in-poland-my-new-105-tele-t37668.html |
That is the same type I have. The haze is internal, and I can't figure out how to open the lens to clean inner surfaces... |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Fri May 09, 2014 3:09 am Post subject: |
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Ray Parkhurst wrote:
Any update on the lens testing? |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Fri May 09, 2014 6:12 am Post subject: |
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16:9 wrote:
Almost done tracking down the last of the candidates . . .
Still no APO EL 105, though - looks like I may have to begin without it, and add a comparison down the line. I'm also going to need an adaptor like your PN105 for the Printing Nikkor 150mm. In its range what a lens! Having said that, all the models in the line-up are superbly useable - it will be quite a challenge to tease them apart. _________________ If it ain't broke, break it. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Tue Jul 05, 2016 8:43 pm Post subject: |
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Ray Parkhurst wrote:
16:9 wrote: |
Almost done tracking down the last of the candidates . . .
Still no APO EL 105, though - looks like I may have to begin without it, and add a comparison down the line. I'm also going to need an adaptor like your PN105 for the Printing Nikkor 150mm. In its range what a lens! Having said that, all the models in the line-up are superbly useable - it will be quite a challenge to tease them apart. |
Did you ever complete your lens tests? |
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Arkku
Joined: 28 Feb 2007 Posts: 1416 Location: Helsinki, Finland
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Posted: Fri Apr 30, 2021 4:22 pm Post subject: |
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Arkku wrote:
Super necropost, but was this lens test ever done? I guess not. =( |
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visualopsins
Joined: 05 Mar 2009 Posts: 11026 Location: California
Expire: 2025-04-11
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Posted: Fri Apr 30, 2021 4:45 pm Post subject: |
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visualopsins wrote:
Arkku wrote: |
Super necropost, but was this lens test ever done? I guess not. =( |
Good to see you here again Arkku! _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Arkku
Joined: 28 Feb 2007 Posts: 1416 Location: Helsinki, Finland
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Posted: Sat May 01, 2021 11:49 pm Post subject: |
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Arkku wrote:
visualopsins wrote: |
Good to see you here again Arkku! |
Thanks, I've been lurking here on and off but haven't really had anything to post as I've been fairly inactive in photography and using AF lenses (oh noes, heresy!)
Anyway, as for the topic, a test of affordable enlarger lenses would still be interesting to me, or even just opinions from someone who has many. I'm looking to do some higher than 1× macro and since I have bellows and M39 adapters etc., enlarger lenses would be an easy way to do it. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Tue May 04, 2021 3:32 am Post subject: |
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Ray Parkhurst wrote:
Arkku wrote: |
visualopsins wrote: |
Good to see you here again Arkku! |
Thanks, I've been lurking here on and off but haven't really had anything to post as I've been fairly inactive in photography and using AF lenses (oh noes, heresy!)
Anyway, as for the topic, a test of affordable enlarger lenses would still be interesting to me, or even just opinions from someone who has many. I'm looking to do some higher than 1× macro and since I have bellows and M39 adapters etc., enlarger lenses would be an easy way to do it. |
You can view several shootouts and tests over on the Photomacrography.net forum. Also, Robert OToole has done quite a lot of testing and publishes on his closeuphotography website. I did a shootout at 2.4x a while back and included some enlarger lenses as well as duplication lenses and some objectives. Even at 2.4x you need to focus stack for best results:
http://www.photomacrography.net/forum/viewtopic.php?t=20173
Most of the enlarger lens testing I've done has been at around 0.7x for coin photography, so won't help you much if you're trying for higher mags. But if you're interested, take a look at these links:
http://www.macrocoins.com/100mm-lens-shootout.html
http://www.macrocoins.com/80mm-lens-shootout.html _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Mon Nov 08, 2021 3:43 pm Post subject: Necropost alert |
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16:9 wrote:
Yes - that's a good idea: a group test of enlarger lenses. _________________ If it ain't broke, break it. |
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SilverPrintMan
Joined: 16 Oct 2018 Posts: 13 Location: Essex
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Posted: Mon Nov 08, 2021 4:17 pm Post subject: |
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SilverPrintMan wrote:
I know I may seem a little pinicky but, most decent enlarger lenses are optimised for a certain range of image enlargement ie 4-10x, 8-15x etc.
Does this allow for a fair comparison if each lens is optimised differently? |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Mon Nov 08, 2021 4:33 pm Post subject: |
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Ray Parkhurst wrote:
SilverPrintMan wrote: |
I know I may seem a little pinicky but, most decent enlarger lenses are optimised for a certain range of image enlargement ie 4-10x, 8-15x etc.
Does this allow for a fair comparison if each lens is optimised differently? |
In my case, my shootout tests were focused on the specific application of coin photography, and I wanted to find the best lenses for that app. The result was that lenses more optimized for that mag range, which is 0.25...1.0 on APSC (or 0.4 to 1.6 on FF), stood out above those which were optimized for different mag ranges. In reality, most enlarger lenses are optimized somewhere within the 2-20x range (forward mounted, from perspective of the negative), and it is a rare lens that works well at 1x. Duplication lenses were designed to fill the void from 0.5...2x, and it is this type which stands out for coins and for low-macro work generally.
