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Esox lucius
Joined: 26 Aug 2008
Posts: 2441
Location: Helsinki, Finland
Expire: 2011-11-18
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 Posted: Sun May 01, 2011 9:00 pm Post subject: astrophoto and sandstorm time lapse movie |
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Posted: Sun May 01, 2011 9:00 pm Post subject: astrophoto and sandstorm time lapse movie |
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Esox lucius wrote:
Beautiful!
http://vimeo.com/22439234
| Quote: |
This was filmed between 4th and 11th April 2011. I had the pleasure of visiting El Teide.
Spain´s highest mountain @(3718m) is one of the best places in the world to photograph the stars and is also the location of Teide Observatories, considered to be one of the world´s best observatories.
The goal was to capture the beautiful Milky Way galaxy along with one of the most amazing mountains I know El Teide. I have to say this was one of the most exhausting trips I have done. There was a lot of hiking at high altitudes and probably less than 10 hours of sleep in total for the whole week. Having been here 10-11 times before I had a long list of must-see locations I wanted to capture for this movie, but I am still not 100% used to carrying around so much gear required for time-lapse movies.
A large sandstorm hit the Sahara Desert on the 9th April (bit.ly/g3tsDW) and at approx 3am in the night the sandstorm hit me, making it nearly impossible to see the sky with my own eyes.
Interestingly enough my camera was set for a 5 hour sequence of the milky way during this time and I was sure my whole scene was ruined. To my surprise, my camera had managed to capture the sandstorm which was backlit by Grand Canary Island making it look like golden clouds. The Milky Way was shining through the clouds, making the stars sparkle in an interesting way. So if you ever wondered how the Milky Way would look through a Sahara sandstorm, look at 00:32. |
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symphonic
Joined: 23 May 2010
Posts: 550
Location: SE Europe, Croatia
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Posted: Sun May 01, 2011 9:24 pm Post subject: |
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Posted: Sun May 01, 2011 9:24 pm Post subject: |
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symphonic wrote:
Just wow...
one of the most amazing sequence of shots I've seen in a while. His other video (Auroras) is equally impressive.
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Toni,
EOS 450D
CZJ Sonnar 135/3.5 MC | Pancolar 50/1.8 MC
Contax Planar 50/1.4 AEJ | Contax Sonnar 135/2.8 AEJ
Yashica ML 28/2.8 | Zuiko 28/3.5
Vivitar Series1 105/2.5 OM
AF: Tokina 12-24 |
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shauttra
Joined: 17 Nov 2009
Posts: 778
Location: Latvia
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Posted: Mon May 02, 2011 9:39 am Post subject: |
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Posted: Mon May 02, 2011 9:39 am Post subject: |
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shauttra wrote:
Terje is awesome master!!!
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Mto-1000, Tair-3, Auto Exaktar 135mm 2,8, Samyang 14mm 2.8,
Jupiter 37A, Carl Zeiss Sonnar 135/3.5,
Helios-44, Mir-1, Revuenon 50/1.4,
Carl Zeiss Pancolar 50/1.8, Samyang 24/1.4, Auto Vivitar 35/2.8
www.radosi.lv
http://shauttra.blogspot.com |
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Geoff C. Bassett
Joined: 05 Sep 2010
Posts: 157
Location: Chatham, MA
Expire: 2012-06-18
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Posted: Mon May 02, 2011 5:48 pm Post subject: |
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Posted: Mon May 02, 2011 5:48 pm Post subject: |
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Geoff C. Bassett wrote:
Absolutely incredible video.
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leo_b
Joined: 16 Feb 2011
Posts: 53
Location: Germany
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Posted: Mon May 02, 2011 7:06 pm Post subject: |
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Posted: Mon May 02, 2011 7:06 pm Post subject: |
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leo_b wrote:
i think the most impressiv time laps video collection i ever saw! ^^
touch the soul ... |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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Posted: Mon May 02, 2011 8:37 pm Post subject: |
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Posted: Mon May 02, 2011 8:37 pm Post subject: |
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Laurence wrote:
Stunning. Wonderful. Magnificent. And any other superlatives that might
be in our language. 
Larry
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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Posted: Mon May 02, 2011 9:53 pm Post subject: |
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Posted: Mon May 02, 2011 9:53 pm Post subject: |
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Orio wrote:
Speechless...
he mentions the equipment... what is the needed equipment to make this type of movies? I assume some sort of timer control for firing the shutter... then what? Motorized pano trails?
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Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Nordentro
Joined: 24 Jun 2010
Posts: 4737
Location: Lillehammer, Norway
Expire: 2015-01-29
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Posted: Mon May 02, 2011 10:15 pm Post subject: |
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Posted: Mon May 02, 2011 10:15 pm Post subject: |
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Nordentro wrote:
wow, wonder where he live?!? 
