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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Wed Apr 08, 2009 6:33 am Post subject: Anatomy of a Food Shot |
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A G Photography wrote:
Today I posted on my blog a deep examination of the following shot I made for my blog writing about composition, lightning and shooting issues:
If someone is interested in having a glimpse oh how a still life/food studio shot has been done the link is: http://foodografia.blogspot.com/2009/04/anatomy-of-food-shot.html _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Apr 08, 2009 7:03 am Post subject: |
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Orio wrote:
Interesting!
Thanks for sharing.
I am of your same opinion about continuous light: I prefer it much better than flash. I had the confirmation Sunday when shooting the models. With proper continuous light, the result is close enough to sunlight to be realistic, with just that added extra sharpness (which does not hurt anyway - better to start with more sharpness and remove if needed, than the other way around).
Can you please tell me what instruments do you use (what brand of continuous lamps, of softbox, of "stativi") ? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Wed Apr 08, 2009 7:21 am Post subject: |
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A G Photography wrote:
Orio wrote: |
Interesting!
Thanks for sharing.
I am of your same opinion about continuous light: I prefer it much better than flash. I had the confirmation Sunday when shooting the models. With proper continuous light, the result is close enough to sunlight to be realistic, with just that added extra sharpness (which does not hurt anyway - better to start with more sharpness and remove if needed, than the other way around).
Can you please tell me what instruments do you use (what brand of continuous lamps, of softbox, of "stativi") ? |
Actually I'm using a couple of Interfit Cool Lite super 5, usually with their 60x60 softboxes and the tripods that were included in the set.
Recently I've seen some others, even more powerful, sets from various brands but anyway don't even think to shoot something that moves with continuos light unless you want to spend a lot more for movie lights (HDMI or tungsten).
Cheap fluorescent light is still not enough powerful to allow fast shutter times and aperture over 2.8-4.
I saw some fluorescent banks from Lupo but the minumum power you need for shooting people is 2000w equivalent of tungsten and they become bulky and expensive (from this model http://www.lupo.it/ita/fotografia/illuminatori/superlight.php on, just to be practical). _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Apr 08, 2009 7:27 am Post subject: |
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Orio wrote:
That Lupo looks quite interesting!
Do you know if softbox exists for it? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Wed Apr 08, 2009 7:36 am Post subject: |
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A G Photography wrote:
Orio wrote: |
That Lupo looks quite interesting!
Do you know if softbox exists for it? |
There's no need of softboxes for those kind of banks, thay already provide pretty diffused light. I you want to diffuse and soften the light even more you need to use scrims (just like they would be windows). _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Apr 08, 2009 7:38 am Post subject: |
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Orio wrote:
A G Photography wrote: |
Orio wrote: |
That Lupo looks quite interesting!
Do you know if softbox exists for it? |
There's no need of softboxes for those kind of banks, thay already provide pretty diffused light. I you want to diffuse and soften the light even more you need to use scrims (just like they would be windows). |
Ah OK.
See I am VERY ignorant about that type of equipment! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Wed Apr 08, 2009 7:41 am Post subject: |
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A G Photography wrote:
Orio wrote: |
A G Photography wrote: |
Orio wrote: |
That Lupo looks quite interesting!
Do you know if softbox exists for it? |
There's no need of softboxes for those kind of banks, thay already provide pretty diffused light. I you want to diffuse and soften the light even more you need to use scrims (just like they would be windows). |
Ah OK.
See I am VERY ignorant about that type of equipment! |
Just ask, we're all born ignorant "Nessuno è nato imparato". _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Apr 08, 2009 9:04 pm Post subject: |
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Orio wrote:
Ale, where did you buy your Interfit Cool Lite super 5 ? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Wed Apr 08, 2009 11:41 pm Post subject: |
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A G Photography wrote:
Orio wrote: |
Ale, where did you buy your Interfit Cool Lite super 5 ? |
I bought them in UK here http://www.speedgraphic.co.uk/ _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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fergus
Joined: 21 Jan 2009 Posts: 61 Location: Surrey, UK
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Posted: Thu Apr 09, 2009 10:01 pm Post subject: |
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fergus wrote:
Quote: |
With proper continuous light, the result is close enough to sunlight to be realistic, with just that added extra sharpness (which does not hurt anyway - better to start with more sharpness and remove if needed, than the other way around). |
Not sure I agree with "added extra sharpness" for continuous light over flash. My feeling is flash usually gives the feeling of extra sharpness/crispness sometimes at the expense of looking unnatural/artificial compared with continuous or natural light being softer and more natural.
