SMC Takumar Bellows 100mm f4

[piticu]

I haven't been using this lens in a while. Couple of days ago i gave it a shot:


Bleached cyanotype toned in yerba mate.
_________________
http://cezar.popescoo.net

[ludoo]

[piticu]

After i got the negative printed on a transparency film with my inkjet printer, i coated a piece of paper with cyanotype emulsion and baked the sandwitch at a UV lamp for 10 minutes. Developed the print in acidic water and toned for around 1minute in strong yerba mate infusion. Long wash afterwards, around half an hour. It dries overnight
_________________
http://cezar.popescoo.net

[heartcat]

Very interesting.

What an intriguing process!

[piticu]

old and beautiful stuff. more about on http://www.alternativephotography.com/process_cyanotype.html
_________________
http://cezar.popescoo.net

[Nesster]

That's an interesting process, and a wonderful result.

The bellows lens, I'm not familiar with these - they are designed to get infinity on a bellows?
_________________
-Jussi
Camera photos Print Photographica
35mm: Pentax: SP, ES II, KX, Program Plus, ZX-10, ZX-L, Fuji ST605n, Yashica: TL Electro-X, T4, Olympus OM2s, Nikon FE, EM, Konica Autoreflex TC, C-35,Kodak Retina IIa, IIc, ,Minolta A-2, Fed-3 120: Pentax 645 Voigtlander: Rollfilmkamera 6x9 Skopar 1933, Bessa 6x9 Skopar '37, Bessa 66 6x6 Skopar '38, Bessa I 6x9 & 6x4.5 Vaskar '50s, Certo Super Sport Dolly 1) Xenar '37 2) Victar '38, Ricoh Diacord G, Yashica Mat 124G, lenses: Takumar: Super, S-M-C 3.5/28mm; S-M-C 3.5/35mm; Super, SMC 1.4/50; Macro 4/50, Auto, S-M-C 1.8/55mm, S-M-C 2.8/105mm, Tele 5.6/200mm K-mount: SMC-A 2.8/28mm, SMC-M 1.7/50mm, 43mm and 70mm limited Nikkor: N 2.8/24, 2/35, E1.8/50, Micro 3.5/55 Zuiko: 1.4/50mm, 1.8/50mm, 2/85mm T/T4/Tx: Viv 3.8/21mm, Viv 2.5/28mm, Sol 2.8/105mm, Viv 3.5/200mm, Viv 90-230, Soligor C/D 8/500mm Adaptall: SP 35-80 CF 01a, 80-210 103a, SP 90 Macro 52bb + ext tube + 2x flat field converter Misc M42: Yashinon DX 2.8/35mm, DS-M 1.7/50mm, DX 2.8/135mm, Rikenon 2.8/135mm, too much to list... M39: Jupiter-12, Industar-61

[piticu]

Using a plain metal m42->f-mount adapter it can focus past infinity on my nikon camera.
_________________
http://cezar.popescoo.net

[kds315*]

very nice result indeed Cezar!
_________________
Klaus

http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
http://photographyoftheinvisibleworld.blogspot.com/ my UV diary


Currently most FAV lens(es):
Nikon UV Nikkor f4.5/105mm
Voigtländer (Cosina) Apo-Makro-Lanthar f2.5 125mm SL

Want to travel to Europe and see spots hardly anyone has seen, read this:
http://www.examiner.com/x-6661-Germany-Travel-Examiner

[piticu]

many thanks again, klaus! it's a very sharp and reliable piece of glass
_________________
http://cezar.popescoo.net

[Poolhall]

Very Cool indeed good to see different ways of getting a great image
_________________
Digital:Samsung GX-10 DSLR
Film: Almaz 103, about 30 Zenits M39, M42 and K mount, 5 Yashicas, and a Minox GT
Lenses: Mostly M42 and K mount Russian, Some Yashica, and a couple of Pentax AF.

[dakoo]

Great result. What printer did u use to print the inkjet negetives.
I am looking for adjustment curves for Canon printers.

For alternative printing process.. Here is a great blog i am following.
http://vedos.samk.fi/
_________________
Yashica ML 2.4/24, ML 2.4./28,Zeiss Planer 1.7/50,SMC Tak 1.4/50,Tessar 2.8/50, Jupiter2/85
CZJ 4/135; Pentacon 4/200

[piticu]

I know that blog: it's making me mad not to have access to their resources

To answer your question: K3 inks on Epson printer. To get optimal results you have to redo the compensation curve every time to change paper, base exposure, chemistry composition, sometimes even the processing temperature. What printing process are you using? I only dealt with cyanotype and van dyke.

I can help you with the curve if you want to. Contact me on ym please.

This is another cyanotype toned in both yerba mate and black tea. Till now it is the best result i got:

_________________
http://cezar.popescoo.net

[patrickh]

Now that is an extraordinary print. Well done indeed



patrickh
_________________
DSLR: Nikon D70 Nikon D200 Canon 40D
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 135/2.8
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 80/5.6, 80/4S, 100/5.6S,105/5.6,135/5.6

[dakoo]

[piticu]