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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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 Posted: Mon Feb 08, 2010 10:17 am Post subject: SMC Takumar Bellows 100mm f4 |
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Posted: Mon Feb 08, 2010 10:17 am Post subject: SMC Takumar Bellows 100mm f4 |
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piticu wrote:
I haven't been using this lens in a while. Couple of days ago i gave it a shot:
Bleached cyanotype toned in yerba mate.
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ludoo
Joined: 18 Sep 2009
Posts: 1397
Location: Milan, Italy
Expire: 2011-12-05
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Posted: Mon Feb 08, 2010 11:52 am Post subject: Re: SMC Takumar Bellows 100mm f4 |
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Posted: Mon Feb 08, 2010 11:52 am Post subject: Re: SMC Takumar Bellows 100mm f4 |
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ludoo wrote:
| piticu wrote: |
I haven't been using this lens in a while. Couple of days ago i gave it a shot:
Bleached cyanotype toned in yerba mate. |
Very nice result. Would you mind describing the printing process? |
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Mon Feb 08, 2010 12:02 pm Post subject: |
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Posted: Mon Feb 08, 2010 12:02 pm Post subject: |
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piticu wrote:
After i got the negative printed on a transparency film with my inkjet printer, i coated a piece of paper with cyanotype emulsion and baked the sandwitch at a UV lamp for 10 minutes. Developed the print in acidic water and toned for around 1minute in strong yerba mate infusion. Long wash afterwards, around half an hour. It dries overnight
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heartcat
Joined: 31 Dec 2009
Posts: 371
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Posted: Mon Feb 08, 2010 12:05 pm Post subject: |
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Posted: Mon Feb 08, 2010 12:05 pm Post subject: |
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heartcat wrote:
Very interesting.
What an intriguing process! |
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Mon Feb 08, 2010 12:08 pm Post subject: |
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Posted: Mon Feb 08, 2010 12:08 pm Post subject: |
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piticu wrote:
old and beautiful stuff. more about on http://www.alternativephotography.com/process_cyanotype.html
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Nesster
Joined: 24 Apr 2008
Posts: 5883
Location: NJ, USA
Expire: 2014-02-20
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Posted: Mon Feb 08, 2010 3:41 pm Post subject: |
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Posted: Mon Feb 08, 2010 3:41 pm Post subject: |
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Nesster wrote:
That's an interesting process, and a wonderful result.
The bellows lens, I'm not familiar with these - they are designed to get infinity on a bellows?
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Camera photos
Print Photographica
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Mon Feb 08, 2010 3:43 pm Post subject: |
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Posted: Mon Feb 08, 2010 3:43 pm Post subject: |
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piticu wrote:
Using a plain metal m42->f-mount adapter it can focus past infinity on my nikon camera.
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kds315*
Joined: 12 Mar 2008
Posts: 16903
Location: Kehl, Germany
Expire: 2021-03-09
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Posted: Mon Feb 08, 2010 3:59 pm Post subject: |
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Posted: Mon Feb 08, 2010 3:59 pm Post subject: |
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kds315* wrote:
very nice result indeed Cezar!
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Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Mon Feb 08, 2010 4:16 pm Post subject: |
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Posted: Mon Feb 08, 2010 4:16 pm Post subject: |
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piticu wrote:
many thanks again, klaus! it's a very sharp and reliable piece of glass
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Poolhall
Joined: 25 Feb 2008
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Posted: Mon Feb 08, 2010 4:45 pm Post subject: |
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Posted: Mon Feb 08, 2010 4:45 pm Post subject: |
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Poolhall wrote:
Very Cool indeed good to see different ways of getting a great image  |
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dakoo
Joined: 08 Mar 2008
Posts: 603
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Posted: Mon Feb 08, 2010 5:02 pm Post subject: |
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Posted: Mon Feb 08, 2010 5:02 pm Post subject: |
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dakoo wrote:
Great result. What printer did u use to print the inkjet negetives.
I am looking for adjustment curves for Canon printers.
For alternative printing process.. Here is a great blog i am following.
http://vedos.samk.fi/
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Yashica ML 2.4/24, ML 2.4./28,
Zeiss Distagon 35/1.4, Planer 1.4/50, Planer 1.7/50,
SMC Tak 1.4/50,Tessar 2.8/50, Jupiter2/85
CZJ 4/135; Pentacon 4/200
Canon Tns 24/3.5
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Mon Feb 08, 2010 5:59 pm Post subject: |
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Posted: Mon Feb 08, 2010 5:59 pm Post subject: |
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piticu wrote:
I know that blog: it's making me mad not to have access to their resources 
To answer your question: K3 inks on Epson printer. To get optimal results you have to redo the compensation curve every time to change paper, base exposure, chemistry composition, sometimes even the processing temperature. What printing process are you using? I only dealt with cyanotype and van dyke.
I can help you with the curve if you want to. Contact me on ym please.
This is another cyanotype toned in both yerba mate and black tea. Till now it is the best result i got:
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patrickh
Joined: 23 Aug 2007
Posts: 8551
Location: Oregon
Expire: 2011-11-18
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Posted: Mon Feb 08, 2010 7:03 pm Post subject: |
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Posted: Mon Feb 08, 2010 7:03 pm Post subject: |
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patrickh wrote:
Now that is an extraordinary print. Well done indeed
patrickh
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DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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dakoo
Joined: 08 Mar 2008
Posts: 603
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Posted: Tue Feb 09, 2010 4:32 am Post subject: |
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Posted: Tue Feb 09, 2010 4:32 am Post subject: |
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dakoo wrote:
| piticu wrote: |
To answer your question: K3 inks on Epson printer. To get optimal results you have to redo the compensation curve every time to change paper, base exposure, chemistry composition, sometimes even the processing temperature. What printing process are you using? I only dealt with cyanotype and van dyke.
I can help you with the curve if you want to. Contact me on ym please.
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Thanks a lot. I will get in touch with you on YM.
Actually i have got everything ordered for Cyanotype, Van Dyke & pallidium. But i don't have the printer to print it. I had access to a Canon printer, but no curves were available.
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Yashica ML 2.4/24, ML 2.4./28,
Zeiss Distagon 35/1.4, Planer 1.4/50, Planer 1.7/50,
SMC Tak 1.4/50,Tessar 2.8/50, Jupiter2/85
CZJ 4/135; Pentacon 4/200
Canon Tns 24/3.5
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Tue Feb 09, 2010 11:39 am Post subject: |
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Posted: Tue Feb 09, 2010 11:39 am Post subject: |
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piticu wrote:
| dakoo wrote: |
| I had access to a Canon printer, but no curves were available. |
Easy job to create the curve. I'll tell you how
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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Posted: Tue Feb 09, 2010 12:44 pm Post subject: |
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Posted: Tue Feb 09, 2010 12:44 pm Post subject: |
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Orio wrote:
Great print and great posting, could also be in Darkroom section.
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piticu
Joined: 04 Aug 2008
Posts: 591
Location: Romania
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Posted: Tue Feb 09, 2010 12:49 pm Post subject: |
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Posted: Tue Feb 09, 2010 12:49 pm Post subject: |
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piticu wrote:
Technically there's nothing dark about the whole process: i coat the paper and print in full daylight (joking). Thanks for the nice comment Orio.
There's a VanDyke, the best i got till now regarding dynamic range (sorry, no mf lens here, just Nikkor 85mm 1.8 DX):
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