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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Wed May 23, 2012 7:41 am Post subject: Some BW from NEX5 |
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IAZA wrote:
last weekend. manual lenses fans from various cities gathered in my city. We had good times. more than 100 people shared each other.
Some shots I took BW from NEX. edit only resize, increase/decrease contrast/brightness. and maybe little crop
I'd like to know your comment/critic of them, as I want to shot straight BW without to much edit in PC. too lazy me
Thanks
Zenitar m 50/1,7 (All wideopen)
Samyang 8mm
_________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~
Last edited by IAZA on Thu May 24, 2012 1:18 am; edited 2 times in total |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Wed May 23, 2012 10:29 pm Post subject: |
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ForenSeil wrote:
I can't see any pics!? _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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BruceB
Joined: 28 Feb 2009 Posts: 32
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Posted: Wed May 23, 2012 10:58 pm Post subject: |
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BruceB wrote:
ForenSeil wrote: |
I can't see any pics!? |
Me neither. _________________ Bruce Burton
My PhotoBlog: http://brucemburton.blogspot.com |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu May 24, 2012 1:16 am Post subject: |
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IAZA wrote:
Sorry, I re-upload in here, link doesn't work today. I saw it worked yesterday. _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu May 24, 2012 5:05 am Post subject: |
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patrickh wrote:
The nEX cameras really do a fine job, and they are so small!
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6943 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Thu May 24, 2012 6:05 am Post subject: |
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martinsmith99 wrote:
Nice series, but what's going on in the last pic? _________________ Casual attendance these days |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu May 24, 2012 6:28 am Post subject: |
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IAZA wrote:
Thanks Patrick, Martin.
martinsmith99 wrote: |
Nice series, but what's going on in the last pic? |
To get pict #1, we had to did like last pict
That's more like behind scene shot
My friend gave his cam to that old man so they had some different style to shot _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
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Posted: Thu May 24, 2012 10:53 am Post subject: |
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skida wrote:
Nice shots and the photos have a quality that reminds me of some printed in an old book I own. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu May 24, 2012 12:23 pm Post subject: |
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Orio wrote:
Good ones, you made a nice job in mimicking film, these are some of the most convincing digital B&W that I have seen recently. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu May 24, 2012 1:17 pm Post subject: |
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IAZA wrote:
Thanks skida, this series was hold by my friends and me, the concept was arranged to explore our traditional legacy/
Orio, Thanks for your appreciation. BW is not my type actually, but I like it let say 2 of 10 shots. Usually I convert color to BW.
1 more..
_________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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56 DIN
Joined: 24 Apr 2010 Posts: 1656 Location: Germany Erbach /ODW
Expire: 2021-11-18
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Posted: Thu May 24, 2012 7:13 pm Post subject: |
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56 DIN wrote:
all of them are good pics, my favs are the 2 last ones, where the photographing crown is around the old man _________________ Thomas
NEX & manual lenses
Nikon & manual lenses |
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pich900
Joined: 10 Jun 2007 Posts: 1745 Location: The Netherlands/Zwolle
Expire: 2012-12-27
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Posted: Thu May 24, 2012 8:01 pm Post subject: |
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pich900 wrote:
That's indeed a very nice B&W serie! The last one is quite funny with the old man looking to (probably!) himself on the cam's LCD and all your collegues continuing to shot him . .... _________________ All my lenses are for sale, nikkor, Angenieux, Zeiss etc.....
Regards,
Pascal
-------------------------------------------------------
Nikon D700 |
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aspen
Joined: 15 Dec 2010 Posts: 307 Location: Maryland, USA
Expire: 2014-02-20
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Posted: Sun May 27, 2012 1:23 am Post subject: |
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aspen wrote:
I like #1. You made some very nice decisions. The composition, the focus, the timing of the shot are well done. #2 and #3 have light reflections on his eye glasses, and I think this would be better if we could see his eyes. It is a problem that I always look for with eye glass wearers, and sometimes moving slightly can help. I am not shy about asking someone to move their head, either. _________________ Cameras; Sony Nex5n Lenses; Konica Hexanons; 21mm f2.8, 40mm f1,8, 50mm f1.4, 50mmf1.7,57mm f1.4, 100mm f2.8, 135mm f3.2, 200mm f4, MC Helios 77M-4 50mm f1.8, Jupiter 8 50 f2, Super Takumar 85mm f1.9, Vivitar Series 1 90mm f2.5 (Macro), Steinheil Munchen Culminar 85mm f2.8, Steinheil Munchen Exagon 35mm f2.8, Jupiter 37A 135mm, Astra Berlin 135mm f3.5, Angenieux 180mm f4 , Tair 3-PhS 300mm f4.5 |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun May 27, 2012 2:49 am Post subject: |
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Orio wrote:
Careful not to exceed with contrast anyway. Digital and film have different curves, B&W film can handle contrast much better,
whereas digital easily gives itself away when you push on contrast too much (highlights become super bright more abruptly).
Your last picture is an example of this. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Sun May 27, 2012 6:55 am Post subject: |
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IAZA wrote:
Thanks Pascal, & Thomas:D
Orio wrote: |
Careful not to exceed with contrast anyway. Digital and film have different curves, B&W film can handle contrast much better,
whereas digital easily gives itself away when you push on contrast too much (highlights become super bright more abruptly).