So I guess the answer is that if we are evaluating enlarger lenses as enlarger lenses, they should be tested across their intended and optimized ranges to be fair in that application. But for the taking work that most folks are using these lenses for, they should be evaluated with the application ranges in mind. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Mon Nov 08, 2021 6:54 pm Post subject: |
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16:9 wrote:
Yes. Once upon a time I wanted to do a group test of enlarger lenses as taking lenses. It was pointed out that such an undertaking was a waste of time, pointlessly retreading the efforts of others. And this was partly true. However, I do not shoot coins, I rarely shoot macro and I have a kit-bag of pro glass. What I'm interested in is their tiny form factor and their big image circles. Their look is peculiar.
Even (especially) humdrum enlarger lenses (this is the almost free Perfex 75mm f3.5 - not much bigger than a coin itself - shooting the most humdrum of scenes) combine interesting factors . . .
The simplicity of these lenses gives a look that is optically 'pure': a cinematically large depth of field with a perfectly circular aperture; low contrast (like a 'vintage' lens - no bad thing) but a high degree of consistency across the frame (unlike a vintage lens) with regard to resolution and vignetting. On a tilt adaptor, one has powerful depth of field control and place of focus effects. And the Apo versions punch all that home with deep, rich colour - simultaneously doing dreamy and precise.
Doubling as macro lenses is merely a handy bonus.
Rodenstock Apo Rodagon N 105/4 _________________ If it ain't broke, break it.
Last edited by 16:9 on Mon Nov 08, 2021 7:12 pm; edited 3 times in total |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Mon Nov 08, 2021 7:06 pm Post subject: |
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Ray Parkhurst wrote:
16:9 wrote: |
Yes. Once upon a time I wanted to do a group test of enlarger lenses as taking lenses. It was pointed out that such an undertaking was a waste of time, pointlessly retreading the efforts of others. And this was partly true. However, I do not shoot coins, I rarely shoot macro and I have a kit-bag of pro glass. What I'm interested in is their tiny form factor and their big image circles. Their look is peculiar.
Even (especially) humdrum enlarger lenses (this is a really tatty copy of a really poor Perfex 75mm f4.5 - not much bigger than a coin itself - shooting the most humdrum of scenes) combine interesting factors . . .
...
The simplicity of these lenses gives a look that is optically 'pure': a cinematically large depth of field with a perfectly circular aperture; low contrast (like a 'vintage' lens - no bad thing) but a high degree of consistency across the frame (unlike a vintage lens) with regard to resolution and vignetting. On a tilt adaptor, one has powerful depth of field control and place of focus effects. And the Apo versions punch all that home with deep, rich colour - simultaneously doing dreamy and precise.
Doubling as macro lenses is merely a handy bonus. |
Yes, a handy bonus for your portrait app, which is conversely a handy bonus for my macro app.
Indeed as taking lenses, enlarger lenses are generally more closely-optimized to the application space of portrait lenses, given their typical mag range of 2-20, which when used for taking is .05-0.5.
I find it interesting you mention the 75mm Perfex. Is it the Anastigmat version? I found that lens to be superbly sharp as a taking lens for coins, all the way to 0.7:1. It's good to hear it does well for portrait work as well, but indeed it should be even better for that than for macro work. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Mon Nov 08, 2021 7:29 pm Post subject: |
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16:9 wrote:
Ray Parkhurst wrote: |
Yes, a handy bonus for your portrait app, which is conversely a handy bonus for my macro app.
Indeed as taking lenses, enlarger lenses are generally more closely-optimized to the application space of portrait lenses, given their typical mag range of 2-20, which when used for taking is .05-0.5.
I find it interesting you mention the 75mm Perfex. Is it the Anastigmat version? I found that lens to be superbly sharp as a taking lens for coins, all the way to 0.7:1. It's good to hear it does well for portrait work as well, but indeed it should be even better for that than for macro work. |
That's the joy of complementary approaches: together we build a bigger picture. I've spent a happy few hours poring over your macro shots, Ray, and enjoyed my time with the Printing Nikkor, but mainly I'm in the business of looking up, not down!
Today, seven years late, I finally began testing my little batch of 9x enlarger lenses against conventional taking lenses. I'm only really interested in their regular distance performance (say, 1-30m), light handling (flare, sunstars, specular highlights), bokeh, and ease of use for stills and video. More on this soon. Today we learned:
1. Judged on sharpness and absence of aberration from these single samples at a working distance of 1m, my Fujinon 105/5.6 is levels above my copies of the Rodenstock 105/5.6 and Schneider 100/5.6.
