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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sat Sep 27, 2008 11:46 pm Post subject: Change of the Light |
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Laurence wrote:
The unusual light, with hazy sunshine on the meadow and slope, and fog over the ridge, added to the mystery of this fine little meadow This area was full of alpine off-trail roaming, and was a joy to travel.
These aren't "beauty" images; rather, they are to show the terrain where I spent the 8 days without any human company!
Beyond the ridge is another similar basin, and behind that ridge another, and behind that ridge.....on and on.
Quiet and serene. Even the bear seems very serene, intent on grazing blueberries...
This shot is with Velvia. I had changed the film to Provia prior to the next shot. Not only a difference in light, but a difference in tones, per the film types.
Peaceful Bear
Mamiya RB67
Sekor 65mm lens
f:11 and 1/60th
Velvia 100F
Nightfall in Bear Meadow
Mamiya RB67
Sekor 65mm lens
f:11 and 1/15th
Provia 100F
Same area, totally different light! The fog above was thinning enough to bring up the blue sky above, even though dusk was approaching. In turn, this gave the meadow a beautiful wet saturation that was pleasing to my eyes, and soothing for my brain.
The Coltsfoot in the foreground was really lighting up to an intense green! I am actually happy that I had changed to Provia, as Velvia would have been over the top.
The air was so pure and fresh, and later on the fog disappeared to reveal the Milky Way in full glory. I watched shooting stars until midnight or so...the only sounds were the whispers of the wind, and the gurgling and popping sounds of the rills.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Sep 28, 2008 12:02 am Post subject: |
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Orio wrote:
Interesting comparison, Larry.
I prefer the second shot, I think mostly because of the fog that adds perfectly to the somehow eerie atmosphere. The dead trunk in the foreground enhances the feeling of loneliness.
On the side, I also prefer the cooler colours of the Provia. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Sun Sep 28, 2008 12:23 am Post subject: |
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Laurence wrote:
Orio wrote: |
Interesting comparison, Larry.
I prefer the second shot, I think mostly because of the fog that adds perfectly to the somehow eerie atmosphere. The dead trunk in the foreground enhances the feeling of loneliness.
On the side, I also prefer the cooler colours of the Provia. |
I agree Orio...and I'm glad that you also prefer the coolness of Provia. In my mind, it shows PLENTY of the saturated greens. The blue tones are right on the money, and the "blue fog" is just like I saw it.
The changes in this meadow over just an hour were amazing... _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Ballu
Joined: 28 Feb 2007 Posts: 912 Location: Columbus, OH. USofA
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Posted: Sun Sep 28, 2008 3:40 am Post subject: |
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Ballu wrote:
I am not sure...
Although second one is eye catching and shows the depth to me....
But the first one creates a view of "vastness"... vastness of rich western landscape... esp the animal (I think that is bison) made the shot...
But I am ready to die to capture other shot too... _________________ -Ballu
http://balyanpage.blogspot.com/ |
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Sandie
Joined: 05 May 2008 Posts: 217 Location: Austria
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Posted: Tue Sep 30, 2008 8:52 am Post subject: |
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Sandie wrote:
Both are my favorit.
Everything is perfect, eyes, brain, camera, film, and the scanner. _________________ Canon 5DII + Canon 5D + Canon 350D + Pentax MZ10 + Pracktica BX20 + Mamiya 1000TL + Yashica TL Electro X + Yashica FR1 + Pentax ES II
Carl Zeiss Jena: Flektogon 20/f4, Flektogon 35/f2.4, Pancolar 50/f1.4, Pancolar 50/f1.8, Tessar 50/f2.8, Pancolar 80/f1.8, Sonnar 135/f3.5, Sonnar 135/f4, Sonnar 180/f2.8;
Pentacon: 50/f1.8, 135/f2.8, 200/f4, 300/f4;
Meyer: Orestegon 29/f2.8, Lydith 30/f3.5, Domiplan 50/f2.8, Trioplan 100/f2.8, Orestor 100/f2.8, Telemegor 250/f5.5;
Revuenon: 24/f4(Ennalyt), 28/f3.5(Ennalyt), 200/f3.5(Tomioka);
Yashica: 28/f2.8; 55/f1.2;
Soligor 135/f2.8; 35/f2.8;
Misc: Schacht 50/f2.8; Steinheil 135/f3.5; Mamiya 55/f1.4; Fujinon 135/f3.5; Tokina 70-220/f3.5; Tamron 28/f2.5; Helios 58/f2; Kiron 28/f2; Volna 80/f2.8; Mir 24M 35/f2;Carenar 85-210/f4.5; Olympus 50/f1.8; Chinon 35-80/f3.5-4.9; Pentax 55/f2; |
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