Your last picture is an example of this. |
Thanks Orio, I guess this is goes for good film, like ilfors etc. My experience with Lucky BW is different, it's always prone to strong light.
This need more practice.
Quote: |
I like #1. You made some very nice decisions. The composition, the focus, the timing of the shot are well done. #2 and #3 have light reflections on his eye glasses, and I think this would be better if we could see his eyes. It is a problem that I always look for with eye glass wearers, and sometimes moving slightly can help. I am not shy about asking someone to move their head, either. |
Thanks Aspen, I noticed that too, I should shot him from different angle. _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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aspen
Joined: 15 Dec 2010 Posts: 307 Location: Maryland, USA
Expire: 2014-02-20
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Posted: Sun May 27, 2012 7:20 am Post subject: |
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aspen wrote:
IAZA wrote: |
Thanks Aspen, I noticed that too, I should shot him from different angle. |
They may not be completely lost though. I would play around with the dodge/burn tool in PS and try to tinker with them. #3 would be difficult, but because he is looking away from the camera it isn't as important. It, still has a strong "feel" over-all, and I wouldn't toss it away. But #2, because he is looking directly into the camera, I think any detail that you can pull out might help.
The shot #4 of the lady with the cloth material. If you had taken two step backwards, and then, two or three steps to the right. The woman in the background would not have her head cut off, and the seated lady would have feet And I think the separation of the background lady TO BEHIND the first white cloth would be dynamic, also. _________________ Cameras; Sony Nex5n Lenses; Konica Hexanons; 21mm f2.8, 40mm f1,8, 50mm f1.4, 50mmf1.7,57mm f1.4, 100mm f2.8, 135mm f3.2, 200mm f4, MC Helios 77M-4 50mm f1.8, Jupiter 8 50 f2, Super Takumar 85mm f1.9, Vivitar Series 1 90mm f2.5 (Macro), Steinheil Munchen Culminar 85mm f2.8, Steinheil Munchen Exagon 35mm f2.8, Jupiter 37A 135mm, Astra Berlin 135mm f3.5, Angenieux 180mm f4 , Tair 3-PhS 300mm f4.5 |
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Hari
Joined: 29 Nov 2009 Posts: 1790
Expire: 2015-05-27
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Posted: Sun May 27, 2012 5:47 pm Post subject: |
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Hari wrote:
#3 and the last one are my favs! nicely shot and pp'ed my friend! _________________
Analogue Rangefinders: Leica M5, Leica M6 Titanium classic 0.72, Leica M7 0.58, Leica M7 0.85
Digital Rangefinder: Leica M9, Leica Monochrom, Leica M240
SLR: Leica R3 electronic, Canon AE1P
DSLR: Canon 5D MK2
M mount Lenses: Super-Wide Heliar 15/f4.5 ASPH. + Leica 24/f3.8 ASPH + Leica 28/f2 ASPH. + Leica 35/f1.4 ASPH. FLE + Leica Noctilux 50/f0.95 + Leica Noctilux 50/f1 + Canon 50/f1.2 LTM + Leica 50/f1.4 ASPH. + Leica 50/f1.5 + Zeiss ZM Sonnar 50/f1.5 + Leica APO Summicron 50/f2 + Leica Summitar 50/f2 + Leica Rigid Summicron 50/f2 + Zeiss ZM Planar 50/f2 + Leica 50/f2.8 E39 + Leica 75/f1.4 + Leica APO 75/f2 ASPH. + Voigtlander 75/f2.5 + Leica Summarex 85/f1.5 + Leica APO 90/f2 ASPH. + Leica 90/f2 E55 + Leica 90/f2.8 + Leica APO 135/f3.4
Leica R mount Lenses: Leica-R 60/2.8 E55 + Leica-R 80/1.4 E67 + Leica-R 180/4
EF mount Lenses: Canon 50/1.8 II
M42 mount Lenses: Too many
My pictures: http://www.flickr.com/photos/dementedjesus/ |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Mon May 28, 2012 9:03 am Post subject: |
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IAZA wrote:
aspen wrote: |
IAZA wrote: |
Thanks Aspen, I noticed that too, I should shot him from different angle. |
They may not be completely lost though. I would play around with the dodge/burn tool in PS and try to tinker with them. #3 would be difficult, but because he is looking away from the camera it isn't as important. It, still has a strong "feel" over-all, and I wouldn't toss it away. But #2, because he is looking directly into the camera, I think any detail that you can pull out might help.
The shot #4 of the lady with the cloth material. If you had taken two step backwards, and then, two or three steps to the right. The woman in the background would not have her head cut off, and the seated lady would have feet And I think the separation of the background lady TO BEHIND the first white cloth would be dynamic, also. |
Thanks for your input, really appriciate
Quote: |
#3 and the last one are my favs! nicely shot and pp'ed my friend! |
Thanks Hari, NEX is good enough so that I only need little PP _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
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Posted: Mon May 28, 2012 10:06 am Post subject: |
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skida wrote:
I keep coming back and having another look. I think I have worked out what I like about the quality of the processing: There are good strong blacks, but very little complete whites and that gives the look of vintage book plate prints. They all work for me. |
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