Regards
Fergus _________________
DSLR: Canon EOS 400D, EOS 40D
SLR: Pentax: LX, MV, Ricoh: KR10 Super, XR6, Canon Pelix, Zeiss Ikon Contaflex Super
Medium Format: Agfa Isolette II, Lubitel 166B, Yashica Mat 124G
Lenses
CZJ: Flektogon 2.8/35, Tessar 2.8/50, Sonnar 3.5/135 zebra , Sonnar 3.5/135 MC, Sonnar 2.8/180 P6 (Star wars).
Meyer/Pentacon: Lydith 3.5/30, Domiplan 2.8/50, 1.8/50 MC, 4/300,
Russian: Industar-50-2 3.5/50, Helios 44-2, Helios 44M, Helios 44M-4, jupiter-9 2/85MC, jupiter-9 2/85 Kiev/contax (EOS mod), ZM-5A 8/500
Tamron: SP2.5/90 (52BB), CT-135 2.8/135, SP2.5/180 (63B), 3.5/200 Adapt-A-Matic(870Au), SP2.8/300mm (60B), SP35-80mm F/2.8-3.8 (01A), 70-150 F/3.5 (QZ-150M), 70-210 F/3.8-4 (46A), SP70-210 F/3.5 (19AH), SP 60-300mm F/3.9-5.4 (23A), SP 1.4X (140F), SP 2X (01F)
Rikenon XR 3.5/28, XR 2/50, EE 3.5/135
Carl Zeiss: Contax Sonner 2.8/85, Pro-Tessar 3.2/35, 2.8/50, 4/115, Pantar 4/30, 4/75
Leica - Leitz Wetzlar: Macro Elmarit-R 2.8/60
Canon: FL 3.5/35. 1.4/50, 1.8/50, 2.5/135
Olympus - Zuiko: G.Zuiko Auto-W 35/28, F Zuiko Auto-S 1.8/50
Other: Panagor Auto Macro Converter, Voightlander Color-Skopar X 2.8/50, Schneider-Kreuznach Retina-Tele-Arton 4/85, Vivitar Series-1 28-90mm F/2.8-3.5, Tokina RMC 2.8/28mm S, Tokina RMC 80-200 F/4, Hanimex 3.5/135, Pentax-A SMC 1.7/50, Palinar 4/100, Enna Lithagon 4/24, Ina 2.8/35, Harmony 2.8/35, Penaflex-color 2.8/50, Various retina lenses, Various Meopta lenses
Photography Obsession Gallery
Last edited by fergus on Fri Aug 20, 2010 4:46 pm; edited 1 time in total |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Thu Apr 09, 2009 10:07 pm Post subject: |
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A G Photography wrote:
fergus wrote: |
Quote: |
With proper continuous light, the result is close enough to sunlight to be realistic, with just that added extra sharpness (which does not hurt anyway - better to start with more sharpness and remove if needed, than the other way around). |
Not sure I agree with "added extra sharpness" for continuous light over flash. My feeling is flash usually gives the feeling of extra sharpness/crispness sometimes at the expense of looking unnatural/artificial compared with continuous or natural light being softer and more natural.
Regards
Fergus |
Flash light is "harder" from start, so you need to diffuse it more otherway the results will be too "crisp/unnatural" which is simply the fact of hard light reflections upon the textures of what you're shooting (skin for example in the case of people).