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Lars | Manuellfokus.no |
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Nordentro
Joined: 24 Jun 2010
Posts: 4737
Location: Lillehammer, Norway
Expire: 2015-01-29
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Posted: Mon May 02, 2011 10:25 pm Post subject: |
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Posted: Mon May 02, 2011 10:25 pm Post subject: |
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Nordentro wrote:
| Orio wrote: |
Speechless...
he mentions the equipment... what is the needed equipment to make this type of movies? I assume some sort of timer control for firing the shutter... then what? Motorized pano trails? |
Here's the dolly
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Lars | Manuellfokus.no |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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Posted: Tue May 03, 2011 2:24 am Post subject: |
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Posted: Tue May 03, 2011 2:24 am Post subject: |
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Laurence wrote:
| Orio wrote: |
Speechless...
he mentions the equipment... what is the needed equipment to make this type of movies? I assume some sort of timer control for firing the shutter... then what? Motorized pano trails? |
Orio, perhaps some kind of standard intervalometer? In fact, don't some
cameras have intervalometers built in?
I too, would love to try this in the rain forest, where the fog drives in
from the ocean, then recedes to sunshine, which makes the rain
forest change to a large variance of colors, saturation, and light itself.
And, then I start thinking about battery drain, camera protection, lens
filters or not, etc.
EDIT: Oops I just saw the post above "Here's the Dolly". 
Hmmm...I see where the X100 has the 3/32 4-pole connector like
the Panasonic line. I would think that the focal length of the X100 might
be a nice wide view.
I bet though, that a good rectilinear super-wide with no heavy distortion,
would REALLY be cool.
CHECK OUT 1:18 TO 1:23! gORGEOUS!
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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symphonic
Joined: 23 May 2010
Posts: 550
Location: SE Europe, Croatia
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Posted: Tue May 03, 2011 6:38 am Post subject: |
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Posted: Tue May 03, 2011 6:38 am Post subject: |
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symphonic wrote:
@Orio: for starters, one simple intervalometer is enough (there are cheap chinese ones on ebay, the original Canon TC-80N3 is so expensive for that kind of a device. there's also a device called the Little Bramper which is used by timelapse enthusiasts). and of course a tripod.
| Laurence wrote: |
| CHECK OUT 1:18 TO 1:23! gORGEOUS! |
I can see definitely how that scene can look visually stunning, but that red/orange light is the very thing that blocks our view from the night sky... In his case, he was high up in the mountain which lessens the bad effect of it, but there are fewer and fewer places like that...
_________________
Toni,
EOS 450D
CZJ Sonnar 135/3.5 MC | Pancolar 50/1.8 MC
Contax Planar 50/1.4 AEJ | Contax Sonnar 135/2.8 AEJ
Yashica ML 28/2.8 | Zuiko 28/3.5
Vivitar Series1 105/2.5 OM
AF: Tokina 12-24 |
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my_photography
Joined: 03 Nov 2008
Posts: 2772
Location: Pearl of the Orient
Expire: 2016-12-25
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Posted: Thu May 05, 2011 5:27 am Post subject: |
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Posted: Thu May 05, 2011 5:27 am Post subject: |
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my_photography wrote:
Really wow! Thanks for sharing. Didn't realise our earth is still beautiful.
_________________
Zeiss: CJZ Flektogon 20/2.8, CJZ Flektogon 20/4, , CJZ Pentacon 29/2.8, CJZ Flektogon 35/2.4, CJZ Pancolar 50/1.8, Tessar 50/2.8, Biotar 7.5cm/1.5, CJZ Pancolar 80/1.8, CJZ Sonnar 135/3.5, CJZ Pentacon 135/2.8 CJZ Sonnar 200/2.8
Other Germany: Meyer Primoplan 50/1.8, Meyer Trioplan 100/2.8
Takumar: SMC 50/1.4 Super Tak 55/2, Super Tak 85/1.9, S-M-C 135/3.5, Super Tak 150/4
Russian: Zenith 16/2.8, Mir-24M 2/35, Volna-9 50/2.8, Helios 44M (58/2), Helios 44M-3 MC (58/2), Helios 40 (85/1.5), Tair 11A (135/2.8 )
Others: Sears 28/2.8, Sankor 35/2.8, Enna M�nchen Tele-Ennalyt 135/3.5
Zoom Sigma Zoom 28-85/3.5-4.5
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visualopsins
Joined: 05 Mar 2009
Posts: 11638
Location: California
Expire: 2027-07-11
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Posted: Mon Jan 01, 2024 10:08 pm Post subject: |
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Posted: Mon Jan 01, 2024 10:08 pm Post subject: |
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visualopsins wrote:
  Nice little 3-minute refreshing break for those stuck indoors or at work!.
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☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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visualopsins
Joined: 05 Mar 2009
Posts: 11638
Location: California
Expire: 2027-07-11
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Posted: Mon Jan 01, 2024 10:40 pm Post subject: |
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Posted: Mon Jan 01, 2024 10:40 pm Post subject: |
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visualopsins wrote:
| Nordentro wrote: |
| wow, wonder where he live?!? |
Close to you?
https://www.facebook.com/TSOPhotography/
_________________
☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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