2. Similarly, the basic Nikkor 80/5.6 is a big step up from the Minolta 80/5.6 and Perfex 75/3.5 - not too far off the Apo trio (Focotar II, Apo Rodagon 105/4 and Schneider Apo 90/4.5)
3. The latter-mentioned premium lenses justify their prices. At 1m, the Schneider Apo Componon might, by a tiny margin, be the highest resolution lens of the bunch. But I need to re-run these and a number of other tests to be sure. _________________ If it ain't broke, break it. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Mon Nov 08, 2021 8:33 pm Post subject: |
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Ray Parkhurst wrote:
16:9 wrote: |
...Today we learned:
1. Judged on sharpness and absence of aberration from these single samples at a working distance of 1m, my Fujinon 105/5.6 is levels above my copies of the Rodenstock 105/5.6 and Schneider 100/5.6.
2. Similarly, the basic Nikkor 80/5.6 is a big step up from the Minolta 80/5.6 and Perfex 75/3.5 - not too far off the Apo trio (Focotar II, Apo Rodagon 105/4 and Schneider Apo 90/4.5)
3. The latter-mentioned premium lenses justify their prices. At 1m, the Schneider Apo Componon might, by a tiny margin, be the highest resolution lens of the bunch. But I need to re-run these and a number of other tests to be sure. |
Yours is the second positive review I've heard regarding the 80mm EL-Nikkor in the last week. I've never had any respect for the lens, as the several examples I've owned all showed poor LoCAs and mediocre sharpness. However, a week ago I saw some pics of a coin taken with this lens around 1x that were among the best I've seen, and it has me more open-minded about the lens. I have recently changed from my HRT2i to an A7Rm4, and am embarking on a re-test of all my go-to lenses to verify their FF performance. I plan to add the 80mm Nikon into the mix of lenses to test. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Mon Nov 08, 2021 11:20 pm Post subject: |
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16:9 wrote:
Sunstars / point source light rendering:
The Rodenstock Apo N 105/4 doesn't do stars at any aperture. The Fujinon 105/5.6 does them rather beautifully at every aperture.
On my Fujinon sample the lens isn't fully stopped open at f5.6 - can anyone confirm whether that's typical? _________________ If it ain't broke, break it. |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Mon Nov 08, 2021 11:55 pm Post subject: |
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16:9 wrote:
Ray Parkhurst wrote: |
I find it interesting you mention the 75mm Perfex. Is it the Anastigmat version? I found that lens to be superbly sharp as a taking lens for coins, all the way to 0.7:1. It's good to hear it does well for portrait work as well, but indeed it should be even better for that than for macro work. |
My sample doesn't have Anastigmat written on it, like some I've seen, but it's hazed inside the front element pair which seem to be cemented together. The rendering is good, and the f3.5 aperture is a bonus. If this copy isn't repairable I'll track down a healthy one. _________________ If it ain't broke, break it. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Tue Nov 09, 2021 12:01 am Post subject: |
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Ray Parkhurst wrote:
16:9 wrote: |
Ray Parkhurst wrote: |
I find it interesting you mention the 75mm Perfex. Is it the Anastigmat version? I found that lens to be superbly sharp as a taking lens for coins, all the way to 0.7:1. It's good to hear it does well for portrait work as well, but indeed it should be even better for that than for macro work. |
My sample doesn't have Anastigmat written on it, like some I've seen, but it's hazed inside the front element pair which seem to be cemented together. The rendering is good, and the f3.5 aperture is a bonus. If this copy isn't repairable I'll track down a healthy one. |
The version without Anastigmat notation is different from the one with notation. I found the Anastigmat to be better for macro, but did not test it (or the non-Anastigmat) for portraits. It is hard to find an Anastigmat in good condition. I've purchased perhaps 10 of them over the years, and only a couple were in good enough shape to keep. Mostly they have lots of scratches and fungus. I have not seen one with haze between elements. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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16:9
Joined: 04 Apr 2014 Posts: 311 Location: UK
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Posted: Tue Nov 09, 2021 12:14 am Post subject: |
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16:9 wrote:
Ray Parkhurst wrote: |
16:9 wrote: |
Ray Parkhurst wrote: |
I find it interesting you mention the 75mm Perfex. Is it the Anastigmat version? I found that lens to be superbly sharp as a taking lens for coins, all the way to 0.7:1. It's good to hear it does well for portrait work as well, but indeed it should be even better for that than for macro work. |
My sample doesn't have Anastigmat written on it, like some I've seen, but it's hazed inside the front element pair which seem to be cemented together. The rendering is good, and the f3.5 aperture is a bonus. If this copy isn't repairable I'll track down a healthy one. |
The version without Anastigmat notation is different from the one with notation. I found the Anastigmat to be better for macro, but did not test it (or the non-Anastigmat) for portraits. It is hard to find an Anastigmat in good condition. I've purchased perhaps 10 of them over the years, and only a couple were in good enough shape to keep. Mostly they have lots of scratches and fungus. I have not seen one with haze between elements. |
How does it compare to the 90mm f4.5 Perfex Anastigmat?
Frustratingly, it looks like the Fujinon EX 105/5.6 is actually an f4 lens, but the aperture mechanism doesn't permit it be shot fully open. Hence impressive sharpness at f5.6, but poor bokeh (and nice stars) from its straight-sided 8-blade aperture that's always in view. Shame. _________________ If it ain't broke, break it. |
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