Sometimes you can seek a similiar effect, but yes, I agree with you. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
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DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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fergus
Joined: 21 Jan 2009 Posts: 61 Location: Surrey, UK
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Posted: Thu Apr 09, 2009 10:48 pm Post subject: |
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fergus wrote:
Hi Alessandro
Just been browsing through your blog. Good stuff, now I must go and get something to eat, suddenly I'm very hungry
Regards
Fergus _________________
DSLR: Canon EOS 400D, EOS 40D
SLR: Pentax: LX, MV, Ricoh: KR10 Super, XR6, Canon Pelix, Zeiss Ikon Contaflex Super
Medium Format: Agfa Isolette II, Lubitel 166B, Yashica Mat 124G
Lenses
CZJ: Flektogon 2.8/35, Tessar 2.8/50, Sonnar 3.5/135 zebra , Sonnar 3.5/135 MC, Sonnar 2.8/180 P6 (Star wars).
Meyer/Pentacon: Lydith 3.5/30, Domiplan 2.8/50, 1.8/50 MC, 4/300,
Russian: Industar-50-2 3.5/50, Helios 44-2, Helios 44M, Helios 44M-4, jupiter-9 2/85MC, jupiter-9 2/85 Kiev/contax (EOS mod), ZM-5A 8/500
Tamron: SP2.5/90 (52BB), CT-135 2.8/135, SP2.5/180 (63B), 3.5/200 Adapt-A-Matic(870Au), SP2.8/300mm (60B), SP35-80mm F/2.8-3.8 (01A), 70-150 F/3.5 (QZ-150M), 70-210 F/3.8-4 (46A), SP70-210 F/3.5 (19AH), SP 60-300mm F/3.9-5.4 (23A), SP 1.4X (140F), SP 2X (01F)
Rikenon XR 3.5/28, XR 2/50, EE 3.5/135
Carl Zeiss: Contax Sonner 2.8/85, Pro-Tessar 3.2/35, 2.8/50, 4/115, Pantar 4/30, 4/75
Leica - Leitz Wetzlar: Macro Elmarit-R 2.8/60
Canon: FL 3.5/35. 1.4/50, 1.8/50, 2.5/135
Olympus - Zuiko: G.Zuiko Auto-W 35/28, F Zuiko Auto-S 1.8/50
Other: Panagor Auto Macro Converter, Voightlander Color-Skopar X 2.8/50, Schneider-Kreuznach Retina-Tele-Arton 4/85, Vivitar Series-1 28-90mm F/2.8-3.5, Tokina RMC 2.8/28mm S, Tokina RMC 80-200 F/4, Hanimex 3.5/135, Pentax-A SMC 1.7/50, Palinar 4/100, Enna Lithagon 4/24, Ina 2.8/35, Harmony 2.8/35, Penaflex-color 2.8/50, Various retina lenses, Various Meopta lenses
Photography Obsession Gallery
Last edited by fergus on Fri Aug 20, 2010 4:43 pm; edited 1 time in total |
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F16SUNSHINE
Joined: 20 Aug 2007 Posts: 5486 Location: Left Coast
Expire: 2011-11-18
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Posted: Fri Apr 10, 2009 2:03 am Post subject: |
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F16SUNSHINE wrote:
You do beautiful work Alessandro!
With all this talk of anatomy of food and use of soft boxes. I thought I might take a chance to show some nice Mexican "food" anatomy
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Sorry for the thread highjack _________________ Moderator |
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poilu
Joined: 26 Aug 2007 Posts: 10472 Location: Greece
Expire: 2019-08-29
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Posted: Fri Apr 10, 2009 4:48 am Post subject: |
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poilu wrote:
oh sunshine! you kill me with this Mexican breakfast! send us more |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Fri Apr 10, 2009 7:59 am Post subject: |
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Orio wrote:
Andy: something tells me that I have to visit Mexico before I get too old! _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Jieffe
Joined: 04 Nov 2007 Posts: 754 Location: Belgium
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Posted: Fri Apr 10, 2009 8:20 am Post subject: |
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Jieffe wrote:
Alessandro, real nice pic, you really are a master ! You managed to make me hungry with just garlic ... also hungry of making such good food shots.
Orio wrote: |
Andy: something tells me that I have to visit Mexico before I get too old! |
... or before she gains more weight. See that poor darling, she already can't button her pants anymore
Very cute girl ! As Poilu said, send more, Andy, please, pretty please ! |
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