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natebarnz
Joined: 14 Jan 2010
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Location: Los Angeles / Tucson
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 Posted: Thu Apr 22, 2010 6:24 am Post subject: Death Valley |
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natebarnz wrote:
I would like to share some pics from last weeks journey to Death Valley California. I hope you enjoy.
Mir-1B 37/2.8 @ f11 1/250s
Planar 85/1.4 @ f5.6 1/60s
Nikkor-S 55/1.2 @ f11 1/250s
Vario-Sonnar 35-70/3.5 @ f16 1/80s
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Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
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ManualFocus-G
Joined: 29 Dec 2008
Posts: 6622
Location: United Kingdom
Expire: 2014-11-24
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| Posted: Thu Apr 22, 2010 6:56 am Post subject: |
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ManualFocus-G wrote:
What a beautiful set!
I have to say, I looked at the first Mir image, then the second image and thought "wow, it behaves like a Zeiss  "...only to realise it WAS a Zeiss!  The last one is absolutely incredible. I must visit one day 
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visualopsins
Joined: 05 Mar 2009
Posts: 10959
Location: California
Expire: 2025-04-11
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| Posted: Thu Apr 22, 2010 7:06 am Post subject: |
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visualopsins wrote:
Some of the finest photos I've seen of this fascinating place. The distances in-person are enormous; these photos capture that scale very well imho!
(my favorite is Titus Canyon, and the Panamint Valley NW of DV)
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
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| Posted: Thu Apr 22, 2010 7:19 am Post subject: |
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natebarnz wrote:
Thanks guys! I'm glad you like them. The first pic was taken right on the way into Death Valley from the West on the 190. The others were taken in the mountains above Mosaic Canyon, just south of the Stonepipe Wells Station. This was my first visit to Death Valley and I just barely touched the surface of this massive and rugged park.
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CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
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mo
Joined: 27 Aug 2009
Posts: 8979
Location: Australia
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| Posted: Thu Apr 22, 2010 10:00 am Post subject: |
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mo wrote:
Stunning...it is a dead place!....but beautiful
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Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
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Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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Schnauzer
Joined: 09 Apr 2008
Posts: 2155
Location: Maine, USA
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| Posted: Thu Apr 22, 2010 1:00 pm Post subject: |
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Schnauzer wrote:
Very nice set. Its nice to see images from a different point of view as you have done.
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rbelyell
Joined: 13 Oct 2009
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Location: somewhere in the mountains of central NY
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| Posted: Thu Apr 22, 2010 1:03 pm Post subject: |
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rbelyell wrote:
great landscapes, really wonderful. i am curious of your choices of f11 and f16 on a couple of shots? were you trying for a certain effect?
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djmike
Joined: 01 Apr 2009
Posts: 930
Location: Taiwan
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| Posted: Thu Apr 22, 2010 2:35 pm Post subject: |
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djmike wrote:
Is #4 in Mars?
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M42: CZJ Flektogon 35/2.4 + CZJ Flektogon Zebra 35/2.8 + CZJ Pancolar 50/1.8 + CZJ Sonnar 135/3.5 + CZJ Tessar 50/2.8 Chrome + Pentacon 135/2.8 + Pentacon 50/1.8 + SMC Takumar 50/1.4 + SMC Takumar 55/2 + SMC Takumar 135/3.5 + Fujinon 55/1.8 + Jupiter-9 85/2 + Jupiter-37A 135/3.5 + Helios 44-6 58/2
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
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| Posted: Thu Apr 22, 2010 3:42 pm Post subject: |
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natebarnz wrote:
| rbelyell wrote: |
| great landscapes, really wonderful. i am curious of your choices of f11 and f16 on a couple of shots? were you trying for a certain effect? |
I'm a bit curious of my choices in aperture as well To be honest I am still quite new to photography and I was mostly experimenting. For #1 and #3 I chose f11 because I wanted to get the most depth of field as possible for such large landscapes, I didn't choose f16 because I've read places that the IQ tends to drop with many lenses all the way stopped down. I know that each lens can be quite different and I actually tried those two shots in f16 but didn't expose them properly.
On #4 I chose f16 for the same reason above, in regards to the DOF, but also because I was on a tripod for that shot and I wanted to get the longest exposure I could.
I would find it very helpful, and interesting, to know what apertures others would have chose in these similar situations. This place has the brightest light that I have ever been in, which was a very prevalent when shooting #1 - #3. #4 was during sunset a few minutes before the sun started to fall behind the distant mountains and had the special magic light casting over the sand dunes.
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CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
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| Posted: Fri Apr 23, 2010 4:18 pm Post subject: |
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patrickh wrote:
Great series of one of the most desolate places on earth. Drove past the entrance once en route from Tahoe to LV - even the surrounding areas are pretty bleak.
patrickh
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Poolhall
Joined: 25 Feb 2008
Posts: 1296
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| Posted: Fri Apr 23, 2010 5:23 pm Post subject: |
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Poolhall wrote:
Excellent shots really well done  |
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
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| Posted: Fri Apr 23, 2010 5:35 pm Post subject: |
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Attila wrote:
Beautiful series ! Any chance to take some shoots on slide ?
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 5:47 pm Post subject: |
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natebarnz wrote:
| Attila wrote: |
| Beautiful series ! Any chance to take some shoots on slide ? |
I do have some film cameras that I rarely get out. I'm doing some remodeling at home and am building a dark room so I can do my own developing. I think then I will really start getting into film and hopefully get into some medium format as well. Shooting slide film would be ideal!
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Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 5:50 pm Post subject: |
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natebarnz wrote:
| patrickh wrote: |
| Great series of one of the most desolate places on earth. Drove past the entrance once en route from Tahoe to LV - even the surrounding areas are pretty bleak. |
The surrounding areas are quite bleak indeed. I think living in Los Angeles is about as close as I would want to live to DV Easy day trip too! I've been exploring the desert areas recently and have discovered some amazing places in the greater mojave. Still so much more to see.
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500D / SPII / FTn / Contax D / 137MA / Contaflex
Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
Elmarit-R 90/2.8 Sears 55/1.4
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Fri Apr 23, 2010 5:52 pm Post subject: |
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Attila wrote:
| natebarnz wrote: |
| Attila wrote: |
| Beautiful series ! Any chance to take some shoots on slide ? |
I do have some film cameras that I rarely get out. I'm doing some remodeling at home and am building a dark room so I can do my own developing. I think then I will really start getting into film and hopefully get into some medium format as well. Shooting slide film would be ideal! |
Slide is still best choice for landscapes in my opinion , certainly bigger is better.
More-less same subject on slide.
http://forum.mflenses.com/tenerife-on-film-t11528,highlight,tenerife.html
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 5:57 pm Post subject: |
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natebarnz wrote:
Bigger is better I would tend to agree. Makes me think of my poor little cropped sensor 
Is the Bessa L a medium format camera?
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500D / SPII / FTn / Contax D / 137MA / Contaflex
Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
Elmarit-R 90/2.8 Sears 55/1.4
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Fri Apr 23, 2010 5:59 pm Post subject: |
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Attila wrote:
| natebarnz wrote: |
Bigger is better I would tend to agree. Makes me think of my poor little cropped sensor
Is the Bessa L a medium format camera? |
No , 35mm RF +15mm f4.5 Heliar lens.
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Fri Apr 23, 2010 6:01 pm Post subject: |
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Attila wrote:
This is made by a Bessa RF 6x9 camera with Skopar lens, uncoated made around 1937
http://forum.mflenses.com/tenerife-bessa-rf-6x9-folder-t11532,highlight,tenerife.html
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Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 6:02 pm Post subject: |
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natebarnz wrote:
| Attila wrote: |
| No , 35mm RF +15mm f4.5 Heliar lens. |
Have you used this lens on your digital body? It seems like a fairly affordable super wide.
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500D / SPII / FTn / Contax D / 137MA / Contaflex
Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
Elmarit-R 90/2.8 Sears 55/1.4
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Attila
Joined: 24 Feb 2007
Posts: 57865
Location: Hungary
Expire: 2025-11-18
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| Posted: Fri Apr 23, 2010 6:04 pm Post subject: |
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Attila wrote:
| natebarnz wrote: |
| Attila wrote: |
| No , 35mm RF +15mm f4.5 Heliar lens. |
Have you used this lens on your digital body? It seems like a fairly affordable super wide. |
Not yet, it is RF lens register distance is small. I can use on m4/3 but 2x crop factor kill wide angle. For wide shoots I use slides and panorama stitching on digital body.
http://forum.mflenses.com/a-beginners-guide-to-panorama-stiching-t19182.html
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Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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Attila
Joined: 24 Feb 2007
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Location: Hungary
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| Posted: Fri Apr 23, 2010 6:07 pm Post subject: |
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Attila wrote:
For medium format I suggest Pentax 645 fairly affordable and a stunning camera.
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Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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poilu
Joined: 26 Aug 2007
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Location: Greece
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| Posted: Fri Apr 23, 2010 6:10 pm Post subject: |
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poilu wrote:
really look like a death valley!
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 6:11 pm Post subject: |
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natebarnz wrote:
@Attila: Very cool. Those stitches are something special. I have seen a 645 in action and I think its a superb medium format camera. Good advice I think.
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Ok now to try and get this thread back on topic after I seemed to hijack my own thread lol.
Here is another shot from Death Valley with a different, and one of my favorite, MF lenses.
Rokkor-PG 58/1.2 @ f8 1/160s
This one makes me feel like I'm flying.
It's funny because this trip was intended to be a hike through the majestic Mosaic Canyon, however we just decided to climb the mountains above the canyon instead. I guess I will have to go back someday, oh shucks
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500D / SPII / FTn / Contax D / 137MA / Contaflex
Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
Elmarit-R 90/2.8 Sears 55/1.4
--> Visit My Picasa Galleries <-- |
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natebarnz
Joined: 14 Jan 2010
Posts: 331
Location: Los Angeles / Tucson
Expire: 2013-01-23
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| Posted: Fri Apr 23, 2010 6:14 pm Post subject: |
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natebarnz wrote:
| poilu wrote: |
| really look like a death valley! |
It truly is indeed. I didn't see a single tree in all of the parts I visited. One of the reason I went was to see the wild flowers. The California desert does something completely amazing after a wet winter. Fields of wild flowers and many solos scattered throughout. I managed to nab a few too!
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500D / SPII / FTn / Contax D / 137MA / Contaflex
Contax 28/2 - 35/1.4 - 35/2.8 - 45/2.8 - 50/1.4 - 100/3.5 - 135/2.8
CZJ 20/4 - 35/2.8 - 50/2.8 - 58/2 - 135/3.5
Rokkor PG 58/1.2 - PF 58/1.4 - X 85/1.7
Nikkor S 55/1.2 - H 85/1.8 - P.C. 55/3.5
Helios 44-2 58/2 Meyer Oreston 50/1.8
Elmarit-R 90/2.8 Sears 55/1.4
--> Visit My Picasa Galleries <-- |
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visualopsins
Joined: 05 Mar 2009
Posts: 10959
Location: California
Expire: 2025-04-11
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| Posted: Fri Apr 23, 2010 10:38 pm Post subject: |
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visualopsins wrote:
Actually the name "Death Valley" refers to unfortunate inexperienced humans. There is abundant life there. Insects, lizards, birds, ground squirrels, and at night the desert really comes alive, with owls, jack rabbits, foxes, and wild asses. Much of the plant life hibernates during the hot dry day, season, and spring readily to life and growth when dew falls. I've been there during a downpour when the rain all evaporates before reaching the ground!
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☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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